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Lot 367
‡ Elizabeth Fritsch CBE (born 1940) Tlön, a handbuilt stoneware vase, (minor professional restoration), 33.5cm. high Provenance Professor John Ball (1931-2010), The Hargreaves & Ball Trust. Literature Keith Vaughan, Prunella Clough and Elizabeth Fritsch (a selection of works from the Hargreaves and Ball Trust) Anthony Hepworth Fine Arts, 2010, page 36
Lot 369
‡ Elizabeth Fritsch CBE (born 1940) Corner Vase, a stoneware vase, 34cm. high Provenance Professor John Ball (1931-2010), The Hargreaves & Ball Trust. Exhibited Keith Vaughan, Prunella Clough and Elizabeth Fritsch (a selection of works from the Hargreaves and Ball Trust) Anthony Hepworth Fine Arts, 2010.
Lot 386
Leslie Gooday OBE (1921-2013) Concept 19 acrylic on board and collage, framed signed lower right, paper label to reverse 59 x 33cm (image) Provenance The estate of the artist. Catalogue notes this vase depicts a large Janet Leach pottery vase and a photograph of a potters hands possibly Lucie Rie's.
Lot 60
A William De Morgan Sunset and Moonlight Suite vase by Fred Passenger, shouldered form, the octagonal faceted body painted with columns of alternating grape vine and berried foliate panels, in shades of silver and ruby lustre on a midnight blue lustre ground, the neck with simple flower stem and bud motif, painted FP monogram, 25.5cm. high
Lot 61
A William De Morgan Pottery vase, ovoid with knopped cylindrical neck, painted with flower and foliage, the knop with a frieze of birds, in ruby and sand lustre on a white ground, unmarked, restoration to top rim, 34cm. high Provenance Arts and Crafts, Woolley and Wallis Auctioneer's, 20th June 2012 lot 73. Private collection.
Lot 64
A Pilkington's Royal Lancastrian footed bowl by Gladys Rodgers, painted to the well with a Tudor rose motif in side Celtic knot border, glazed in ruby and golden lustre on an orange ground, the exterior with a rose and trellis frieze, a Pilkington's vase and bowl covered in a streaked pale blue glaze, impressed and painted marks, artist cipher and applied paper labels, 12cm. diam. (3).
Lot 87
A C.H.Brannam pottery vase by James Dewdney, dated 1900, probably retailed at Liberty & Co, shouldered ovoid form with cylindrical neck, applied with two modelled grotesque creature handles, incised and painted with a scaly fish amongst waterweed, in green blue and ochre incised marks, 1900, JD monogram, regd mark, minor glaze frits to handles, 23cm. high
Lot 89
A Sunflower Pottery vase by Sir Edmund Elton, ovoid with knopped neck and swollen top rim, slip decorated with flower sprays in green and blue on a streaked blue and mustard yellow ground, and another Sunflower Pottery vase decorated in slip with a simple flower stem, painted Elton marks, 14.5cm. high, (2).
Lot 93A
A Bernard Moore miniature vase, tapering cylindrical form, covered in a sky blue lustre glaze, a Royal Doulton Flambe vase decorated in gilt with three carp and a collection of twelve lustre and experimental glaze vases by E R Wilkes and others, printed Bernard Moore, damages 4.5cm. high (14).
Lot 97
A Bernard Moore flambe vase, shouldered form, painted with a peacock feather, in colours with turquoise enamel on a flambe ground a Crown Ducal flambe ginger jar and cover, painted with panels of flowers in flambe red, two E R Wilkes flambe vases and three other vases, indistinct marks, printed factory mark, damages, 12.5cm. high (7)
Lot 124
A Hancock & Sons Morris Ware vase designed by George Cartlidge, model no. C17-25, cylindrical form with knopped neck, slip decorated with cornflowers in purple, yellow and green on a pale lavender ground printed and painted marks, facsimile signature, 29.5cm. high Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 97 catalogue number 263 this actual vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 130
A Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C3-9, shouldered form, slip decorated with clover flowers in red and green on a mottled green ground printed and painted factory marks, painted facsimile signature 18cm. high. Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 89 catalogue number 247 this actual vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 131
A Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C9-27, tubeline decorated with thistle flowers in green and red on a blue ground printed and painted marks, facsimile signature 16cm. high Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 92 catalogue number 253 for three examples of this design illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 133
A Hancock & Sons Morris Ware pomander vase designed by George Cartlidge, model C56-2, shouldered form, tubeline decorated with flowers and foliage, with pierced holes, inscribed Essence of Past Summers, in shades of green and purple on a mottled blue ground, printed factory mark, painted facsimile signature, missing cover, 19cm. high Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 107 for a comparable example of a pot pourri with cover. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 134
A Hancock & Sons Morris Ware drum vase designed by George Cartlidge, model C15-3, cylindrical form tubeline decorated with a frieze of sweet-peas, in purple and blue on a mottled green ground printed factory marks, painted facsimile signature, star-crack to base, 23cm. high. Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 96 catalogue number 261 for this example illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 136
A large Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C14-9, swollen cylindrical form, slip decorated with a frieze of cornflowers, in shades of purple, blue and green on a dark green-blue ground printed and painted marks, painted facsimile signature 33cm. high Provenance British Decorative Arts Christie's South Kensington 11th December 1997 lot 39. Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 95 catalogue number 260 this actual vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 137
A rare Hancock & Sons Morris Ware vase designed by George Cartlidge, model no.C74-1, carafe form with loop handles, painted with abstract flowers and foliage in shades of blue, purple and yellow ochre, printed factory mark, painted facsimile signature and number, 25cm. high Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 116 catalogue number 299 for an example of this vase without a painted model number. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 140
A rare Hancock & Sons Morris Ware vase designed by George Cartlidge, model no. C87-1, swollen form on cylindrical stem and flaring foot, tubeline decorated with two birds perched amongst stylised flowers and foliage in colours on a mottled green ground, printed factory marks and facsimile signature, painted C number, minor professional restoration to a small glaze chip on foot rim, 26.5cm. high. Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 112 catalogue number 293 for a vase illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 150
A James Macintyre vase designed by William Moorcroft, M.2862, flaring cylindrical form with pinched rim, tubeline decorated with roses and forget me not flowers in shades of pink, yellow, blue and green on a white ground, highlighted with gilt rim, printed factory mark, painted green signature, minor wear to gilt bands, 12.5cm. high Provenance Moorcroft Pottery Christie's South Kensington, 10th October 2002 lot 49.
Lot 151
A James Macintyre & Co Florian Ware bottle vase designed by William Moorcroft, incised and tubeline decorated in blue and green on a white ground, printed factory mark, painted green signature, professional restoration to top rim, 20cm. high. Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 56 plate 2 for comparable vases illustrated.
Lot 152
'Anemone' a James Macintyre & Co Florian Ware vase designed by William Moorcroft, tapering cylindrical form with loop handles, tubeline decorated with flowers in blue and green on a white ground, printed factory mark, painted green signature, professional restoration to top rim, 19.5cm. high.
Lot 177
'Big Poppy' a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, painted in shades of pink, purple and green on a white ground, impressed marks, painted blue signature 23.5cm. high Literature Paul Atterbury, Moorcroft, Dennis & Edwards, page 98 plate 1 for comparable example illustrated.
Lot 181
A rare Wedgwood vase by M Hindshaw, the shape designed by Alfred Powell, painted with small red flowerheads on a foliate ground, impressed marks, painted monogram, exhibition paper label, 16.5cm. high Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 153 plate 371 this actual vase. Exhibited Wedgwood Exhibition Richard Dennis Gallery, 1982, catalogue number P.11B
Lot 188
A Wedgwood Pottery vase by Norman Wilson, footed form, the slightly flaring, fluted cylindrical body glazed matt tan and grey to the exterior, the interior glazed green celadon and another Wedgwood vase by Norman Wilson glazed matt black and Moonstone white, the interior sea green, both unmarked, minor chips, 22cm. high, (2). Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI for a similar vase.
Lot 189
A Wedgwood Pottery vase and cover by Norman Wilson, octagonal section, glazed in tan over a grey ground, impressed and printed marks and NW mark, 16cm. high Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI this actual vase and cover illustrated. The piece is also included on the front cover illustration. Exhibited Wedgwood Exhibition Richard Dennis Gallery, 1982, catalogue number P.176.
Lot 191
A Wedgwood Moonflask by Norman Wilson, footed form with twin-looped handles, cast in low relief to both sides with a flowerhead motif, glazed green, on a grey and tan matt ground impressed factory marks, NW monogram, 22.5cm. high Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI this actual vase illustrated.
Lot 196
A tall and impressive Wedgwood vase by Norman Wilson, slender, shouldered form covered in a matt white glaze, impressed marks and NW monogram, printed mark, exhibition paper label, 42cm. high Provenance Private collection of Wedgwood Pottery. Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 224 Colour plate LI this actual vase illustrated. Exhibited Wedgwood Exhibition Richard Dennis Gallery, 1982, catalogue number P.185.
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653685 item(s)/page