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A Moorcroft Pottery framed rectangular panel decorated with two tubelined stylised leaves within patterned border, impressed marks, 14cm x 20cm. NB - This design is taken from the footrim of the Jerusalem (Dome of the Rock) pattern vase designed by Nicola Slaney. It is believed these panels were made and given to those who purchased the vase from Moorcroft.
A contemporary studio glass Okra paperweight, titled Cleandine, designed by Richard P. Golding, internally decorated with stylised flowers over a mottled green core, heavily cased in clear with slice cut side and floral decoration to the exterior, signed, boxed, width 9cm, together with another Okra paperweight with internal floral decoration and petrol iridescent decoration, boxed, a posy vase with petrol iridescent trails, and a small Cyclamen scent bottle, and a 1999 Okra catalogue, damaged. (4)
A Moorcroft Pottery Trial vase of trumpet form decorated in a colour variant of the Violet pattern designed by Sally Tuffin with three bands of tube lined stylised flower heads in yellow, orange and pink, printed and painted mark, painted TRIAL 8.2.99, height 21cm, together with a Moorcroft vase of globe and shaft form decorated in the Columbine pattern, height 13cm. (2)
A contemporary Allister Malcolm studio glass bowl of footed ovoid form, decorated with a fissured spiral line with gold over a mottled blue ground, impressed logo to the base, height 12.5cm, together with a Gold Trailing vase decorated with random trails over a graduated amethyst to clear ground, height 22.5cm, some damage to the vase. (2)
A contemporary studio glass vase by Steve Foster, of compressed ovoid form, decorated with a coloured spot and trailed line over a pulled white to clear crystal body, unmarked, together with a smaller similar example in red with some battuto hand polished decoration to the upper rim, tallest 20cm. (2)
A small contemporary studio glass vase by Allister Malcolm, of shouldered ovoid form decorated with blue random lines over a gold aventurine ground, engraved signature, together with a small clear crystal scent bottle by the same maker and a further blue and gold scent bottle by Patrick Stern, tallest 14.5cm. (3)
A large hand blown Italian Murano glass vase circa 1970, by Orlando Zenaro, the vase of compressed tear drop form decorated with an internal zanfirico technique with fine black and golden amber spiral lines with orange and red twist canes, engraved signature, height 36cm. Orlando Zenaro was a glass blower for Vistosi.
Four pieces of Royal Doulton comprising an Autumn Leaves vase of globular form, impressed mark, height 15.5cm, a pair of Royal Doulton Lambeth Art Nouveau vases decorated with a band of repeat pattern flowers in tones of blue and green against a mottled stone ground, impressed and printed mark, height 25cm, and a Doulton Lambeth jardiniere decorated with applied seaweed type motif against a blue ground, impressed mark, height 18cm, damaged. (4)
A 1960s Mstisov Harmony glass vase designed by Frantisek Zemek, of compressed sleeve form decorated with applied bands of blue over green ground, together with a Rhapsody vase of tapered teardrop form decorated with, green, blue, amber and peach spots, unsigned, tallest 24cm. (2)
A contemporary studio glass vase by Peter Layton, of shouldered ovoid wrythen form, decorated with alternating swirls of blue, green and white bands, signed, height 15cm, together with a shallow circular dish and a conical drinking glass in the matching pattern, also a vase of waisted form with applied spiral trails all in a frosted finish, tallest height 18.5cm. (4)
A Moorcroft Pottery limited edition twin handled vase decorated in the Royal House of Windsor pattern by Vicky Lovatt, with two swans and a cygnet before Windsor Castle, made to celebrate the birth of Prince George, impressed and painted mark, numbered 102 of 150, height 15.5cm.
An early 20th Century Minton Secessionist jardiniere decorated in red and green with stylised tubed flowers and foliage, printed mark, printed No. 71, height 19.5cm, together with a 19th Century vase of globe and flared shaft form glazed in a brown and green tortoiseshell effect, impressed diamond registration mark for 20th January 1866, height 22.5cm, damage and restoration.
AA collection of Chinese and Japanese cloisonne vases, to include a bottle form vase, decorated with flowers and ruyi designs, height 15.5cm, a pair of Japanese vases with roundel designs, height 13cm, a Japanese blossom vase, height 18cm, and a small squat form vase, height 5cm, damages (5)
A Chinese 18th or 19th Century cloisonne tianqiuping vase, the rounded body extending to a slender neck entwined with a relief cast dragon detailed in blue and gilt enamels, the turquoise enamelled body further picked out with flowering chrysanthemum borne from leafy tendrils in red, yellow and blue enamels, height 53cm, some damage.
A collection of Japanese blue and white porcelain items, to include a pair of arrow shaped vases, decorated with iris, aster and further flowers and foliage, height 35cm, and a single vase of tapered ovoid form, decorated with birds perched in peony branches, height 26cm. (3)
A pair of late 19th to early 20th Century Dresden porcelain vase and covers each decorated with hand painted Watteauesque scenes of courting couples and ladies in a garden setting, the ground in pale green to purple with a gilt linear pattern and gilt flowers, the domed covers with pierced ovals, both with gilt marks to the bases and painted Dresden 27150, height 14cm.
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653685 item(s)/page