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A group of late nineteenth century Staffordshire spill vases groups, c. 1860-1870 together with a pair of 1920s dogs. They area all animal-themed. One of a dog rescuing a child, one of a leaping deer and one of a goat and two Royal children. 12 - 21 cm tall. (4)Condition: Restored chip to the vase top of the Royal children and a hairline in the base and light staining, two short, fine hairline in the top of the dog rescuing vase, overall crazing throughout and minor decoration loss.
A group of three early nineteenth century Masons toy or miniature ironstone pieces, c. 1815-25. The handled-jug is marked, the other two are unmarked. The vase is painted with flowers on a yellow ground, the two-handled vessel is painted with flowers on a blue ground and the jug is decorated with blues and reds and gilding. Vase 8 cm tall. (3)Condition: In good overall condition bar some wear to the gilding in places.
A group of late nineteenth century Staffordshire figure groups, c. 1860. To include a Thomas Parr Arabia figure, a female musician and an organ grinder & monkey. 18 - 23 cm tall. (3)Condition: Hole in base of monkey figure and small chip to foot at back, and restoration to the Arabia vase rim.
A hand pair of late nineteenth century Staffordshire spill vases by Sampson and Smith, c. 1870. They depict leaping deer pursued by a dog. 30 cm tall. (2)Condition: Filled chip to the vase rim at the back of one and a foot rim chip. Other other has a restored/replaced leading leg of the deer.
A group early nineteenth century transfer-printed pearlware pieces, c. 1820-40. Comprising of: a Stevenson Millennium pattern puce printed side plate, a Spode (marked) brown and white transfer-printed a gilded highlights Portland Vase pattern dessert dish, a black printed teapot stand decorated with Osbourne House, a black printed Davenport Muleteer pattern mug and a black printed lidded sucrier. Dessert dish: 26 cm wide. (5)Condition: All good overall condition. Provenance: From a private collection.
Y A Queen Anne walnut and ivory marquetry side chair, circa 1715, decorated with floral foliage throughout, the shaped top rail above the vase shaped splat decorated with a classical maiden, the padded drop in seat on tapering cabriole legs, joined by a turned H-shaped stretcher, terminating in pad feet, 109cm high, 52cm wide, 42cm deep Condition Report: Marks, scratches and abrasions, old chips and splits comensurate with age and use. some old worm damage. the worm damage does not immediately weaken the structure of any elements. some old repairs as expected for age. The ivory marquetry has been finely executed and bears very few very minor losses. Good original surface, colour and patina throughout with some fading. The chair is of solid structure overall but with some movement to some joints. No old breaks or splicing to the legs or feet. One front leg has a very old vertical split through it but appears to be secure at present. One side seat rail appears to be a replacement. This has been done quite sympathetically and the marquetry to the exterior has been well set back into the timber. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A George II walnut open armchair, circa 1740, in the manner of Giles Grendey, the shaped top rail and supports centred by a vase shaped splat, flanked by open 'shepherd's crook' arms, the padded and upholstered drop in seat above a shaped apron, on shell carved tapering cabriole legs, terminating in claw on ball feet, 100cm high, 65cm wide, 57cm deep For a related chair attributed to Giles Grendey see, Christie's, New York, The Van Cliburn Collection, 17th May 2012, Lot 109 (£68,500). See R.W. Symonds, "English Furniture From Charles II to George II, P149, fig 96 for an illustration and discussion of a closely related armchair (see inset). A pair of similar armchairs were sold as Lot 50, Christies, The English Collector, 23 May 2013 from the collection of the late Dr Yvonne Hackenbroch (£67,875). It was noted that the chairs belong to a "group with distinctive double-serpentine front apron lobed in the middle, similar low relief carving and walnut veneer" Lucy Wood suggests a possible attribution to Henry Hill of Marlborough (L.Wood, The Upholstered Furniture in The Lady Lever Art Gallery, Vol 1, 2008, P 396)A related similar side chair was sold as lot 3 of "The Age of Oak and Walnut", Sothebys London 28 September 2004 (£3840). In that catalogue it was noted:"The carving on the knees and splat, together with the slight bowing to the front seat rail, have marked stylistic similarities with a George II walnut and burr walnut armchair sold Sotheby's, London 12 June 2002, Lot 160. This chair was of almost identical form to the armchair recorded in the collection of Percival D Griffiths, illustrated in R.W. Symonds, English Furniture From Charles II to George II, P.149, fig 96. A related suite of walnut furniture from the collection of the Late Mr and Mrs Melvyn Rollaston , Sold Christie's, London 3 July 1997, Lot 160 and Sotheby's, Benacre Hall, Suffolk, 9 May 2000, Lot 89. Further related chairs include a pair of side chairs illustrated in Lanto Synge, Great English Furniture, 1991, P.46, and another suite comprising one chair in the Victoria & Albert Museum, London and four others formerly in the collection of Mrs David Gubbay, now at Clandon Park...." Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. several old repairs, including; to one side of the top rail, where both arms meet the back, the crooks of both arms, split through one front leg. Some evidence of old worm. Some filler used to surface in places. Later supporting blocks/brackets to backs of seat rails. Chair is structurally solid overall. Upholstery to drop in seat is in distressed condition with wear, tears and loose threads. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A George II walnut Master's armchair, dated 1750, the shaped top rail and vase shaped splat painted with a mask and with the mottoes 'Nunc Est Bibendum' ('Now is the time for drinking'), beneath a banner reading 'Foecundi Calices Quem Non Fecere Disertum' ('Whom has not the inspiring bowl made eloquent'), the central splat painted with the Cholmondeley coat of arms above an inscription "Thos. Cholmondeley of Vale Royal Esq Mayor Anno Domini 1750", above a further crest, flanked by moulded outscrolled open arms, the shaped seat on shell carved tapering cabriole legs, terminating in pad feet, 137cm high, 76cm wide, 57cm deep overallPlease note: Although the seat pad for this chair is not currently present in the photographs, the seat pad will be present with this lot. Condition Report: Please note: Although the seat pad for this chair is not currently present in the photographs, the seat pad will be present with this lot. Further images of the chair with the seat pad present are available and will be uploaded to the website/ bidding platform. Marks, scratches and abrasions, old chips and splits comensurate with age and use. Some additional wear and fading to the arms as expected for age and use. Various old damages, repairs and later screws used to secure elements and metal brackets screwed in to secure elements including the joints at the top of the back and a large metal bracket at the top of one front leg and to the underside of the other leg. Some movement to joints. various old losses to veneers and 'ears' at tops of legs. A later pine stretcher has been applied beneath the front seat rail in order to support the weakened elements of the seat rail and the position of the front legs. The needlework cover to the seat pad is later but has age. The seat rail is original (with exception of later applied pine stretcher of course)some old worm damage. Various old wear, scratches and losses to the painted decoration. The existing painted decoration is flaking and fragile particularly in areas. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Chinese cloisonné bowl, Ming Dynasty, 17th century, with tall rounded sides rising to the everted rim, supported on a splayed foot, the exterior decorated with a wide register of alternating upright and pendant lotus scrolls, the interior with birds flying above a pond, 22.5cm diameterProvenance to the Longquan vase: H. Morgan, former Diplomat to China, Japan and Singapore 1955-1985.
A large Chinese blue and white baluster vase adapted as a lamp, the porcelain Kangxi (1661-1722), painted with two panels, one depicting white capped mountains and the other depicting birds in trees, the vase 33cm high, metal mountsCondition Report: 18cm body crack and star crack to base 12cm x 12cm and neck of vase reduced and now with glued metal lamp fitting and some wear to glaze throughout Condition Report Disclaimer
An Anglo-Indian carved exotic hardwood vase stand, circa 1820, the circular top with raised foliate moulded edge, on three acanthus carved scrolling cabriole legs incorporating exotic bird terminals, on a concave side tri-form base and scroll feet, 45cm high, the top 28cm diameter, together with a Japanese Imari lidded octagonal vase, Edo Period, late 17th/early 18th century, 66cm highThe design of the decoration of the vase is rare in its inclusion of waterfalls as a subject. Condition Report: vase cracked and finial re attached Condition Report Disclaimer
A Chinese green glazed baluster vase, Han Dynasty or later, with flaring neck, everted rim and moulded tatotie mask and ring handles on a ribbed band running around the mid section, 33cm high Condition Report: body with old restoration and some degradation to glaze Condition Report Disclaimer
A Chinese Longquan celadon vase, Ming Dynasty, 16th century, carved with peony and foliage, 30cm high and a late Chinese vase, 20th century, with celadon glaze and moulded with a dragon, 28cm high (2) Provenance to the Longquan vase: H. Morgan, former Diplomat to China, Japan and Singapore 1955 - 1985. Condition Report: the longquan celadon vase with neck reduced and base drilled and chip to foot and firing cracks to foot the dragon vase with ground neck rim Condition Report Disclaimer
A rare straw-work and embroidered layette tray, probably English, mid-18th century, the quilted basket with overlay of a panel with a flowering vase, descending to conforming sides, 12cm high, 53cm wide, 40cm deepThe present lot is an example of 'lip work', which consists of plaiting or weaving straw into patterns and tying the strips together with lengths of bramble. The combination of this technique, which is often associated with Wales and the West Country, with colourful embroidery is particularly rare. The use of lipwork in the nursery environment (where this layette tray would likely also have been used), is illustrated by a finely woven Moses basket in the collection of the Museum of Rural Life, University of Reading. That example dates from the second half of the 18th century.Condition Report: The basket bears the minor marks, knocks, nicks and wear overall consistent with age and use.There is some loss, marking and fading to the blue fabric, particularly the edges and the ribbons on the corners.Slight fraying to straw work on edges of the top panel. Some visible stitching to corners and underside, parts of which may be later repairs.Embroidery is a little faded in colour but relatively well preserved overall. one of the flowerheads to the side has had some losses to embroidery. Condition Report Disclaimer
A George II walnut corner chair, circa 1730, the shaped and outscrolled top rail above twin vase shaped splats interspersed with turned tapering supports the shaped drop in seat, on C-scroll moulded tapering cabriole legs, terminating in pad feet, 86cm high, 76cm wide, 63cm deepCondition Report: Marks, scratches and abrasions, old chips and splits comensurate with age and use. some minor old losses. some later screws. some old worm damage. none affects the structure/ solidity of any elements. See additional images. Good original surface with some natural fading overall . The seat pad is later recovered. The main seat rails are original. The chair is of solid useable structure but with some minor movement to some joints. Various elements of old or original One of the slender stretchers applied to the insode of the rear seat rails may possibly be a very old replacement. spliced elements to the feet (see images) The rear leg seems to be constructed from two elements with dowel joints to join or screws covered by filler. The lower half of the leg may therefore be associated but appears to have significant age. (see images). There is a disguised screwed in metal supporting strip to the reverse of the front leg and a another metal bracket supportingt he joint og the frotn of the seat rail from underneath. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A CLARET GROUND VIENNA STYLE VASE, EARLY 20TH C, FINELY PAINTED WITH AN OVAL PANEL OF THE HEAD OF A RAVEN HAIRED BEAUTY RESERVED ON A RAISED GILT BAND, 18CM H, UNDERGLAZE BLUE SHIELD PAINTED TITLE HERBST/DEPOSE IN BLACK SCRIPT Slight wear to gilding, one or two slight scratches on ground; painted panel unaffected
A MASON'S TYPE RED GROUND EARTHENWARE VASE AND COVER, C1840, OF INVERTED BALUSTER SHAPE, THE DOMED COVER WITH ENTWINED DOLPHIN FINIAL AND DECORATED IN COBALT WASHED IN BLUE AND RICHLY GILT WITH FRUIT AND FLOWERS IN UPRIGHT REGISTERS, 49CM HA similarly decorated example with a mock Chinese mark was sold in these 'rooms 21 October 2020, lot 400 Vase - foot chipped. Cover - dolphin's finial broken off and attached with old staples. No recent or professional restoration
A PAIR OF GEORGE V SILVER VASE SHAPED CONDIMENTS, 85MM H, BY A. L. DAVENPORT LIMITED, BIRMINGHAM 1931, A SILVER MUSTARD POT, EDWARD VII COMMEMORATIVE SPOON, GLASS JAR WITH SILVER COVER, PAIR OF SILVER BRUSHES AND A SET OF CELLULOID NAPKIN RINGS WITH PIERCED SILVER INITIAL F, 8OZS WEIGHABLE Worn and dented, interior of salt corroded
A MEISSEN FLORAL ENCRUSTED POT POURRI VASE, PEDESTAL AND STAND, LATE 19TH C, PAINTED ON THE PEAR SHAPED VASE WITH WATTEAUESQUE LOVERS WITH A CAGED BIRD, FLOWERS TO THE REVERSE AND SET WITH TWO PUTTI FLOWER GATHERERS, THE TRELLIS PIERCED OGEE COVER SURMOUNTED BY A HIGH FLOWER DOME, 50CM H, IMPRESSED 97, INCISED 2707, CROSSED SWORDS A good example in terms of condition with no substantial damage or extensive restoration
A LOUIS XVI OVAL PIQUE SNUFF BOX, C1780, OF HORN, THE LID INLAID IN SILVER WITH A VASE OF FLOWERS, COPPER GILT MOUNT AND PIERCED AND ENGRAVED THUMBPIECE, 8.5CM L Wear and losses to small lengths of the stringing and old narrow vertical crack on one side of the box to the left of the thumbpiece, on the flat underside several small chips
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653833 item(s)/page