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BORGE MOGENSEN: A Shell chair in Teak finished plywood and beech, probably manufactured by Erhard Rasmussen. Mogensen`s work is typified by strong and simple lines with the intention that the furniture be suitable for industrial production. This chair, first designed in 1949 shows Mogensen`s close association with Kaare Klint, his mentor and tutor for a number of years. The chair also shows a link with furniture history in that it is a development of a Windsor chair with the back and legs being tenoned into a solid seat, as well as echoing stylish 18th century chairs with vase shaped back splats. See Illustration
A Japanese Satsuma earthenware vase, second half 19th Century, the pear shaped body gilt and enamelled with a peacock flying amidst chrysanthemum, the horizontally rib moulded neck with blue ground lappet panels, gilt and enamelled with scrolling foliage and flowers, black enamelled and gilt Satsuma mon and mark to base, height approx 12.5cm.
A large Satsuma earthenware vase of ovoid form with narrow neck, early 20th Century, painted with a reserve panel of dwellings beside a tree lined river running through a mountainous landscape with a bridge in the foreground, opposing a reserve panel of birds in flight and perched amongst wisteria branches, against a dark blue ground with gilt decoration, height approx 38cm.
A Chinese cinnabar lacquer vase, probably 19th Century, of square section with flared neck and foot, each side panel carved in relief with three figures in landscapes beneath pine or willow, the neck and foot with floral panels, height approx 31cm, together with a Chinese cinnabar lacquer bottle vase, carved in relief with four figural panels, height approx 12cm, and a Chinese cinnabar lacquer circular box and cover, carved in relief with peony, diameter approx 8cm (faults).
A Chinese famille rose porcelain vase, early 20th Century, the swollen cylindrical body enamelled with a maiden seated on rockwork admiring a flower basket in a fenced garden, a mythical bird flying above, within blue enamelled ruyi head and key fret borders, pseudo iron red Qianlong seal mark to base, height approx 26cm.
A pair of Chinese yellow ground cylinder vases, late 19th Century, painted with iron red dragons and white flowers together with a Chinese famille rose blue ground baluster vase, a pair of Chinese export porcelain blue and white plates and two other items of blue and white porcelain (some faults).
A Continental gilt metal mounted porcelain vase, probably French, 19th Century, the gilt overlaid U-shaped turquoise ground body reserved to each side with an enamelled floral bouquet within a gilt foliate scroll frame, flanked by acanthus cast gilt metal handles and pierced applied rim, the waisted foot chased and pierced with scrolling acanthus, unmarked, height approx 14cm.
A Mintons bone china two handled vase, circa 1900, the turquoise ground U-shaped body decorated with a band of pink rosebuds centred with a classical portrait above gilt beaded swag decoration, raised on a similarly decorated square base, puce printed, incised and painted marks to base, height approx 11.3cm.
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653685 item(s)/page