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Click here to subscribe`Green and Gold Florian Ware` a Moorcroft Pottery slender baluster vase, designed by William Moorcroft, painted in green and blue, highlighted in gilt printed and painted marks, collection paper label 29.5cm.high Provenance One of a pair owned by Audrey Atterbury, its pair bequeathed to the Victoria & Albert Museum by Paul Atterbury in her memory, 1998.
`Waratah` a Moorcroft Pottery vase, designed by William Moorcroft, painted in shades of red and green on a graduated green and blue ground impressed marks, painted blue signature 10.5cm. high Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 99 for examples of this pattern.
A tall Wedgwood Chinese Aster vase, the design attributed to Millicent Taplin, pattern C.272, footed, flaring cylindrical form, painted in shades of green, blue, yellow and brown on a cream ground printed and painted marks 32cm. high Literature Maureen Batkin, Wedgwood Ceramics, Richard Dennis Publications, page 163 plate 397 for this design reproduced on a charger
An earthenware vase by Otto Lindig, hand-thrown ovoid form with everted rim, covered in a streaked silver-grey and oatmeal incised marks for Otto Lindig and his son Markus Lindig 17.5cm. high Otto Lindig was a student and then workshop manager for ceramics at the Bauhaus. When the Bauhaus discontinued ceramics production in 1925, Otto Lindig continued working independently in the Bauhaus studio at Dornburg. He worked with his eldest son, Markus between 1935-1940.
Bernard Leach (1887-1979) a porcelain vase, flaring cylindrical form covered in a celadon glaze impressed seal marks, chip and bruise to top rim 15.5cm. high Literature Bernard Leach, Hamada & Their Circle from the Wingfield Digby Collection, Phaidon, page 69 plate 61 for a comparable form
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