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Lot 104
A Chinese blue and white gu vase,Kangxi (1662-1722), of tapering cylindrical form with a flared mouth, painted with landscapes and flowers in shaped panels, 34cm highProvenance: Purchased from Phillips, Son & Neale, 11 August 1971.清康熙 青花开光山水人物图花觚Condition report: Glaze chipped and chips to rim, chips around foot. Water stains to base.
Lot 105
A Chinese clobbered blue and white vase,Kangxi (1662-1722), of double gourd form, painted with figures on horseback in shaped panels,40.5cm high清康熙 青花开光人物故事图葫芦瓶Condition report: Wood stand drilled with cracks, base missing, small chips to rim and foot rim, surface scratches and minute chips to edges, gilt rubbed.
Lot 119
A Chinese unglazed vase, 18th century, the pear-shaped body with rounded sides, resting on a slightly flared foot, rising to an everted rim, the shoulder moulded with a raised band and set with a pair of elephant handles,31cm high清十八世纪 素胎象耳尊Condition report: Frits to foot rim. Firing cracks to base.
Lot 126
A Chinese copper-red and underglaze-blue vase, Qing dynasty (1644-1911), of baluster form on an everted foot, painted with two deer under a pine tree, the reverse with two cranes with bamboo and lingzhi, the shoulder moulded with a raised band painted with bats among clouds, the stylised handles imitating pine branches with ruyi scrolls in relief,47cm high清 青花釉里红鹤鹿同春纹瓶Condition report: No obvious faults. Iron inclusion to rim from kiln.
Lot 128
A Chinese export ware candlestick figure,Qianlong (1736-1795), in the shape of a lady standing in a long robe, painted with sprigs of flowers and diapered border, holding a vase of lotus form, 29cm high清乾隆 仕女立像烛台Condition report: Chips in numerous places, restored to neck. Losses to hair of both sides, hair ornaments, petals and fingers.
Lot 140
A pair of Chinese Canton enamelled famille rose vases,19th century, each modelled in the form of a ribbon-tied pouch, the ovoid body carved with vertical ribs simulating textile pleats, tapering to a fluted neck and ruffled rim, wreathed by a blue sash fastened into a knotted ribbon suspending two flowing tassels, painted with figures in a sitting room at various pursuits in shaped panels, surrounded by butterflies and foliage on a gilt ground, Buddhist lion handles,25cm high (2)清十九世纪 广东粉彩人物故事图包袱瓶 一对Condition report: Gilt rubbed, small chips to Buddhist lion tails, one vase with mouth restored.
Lot 158
Three Chinese ivory carvings, 19th century, each with a bodhisattva wearing beaded jewellery holding a vase or a ruyi sceptre in their hands, seated cross-legged on a lotus pedestal on the back of a Buddhist lion or an elephant standing on clouds, in turn standing on shaped and galleried plinths carved with chilong and archaic scrolls,each figure approximately 28.5cm high,overall 36cm high (6)Provenance: From the family of 'Robber Baron' Jason 'Jay' Gould.清十九世纪 象牙雕菩萨坐像 一组三件Condition report: Some minor discolouration, especially to the reverse.Splits as to be expected. Details missing.Some parts of galleries to the bases detached, some missing. Signs of glue.Elephant figure - guanyin loose from the back of elephant. hat chipped with part and finial missing.Buddhist lion pair - the left figure with right little finger chipped, the right figure with item possibly missing from the bottle and warped base, both hats missing finial.5162.5g in total. 3414.6g in total excluding bases.
Lot 174
A Chinese famille verte vase,c.1900, of octagonal form, painted with immortals on the back of mythical beasts between a ruyi-head and a diapered border, six-character Chenghua mark,40cm high, associated wood stand (2)清约1900年 五彩人物故事图八方瓶 《大明成化年制》青花楷书款Condition report: Now fitted as a lamp, unable to check the condition under brass fitting. Glaze frtis to edges. wood stand drilled.
Lot 175
A Chinese porcelain vase, 20th century, of tapering cylindrical form, painted with a continuous landscape with waterfalls, mountains, boats and figures, inscribed, dated year of Wuzi (1948) and signature of Zhang Zhitang (1893-1971), Yi Tao Zhai seal mark to the base,20.5cm high二十世纪 张志汤款 通景山水瓶 《亦匋斋》款Condition report: Surface scratches.
Lot 177
A Chinese famille rose vase,early 20th century, of cylindrical form with a flared mouth on a circular base, painted with figures in a study, Buddhist lion handles in gilt, 17cm high二十世纪初 浅绛彩人物图瓶Condition report: One handle restored to tail, the other handle's tail with gilt rubbed.Small frits to rim.
Lot 184
A Chinese famille rose plate, 20th century, of circular form, painted with a lady holding a rabbit in her arms, surrounded by servants in a garden, inscribed 'For respected Xulun's refined enjoyment, respectfully presented by Feng Yaoqing', 23.8cm diameter, a second plate,painted with quails among chrysanthemum, inscribed 'Guangdong Bowu Shanghui zhi' (made by Art Object Traders' Association of Guangdong) and also a seal mark to the base reading the same, 21.8cm diameter, a third plate,with literati and servants standing by a river in a rocky landscape, 21.7cm diameter, and a vase,with Liu Hai and two Daoist immortals in a garden, six-character Qianlong seal mark to base, 17.5cm high (4)Feng Yaoqing (1880-1943), the founder of Li & Fung Ltd. in 1906, was among the pioneers of the investing industry and export business for national salvation during the war. He presented a vase made by Guangdong Bowu Shanghui to the Panama-Pacific International Exposition in San Francisco in 1915 and won a gold medal. 二十世纪 粉彩人物故事图盘 《旭稐先生雅玩 冯耀卿敬赠》粉彩安居乐业图盘 《广东博物商会制》粉彩携琴访友图盘 及粉彩刘海戏蟾蜍图瓶 《大清乾隆年制》矾红篆书款 一组四件Condition report: Plate with inscription - chips and frits to rim and foot rim. Gilt rubbed, some enamel losses. Plate with quails - a small chip to rim.Plate with figures - frits and chips to rim.Vase - No obvious faults.
Lot 198
A Chinese Canton enamelled vase,Qing dynasty (1644-1911), of lozenge form, finely painted with figures in a garden, surrounded by bamboo, butterflies, birds and flowers, six-character Qianlong mark, 30cm highProvenance: From the collection of Alfred Barge-Perham and thence by descent. He owned and ran a lodging house for sailors in Turner Street, Whitechapel, and formed quite a large collection of Chinese objects, possibly brought to him by the seamen directly from China and Asia in the late 19th century.清 广东制铜胎画珐琅人物故事图四方瓶Condition report: Small chips and cracks to enamel
Lot 200
A Chinese Canton enamelled table lamp and shade,20th century, the vase of lozenge baluster shape on a metal base, painted with a peacock, a pheasant and a landscape, vase 25.5cm high,lamp overall 36cm high二十世纪初 广东制铜胎画珐琅花鸟山水图瓶 Condition report: Minor chips and restoration to edges near base and near rim. Base drilled. Unable to check condition under brass fitting.
Lot 201
A Chinese bronze vase,possibly Ming dynasty, of compressed pear form on a raised rectangular foot, decorated with a taotie mask above an archaic band, the foot with waves, mask handles with a looped ring, 34.8cm high明(可能) 铜饕餮纹扁瓶Condition report: Mouth and foot dented. Splits to looped rings. Surface scratches.
Lot 204
A Chinese bronze vase,Ming dynasty (1368-1644), of hexagonal form rising from a spreading foot to a tapering neck flanked by shaped handles, the body cast in relief with leiwen, swastika and swirling waves, 21.5cm high明 铜锦地海水纹六方瓶Condition report: Surface scratches. One handle not straight. 739.5g.
Lot 230
A pair of Chinese famille rose jars and covers,late 19th century, each jar of baluster form, painted with butterflies and dragonflies amongst sprigs of flowers against a powder-blue ground, the shoulder with a ruyi-head shaped border, the domed cover similarly decorated with a Buddhist lion knop,44cm high (4)Provenance: The Contents of an East Anglian Estate;Christie's, 'Elveden Hall, Thetford, Norfolk, The Property of the Earl of Iveagh', 21-24 May 1984, lot 2471.清十九世纪末 洒蓝地粉彩蝶恋花纹将军盖罐 一对Condition report: One vase (5143) with small chips to inside of cover and rim of vase.The other vase (5144) restored to rim with chips, foot rim and cover chipped. A glaze flake to shoulder.Both with gilt rubbed.Christie's original catalogue not included.
Lot 263
A Chinese finely carved hardwood brush pot,Qing dynasty (1644-1911), possibly huanghuali, of tapering cylindrical form, deeply carved with a continuous scene depicting Han Xin on horseback being pursued by Xiao He and his attendants from behind tall rocks,18cm high, fitted wood stand, overall 23cm highProvenance: A private English collection in Gloucestershire.Han Xin (died 196 BC) was a military general who served Liu Bang (died 195 BC), assisting him in establishing the Han dynasty.At first Han Xin's talents were not recognised and he was merely put in charge of food supplies. Frustrated by this, Han Xin deserted, but Liu Bang's minister, Xiao He (died 193 BC), acknowledged Han Xin's competence and pursued him in the middle of the night, convincing him to continue in his service of Liu Bang's quest to unify China and in the foundation of the Han dynasty. This popular tale, recorded in Sima Qian's Shiji (Records of the Grand Historian), became one of the widely used designs among narrative scenes taken from historical texts, novels and dramas reproduced on porcelain wares during the 17th century. No doubt, it would have resonated strongly with many scholar-officials during the late Ming dynasty, who felt their talents to serve in the government were not being appreciated under the declining Ming empire. This narrative can be found on a Yuan dynasty blue and white meiping vase excavated from the tomb of the early Ming general Mu Ying, exhibited in 'Splendors in Smalt: Art of Yuan Blue-and-white Porcelain', Shanghai Museum, 2012, Catalogue, pl.64. The same motif is also depicted on a baluster vase, c.1635-40, illustrated in 'Seventeenth Century Chinese Porcelain from the Butler Family Collection', Alexandria, 1990, p.78, no.37.清 黄花梨雕萧何月下追韩信图笔筒Condition report: Chipped to rim. Drilled to base. Surface scratches. Natural cracks to brush pot, splits to wood stand. Xiao He's left hand chipped.
Lot 337
Two Chinese gouache paintings, one circular, painted with literati seated under a pine tree, signed Jiang Lian with two seals, ink and colour on silk, 25cm diameter, and another, with blossoming prunus and lilies in a cloisonné vase and planter, ink and colour on silk, 37 x 29cm, both framed and glazed (2)Condition report: Both with stretched fabric, creases, stains, splits and holes, foxing throughout.Rectangular - a large split to the lower section. Some enamel losses. Circular - Holes and old repairs throughout. Not seen outside of frame.
Lot 34
Two Japanese kiseruzutsu with kiseru,Meiji period (1868-1912), one lacquered onlaid with Ritekkai standing with his hands resting on his staff,21.5cm long, anda white metal example, with a vase of pine branches in relief,20cm long (2)Provenance: The Trevor Barton Collection.Condition report: Lacquered onlaid case - split to the base, some knocks to the surface. Pipe tarnished.White metal case - dented, with signature panel - shown in images.
Lot 348
A Chinese porcelain box and cover, of rectangular form, moulded with a landscape in relief, the sides with flowers of the different seasons, all covered under a green glaze, four-character Wang Bingrong mark, 10cm long, a brush pot, moulded with chrysanthemum and peony by rocks, four-character Wang Bingrong mark, 11.8cm high, and an overlaid Peking glass vase, decorated with magpies on blossoming prunus branches in yellow against a blue ground, 21cm high (4)Condition report: Box - firing cracks to the sides of cover.Brush pot - Minute chips to rim and footrim. One flower in the center restored. Vase - chips to edges. A minor chip to footrim. Some details missing.
Lot 357
A Chinese famille rose jar and cover, early 20th century, of ovoid form, painted with a bird standing on a rock by peony and other flowers, the domed cover similarly decorated, 27cm high, and a blue and white double gourd vase, painted with prunus against a blue ground, 26cm high (3)Condition report: Jar - cover cracked with a glaze chip, the interior of jar with a star crack, a hairline crack to base. Vase - chips to foot rim. Small glaze flakes to body.
Lot 365
A Chinese celadon vase, Republic period (1912-1949), painted with taotie masks against a diapered ground below a key fret and ruyi head border, approximately 42cm highCondition report: Now fitted as a lamp, unable to check condition under brass fittings. Base drilled. General surface wear and scratches. A hairline crack to body.
Lot 378
A Chinese blue and white vase, c.1900, of cylindrical form with a flared rim, painted with a continuous rocky landscape with figures fishing or boating along a river, between a ruyi-head and a false gadroon border, four-character Xuande mark, 45.5cm highCondition report: Rim chipped and with frits, star cracks to base. Chips to foot rim.
Lot 38
Two Japanese kiseruzutsu with kiseru,Meiji period (1868-1912), one of fruitwood, carved with a pufferfish and a mushroom under a pine tree with inscription,23cm long,one lacquered, imitating bamboo,22.5cm long, andanother lacquered pipe case,engraved with a fruiting branch in a vase,18.5cm long (3)Provenance: The Trevor Barton Collection.Condition report: Vase carved case - split to the main shaft.Inscribed case - split to the top of the case. Black case - splits to both top and the base. Two pipes tarnished.
Lot 418
A Chinese export famille rose teapoy and cover, Qianlong (1736-1795), of baluster form with moulded scrolls above a spreading foot, painted with figures in shaped panels, the domed cover with a spear knop, 13cm high, and a Japanese Satsuma ware vase, 19th century, painted with a dragon amongst clouds, 12.5cm high (3)Condition report: Chinese jar -rim chipped. Frits to foot rim. Japanese vase - gilt rubbed.
Lot 448
A collection of Chinese porcelain, comprising: a famille rose punch bowl, 18th century, painted with pheasants standing on a blossoming tree, 26.7cm diameter, associated wood stand, a pair of famille rose vases,19th century, of ovoid form with flared lobed rim, painted with dragons among chrysanthemum against a yellow ground, applied chilong to neck and shoulder,18.5cm high, and a vase, early 20th century, of baluster form, covered under a mirror black glaze, 26cm high (5)Provenance: The D M Jacobs Collection.Condition report: Punch bowl - chipped and cracked.Pair vases - chipped to both rims. Black vase - rim and foot rim chipped. Glaze cracks to interior.
Lot 458
A collection of four Japanese bronze vases, Meiji period (1868-1912), comprising: a pear-shaped vase, probably by Inoue Kichibei of Kyoto, decorated in low relief with egrets in a lake in silver, signed to the side, seal mark of Inoue to base, 24.5cm high, one with a blossoming branch around the neck, signed Yoshisei, 24.5cm high, one with two Noh masks, 34.3cm high, and another, of tapering form, carved with a landscape, seal mark to the base, 27.7cm high (4)Condition report: Inoue vase - minor surface scratches. The other three vases - all with surface scratches and dents. Knocks to edges.
Lot 80
Lots 80-90The D M Jacobs CollectionD M Jacobs (1930-2020) was a meticulous collector from a young age. After attending Oxford University, he travelled through the East in the 1950s, eventually becoming an English language newsreader on broadcast radio in Israel. Returning back home he was involved with the Anglo-Jewish Society. He was also a Blue Badge Guide in London and an expert on William Morris, providing talks and lectures.A collection of Chinese pottery,Tang dynasty (618-907), comprising:a large bowl, of conical shape with five spur marks to the interior, under a degraded pale glaze, with a 'BLUETT & SONS LONDON' label,17.5cm diameter,a white glazed dish, the well-potted shallow well on a tapering circular foot, the everted rim divided into five lobes, with a 'Newton 327' label,13cm diameter,a small vase, of ovoid form with four lobes on a tapering foot, with an everted mouth, all under a celadon glaze, with a 'BLUETT & SONS LONDON' label and a 'Newton 222' label,8.5cm high,a water well, of globular form with an incised ring around the mouth, under a green translucent glaze, with a 'Newton 289' label,4.5cm diameter, anda small ewer, Six dynasties (220-589), of lobed form with a short straight octagonal spout, a handle in the form of a chicken's tail and an appliqué on each side of the body to represent wings, covered in a brown glaze, with a 'Newton 99' label,7cm high, three associated wood stands (8)Provenance: Dr Isaac Newton (excluding the white bowl);Bluett & Sons, Ltd.;D M Jacobs collection, purchased from Bluett & Sons Ltd. on 28 April and 3 May 1961 for a total of £26.It was a family belief that Dr Isaac Newton was a descendant of the great British scientist of the same name. He was a director of Medical Services in Hong Kong while he built up his interest in Chinese jades and early ceramics. His main collection was sold by Bluetts in 1981, in their exhibition of 'Dr Newton's Zoo: A Study of Post-Archaic Small Jade Carvings'.唐 陶器 一组五件Condition report: Bowl - chipped to rim and foot rim. Repaired. Not mentioned in the Bluett receipt.Lobed dish - chipped to foot rim. Small chips to rim.Vase - chipped to rim and foot rim, a section of foot damaged but present with the lot.Water well - glaze flakes.Chicken ewer - glaze flakes revealing the pottery body, chipped in various places.One wood stand chipped.
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653833 item(s)/page