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Lot 662

A later 20th Century Okra studio glass vase of ovoid form with roll rim, the gold body decorated with stylised flower heads in amethyst, engraved signature and dated 1985, height 9cm, boxed.

Lot 664

A trio of mid 20th Century Kosta glass designed by Mona Morales Schildt, comprising a small bowl, a salt and a bud vase, each in blue over a clear crystal with sliced sides, tallest 8cm. (3)

Lot 666

A Hermanova Hut clear pressed glass vase of cylindrical form with a spot and line design, by Frantisek Peceny, pattern number 20245/230, height 23cm, together with two matched smaller examples, 18cm. (3)

Lot 67

A Moorcroft Pottery framed rectangular panel decorated with two tubelined stylised leaves within patterned border, impressed marks, 14cm x 20cm. NB - This design is taken from the footrim of the Jerusalem (Dome of the Rock) pattern vase designed by Nicola Slaney. It is believed these panels were made and given to those who purchased the vase from Moorcroft.

Lot 672

A contemporary studio glass vase by Okra, in the Cyclamen pattern, designed by Richard P. Golding, of baluster form with flared rim, decorated with stylised pink flowers over a petrol iridescent ground, acid mark, height 16cm.

Lot 673

A mid 20th Century Mdina fish vase, circa 1968, of compressed shouldered ovoid form with drawn narrow neck decorated with cased clear crystal strapping over a tonal green interior to blue interior, unsigned, height 26.5cm.

Lot 675

A large 1930s Monart glass vase, shape AH, of globe form with short collar neck with everted rim, with gold aventurine and air bubbles over mottled orange ground, retains label, height 27cm.

Lot 677

A contemporary studio glass Okra paperweight, titled Cleandine, designed by Richard P. Golding, internally decorated with stylised flowers over a mottled green core, heavily cased in clear with slice cut side and floral decoration to the exterior, signed, boxed, width 9cm, together with another Okra paperweight with internal floral decoration and petrol iridescent decoration, boxed, a posy vase with petrol iridescent trails, and a small Cyclamen scent bottle, and a 1999 Okra catalogue, damaged. (4)

Lot 68

A Moorcroft Pottery Trial vase of trumpet form decorated in a colour variant of the Violet pattern designed by Sally Tuffin with three bands of tube lined stylised flower heads in yellow, orange and pink, printed and painted mark, painted TRIAL 8.2.99, height 21cm, together with a Moorcroft vase of globe and shaft form decorated in the Columbine pattern, height 13cm. (2)

Lot 693

A late 19th to early 20th Century Bohemian glass vase, of high shouldered waisted form, decorated with stylised gilt and enamel floral motifs all over a green ground, 25.5cm.

Lot 696

A post war Swedish glass vase by Stromberg of tapered triform with a heavy cased wall with a pale blue tint, engraved signature to the base and retains original foil label, height 20.5cm.

Lot 698

A 20th Century Riihimaki glass vase, by Tamara Aladin, of elongated ovoid form all in ruby and cased in clear crystal, height 28.5cm.

Lot 7

A Ruskin Pottery crystalline vase decorated with a dribble blue over cream with crystalline flecks, impressed mark, height 26cm.

Lot 706

A contemporary studio glass vase by Malcolm Sutcliffe of shouldered ovoid form with everted collar neck, cased in a dark mottled blue over a pale mottled blue and cameo cut back with dolphins, engraved signature, height 14cm.

Lot 709

A contemporary Allister Malcolm studio glass bowl of footed ovoid form, decorated with a fissured spiral line with gold over a mottled blue ground, impressed logo to the base, height 12.5cm, together with a Gold Trailing vase decorated with random trails over a graduated amethyst to clear ground, height 22.5cm, some damage to the vase. (2)

Lot 715

A later 20th Century Orrefors clear crystal vase of compressed ovoid form, engraved to one side with a young boy and a dog sitting on a hill looking at a moon and stars to the other side, engraved signature and retains original label, height 9.5cm.

Lot 719

A contemporary studio glass vase by Steve Foster, of compressed ovoid form, decorated with a coloured spot and trailed line over a pulled white to clear crystal body, unmarked, together with a smaller similar example in red with some battuto hand polished decoration to the upper rim, tallest 20cm. (2)

Lot 724

A small contemporary studio glass vase by Allister Malcolm, of shouldered ovoid form decorated with blue random lines over a gold aventurine ground, engraved signature, together with a small clear crystal scent bottle by the same maker and a further blue and gold scent bottle by Patrick Stern, tallest 14.5cm. (3)

Lot 746

A contemporary studio glass vase of slender trumpet form by T. McDonald, the body decorated with applied gold leaf over a pink satin ground with mottled blue glass foot, height 26cm, together with a similar period wave rim bowl in mottled tonal pink. (2)

Lot 750

A large hand blown Italian Murano glass vase circa 1970, by Orlando Zenaro, the vase of compressed tear drop form decorated with an internal zanfirico technique with fine black and golden amber spiral lines with orange and red twist canes, engraved signature, height 36cm. Orlando Zenaro was a glass blower for Vistosi.

Lot 76

Four pieces of Royal Doulton comprising an Autumn Leaves vase of globular form, impressed mark, height 15.5cm, a pair of Royal Doulton Lambeth Art Nouveau vases decorated with a band of repeat pattern flowers in tones of blue and green against a mottled stone ground, impressed and printed mark, height 25cm, and a Doulton Lambeth jardiniere decorated with applied seaweed type motif against a blue ground, impressed mark, height 18cm, damaged. (4)

Lot 760

A 1960s Mstisov Harmony glass vase designed by Frantisek Zemek, of compressed sleeve form decorated with applied bands of blue over green ground, together with a Rhapsody vase of tapered teardrop form decorated with, green, blue, amber and peach spots, unsigned, tallest 24cm. (2)

Lot 772

A contemporary studio glass Okra vase, of slender cylinder form, decorated with petrol iridescent pulled loops over a frosted iridescent ground, height 15.5cm.

Lot 777

A contemporary studio glass vase by Peter Layton, of shouldered ovoid wrythen form, decorated with alternating swirls of blue, green and white bands, signed, height 15cm, together with a shallow circular dish and a conical drinking glass in the matching pattern, also a vase of waisted form with applied spiral trails all in a frosted finish, tallest height 18.5cm. (4)

Lot 779

A contemporary Italian studio glass vase of waisted form, in green with an internal blue spiral band, height 41cm.

Lot 780

A post war Jan Gabrhel for Sklo Union Alexandrite glass vase of shouldered rectangular section with a shallow circular collar neck, decorated with three indented spots over a bubble ground, height 18.5cm.

Lot 781

A post war Cenedese glass vase of tapering ribbed form decorated with internal vertical bands in red, yellow and grey, cased in clear with corroso finish, engraved signature, height 34cm.

Lot 782

A post war Textured range Bark vase designed by Geoffrey Baxter, in Tangerine, height 18.5cm.

Lot 783

A post war Kosta glass vase of compressed tear drop form designed by Vicke Lindstrand and decorated with an internal spiral line motif in amethyst to the clear crystal ground, engraved signature, height 17cm.

Lot 844

A Moorcroft Pottery limited edition twin handled vase decorated in the Royal House of Windsor pattern by Vicky Lovatt, with two swans and a cygnet before Windsor Castle, made to celebrate the birth of Prince George, impressed and painted mark, numbered 102 of 150, height 15.5cm.

Lot 891

ALEXEI NIKOLSKY (RUSSIAN, 1889-1975) - Hibiscus, chrysanthemums and other blooms in a glass vase, oil on canvas, signed and dated 1951, framed, 49.5cm x 74cm, frame size 64cm x 89cm.

Lot 898

LEONARD CARR COX (1879-1950) - Chrysanthemums in a Chinese vase, oil on canvas, signed, framed, 61cm x 47cm, frame size 82cm x 66cm.

Lot 9

Three pieces of Ruskin Pottery comprising a yellow lustre ginger jar base, damaged, a small yellow lustre vase and a crystalline glaze egg cup dish, all with impressed marks. (3)

Lot 911

AFTER DOROTHEA SHARP (1874-1955) - Flowers in a Vase, oil on board, bears false signature, framed, 54cm x 43cm, frame size 73cm x 62cm.

Lot 96

A large Troika Pottery wheel vase decorated to both sides with incised and carved decoration in tones of blue, green and pale orange, painted Troika Cornwall mark, height 20cm.

Lot 99

A contemporary Franz porcelain limited edition vase decorated with a parrot perched on a branch, the wide neck with a leafy border edge, printed mark, numbered 0637 of 2000, height 43cm.

Lot 1

A large early 20th Century Royal Worcester twin handled shape 2425 vase panel decorated by Stinton with Highland cattle against a mountainous landscape, signed H. Stinton, puce mark with date code for 1933, height 28.5cm.

Lot 100

Two pieces of contemporary Franz porcelain comprising a vase decorated with Arum lilies and an 'Island Beauty' hibiscus flower dish. (2)

Lot 104

A late 19th Century Royal Worcester spoon warmer or posy vase modelled as a nautilus shell, raised to a gilt and bronze coral pedestal all to a circular naturalistic base with seashells, puce mark with date cypher for 1888, alongside impressed mark, height 21cm.

Lot 105

A 19th Century Grainger reticulated vase with a pierced panel to the body and neck with mask heads and floral cartouche panels raised to three scroll feet, printed G. Grainger 19 Foregate Worcester banner mark, height 16cm, S/D and restored.

Lot 107

A collection of 1930s Clarice Cliff to include a Ravel dinner plate, Islands pattern side plate, floral Leda preserve bowl and a later mushroom glaze book vase. (7)

Lot 112

A Wedgwood straw glazed vase designed by Keith Murray, of flared ribbed form, printed KM Wedgwood Etruria and Barlaston mark, height 23cm.

Lot 116

A Janice Tchalenko for Dartington Pottery vase of footed conical form, decorated in the Peacock Feathers pattern, unmarked, height 26cm.

Lot 117

An early 20th Century Minton Secessionist jardiniere decorated in red and green with stylised tubed flowers and foliage, printed mark, printed No. 71, height 19.5cm, together with a 19th Century vase of globe and flared shaft form glazed in a brown and green tortoiseshell effect, impressed diamond registration mark for 20th January 1866, height 22.5cm, damage and restoration.

Lot 121

A boxed Wedgwood Clarice Cliff hand painted shape 464 vase decorated in the Honolulu pattern, number 18 in a limited edition of 150, printed marks, complete with certificate, height 21cm.

Lot 122

A boxed Wedgwood Clarice Cliff hand painted shape 279 Yo Yo vase decorated in the Blue Firs pattern, number 156 in a limited edition of 250, printed marks, complete with certificate, height 23cm.

Lot 123

A boxed Wedgwood Clarice Cliff hand painted shape 366 vase decorated in the Rudyard pattern, number 92 in a limited edition of 200, printed marks, complete with certificate, height 15cm.

Lot 125

A boxed Wedgwood Clarice Cliff hand painted shape 369 vase decorated in the Football pattern, numbered 6 in a limited edition of 250, printed marks, complete with certificate, height 20cm.

Lot 127

A boxed Wedgwood Clarice Cliff hand painted shape 358 vase decorated in the Sunspots  pattern, numbered 6 in a limited edition of 200, printed marks, complete with certificate, height 20cm.

Lot 129

A boxed Wedgwood Clarice Cliff hand painted shape 358 vase decorated in the Apples pattern, numbered 4 in a limited edition of 200, printed marks, complete with certificate, height 20cm.

Lot 13

A Pilkingtons Royal Lancastrian shape 3183 vase of compressed form thrown by Edward T Radford and decorated in a tonal orange peel glaze, impressed mark, height 11cm.

Lot 130

A boxed Wedgwood Clarice Cliff hand painted shape 464 vase decorated in the Apples pattern, number 4 in a limited edition of 250, printed marks, complete with certificate, height 21cm.

Lot 151

AA collection of Chinese and Japanese cloisonne vases, to include a bottle form vase, decorated with flowers and ruyi designs, height 15.5cm, a pair of Japanese vases with roundel designs, height 13cm, a Japanese blossom vase, height 18cm, and a small squat form vase, height 5cm, damages (5)

Lot 152

A Japanese Meiji Period Satsuma vase, signed Gyokusen, the lidded circular dish raised on scalloped supports, detailed with bijin in formal settings, heightened with gilt throughout, height 10cm, diameter 11.5cm.

Lot 153

A Japanese Satsuma vase, Meiji Period (1868-1912), rising from a spreading circular base, the body decorated with Arhat and attendants below a traditional scroll and flower borders, indistinct impressed signature, height 39.5cm.

Lot 162

A 19th Century Chinese blue and white sleeve vase of cylindrical form rising to a flared rim, the body decorated with two flour-clawed dragons in pursuit of the flaming pearl, before aster and lotus flowers, four-character Kangxi mark to the base, height 31cm, damaged

Lot 170

A Chinese 18th or 19th Century cloisonne tianqiuping vase, the rounded body extending to a slender neck entwined with a relief cast dragon detailed in blue and gilt enamels, the turquoise enamelled body further picked out with flowering chrysanthemum borne from leafy tendrils in red, yellow and blue enamels, height 53cm, some damage.

Lot 181

A collection of Japanese blue and white porcelain items, to include a pair of arrow shaped vases, decorated with iris, aster and further flowers and foliage, height 35cm, and a single vase of tapered ovoid form, decorated with birds perched in peony branches, height 26cm. (3)

Lot 2

Five pieces of Moorcroft comprising a baluster vase, a small ginger jar and cover, a footed bowl, a candlestick and a footed vase, all decorated in the Magnolia pattern with pink flowers against a white ground, all with impressed and painted marks, tallest 19.5cm. (5)

Lot 25

A pair of late 19th to early 20th Century Dresden porcelain vase and covers each decorated with hand painted Watteauesque scenes of courting couples and ladies in a garden setting, the ground in pale green to purple with a gilt linear pattern and gilt flowers, the domed covers with pierced ovals, both with gilt marks to the bases and painted Dresden 27150, height 14cm.

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