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A group of silver, comprising a wine bottle coaster with oak base, London, 2014, a vase by Deakin and Francis, Birmingham, 1911, and a pierced lobed bon-bon dish with ribbon handle by Synyer and Beddoes, Birmingham, 1939. CR. Coaster excellent, inscribed; vase slight base bruising, shallow dent to side; dish very good but one small bar of perforation about 5mm across missing.
An Indian silver vase, probably Kutch, circa 1916, with undulating rim, the bellied sides profusely chased with scrolling flowers and foliage on textured ground, front with escutcheon inscribed "A.F.R & L.F.R., 3.10.16", 16.5 cm. high, wt. 485 gm.A tiny ding to foot rim but otherwise in good condition with crisp chasing
A Japanese stained bronze vase with short neck above rounded body, decorated with relief carving of three carp emerging from water. Signed on base. Meiji period, late19th/early20th century. 14.5cm high and 19cm diam. In good condition. Property from an English lady’s collection.
Seven Derby figures of putti c.1760-80, the largest seated and supporting a candlestick entwined with flowers, three standing beside baskets of flowers, three holding small baskets before them, and a Bow figure of a seated putto resting a vase on one knee, some restoration, 16cm max. (8) Provenance: from the collection of Elizabeth Adams.
A Wedgwood Jasperware vase c.1905, commemorating the centenary of the Battle of Trafalgar and the death of Lord Nelson, one side applied with a profile portrait of Nelson, the reverse with a winged Classical maiden before a tall column, the shoulders applied with sphinx head handles, all in white on a pale blue ground, impressed mark, 25.7cm.
A rare Dublin or Liverpool delftware vase c.1760, the ovoid form boldly painted in blue relief with large peony and chrysanthemum blooms amidst scrolling leaves and prunus blossom branches, a rim crack, the cover lacking, 25cm. Cf. Peter Francis, Irish Delftware, fig. 175 for a similar garniture.
A large Italian maiolica albarello dated 1787, possibly Liguria, one side painted with a two-handled vase issuing tall flower stems including tulip and chrysanthemum, the reverse inscribed 'OG 1787' in manganese, some faults, 23cm. Cf. The Victoria & Albert Museum, Accession No. C.741-1925 for an example with near identical decoration, dated 1791.
A small Italian maiolica albarello dated 1613, probably Siena, the slightly flared cylindrical form painted with a winged mask of a putto above a banner inscribed 'F Di Cappi 1613', a small portrait of a child flanked by two griffins, a vase to the reverse supporting a long stem bearing the date '1613', the shoulder and foot with a simple border of ochre triangles within a manganese line, a surface chip to one side, 15cm. Caper flowers have a long history of use as a culinary spice and as an anti-inflammtory.
A massive stone china vase and cover 19th century, decorated in an Imari type palette with birds perched on large flowering branches surrounding a figure in a small pavilion, the shoulders with kylin handles, echoed to the cover's finial, printed Real Stone China mark, 78cm. (2)
A Royal Doulton stoneware commemorative jar and cover c.1905, moulded in shallow relief with a portrait of Nelson, his coat of arms, and crowned N motifs, together with a small vase bearing a similar portrait against a naval battle scene, impressed marks, the jar with a small section broken out and restuck, 13.2cm max. (3)
A dry-bodied stoneware campana vase of naval interest early 19th century, the squat globular body applied with Britannia and an angel beside a shield inscribed for Howe and Nelson, the reverse with a maiden and winged Cupid, in white on a dark brown ground, the wide flared neck with a band of stiff fern leaves, restoration to the neck, 19cm.
A Royal Crown Derby pot pourri vase and cover date code for 1909, painted by Charles Harris with a colourful bird standing on the ground before trees and aquatic reeds, a pink rose motif beneath, echoed to the foot and cover, the reverse with a pair of birds in flight, signed 'C Harris', edged in gilt and turquoise and raised on a chamfered square foot, pattern numbers 7734 and 1586, printed red marks, 14.5cm. (2)
A tall Italian (Naples) maiolica albarello dated 1802, the narrow waisted form painted with a two-handled vase in the Neoclassical manner, issuing flowering branches, flanked by vertical stripes in blue, ochre and green on yellow, the reverse inscribed '1802' in manganese, two short rim cracks, 30.7cm.
A Worcester baluster vase c.1770, printed in black with Rural Lovers to one side, the reverse with Milking Scene No. 1, with birds in flight between both bucolic scenes and to the neck, 17.5cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2001.
A Royal Doulton figure of Delight HN1773 together with a further Royal Doulton figure Dainty May HN1656, also together with a small Coalport vase of four sided form with pink printed floral spray and ribbon decoration on a gilt ground, with green printed mark to base and number 4773
A collection of picture including a framed Toile du Jour, pink printed panel of a girl amongst geese and poultry, 17 x 26cm in gilt frame, a set of three coloured prints after Serge Ivanoff, showing dancers in historical costumes performing La Gavotte, La Karole, etc in gilt frames, and oil painting on board of a still life with fruit and a vase of Daffodils, signed initials JM, together with a gilt framed bevelled mirror of arched top form with Swiss retailer label verso
A quantity of 19th century and later pictures and prints including a print after Lucy Dawson showing a wirehaired dachshund, a late 19th century black and white etching of a musical performance after L Balesterien, a watercolour of a continental garden scene with blossom tree, an oil painting on canvas of a still life of a vase of poppies indistinctly signed bottom right, an early 19th century watercolour of landscape with pond and cottage with cattle in burrwood frame with gilt slip etc
A collection of 19th century and other ceramics including an early 19th century Ironstone china tankard of octagonal form with imari type decoration and serpents handle, an early 19th century campana shaped two handled vase and cover with printed infilled chinoiserie decoration, a farmers arms loving cup, ginger jar and cover, etc
A collection of Hummel figures of children including little girl holding a posy, little girl with poultry, etc, together with a Coalport figure of Paddington and the marmalade, together with three further Paddington Bear figures, an Eastern brass vase and similar box and cover with Egyptian style motifs, etc
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653833 item(s)/page