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Lot 384

Peter Hayes (born 1946) a raku bottle vase with narrow neck, white textured surface, impressed artist seal mark, 19.5cm. high

Lot 386A

Gareth Mason (born 1965) a porcelain bottle vase, ovoid with narrow cylindrical solifleur neck, pale celadon crackled glaze splashed with sang de boeuf red, and another smaller porcelain bottle vase by Gareth Mason, impressed seal marks, 21cm high (tallest), 12.5cm. high (smallest), (2) Provenance Patrick Bourne & Co (tallest vase)

Lot 387

Irene Bell (born 1960) a pottery vase dated 1989, cylindrical form with everted rim, painted in black on a cream ground with stylised Leda and the swan frieze, incised I Bell 89, 49cm. high

Lot 388

Robin Welch (born 1936) a cylindrical vase with everted top rim, painted and resist decorated in emerald green with cross motif, impressed monogram to base, paper exhibition label number to base, 30cm. high Provenance Rufford Gallery, July 1993. private collection.

Lot 389

Peter Beard (born 1951) a stoneware vase, shouldered ovoid form, matt pale blue glaze with vertical columns and yellow splashed highlight impressed seal marks, 13.5cm. high Provenance A private collection of studio pottery

Lot 394

A Massier Pottery Vallauris vase, slender baluster form, decorated in resist with pine boughs, covered in a lustrous glaze, Austrian iridescent glass inkwell, a modern Lalique vase, a glass figural wall plaque, two candlesticks and five modern glass vases painted marks, glaze chip to foot rim, 22cm. high (11)

Lot 411

A Murano glass vase, the thick green tube glass with strap handle, on fluted foot, unsigned, 29cm. high

Lot 415

A glass vase by Simon Moore dated 1986, flaring black glass body on ribbed clear glass with spherical yellow, pink and green feet, and a Memphis style glass platter on three feet by Simon Moore etched Simon Moore 1986, 26cm. high Provenance Purchased directly from the artist by the vendor.

Lot 417

A Whitefriar's Willow glass Drunken Bricklayer vase designed by Geoffrey Baxter, unsigned, 33cm. high Literature Leslie Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 140 plate 160 for comparable vases.

Lot 418

A Whitefriars Willow glass Banjo vase designed by Geoffrey Baxter, moulded form, unsigned, 31.5cm. high Literature Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 139 plate 158 for a comparable Banjo vase.

Lot 419

A Whitefriars Kingfisher Blue glass Banjo vase designed by Geoffrey Baxter, moulded textured form, unsigned, 32cm. high Literature Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 139 plate 158 for a comparable Banjo vase.

Lot 420

A rare Whitefriars Aubergine glass Banjo vase designed by Geoffrey Baxter, moulded form, unsigned, 32.5cm. high Literature Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 139 plate 158 for a comparable Banjo vase.

Lot 421

A Whitefriars Tangerine glass Banjo vase designed by Geoffrey Baxter, moulded form, unsigned, paper label to base, 32cm. high Literature Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 139 plate 158 for a comparable Banjo vase.

Lot 43

'Blue W' a Clarice Cliff Bizarre single-handled Isis vase, painted in colours between orange and black bands, printed factory marks, minor paint flakes, 25cm. high

Lot 458

A John Williams repousse patinated copper vase, with applied twin-handles, hammered in low relief with scaly fish swimming amongst waterweed, unmarked, 21cm. high

Lot 47

'Coral Firs' a Clarice Cliff Bizarre 120 vase, painted in colours between yellow and brown bands, printed factory marks, 26.5cm. high

Lot 48

'Coral Firs' a Clarice Cliff Bizarre 566 vase, painted in colours between grey, yellow and brown bands, printed factory marks, 16cm. high

Lot 50

'May Avenue' a rare Clarice Cliff Bizarre Mei Ping vase, painted in colours between blue and black bands printed factory marks, 15.5cm. high Provenance private collection.

Lot 61

'Original Bizarre' a Clarice Cliff Mei Ping vase, painted with a geometric band between orange and yellow bands, another Clarice Cliff Original Bizarre vase, an octagonal side plate, a jug and two bowls in the same range, printed factory marks, damages and restoration, 16cm. high (Mei Ping), (6)

Lot 62

'Original Bizarre' an early Clarice Cliff vase, shape no.119, ovoid with tall flaring cylindrical neck, painted with bands of red and blue triangles, outlined in green between red and blue bands, and another Clarice Cliff Original Bizarre vase printed factory marks, 24cm. high (2)

Lot 68

'Nasturtium' a Clarice Cliff Bizarre 264 vase, painted in colours printed factory mark, 20cm. high

Lot 69

'Cherry' a Clarice Cliff Fantasque Bizarre miniature vase, swollen cylindrical form, painted in colours between orange and purple bands printed gilt mark, oxidisation, 8cm. high

Lot 70

'Double V' a rare Clarice Cliff miniature vase, painted in colours between orange and green bands, printed Newport Pottery mark, 6.8cm. high Catalogue notes These miniature vases were made as Tradesman's sample vases taken to show prospective stockists of Clarice's new and vibrant ware.

Lot 71

'Diamond Bands' a Clarice Cliff Bizarre 186 vase, painted in colours between orange bands, printed factory marks, 14.5cm. high

Lot 72

'Melon' a Clarice Cliff Fantasque Bizarre vase, painted in colours between orange and black bands, printed factory marks, 18cm. high

Lot 73

'Farmhouse' a Clarice Cliff Fantasque Bizarre 356 vase, painted in colours between yellow, orange, red and black bands, printed factory mark, professionally restored black band to top rim, 17.5cm. high Provenance private collection.

Lot 74

'Delecia Pansies' a Clarice Cliff Bizarre 634 single-handled vase, painted in colours printed factory mark, painted title Pansy to base, 16.5cm. high

Lot 80

'Sunburst' a Clarice Cliff Bizarre 613 vase, painted in colours between yellow and orange bands, and another Sunburst 572 vase, printed factory marks, 21cm. high (2)

Lot 91

'Rouge Royale' a Carlton Ware tobacco jar and cover made for Dunhill, cylindrical form, printed and painted in colours and gilt on a red lustre ground, with a pagoda landscape, a Carlton Ware Rouge Royale Moderne jug, a Carlton Ware Rouge Royale vase with applied handles, a Rouge Royale pot and cover and a large collection of Rouge Royale ceramics printed factory marks, 15cm. high (a lot) Provenance The Michael Burningham Collection

Lot 92

'Wagonwheels' a Carlton Ware vase, pattern no.3814, shouldered, ovoid form, printed and enamelled in colours, highlighted in gilt on a red lustre ground, printed and painted marks, professional restoration to base, 19cm. high Provenance The Michael Burningham Collection

Lot 99

'Explosions' a Carlton Ware vase designed by Violet Elmer, pattern no.3454, shouldered form, printed and painted in colours and gilt on a dark blue lustre ground, printed and painted marks, sprayed restoration to interior, 15cm. high Provenance The Michael Burningham Collection

Lot 103

'Heron and Magical Tree' a Carlton Ware vase, shouldered cylindrical form, printed and painted in colours and enamels on a Rouge Royale lustre ground, a Carlton Ware Mallards pattern ginger jar and cover, a Carlton Ware Mallards vase and cover, a Spider's Web ginger jar and cover and a Chinese Bird and Tree vase and cover printed factory mark, 19.5cm. high (9) Provenance The Michael Burningham Collection

Lot 105

'Honesty' a Carlton Ware Handcraft vase, pattern no.3278, printed and painted in colours and gilt, on a matt blue ground, a Carlton Ware Handcraft 'Floribunda' vase pattern no. 3236, and another vase, pattern no. 3766 printed and painted marks, 24.5cm. high (3) Provenance The Michael Burningham Collection

Lot 108

'Mandarin's Chatting' a Carlton Ware ovoid vase, pattern no.3653, ovoid with collar rim, printed and painted in colours and gilt on a black ground printed and painted marks, 18.5cm. high Provenance The Michael Burningham Collection

Lot 110

'Chinaland' a Carlton Ware vase and cover probably designed by Enoch Boulton, pattern no.2948, printed and painted in colours and gilt on an orange lustre ground, printed and painted factory marks, 19cm. high, (2) Provenance The Michael Burningham Collection

Lot 112

'Cubist Butterfly' a tall Carlton Ware vase, pattern no. 3195, printed and painted in colours on an orange ground, and another Carlton Ware 'Chinese Figures' vase pattern no.3199, printed and painted marks, 24cm. high, (2) Provenance The Michael Burningham Collection

Lot 114

'Forest Tree' a Carlton Ware vase, pattern no.3244, swollen cylindrical form, printed and painted in colours and gilt on a mottled matt blue ground printed and painted marks, 31cm. high Provenance The Michael Burningham Collection

Lot 115

'Persian' a Carlton Ware baluster vase, pattern no.2884, printed and painted in colours and gilt on a blue lustre ground, the interior pearl lustre printed and painted marks, 33cm. high Provenance The Michael Burningham Collection

Lot 116

'Sketching Bird' a Carlton Ware vase, shouldered form, printed and painted in colours and gilt on a mottled blue lustre ground, and another Carlton Ware Nightingale vase, printed factory mark, 12.5cm. (2) Provenance The Michael Burningham Collection

Lot 117

'Swallow and Tree' a Carlton Ware vase and cover, pattern no.3281, printed and painted in colours and gilt on a mottled ground, and a Carlton Ware Chinese Bird and Tree vase and cover, printed and painted factory marks, damages, 18.5cm. high, (4) Provenance The Michael Burningham Collection

Lot 118

'Sunflower Geometric' a Carlton Ware vase and cover, pattern no. 3333, slender cylindrical form, printed and painted in colours and gilt on a mottled blue ground, and a Carlton Ware Fantasia vase printed and painted mark, repaired damages to main vase, 19cm. high (3) Provenance The Michael Burningham Collection

Lot 121

A tall Fielding's Crown Devon Lustrine vase, shouldered cylindrical form, printed and painted in colours and gilt with an exotic bird amongst stylised flowers and foliage, and another vase in the same pattern and two other Crown Devon vases, printed factory marks, hairline to main vase, 31cm. high (4) Provenance The Michael Burningham Collection

Lot 124

'Galleon' a Fielding's Crown Devon vase, ribbed, lobed cylindrical form, printed and painted in colours and gilt, on a red lustre ground with a galleon at full sail, a Crown Devon Mattajade bowl in the same pattern and a pair of twin-handled vases, printed and painted marks, (4) Provenance The Michael Burningham Collection

Lot 125

A Fielding's Crown Devon Mattajade vase and cover, pattern no.2320, swollen cylindrical form with flat cover, printed and painted in colours and gilt on a turquoise ground with pendulous flowers and foliage and a Crown Devon twin-handled bowl tubeline decorated with an exotic bird flying, printed and painted marks, 17cm. high, (3) Provenance The Michael Burningham Collection

Lot 126

'Fairy Castle' a rare Fielding's Crown Devon vase designed by Enoch Boulton, pattern no.2414, swollen cylindrical form, enamelled in colours on a coral red ground, highlighted in gilt, printed and painted marks, restored, 23cm. high Literature Sue Lunt Age of Jazz British Art Deco Ceramics, National Museums Liverpool, page 64-65 for an example of this pattern in the Mattajade range illustrated. Provenance The Michael Burningham Collection

Lot 128

A Fielding's Crown Devon Mattajade single-handled vase, model no. 2342, shouldered, cylindrical form, printed and enamelled in colours and gilt with geometric flowers and foliage, on a textured turquoise ground, and two Crown Devon Mattajade jugs similar, printed and painted marks, 34cm. high, (3) Provenance The Michael Burningham Collection

Lot 129

'Fairy Castle' a Fielding's Crown Devon vase designed by Enoch Boulton, pattern no.2405, shouldered form, printed and painted in colours and gilt on a red lustre ground, a Crown Devon Fairy Castle vase and cover and a Crown Devon leaf shaped dish similar on a blue lustre ground, printed and painted marks, 15.5cm. high (4) Provenance The Michael Burningham Collection

Lot 130

A Fielding's Crown Devon vase, pattern no.2208, shouldered cylinder form, printed and painted with a bird flying past large stylised flowers and foliage, and another Crown Devon vase pattern no.2674, printed and painted marks, stress lines, 23cm. high, (2) Provenance The Michael Burningham Collection

Lot 146

A Poole Pottery Leaping Deer vase designed by Truda Carter, painted by Doris Marshall, pattern TZ, ovoid with twin loop handles, painted in colours on a white ground, impressed mark, painted pattern and artist cipher, 12.5cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications, page 56 for three vases in this pattern illustrated.

Lot 147

A Poole Pottery Leaping Gazelle vase designed by Truda Carter, painted by Gwendoline Selby, pattern TZ, shouldered form, painted in colours on a white ground, impressed marks, painted artist cipher and mark, 21.5cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications, page 56 for three vases in this pattern illustrated.

Lot 148

A Poole Pottery Plane Ware vase, shape no.170, flaring cylindrical form applied with twin flange handles, covered in a matt sky blue glaze, the handles and foot glazed darker Hyacinth blue, and 'Poole Pottery' a silk screenprint by Val Meyer Hall semi-abstract depicting the outside of the factory, dated 1994, impressed and incised marks, printed Plane Ware mark, 14cm. high (vase), 48 x 39cm. (print), (2) Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 71 for examples of Plane Ware illustrated.

Lot 151

A Wedgwood Pottery vase designed by Keith Murray, footed, flaring cylindrical form, glazed green to interior, the exterior cream, a Wedgwood spherical lamp-base, covered in a matt cream glaze with graduated silver bands, and two Poole Pottery Bluebird vases, impressed and printed marks, printed facsimile signature, hairline crack to top rim of Keith Murray vase, 24cm. high (4)

Lot 152

A Wedgwood Pottery vase designed by Keith Murray, compressed form, with stepped shoulder, covered in a matt white glaze printed factory mark and facsimile signature, stained crazing, 17cm. high

Lot 153

A Wedgwood Pottery vase designed by Keith Murray, ribbed spherical form, covered in a Matt Green glaze, printed factory mark and facsimile signature, 16cm. high

Lot 157

A Royal Doulton Series Ware three vase garniture designed by Charles Noke, the central vase swollen, twin-handled form with silver gilt rim by George Betjemann & Sons, flanked by two slender twin-handled vases with silver rims, each decorated in low relief with witches in a wooden landscape, in colours printed factory marks, facsimile signature, London George Betjemann & Sons 1908, 10.5cm. high and 13.5cm. high (3)

Lot 161

A Bernard Moore flambe gourd vase by Cicery Jackson, painted with a design of berries and spider's webs in shades of red flambe on a smoked ground, signed Bernard Moore and CJ monogram, 22cm. high

Lot 165

A Susie Cooper Carved Ware jug, ovoid, incised with a leaping ram to either side, covered in a cream glaze, a pair of Crown Devon Embossed Stag wall plaques modelled in low relief with a deer amongst stylised foliage, a wall pocket similar, a Burleigh Ware vase by Charlotte Rhead, model no.4497,. Carlton Ware banded jug and a collection of ceramics, incised mark, 21.cm. high, (17) Literature Susan Hill Crown Devon The History of Fielding & Co, Jazz Publications, page 101 the range of embossed stag illustrated and dated 1950.

Lot 166

'Manchu' a Crown Ducal vase designed by Charlotte Rhead, swollen cylindrical form, tubeline decorated with a ferocious dragon, in colour, highlighted in gilt on a pale green ground, a Maling lustre vase model no.6157, and a collection of ceramics including Royal Winton, Maling, Poole Pottery and Kevin Francis, printed factory marks, 22cm. high (a lot) Provenance The Michael Burningham Collection

Lot 167

A Crown Devon Art Deco jug and two beakers, pattern 1808, ribbed cylindrical form, painted with bands in shades of orange, yellow, green, red, blue and black, a Clarice Cliff Bizarre preserve pot, a 'Yellow Rose' Clarice Cliff Odilon sauce boat, A Shelley Harmony jug and Art Deco jug, a Poole Pottery Bluebird vase and bowl and 7 other Poole items, printed factory marks, 9.5cm. high (preserve pot), (15) Provenance private collection

Lot 172

A Boch Freres pottery vase designed by Charles Catteau, model D.1174, shouldered form, decorated with geometric flowers in blue, yellow and turquoise on a crazed white ground, and another Boch Freres vase designed by Charles Catteau decorated with a band of overlapping shell motif in orange, yellow and black printed factory marks, small bruise to top rim, 34cm. high (2)

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