We found 653685 price guide item(s) matching your search
There are 653685 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
653685 item(s)/page
Each of elegant slender tear-drop form on conical feet, painted in under-glaze blue with leaf-shaped panels enclosing lotus flowers, the necks with floral sprays (2) Height: 17.5cm Provenance: The Canterbury Auction Galleries, 23rd October 2012, lot 581 來源:售於坎特伯雷拍賣行2012年10月23日拍品號581 Rosewater sprinklers were initially exported to Batavia by the Dutch, and quite frequently are metal-mounted. They found their way via the VOC to the Netherlands as curiosities and decorative items 玫瑰水灑瓶最初由荷蘭商人出口至巴達維亞,大部分由金屬鑲嵌。後來類似青花瓶由荷蘭東印度公司進口到荷蘭用於裝飾盒滿足貴族的好奇心。Condition ReportThe sprinklers of excellent colour, and lively painting, with a vivid cobalt blue. One vase with minor frits to the foot rim, the other with a couple of burst air bubbles to the glaze around the foot rim. Otherwise good.
A trio of enamelled small white metal vases comprising an 11.5cm bottle vase and pair of 8.5cm slender bulbous vases, all with matching polychrome poppy decoration on engine turned ground, the latter bearing import retailer hallmarks for Walter, Walker & Brownfield, Tolhurst - London 1901, one with small dent to foot
All reserved on a dark blue ground, impressed mark to base, foot detached and re-stuckHeight: 24.5cmCondition ReportThe base has been detached and recently re-stuck. There are a couple of vertical enamel cracks to the rear of the vase, one very fine, about 10cm, just above the brown scrollwork to the foot rim and other surface scratches around the body.
The young female figure modelled standing, holding a vase in her left hand, on canted square stepped baseHeight 27cmProvenance: Woolley & Wallis, 20th May 2009, lot 747來源:威力士2009年5月20日拍品號747.Condition ReportOld area of restoration around the rim of the vase, partially discoloured, minor firing faults, otherwise good
Each of rectangular section moulded with figural panels of a flower maiden holding a basket, a sprig of lingzhi fungus and accompanied by a deer and attendants, all against a seeded biscuit ground moulded and enamelled with flower sprays, the domed covers with seated lion-dog knopsHeight: 33cmProvenance: The Cowdray Sale: Works of Art from Cowdray Park and Dunecht House, AtCowdray Park, West Sussex, property of the Viscount Cowdray, Christie’s 13th September 2011, lot 256來源:售於倫敦佳士得2011年9月13日拍品號256Condition ReportThe right hand vase in the catalogue photograph leans a little forward, a firing fault, otherwise the pair are in very good condition with vibrant enamels to the raised panels, bringing them to life. One lion-dog knop re-stuck and cleanly re-glued, barely noticeable.
Of shouldered tapering form, the trumpet-shaped neck decorated with a band of ruyi heads and scrollwork, the body painted with a lively design of three buddhistic lion dogs playing with brocaded balls, the base with a double-circle in underglaze-blueHeight: 45cmProvenance: Priestley & Ferraro, London來源:爵士軒 倫敦A similar large Kangxi bottle vase decorated with Buddhist lions was sold at Sotheby’s New York, 17th March 2021另一類似售於紐約蘇富比2021年3月17日Condition ReportA 1cm v-shaped triangular nick to the rim, with filling and over-spraying, barely visible to the naked eye. Otherwise the vase is in good condition, with a particularly vivid underglaze blue painting.
Finely painted in the famille-rose palette with Green Peafowl, Manchurian Cranes, Paradise Flycatchers and Myna birds amongst luxuriant full-blown peony blooms, issuing from rock work within fenced terraces, beneath an elaborate lappet border to the shoulders with cartouches containing precious objects and floral sprays, the domed covers similarly decorated with knops moulded as large lotus blooms, on 18th century European carved gilt-wood stands (6) Height: 90cm, overall height including stands 128cm Provenance: From a Portuguese private collection, with Cohen and Cohen 來源:葡萄牙私人收藏 標籤Cohen and Cohen This fine pair of vases have enamel painting of the highest quality and density of decoration. Vases with lotus bloom knops are rare with only a few examples known, including A similar pair of soldier vases, illustrated by George C. Williamson, The Book of Famille Rose published in 1970, pl. LVIII from the collection of the Honorable Mrs. Ronald Greville; another soldier vase at Polesden Lacy (National Trust) and a single vase in the Swedish Royal Collection at Drottningholm, illustrated in The Chinese Pavilion at Drottningholm, 1972, page 156-157. 相似一例見 喬治.威廉森著 羅納德 《葛蕾威爾女士收藏粉彩瓷器》 1970 頁LVIII。另一例見瑞典皇家收藏中國廳 1972,頁156-157. A similar pair of soldier vases are illustrated by George C. Williamson, The Book of Famille Rose published in 1970, pl. LVIII from a collection of the Honorable Mrs. Ronald Greville Literature: The Elephant in the Room, Cohen & Cohen, October 2019, cat. no. 10, pages 24-27 著錄於:《房間裡的大象》科恩&柯恩,2019年10月,圖10,頁24-27. Overall the famille jars and covers present very well, on good period stands. Cover 1:Overall in very good condition. Three minor chips to the edges of the petals, largest 1cm., approx.Some red plasticine attached to the underside of the rim/flange to stabilise the lid when it sits on the jar. A tiny scale chip to underside of the rim., approx. 6mm. Cover 2:Overall in very good condition. Very minor firing imperfections to petal knops. Two lumps of red plasticine attached to the underside of the flange/rim to stabilise the cover when sitting on the jar. Vase 1: The first vase with a minor glaze line running from a firing fault to the foot rim, approx 9cm. Also a shallow flake to the unglazed base, approx. 1cm. Vase 2: The Second vase with a recently stabilised hairline to the neck of the jar, which has been professionally restored and is invisible to the naked eye. The green paper markers (see photos on the saleroom.com) to the interior show the extent of the hairline which arcs away from the rim, approx. 25cm. The gilt wood stands with nicks and chips in keeping with their age. Overall a very impressive pair of jars, covers and period stands.
Vividly painted in underglaze-blue, the upper section with a continuous landscape scene of scholars in an lakeside setting, the bulbous middle section with landscape panels separated by chrysanthemum and lotus sprigs, the splayed foot with another continuous river landscape, lotus sprig to the base within a double-circle Height: 43.5cm Provenance: Recorded in an old inventory valuation, 14th April 1967, cat. no. 173, updated by James Spencer, Christie’s, 3rd June 1976 來源:家族舊物帳中編號173, 估價於1967年4月14日。James Spencer, Christie’s 於1976年6月3日為此重新估價。Condition ReportA 14cm section of the rim broken into three pieces, previously riveted and over painted, three areas of loss along the break, associated 1.5cm scale chip, another 12cm triangular section broken from the rim and poorly re-stuck. One other stained hairline running from the rim, approx 7.5cm. Despite this, the vase is still very attractive and well painted with a vivid tone of underglaze blue.
Each painted with four roundels enclosing a lantern, vase of flowers and a jardinière of irises, reserved against an incised yellow ground with auspicious symbols, Daoguang six-character iron-red seal marks to bases, the interiors with floral medallions Diameter: 12.5cm A bowl of similar design was sold at Sotheby’s, Fulbeck Hall, a Lincolnshire House Sale in London, lot 351, 2002 相似黃地粉彩盌2002年售於倫敦蘇富比,拍品號 351。Condition ReportOne bowl with two burst bubbles to the rim, two small areas of yellow enamel shrinkage, the second bowl with a small scale chip to the rim, confined to the white rim, about 2mm. approx.
Finely painted with a processional scene of high-ranking ladies, gentlemen and children in a mountainous garden landscape, enjoying the spring blossom, beneath pine trees, bearing the artists signature in iron-red and gilt, Okamoto Ryozan for the Yasuda Company, Kyoto Height: 24.5cm A similar vase by the artist was sold at Bonham’s, New Bond Street, Fine Japanese Art, 10th November 2011, lot 346Condition ReportIn very good condition. If one was being uber critical, there is some very minor wear to the gilt neck, where the iron-red is showing, but this is minimal. A very handsome vase and a good example of this artist’s work.
The first of mallet-shape, the second with a slender neck above a tapering globular body, together with a crackle-glazed baluster vase (3) The largest 20.5cmCondition ReportThe mallet shaped vase: in good condition. The vase with slender neck: in good condition. A short glaze line, to the shoulder, approx 1cm. The crackle-glazed meiping: in good condition. the lower body stained
To include: a ‘Yue’ green-glazed stoneware jarlet, Southern Dynasties Period, 6th century, a ‘Jian’ stoneware two-handled jar, covered in brownish black glaze, Song dynasty, 13th century, a white-glazed two-handled stoneware jar, Song dynasty, 13th century and a small white-glazed crackleware bottle vase, Tang dynasty, fitted box (5)Condition ReportYue jarlet: several chips to the rim, the largest 3cm, some staining to the body, two small scale chips to foot rim, exposing grey body, largest 6mm.Jian jar: some fritting to the rim, one handle chipped and re-stuck, well crazed overall, with what appears to be a ‘glued’ hairline running from the rim to the foot rim and beneath, residue of glue. Would benefit from cleaning.White-glazed jar: 2cm, shallow scale chip to the rim, firing imperfections to foot and body.Small white crackle-glazed vase: in good condition
Of waisted double gourd form, painted with insects and tree peony, four-character signature to base, Height 16cm; together with a circular blue and white bottle and cover, painted with panels of mandarin ducks (3)Condition ReportThe vase: glaze imperfections to the interior of the neck, ‘dry patches’ revealing the biscuit body. Two short stained hairlines, to either side of the neck, confined to the key-fret band. The body finely crazed overall.The jar and cover: Minor firing faults and glaze imperfections, otherwise good
-
653685 item(s)/page