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Gareth Mason (born 1965) a porcelain bottle vase, ovoid with narrow cylindrical solifleur neck, pale celadon crackled glaze splashed with sang de boeuf red, and another smaller porcelain bottle vase by Gareth Mason, impressed seal marks, 21cm high (tallest), 12.5cm. high (smallest), (2) Provenance Patrick Bourne & Co (tallest vase)
A Massier Pottery Vallauris vase, slender baluster form, decorated in resist with pine boughs, covered in a lustrous glaze, Austrian iridescent glass inkwell, a modern Lalique vase, a glass figural wall plaque, two candlesticks and five modern glass vases painted marks, glaze chip to foot rim, 22cm. high (11)
A glass vase by Simon Moore dated 1986, flaring black glass body on ribbed clear glass with spherical yellow, pink and green feet, and a Memphis style glass platter on three feet by Simon Moore etched Simon Moore 1986, 26cm. high Provenance Purchased directly from the artist by the vendor.
A Whitefriars Tangerine glass Banjo vase designed by Geoffrey Baxter, moulded form, unsigned, paper label to base, 32cm. high Literature Lesley Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 139 plate 158 for a comparable Banjo vase.
'Original Bizarre' a Clarice Cliff Mei Ping vase, painted with a geometric band between orange and yellow bands, another Clarice Cliff Original Bizarre vase, an octagonal side plate, a jug and two bowls in the same range, printed factory marks, damages and restoration, 16cm. high (Mei Ping), (6)
'Original Bizarre' an early Clarice Cliff vase, shape no.119, ovoid with tall flaring cylindrical neck, painted with bands of red and blue triangles, outlined in green between red and blue bands, and another Clarice Cliff Original Bizarre vase printed factory marks, 24cm. high (2)
'Double V' a rare Clarice Cliff miniature vase, painted in colours between orange and green bands, printed Newport Pottery mark, 6.8cm. high Catalogue notes These miniature vases were made as Tradesman's sample vases taken to show prospective stockists of Clarice's new and vibrant ware.
'Rouge Royale' a Carlton Ware tobacco jar and cover made for Dunhill, cylindrical form, printed and painted in colours and gilt on a red lustre ground, with a pagoda landscape, a Carlton Ware Rouge Royale Moderne jug, a Carlton Ware Rouge Royale vase with applied handles, a Rouge Royale pot and cover and a large collection of Rouge Royale ceramics printed factory marks, 15cm. high (a lot) Provenance The Michael Burningham Collection
'Explosions' a Carlton Ware vase designed by Violet Elmer, pattern no.3454, shouldered form, printed and painted in colours and gilt on a dark blue lustre ground, printed and painted marks, sprayed restoration to interior, 15cm. high Provenance The Michael Burningham Collection
'Heron and Magical Tree' a Carlton Ware vase, shouldered cylindrical form, printed and painted in colours and enamels on a Rouge Royale lustre ground, a Carlton Ware Mallards pattern ginger jar and cover, a Carlton Ware Mallards vase and cover, a Spider's Web ginger jar and cover and a Chinese Bird and Tree vase and cover printed factory mark, 19.5cm. high (9) Provenance The Michael Burningham Collection
'Honesty' a Carlton Ware Handcraft vase, pattern no.3278, printed and painted in colours and gilt, on a matt blue ground, a Carlton Ware Handcraft 'Floribunda' vase pattern no. 3236, and another vase, pattern no. 3766 printed and painted marks, 24.5cm. high (3) Provenance The Michael Burningham Collection
'Swallow and Tree' a Carlton Ware vase and cover, pattern no.3281, printed and painted in colours and gilt on a mottled ground, and a Carlton Ware Chinese Bird and Tree vase and cover, printed and painted factory marks, damages, 18.5cm. high, (4) Provenance The Michael Burningham Collection
'Sunflower Geometric' a Carlton Ware vase and cover, pattern no. 3333, slender cylindrical form, printed and painted in colours and gilt on a mottled blue ground, and a Carlton Ware Fantasia vase printed and painted mark, repaired damages to main vase, 19cm. high (3) Provenance The Michael Burningham Collection
A tall Fielding's Crown Devon Lustrine vase, shouldered cylindrical form, printed and painted in colours and gilt with an exotic bird amongst stylised flowers and foliage, and another vase in the same pattern and two other Crown Devon vases, printed factory marks, hairline to main vase, 31cm. high (4) Provenance The Michael Burningham Collection
'Galleon' a Fielding's Crown Devon vase, ribbed, lobed cylindrical form, printed and painted in colours and gilt, on a red lustre ground with a galleon at full sail, a Crown Devon Mattajade bowl in the same pattern and a pair of twin-handled vases, printed and painted marks, (4) Provenance The Michael Burningham Collection
A Fielding's Crown Devon Mattajade vase and cover, pattern no.2320, swollen cylindrical form with flat cover, printed and painted in colours and gilt on a turquoise ground with pendulous flowers and foliage and a Crown Devon twin-handled bowl tubeline decorated with an exotic bird flying, printed and painted marks, 17cm. high, (3) Provenance The Michael Burningham Collection
'Fairy Castle' a rare Fielding's Crown Devon vase designed by Enoch Boulton, pattern no.2414, swollen cylindrical form, enamelled in colours on a coral red ground, highlighted in gilt, printed and painted marks, restored, 23cm. high Literature Sue Lunt Age of Jazz British Art Deco Ceramics, National Museums Liverpool, page 64-65 for an example of this pattern in the Mattajade range illustrated. Provenance The Michael Burningham Collection
A Fielding's Crown Devon Mattajade single-handled vase, model no. 2342, shouldered, cylindrical form, printed and enamelled in colours and gilt with geometric flowers and foliage, on a textured turquoise ground, and two Crown Devon Mattajade jugs similar, printed and painted marks, 34cm. high, (3) Provenance The Michael Burningham Collection
'Fairy Castle' a Fielding's Crown Devon vase designed by Enoch Boulton, pattern no.2405, shouldered form, printed and painted in colours and gilt on a red lustre ground, a Crown Devon Fairy Castle vase and cover and a Crown Devon leaf shaped dish similar on a blue lustre ground, printed and painted marks, 15.5cm. high (4) Provenance The Michael Burningham Collection
A Fielding's Crown Devon vase, pattern no.2208, shouldered cylinder form, printed and painted with a bird flying past large stylised flowers and foliage, and another Crown Devon vase pattern no.2674, printed and painted marks, stress lines, 23cm. high, (2) Provenance The Michael Burningham Collection
A Poole Pottery Leaping Deer vase designed by Truda Carter, painted by Doris Marshall, pattern TZ, ovoid with twin loop handles, painted in colours on a white ground, impressed mark, painted pattern and artist cipher, 12.5cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications, page 56 for three vases in this pattern illustrated.
A Poole Pottery Leaping Gazelle vase designed by Truda Carter, painted by Gwendoline Selby, pattern TZ, shouldered form, painted in colours on a white ground, impressed marks, painted artist cipher and mark, 21.5cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications, page 56 for three vases in this pattern illustrated.
A Poole Pottery Plane Ware vase, shape no.170, flaring cylindrical form applied with twin flange handles, covered in a matt sky blue glaze, the handles and foot glazed darker Hyacinth blue, and 'Poole Pottery' a silk screenprint by Val Meyer Hall semi-abstract depicting the outside of the factory, dated 1994, impressed and incised marks, printed Plane Ware mark, 14cm. high (vase), 48 x 39cm. (print), (2) Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 71 for examples of Plane Ware illustrated.
A Wedgwood Pottery vase designed by Keith Murray, footed, flaring cylindrical form, glazed green to interior, the exterior cream, a Wedgwood spherical lamp-base, covered in a matt cream glaze with graduated silver bands, and two Poole Pottery Bluebird vases, impressed and printed marks, printed facsimile signature, hairline crack to top rim of Keith Murray vase, 24cm. high (4)
A Royal Doulton Series Ware three vase garniture designed by Charles Noke, the central vase swollen, twin-handled form with silver gilt rim by George Betjemann & Sons, flanked by two slender twin-handled vases with silver rims, each decorated in low relief with witches in a wooden landscape, in colours printed factory marks, facsimile signature, London George Betjemann & Sons 1908, 10.5cm. high and 13.5cm. high (3)
A Susie Cooper Carved Ware jug, ovoid, incised with a leaping ram to either side, covered in a cream glaze, a pair of Crown Devon Embossed Stag wall plaques modelled in low relief with a deer amongst stylised foliage, a wall pocket similar, a Burleigh Ware vase by Charlotte Rhead, model no.4497,. Carlton Ware banded jug and a collection of ceramics, incised mark, 21.cm. high, (17) Literature Susan Hill Crown Devon The History of Fielding & Co, Jazz Publications, page 101 the range of embossed stag illustrated and dated 1950.
'Manchu' a Crown Ducal vase designed by Charlotte Rhead, swollen cylindrical form, tubeline decorated with a ferocious dragon, in colour, highlighted in gilt on a pale green ground, a Maling lustre vase model no.6157, and a collection of ceramics including Royal Winton, Maling, Poole Pottery and Kevin Francis, printed factory marks, 22cm. high (a lot) Provenance The Michael Burningham Collection
A Crown Devon Art Deco jug and two beakers, pattern 1808, ribbed cylindrical form, painted with bands in shades of orange, yellow, green, red, blue and black, a Clarice Cliff Bizarre preserve pot, a 'Yellow Rose' Clarice Cliff Odilon sauce boat, A Shelley Harmony jug and Art Deco jug, a Poole Pottery Bluebird vase and bowl and 7 other Poole items, printed factory marks, 9.5cm. high (preserve pot), (15) Provenance private collection
A Boch Freres pottery vase designed by Charles Catteau, model D.1174, shouldered form, decorated with geometric flowers in blue, yellow and turquoise on a crazed white ground, and another Boch Freres vase designed by Charles Catteau decorated with a band of overlapping shell motif in orange, yellow and black printed factory marks, small bruise to top rim, 34cm. high (2)
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653833 item(s)/page