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* Dutch School. Designs for Metalware, circa 1720s-30s, 3 pen, brown ink and brown and grey wash studies for ewers or urns, on laid paper, two sheets bearing the watermark of Dutch paper manufacturer HW Schoen, with a motif of a lion rampant with a clutch of arrows within a crowned circle bearing the legend Pro Patria Eiusque Libertate to border, and Vryheit at foot, one drawing (with design in grey wash) with additional study of a bearded old man to verso in black chalk, one with overlaid alternative design for the top of the jug, the other two sheets mainly in brown ink and wash, some toning and discolouration, sheet size 285 x 195 mm (11.2 x 7.75 ins) or similar, the two sheets primarily in brown ink and wash both with additional pencil study of a vase to verso with annotationsQty: (3)NOTESThe paper maker H.W. Schoen was active in Zandijk between 1707 and 1743.
* Miniatures. Three enamel portraits of young beauties, mid 19th century, 3 oval painted enamel head-and-shoulder portraits of 18th century ladies wearing elaborate hats, each set into a brooch or pendant silvered frame inset with paste stones (all with some damage), one with image additionally inset with stones, 32 x 30 mm and slightly smaller, together with 4 other miniature paintings, including an 18th century circular painting on enamel of flowers in a vase with a church and a dwelling in the background, set into a cut steel frame, diameter 28 mm, plus 2 miniature carved ebony framesQty: (9)NOTESProvenance: Collection of Jack Webb (1923-2019), London.
* Continental School. Young Woman Smoking, possibly Spanish, circa 1860s, oil on tin, depicting a dark haired young woman wearing a shift and reclining in bed, holding a cigarette in her left hand and exhaling smoke, with letters and a book in front of her on the bed, and playing cards and a spill holder in the form of a devil on the green cloth-covered table beside, overall craquelure and some minor flaking to top left, 17 x 20 cm (6.5 x 8 ins), gilt moulded frameQty: (1)NOTESProvenance: Collection of Jack Webb (1923-2019), London. An unusual early portrayal of a woman smoking a cigarette. In the 19th century, when smoking was not considered appropriate for genteel females, and before the first commercially produced cigarettes, Spanish women were particularly noted for the habit of smoking hand-rolled cigarettes. The message of the painting reinforces the widely-held view that women who smoked were morally lax, depicting as it does the subject in abandoned pose with tumbling locks, scattered love letters and playing cards, and a devil-figure spill vase.
* Seymour-Lucas (Marie, 1855-1921). Still life of flowers, oil on canvas, depicting yellow and white daisies, roses, and clematis flowers, with ferns and grasses, in a bulbous green glass vase, signed in red lower left, 26.5 x 22 cm (10.5 x 8.5 ins), framed, with old framer's label on verso 'C. Sheppard, Victoria Crescent, The Broadway, Wimbledon'Qty: (1)NOTESFrench-born artist Marie Seymour-Lucas, née Marie Cornelissen, was sent to England by her parents to study painting. She attended St. Martin's Lane Academy and then the Royal Academy where she met John Seymour-Lucas, who became her husband. After marrying she spent the rest of her life in England. She is best known for historical works, genre scenes, and domestic scenes with children.
* Cheret (Gustave Joseph, 1838-1894). Design for a Vase, pen, black ink and grey and black wash on wove paper, bears monogram JC lower right, sheet size 210 x 138 mm (8.25 x 5.4 ins), with separate handwritten title 'Vase' on light blue paper, printed sticker containing the number 901, and facsimile signature of Joseph Cheret separately mounted below, window-mountedQty: (1)NOTESProvenance: Eric Carlson (1940-2016), Professor of Art History at SUNY-Purchase, and art dealer in New York who specialised in 19th century French drawings and prints.
* Power, (Cyril, Edward, 1872-1951). The Mount, Bury St Edmunds, c. 1930s, watercolour on paper, titled on the reverse in pencil (thought to be in the artist's hand), thin brown paper border created before painting with brushstrokes touching margins, 54 x 36.5cm (21.25 x 14.5ins), together with Still Life of a Vase of Flowers on a Table, c. 1935, watercolour on paper, unsigned and undated, pencil title details to verso, 28.5 x 38.5cm (11.25 x 15ins), plus Vase of Flowers with Reflection, 17 May 1932, oil on thick paper, unsigned, pencil title and date to verso, and Easter Mass, Sabbato Sancto, Westminster Cathedral, 1944, corner pinholes, 39.5 x 29cm (15.5 x 11.5ins), plus Attributed to Bernard Buffet (1928-1999), Factory with chimney behind a long brick wall, watercolour on off-white thick paper mounted on card, brown and grey colours, signed and dated upper left 'Bernard Buffet 41', within double-rule pencil border, some marginal toning and creases, 10.5 x 21.5cm (4.25 x 8.5ins)Qty: (5)NOTESProvenance: Giles Power, grandson of the artist.
Royal Albert - A quantity of Royal Albert Old Country Roses dinner and tea wares comprising 8 dinner plates, 8 side plates, 8 saucers, 8 cups, 6 bowls, 1 sandwich plate, 1 teapot, 1 cream jug, 1 sugar bowl, 1 two tier cake plate, also includes 1 small vase and 2 trinket dishes.Condition Report - Appears to be a mix of 1st and 2nd quality pieces, approximately 40% 2nd's
18th Century Dutch Delft vase and cover, circa 1764, painted by Wednice Van Der Brier, in blue and white with a lady to the centre with a jug on her head, shipping scene in the background, a lion caped domed lid, the base with the initials WVDB, 25cm high, Meecham Collection
NO RESERVE Castiglione (Giovanni Benedetto, 1609-1664) Satyr reclining before a large vase, etching, a good impression on laid paper without watermark, sheet 116 x 216 mm. (4 5/8 x 8 1/2 in), trimmed on or just within the platemark, inset at edges onto paper support, minor surface dirt, unframed, [Bartsch 18; Bellini 12], [circa 1645-1648] § Angolo del Moro (Battista, 1514-1573) The infant Moses rescued from the Nile, after Andrea Meldolla, called Schiavone, etching on laid paper with watermark of crossbow within a circle, 255 x 185 mm. (10 x 7 1/4 in), trimmed just within the image, inset at edges onto paper mount, [B. 1], [mid to late 16th century]; together with five others, including Gian Jacopo Caraglio's Hercules killing the Centaur Nessus, after Rosso Fiorentino from the suite 'The Battles of Hercules', Oliviero Gatti's God the Father creating Adam, after Pordenone, from the suite 'Four Old Testament scenes after Pordenone', Gatti's The Virgin and Child, half-length, after Lorenzo Garbieri, an anonymous 16th century reverse copy after Camillo Procaccini's The rest on the flight into Egypt, and Francesco Curti's Virgin and Child, after Guercino, engravings and etchings, on various papers, all unframed, late 16th and 17th century] (7).
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653685 item(s)/page