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A white metal large medallion "Published to Commemorate the Opening of the Grand Junction Railway", July 4 1837, by W.B. Promoli, late Thomas Woolfield, Church Street, Liverpool, diameter 55.5 mm, oxidised, together with a white metal medallion commemorating The Crowning of William IV, another marking the marriage of Albert and Alexandra 1863, and a fourth "Thomason's metallic bronze vase", varying degrees of corrosion. Provenance: The Penrose Estate, Porthleven, Cornwall.
Twenty Eight pieces of Studio pottery, various marks and monograms, including pieces by John Davidson, Rye Pottery, St Ives mug, The Friars Aylesford, also a Willow Pattern meat plate and strainer and a Shelley vase Condition reports are not available for our Interiors Sale
Twenty nine pieces of studio pottery including a John Maltby Stoneshill pottery tankard, Abjua pottery beaker, Diana Worthy at Crich Pottery bowl, St Annes Cornwall pottery, Aylesford pottery jug, vase marked LD probably Lowerdown pottery, and others with various marks and monograms. Condition reports are not available for our Interiors Sale
ADDED LOT A small early 20th Century Moorcroft Pottery ovoid shaped vase decorated in the Pomegranate pattern, 7.5cm diameter Condition very good and original, slight glaze crazing to surface, no chips, cracks or restoration. Privately entered in aid of charity, the local church.
A small selection of mostly damaged 19th century Majolica pottery to include a Merman (broken and now as a lamp), a Faience flower holder (as a pig), a vase with handles modelled as serpents, a vase modelled as a recumbent rabbit pulling a wagon, the wheels as flower heads and one further 19th century two-division Hors d'oeuvre dish modelled as a standing stork (5)
A Troika pottery wheel vase initialled AW (possibly for Annette Walters) (20cm high) Appears to be generally in good overall original condition with no chips or restoration noted except for what looks to be a small firing crack to the inside of the oval aperture at the top. This does look like a firing crack when it was originally in the kiln and there is a very small quarter match head sized “chip” where the crack ends.
A large Gouda Pottery vase of bottle form hand decorated and gilded with various flower heads etc., together with a 19th century stoneware bread dish very much in the style of Augustus Welby Northmore Pugin (damage), and a selection of eight 19th century ceramic candles in various condition, (the Gouda vase with neck broken and away)
A good Ruskin high-fired pottery vase with an attractive and red mottled overall glaze, impressed marks to base and dated 1933This looks Ok with no major problems or cracks or restoration. Where the glaze meets the circular slightly outset foot rim there are small bubbles appearing in the glaze at the bottom of the vase but no really major problems noted. It appears to be in good general overall condition. Dimensions are 10cm diameter at the widest point and 11cm high
A pair of hand-cut glass table lustres with circular droplets together with a 19th century glass bowl facet cut with flower heads and ovals etc., (some damage) (3), the lustres 25cm high There is some damage to the table lustres within this lot. The circular hand cut vase appears to ring quite well, there is a small bubble blemish to the outside of the lip on the vase but this seems to have been produced when it was made. The bottom of the underside, the outside of the foot appears to be quite irregular which may suggest that the piece has had some damage to the outside of the foot rim and has been ground down. The lip of one of the table lustres has been repaired, there is a 2cm chip away and a chip at the top also and the reparation is two staples now holding the damaged piece in place. It looks as if the main Campana shaped top has been glued into the larger nozzle/drip pan, underneath this where the main hobnail cut inverted baluster shaped support is there is also a prevalent chip away to the top of this section where it affixes to the sconce with a waisted brass ferule. The second table lustre (with the label) appears to be in slightly better condition, there are some chips and nibbles away from the extremities at the top of the piece although it does not appear to have been broken and repaired. There is no real evidence of glue and appears in much better original condition than its partner. The droplets, both of the lustres have the top droplets intact and the ones hanging below with seven cut glass facets, most of these if not all of them appear to be there. The circular feet appear to be in reasonable condition with no major problems except for the first lustre which has a 1cm small chip away to the edge.
René Lalique (1860-1945), 'Ceylan', a clear frosted and opalescent glass vase introduced 1924, moulded with a frieze of vertical budgerigars perched upon small branches, wheel-etched mark to underside R. Lalique, France and individually numbered No. 905 (24cm high, the top lip 13.5cm diameter) The vase has come privately and when has been stored in a safe for many years. It looks like the vase has been used for flowers at some point as the inside at the bottom is quite dirty with what looks like dried up water residue. In our opinion the vase would benefit substantially from a good careful clean. There appears to be what looks like a small slightly curving 1cm scratch to the underside of the lip. The lip appears to be in very good overall original condition and does not exhibit any chips or restoration or any evidence of grinding down in our opinion. The inside appears dirty commensurate with dirty water. The outside body of the vase appears to be in very good overall original condition although in smaller areas some dirt is prevalent, under a magnifying glass there are some very small surface scratches although this is not really prevalent with the naked eye. The foot rim appears to be in generally good overall original condition with no cracks, chips or restoration noted although some scratches are apparent to the underside of the foot commensurate with age. It bears the etched mark of R LALIQUE and FRANCE and is also individually numbered No. 905. The vase appears to be in good general overall original condition with no major problems noted and as suggested the vase would benefit from a very substantial and sympathetic clean. Height of the vase is approx. 24cm
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653685 item(s)/page