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Lot 2316

Queen Anne style single chair with vase shaped splat back, on carved cabriole legs,. .

Lot 122

A continental turquoise glazed porcelain baluster vase with gilded side handles and borders

Lot 131

A Doulton Slater vase of bulbous form with extended neck on circular moulded base

Lot 132

A Myott Art Deco vase of stylised fan shape on rounded rectangular base

Lot 133

A Poole Pottery Art Deco style vase by Anita Harris signed to the base

Lot 178

A Chinese blue and white bottle vase decorated with figures, scrolls and stylised leaves

Lot 201

A Chinese cast bronze vase with applied figures and vegetation to the sides

Lot 204

A 19th century oriental bronze vase shaped cylindrical form chased to the sides with Dogs of Foe, stamp to base

Lot 435

A pair of silver table candlesticks, tapering cylindrical with vase form nozzles on raised circular bases, Birmingham 1936

Lot 45

A Chinese 19th century green ground pear shaped vase decorated with figures in a landscape on carved hardwood base converted to a table lamp

Lot 46

A Chinese Ge type crackle glaze baluster vase converted to a table lamp mounted on a pierced hardwood stand

Lot 47

A Chinese famille rose baluster vase and cover converted to a table lamp on raised hardwood stand

Lot 127

A silver trumpet flower vase by Walker and Hall, Birmingham 1926, 8' high; together with a pair of smaller examples

Lot 201

A box of Portmeirion Botanic Garden ceramics, celery vase etc.

Lot 251J

A collection of collectors plates, vase and other flatware

Lot 346

An art pottery vase. c.1900. 20' high. Chipped. Prov: Estate of Islwyn Watkins

Lot 350

A stoneware bottle vase by Stephen Roberts near Wrexham. 10½' high. Prov: Estate of Islwyn Watkins

Lot 376

A Whitefriars style vase with blue swirl decoration. Ground pontil mark 12' high

Lot 397

A Clarice Cliff Bizarre three footed flower vase. 8' high and another smaller example of similar design

Lot 398

A Clarice Cliff Newport pottery bowl and flower vase. The bowl 9½' diam

Lot 435

A Crown Ducal ovoid vase decorated with Chinese lanterns and bamboo on a buff black ground. 8' high

Lot 473

A Japanese Imari charger with scalloped rim, typically decorated with a vase of flowers to the centre, the cavetto with reserves of landscapes and foliage . 13' diam

Lot 115

•VANESSA BELL (1879-1961) 'View from the Drawing Room, Crichel House', flowers in a vase by a window, with garden and graveyard beyond, inscribed verso "Raymond Mortim......Long Crichel", oil on canvas, 34.5cm x 24cmRaymond Mortimer CBE (1895-1980) was a British writer on art and literature, known mostly as a critic and literary editor. He was a friend of the poet and novelist Vita Sackville-West, and was involved in a long-term relationship with her husband, author and British diplomat Harold Nicolson. A resident of Bloomsbury, Mortimer was also associated with the coterie of English writers, philosophers, and artists who frequently met in the London district. Mortimer's residences, 6 Gordon Place and 6 Endsleigh Place, contained numerous Bloomsbury Group works, such as curtains designed by Duncan Grant and a group of murals executed by Grant and Vanessa Bell, later donated by Mortimer to the Victoria and Albert Museum. Raymond Mortimer joined the three original owners of Long Crichel House, Wimborne, friends Edward Sackville West, Desmond Shawe-Taylor and Eardley Knollys, as one of the residents of the 'male salon', after World War II.Duke's are grateful to Richard Shone for his assistance in identifying this composition.  

Lot 19

•VLADIMIR POLUNIN (1880-1957) Still life study of various items to include a small vase of flowers and a teapot, oil on canvas laid on board, 34cm x 44cm

Lot 23

•VLADIMIR POLUNIN (1880-1957) Still life study of fruit, eggs, a glass bottle and a vase, oil on canvas, 51cm x 38cm, the reverse of the canvas painted with a similar still life study

Lot 258

THOMAS WEBB & SONS (STOURBRIDGE) CAMEO GLASS VASE, c.1890, baluster form, the translucent red ground overlaid with opaque white finely wheel-carved primula flowers, the circular foot and rim banded, 11.5cm high

Lot 259

THOMAS WEBB & SONS (STOURBRIDGE) CAMEO GLASS VASE, shouldered form with raised collar, the translucent blue ground overlaid with opaque white finely wheel-carved with a single butterfly amongst scrolling flowers and tendrils, the circular foot and rim banded, 18cm high

Lot 26

•VLADIMIR POLUNIN (1880-1957) Still life study of flowers in a vase, oil on canvas, 53cm x 38.5cm

Lot 260

DAUM NANCY: A CAMEO GLASS VASE, tapering form, wheel carved and decorated with berries and leaves on an orange/greenish ground, signed in cameo, 21cm high

Lot 261

EMILE GALLE: AN ART NOUVEAU CAMEO GLASS VASE, ovoid with raised cylindrical neck, cased in pink, yellow and brown, wheel carved and decorated with flowers , signed in cameo, 8.5cm high

Lot 284

VENINI: A MURANO ORCHID GLASS VASE, freeform, ribbon and blue swirl design, 18.5cm high

Lot 286

•CHARLES SCHNEIDER: AN ART DECO "JADE" GLASS VASE, oviform, mottled in tones of pink and mauve, raised on a spreading circular foot, acid etched mark, 37.5cm high

Lot 288

•VICKE LINDSTRAND FOR KOSTA: A GLASS VASE, clear glass over a green and blue core with lattice threads between layers, 17cm high

Lot 290

•SABINE LINTZEN: A GLASS VASE; "SELF ORGANIZING SYSTEM", c.2002, freeform, blue and green encased in clear glass, murrine decoration within frosted segments, complete with certificate of authenticity, signed, 30cm high

Lot 293

ATTRIBUTED TO DAUM: A GLASS VASE, thick clear glass stylised, 21.5cm high

Lot 295

OTTO BRAUER FOR HOLMEGAARD: A TEAL "GUL" VASE, 26cm high, A Riihimaki "Pompador" vase, designed by Nanny Still, a Stevens & Williams blue/greenish vase and one other (4)

Lot 297

•TAPIO WIRKKALA FOR VENINI: A "BOLLE" GLASS VASE, c.1966, oviod form with raised slender collar, incalmo technique, amethyst and grey glass, etched marks, 23cm high

Lot 298

FACHSCHULE HAIDA: A FLASH-CUT INTAGLIO GLASS VASE, tapering form, the body engraved with stylised leaf swirls with cobalt blue spots, 24cm high

Lot 301

•TIMO SARPANEVA FOR IITTALA: AN "ORKIDEA" ORCHID GLASS VASE, c.1954, freeform, steam blown clear glass, signed marks, 24.5cm high This vase was originally designed in 1953 and exhibited at the 1954 Triennale di Milano, where it was awarded the Grand Prix for outstanding design. Also awarded "Most Beautiful Object of the Year" by House Beautiful magazine in 1954

Lot 324

POTTERY POTTERY: A "PERSIAN DEER" TRADITIONAL VASE, shouldered form, shape 966, painted in polychrome and decorated in the SK pattern, designed by Truda Adams, painted by Winifred Collett, impressed and painted marks, 24.5cm high

Lot 326

POOLE POTTERY: A 'TRADITIONAL' VASE, oviform, shape no. 438, decorated in the GPA pattern, designed by Truda Carter, painted by Ruth Pavely, 17cm high, another decorated in the GPA pattern by Margaret Atkins, 17cm high, another similar and a QT pattern vase, 14cm high (4)

Lot 330

POOLE POTTERY: A CARTER STABLER ADAMS 'TRADITIONAL' VASE, cylindrical ribbed form with everted rim, shape no. 958, decorated in the FT pattern by Marian Heath, 19cm high, another oviform vase, YR pattern, 22.5cm high and one other in the CC pattern, 18cm high, painted and impressed marks (3)

Lot 337

POOLE POTTERY: A TRADITIONAL TRIAL VASE, tapering cylindrical form, shape no. 660, decorated with a geometric stylised design in tones of pink, black and brown, on a grayish ground, painted by Ruth Pavely, impressed and printed marks, 29cm high

Lot 338

POOLE POTTERY: A TRADITIONAL VASE, shape no. 154, decorated in the HW pattern, probably painted by Joan Shorto, impressed and painted marks, 24.5cm high

Lot 341

POOLE POTTERY: AN ART DECO "EVEREST" VASE, conical tapering form, designed by John Adams, impressed marks, 16.5cm high, and an Everest footed bowl, 22.5cm dia (2)

Lot 345

•ALFRED READ FOR POOLE POTTERY: A CONTEMPORARY "FREEFORM" BOTTLE VASE, shape no. 698, decorated in the PQB pattern by Gwen Haskins, painted and impressed marks, 39cm high

Lot 347

•ALFRED READ FOR POOLE POTTERY: A CONTEMPORARY "FREEFORM" YOYO VASE, shape no. 714, decorated in the PRB pattern, painted by Gwen Haskins, 19cm high, and a Freeform vase, shape no. 180, decorated in the YHS pattern, painted and printed marks, 18.5cm high (2)

Lot 348

POOLE POTTERY: A CONTEMPORARY 'FREEFORM' TRIAL VASE, shape no. 708, decorated in polychrome with a single peacock feather, RM pattern, painted and impressed marks, 31.5cm high

Lot 350

POOLE POTTERY: A "FREEFORM" PEANUT VASE, cylindrical waisted form with raised collar, shape no. 701, decorated in the PJL pattern, designed by Alfred Read, painted by Gwen Haskins, painted, impressed and printed marks, 32.5cm high

Lot 351

POOLE POTTERY: A "FREEFORM" VASE, cylindrical form with raised collar, shape no. 707, decorated in the PQC pattern, probably designed by Alfred Read, painted, impressed and printed marks, 26cm high, and another decorated in the PQB pattern, shape no. 693, 27cm (2)

Lot 355

POOLE POTTERY: A RARE TRIAL VASE, shape 660, decorated in a spray Picotee glaze in tones of black, gray and pink, developed by Leslie Elsden, impressed marks, 29cm high Literature, Collecting Poole Pottery, Robert Prescott-Walker, Publ. Francis Joseph, London, page. 73, bottom-left for comparable vase

Lot 359

POOLE POTTERY: A STUDIO VASE, cylindrical form, Robert Jefferson shape, thrown by Guy Sydenham and decorated by Tony Morris, incised stylised decoration on a reddish brown ground, TV Studio mark, impressed and printed marks, 31cm high

Lot 361

POOLE POTTERY: A "ONE OFF" STUDIO VASE, oviform, thrown by Alan White, decorated with Roe deer, designed by Jane Brewer, impressed and painted marks, with certificate, 32cm high

Lot 362

POOLE POTTERY: A DELPHIS "PACKET OF CRISPS" VASE, globular slab form, decorated with a stylised design in tones of brown, on an ice green ground, painted by Shirley Campbell, painted and printed marks, 20cm high

Lot 365

POOLE POTTERY: AN "ATLANTIS" STONEWARE VASE, cylindrical tapering form with everted rim, white and turquoise glaze with carved stylised decoration, thrown by Guy Sydenham and decorated by Beatrice Bolton, impressed marks, 21cm high

Lot 366

POOLE POTTERY: AN "ATLANTIS" STONEWARE VASE, tapering cylindrical form with everted rim, glazed and carved with a stylised design, thrown by Guy Sydenham and decorated by Beatrice Bolton, impressed marks, 16cm high

Lot 367

POOLE POTTERY: AN "ATLANTIS" VASE, cylindrical tapering form, thrown by Guy Sydenham and decorated in a carved stylised design by Beatrice Bolton, impressed marks, 21cm high

Lot 368

POOLE POTTERY: AN "ATLANTIS" STONEWARE ONION VASE, globular form with raised collar, carved geometric design with glazed orange highlights, designed and thrown by Guy Sydenham, impressed marks, 14cm high

Lot 369

POOLE POTTERY: AN "ATLANTIS" STONEWARE ONION VASE, globular form with raised collar, carved with a frieze of circles with white glazed highlights, designed and thrown by Guy Sydenham, impressed marks, 11cm high

Lot 370

POOLE POTTERY: AN "ATLANTIS" STONEWARE ONION VASE, globular form with raised collar, glazed and carved decoration, thrown by Guy Sydenham and decorated by Beatrice Bolton, impressed marks, 12cm high

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