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Click here to subscribeChristopher Dresser for Linthorpe Pottery: A Twin-Handled Vase, shape No.336, moulded with an abstract leaf design to each side, impressed LINTHORPE Chr Dresser HT 336, 20.5cm (restored) See illustration Illustrated Hart (Clive W.) Linthorpe Art Pottery, published by Aisling Publications, page 22. Restored neck rim and foot rim. Minor glaze nicks - one on handle and the body. Crazed. Restoration to the relief decoration. Hairline and nick to rim. 110417
Christopher Dresser for Linthorpe Pottery: A Jug, shape No.182, turquoise blue glaze, impressed LINTHORPE Chr Dresser 182 HT, 20.5cm; and Christopher Dresser for Linthorpe Pottery: A Twin-Handled Vase, shape No.869, olive and mustard glaze, impressed LINTHORPE Chr Dresser 869 HT, 25cm (2)
A 19th century meat plate, of rounded oblong form, transfer printed in blue and white in the 'Wild Rose' pattern, 36cm wide, a Shelley Harmony vase of inverted conical pedestal form with ribbed body in green and brown, 20cm high and Royal Crown Derby paperweight as a reclining fox, gold stopper, 11cm wide
A Poole Pottery vase, of flattened circular form, painted with a band of flowers and leaves, 10cm high, a French Art Deco style vase of stepped hexagonal form, painted in amber with geometrical shapes, 25cm high and a Spanish Kandinskyesque wall plaque, 23cm diameter (3)
A David Roberts (b.1947) large Raku vase, of bulbous form with knopped flared neck, the body raku fired with grey crackled glaze, impressed mark, original invoice dated 1987, 59cm high. Provenance ; purchased from a Beverley art gallery in 1987, one of four or five examples made by Roberts. David Roberts was born in Sheffield in 1947 and studied at Bretton Hall College, West Yorkshire. In 1985 he was elected Chairman of the Craft Potters Association and is one of the most significant ceramic artists working in Europe today. He has an international reputation as a leading practitioner in Raku ceramics, a technique with its origin in small-scale vessels made for the Tea Ceremony in late sixteenth-century Japan. His work investigates the clay bodies interaction with smoke-marking and deep carbonisation. The resulting vessels are strongly evocative of David's increasing engagement with the natural world and the contours and stratification of stone and landscape. David Roberts lives and works in the Yorkshire Pennine mill town of Holmfirth.
An 18th century Delft vase, of inverted octagonal baluster form, with polychrome painted portrait of a man, 15cm high, a 19th century grey parianware hydra jug with Jasperware style decoration of figures and leaves, impressed Oriental 66, 17.5cm high another 19th century hydra jug painted with Ironstone style flowers and leaves, 17cm high and a Victorian parian jug of tapering form with hinged pewter lid, moulded with figures and leaves, 19cm high (4)
A Jack-in-the-Pulpit night light vase, in the form of the flower arisaema candidissimam, indistinctly signed, 23cm high, a Murano sommerso finger vase in clear, amber and amethyst glass, 13cm high, an orange moulded glass comport epergne on Art Nouveau style spelter stand, 39cm high and a German millefiore sunflowers style glass pot, 7cm high (4)
CARLTON WARE ART DECO 'CHINESE BIRD' PATTERN VASE WITH COVERof baluster form, decorated with stylised bird and floral motifs in brightly coloured enamels against a deep blue lustre ground, printed mark to base and numbered '3197 2/7940', 20cm high, loss to finial and small chip to base rim
GROUP OF MID-20TH CENTURY EASTERN EUROPEAN GLASSto comprise a Rudolfova Hut, by Vaclav Hanus green pressed glass vase, pattern number 12992, a blue pressed glass vase with petal shaped design, along with two waisted Rosice, by Jan Schmid glass vases, the smaller 15cm high, the largest 25.5cm high (4)
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