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Lot 250
A Royal Vienna cabinet cup and saucer, with a green ground and gilt highlights, decorated with a border of painted cartouches depicting courting couples, together with a small Moorcroft hibiscus pattern vase and a quantity of miscellaneous collectables, including a Royal Doulton Bayeaux tapestry cabinet plate, a nurse Doulton character jug, a Wade naturalistic spill vase, a Crown Derby dwarf candlestick, a collection of resin animals etc (qty)
Lot 15
David Leach / Denby - A collection of 20th Century studio pottery art ceramic stoneware items to include David Leach pottery dish with St Ives marking to base, a Ben Holgate ceramic bird figure sculpture of two doves upon a tree, and a David Yorath for Denby vase. Also to include large studio vase by Robert Tarling with impressed stamp measuring approximately 27.5cm.
Lot 100
Warren MacKenzie (American, 1924-2018). Studio ceramic vase. Stoneware with a matte white oatmeal glaze and finger mark decoration. Stamped along the base.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 10 in x diameter: 6 1/2 in.Condition:No chips, cracks, losses, or restorations. Very light wear to the footrim.
Lot 99
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase with applied handles. Stoneware with a shino glaze and with a natural wood ash decoration along the shoulder. Possibly fired in Randy Johnston's kiln. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 11 in x diameter: 8 in.Condition:There are no chips, losses, or cracks. There is wear to the footrim, consistent with age and use. No signs of restoration under UV light.
Lot 97
Warren MacKenzie (American, 1924-2018). Tall studio ceramic pot or vase. Stoneware with a dark Tenmoku glaze. Double stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 14 in x diameter 6 in.Condition:There are no chips, cracks, losses, or restorations. A few white accretions that are easily removed throughout the body. Very light wear to the underside.
Lot 52
Nicholas R. Brewer (American, 1857-1949). Oil on board still life painting depicting a lovely spray of pink and white flowers in a cloisonne vase. Signed along the lower right. The vase painted in the work is offered in the following lot. A partial label from Keljik's is included.Sight; height: 23 1/4 in x width: 19 1/4 in. Framed; height: 30 in x width: 26 1/4 in x depth: 2 1/4 in.Condition:The colors are bold and bright and the surface is stable. There is vertical craquelure throughout. There are a few minor losses, mainly along the edges. No visible restorations when viewed under UV light. There is a thick varnish throughout. Light wear to the frame. Verso not inspected.
Lot 98
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase. Stoneware with a dolomite glaze and matte gray. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 13 1/2 in x diameter: 7 1/2 in.Condition:No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Lot 53
Chinese cloisonne vase depicting flowers and a flying bird. This vase was depicted in a painting by Nicholas R. Brewer in the still life offered in the previous lot.Height: 9 3/4 in x diameter: 5 1/2 in.Condition:There is a large section depicting a flower barely hanging on to the vase. It appears this is an old repair. There are multiple cracks to the cloisonne and small losses throughout.
Lot 93
Warren MacKenzie (American, 1924-2018). Studio ceramic pot or vase with a recessed lid. Stoneware with a thin titanium matte glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 8 1/4 in x diameter: 7 in.Condition:There are no major chips, cracks, losses, or restorations. There are some white paint accretions along the surface of the pot. Light wear along the rim where the lid and body meet. Light wear to the underside.
Lot 104
Warren MacKenzie (American, 1924-2018). Group of four pieces of studio ceramic pottery including one small hourglass-shaped vase with two applied handles and three triangular bowls or dishes. Stoneware with a shino glaze. Marked along the footrims.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height ranges from 1 in to 4 1/2 in; diameter ranges from 2 3/4 in to 4 1/4 in.Condition:There are no chips, cracks, losses, or restorations. Light wear to the footrims.
Lot 85
Jan Mckeachie Johnston (American, 20th/21st c). Studio ceramic pottery vase. Wheel-thrown vase with lug handles. Glazed with kaolin flashing slip and celadon glaze on the interior. Stamped along the vase.Height: 8 1/2 in x diameter: 7 in.Condition:Crazing to the glaze along the interior. Cracks formed along the handles, possibly original to firing. Light wear to the underside.
Lot 102
Warren MacKenzie (American, 1924-2018). Studio ceramic square-form vase with two applied handles. High-fired stoneware with copper green oribe style glaze. Stamped along the base.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 1/4 in x width: 4 1/4 in x depth: 4 1/4 in.Condition:Crazing to the glaze. No chips, cracks, or losses. No restorations
Lot 101
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery vase. Stoneware with a matte white oatmeal glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 1/4 in x diameter: 6 1/2 in.Condition:There are no visible chips, cracks, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Lot 86
Randy Johnston (American, 20th/21st c). Studio ceramic pottery tall vase. Stoneware woodfired with a shino glaze decorated with iron oxide and fly ash decoration. Marked along the underside.Height: 14 3/4 in x diameter: 5 1/2 in.Condition:There are no chips, cracks, losses, or restorations. Light wear to the footrim.
Lot 391
NO RESERVETSUDA EIJU (1915-2001) SHOWA ERA, 20TH CENTURY A tall Japanese bronze vase, the cylindrical body with a reddish-brown patina and cast with a series of horizontal ribs, with a seal mark for Eisu to the base; together with a trumpet-shaped bronze vase with a central bulb, unsigned; both with inscribed tomobako wood boxes, 24cm and 29.9cm respectively. (4) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection. Cf. T & M Becker, Twentieth Century Japanese Bronze Flower Vases, The Becker Collection, pp.122-123, where the ribbed piece is illustrated and discussed. The authors explain that Tsuda Eiju worked mainly for the Imperial family, and became particularly famous for his murashi-do patina. He was awarded the Grand Prize at the Nitten Japanese Fine Art Exhibition in 1962.
Lot 362
NO RESERVEA SMALL JAPANESE INLAID-BRONZE VASE BY THE INOUE COMPANY OF KYOTO MEIJI PERIOD, 19TH CENTURY The slender baluster-shaped body decorated in kebori and gold takazogan with peony, bamboo, orchids and a flowering prunus issuing from rockwork, with a bird perched amidst the branches and another in flight, the base signed Inoue zo, 14.8cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, Sussex.
Lot 371
A MINIATURE JAPANESE CLOISONNE ENAMEL VASE AND COVER BY NAMIKAWA YASUYUKI (1845-1927)MEIJI ERA, EARLY 20TH CENTURYDecorated with two thatched cottages by the waterfront in a colourful river landscape, the sky a uniform cobalt blue contrasting with the water below rendered in graduated musen (wireless cloisonné); with narrow borders to the foot and shoulder, the rim decorated with a polychrome band of chrysanthemum panels; the small domed cover embellished with formal lotus panels beneath a chrysanthemum-shaped silver finial; the silver base stamped Kyoto Namikawa, 11.5cm. (2)Originally a samurai, Namikawa Yasuyuki opened his first enamelling studio in Kyoto in 1875 and went on to become one of the most influential artists of what is referred to as the 'Golden Age of Enamelling' in Japan. His earlier work was relatively traditional in style, mainly decorated with formal botanical and geometric motifs, but his later designs became increasingly pictorial. Reminiscent of the Nihonga style painting, he made use of intricate wirework counterbalanced by broad areas of pure enamel, a compositional style that relates the piece offered here with the two koro in the Khalili Collection, illustrated in Meiji no Takara: Treasures of Imperial Japan, the Nasser D. Khalili Collection of Japanese Art, Enamel, nos. 25 and 32.
Lot 374
NO RESERVEA TALL JAPANESE CLOISONNE VASE WITH A FOX PROCESSION MEIJI ERA, 19TH/20TH CENTURY The elongated body decorated with a continuous scene of the kitsune no yomeiri (foxes' wedding), the many foxes marching underneath a torii gate, all dressed up in kimonos and some carrying lanterns, others palanquins; on a duck egg-blue ground, 46.5cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 386
NO RESERVETSUDA EIJU (1915-2001) SHOWA ERA, C.1950 A Japanese bronze vase cast in the shape of a stylised apple; with a round body, the neck modelled as the stem and with a small handle to the side suggesting a leaf; the surface with a warm mottled chocolate-brown patina, the base impressed with a square seal mark reading Eiju, 18.7cm; with an inscribed tomobako wood box. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection. Cf. T & M Becker, Twentieth Century Japanese Bronze Flower Vases, The Becker Collection, pp.114-115, where this very piece is illustrated and discussed. The authors explain that Tsuda Eiju worked mainly for the Imperial family, and became particularly famous for his murashi-do patina. He was awarded the Grand Prize at the Nitten Japanese Fine Art Exhibition in 1962.
Lot 393
NO RESERVEHASUDA SHUGORO (1915-2010) SHOWA/HEISEI, 20TH CENTURY A Japanese nickel vase, the tall square-section body with an elongated neck and a small triangular handle; the sides embellished with five horizontal lines, the base signed Shugoro, 24.3cm; with an inscribed tomobako wood box. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection. See Christie's New York, 22nd September 2005, lot 249, for a related patinated vase by Hasuda Shugoro. Hasuda Shugoro is considered one of the leading Japanese modernist artists working in bronze during the Post-War Period. After graduating from Tokyo School of Art in 1938, he participated in founding the Creative Crafts Association (1952), the Japan Modern Craftsmen's Association (1961) and the Japan Metal Sculpture Institute (1976). His first award was at the 5th Nitten in 1949, and he later received the Hokuto Award (1953) amongst many further prizes. In 1987, he was designated a person of Cultural Merits, and he was later decorated with the Order of Cultural Merit in 1991.
Lot 344
NO RESERVEA JAPANESE BRONZE VASE BY GENRYUSAI SEIYA MEIJI ERA, 19TH CENTURY With a trumpet-shaped body and decorated with a dragon in relief holding a small crystal ball, its long scaly body coiled around the vessel, signed Seiya chu underneath, 27.5cm; together with a smaller vase of baluster shape with another dragon applied to the neck and shoulder, signed Ikko, 15.5cm. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, Sussex.
Lot 387
NO RESERVENAKAJIMA YASUMI II (1905-86) SHOWA ERA, C.1960 A Japanese bronze vase cast as a stylised bird and entitled Hina (chick), depicted with its beak wide open and with a flattened curved body, the base signed, 18cm; with an inscribed tomobako wood box. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection.
Lot 342
NO RESERVEA JAPANESE BRONZE VASE (USUBATA) MEIJI OR TAISHO, 19TH OR 20TH CENTURY In two parts, the lower half with a bulbous body raised on three scrolling feet, the sides decorated with buildings in mountainous river landscapes, the handles shaped as elephant heads with extended trunks, the upper section consisting of a removable circular tray wedged at the top, unsigned, 26.6cm. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from an English private collection, London.
Lot 392
NO RESERVEHASUDA SHUGORO (1915-2010) SHOWA/HEISEI, 20TH CENTURY A Japanese hakudo (white bronze) vase, the tall square-section body with an elongated neck and a small triangular handle; the sides embellished with a network of vertical and horizontal lines, the base signed Shugoro, 25.8cm; with an inscribed tomobako wood box. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection. See Christie's London, 7th November 2012, lot 128, for a related hakudo piece by Hasuda Shugoro.
Lot 382
A TALL JAPANESE CLOISONNE VASE BY THE ANDO JUBEI COMPANYTAISHO ERA, 20TH CENTURYThe slightly-flaring cylindrical body decorated with many lilies rendered in yusen, shosen and musen enamels, the white blooms depicted on a rich navy-blue ground; with metal mounts to the rims, marked jungin (pure silver) underneath; the base with the mark for the Ando workshop, 32.5cm.
Lot 373
TWO JAPANESE CLOISONNE ENAMEL PIECESMEIJI ERA, 19TH/20TH CENTURYOne a trumpet vase, decorated with a mottled yellow-green ground and a central band with two pairs of confronting butterflies amongst lotus and chrysanthemum, with a border of floral scrolls beneath the rim, the inside and the base enamelled blue; the other, a circular box and cover with a celadon ground, the globular body decorated with a bird of prey perched on a flowering prunus and the reverse with two birds in flight, the gently domed cover with three butterflies and a chrysanthemum-shaped knop; 21.4cm and 8.6cm respectively. (3)
Lot 390
NO RESERVEA JAPANESE BRONZE VASE SHOWA ERA, 20TH CENTURY The tall body with a slightly flared rim and modelled as a section of bamboo, the surface with a murashi-do mottled reddish-brown patina, in an inscribed tomobako wood box, 18.5cm. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: a British private collection.
Lot 339
NO RESERVEA JAPANESE PARCEL-GILT BRONZE VASE MEIJI ERA, 19TH/20TH CENTURY The bulbous body raised on a spreading foot and with a tall flared neck, decorated with a ho-o bird in flight beside leafy paulownia trees; the neck with lappets enclosing formal patterns and the rim with a border of key fret, 44.8cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 372
A JAPANESE CLOISONNE VASE BY TAMURA II / OTA KINKEI (1897-1976)TAISHO OR LATER, 20TH CENTURYThe bulbous body with a flaring neck, decorated with colourful stylised peacocks and abstract circular motifs on the cream-coloured ground; the base with the signature for Tamura II/Ota Kinkei in a metal cartouche and to the metal foot rim, 24.7cm.
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653685 item(s)/page