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Lot 2278

A Silver trumpet vase, Art Nouveau style with wavy edge rim, having etched blossoms around neck of vase 9" tall, makers A & JZ (A. J. Zimmerman Ltd.), Birmingham 1904, weighted, some dents.

Lot 1130

Follower of Simon Pietersz Verelst (1644-1721) Dutch Glass vase of assorted flowersOil on canvas, 67.5cm by 58cmProvenance: Hal O' Nians, London, 1970WH Patterson, LondonSold together with a copy of the purchase invoiceIn fully restored condition, relined cleaned and re-varnished. Some light surface dirt is now in evident. Fairly delicate and sporadic redrawing and strengthening of the frond of leaves within the upper left part of the arrangement. The outline of the flowers between the zed frond and the upper red flower in full bloom has also been redefined in addition to the outline shadows and definition of the flower immediately below the frond of leaves in this area. Further delicate strengthening to the outer right-hand side to the upper flower, the lower outline of the droopping poppy bud and further outlining and strengthening to the upper right-hand side blooms and minor parts of the flowers below and right of the dominant blooming poppy. A similar level of delicate outlining is also found in the lower part of the flower above the pink rose in full bloom and the general outline of the anemone immediately behind it. Sporadic parts of the white rose to the left of the pink rose have also been strengthened as has the central dark-coloured part of the poppy below and left of this. Small essentially circular patch of retouching approx 1xkm left of the poppy leaves, the darker decoration of the butterfly has been delicately retouched and strengthened. The paint is slightly thin in places and flattened as a result of the restoration process. No further notable overpainting is evident under a UV light but the possibility of this is not precluded particularly if of a different date. Areas of isolated fine stable cracquelure otherwise in a stable presentable state of preservation. See images.

Lot 1126

Frederick (Fred) Stead ARCA (1863-1940)Still life of Sweet Williams, Delphiniums and assorted blooms in a brown glazed vase Signed, oil on canvas, 59.5cm by 50cm Provenance: City of Bradford Corporation Gallery, Cartwright Memorial Hall, loan number 65

Lot 305

A Chinese Quan Type Crackle Glazed Vase, in Song style, of ovoid form with everted rim and brown rim11cm highMinor surface wear. Free from damage and restoration. 

Lot 303

A Chinese Porcelain Robin’s Egg Glazed Vase, late Qing/Republic period, of ovoid form with trumpet neck, the shoulder applied with a sinuous dragon14cm highOld restoration to rim. Losses to three of the dragons legs. Glaze in good order.

Lot 240

An English Porcelain Pot Pourri Vase and Cover, possibly Chamberlain’s Worcester, circa 1810, of cushioned circular form, painted with panels of pink roses within gilt borders supported by three dolphins, on a trefoil base19cm highCover with restoration to the finial, pierced section intact, two areas of restoration to the rim. Two pieces re glued to the rim with an associated hair crack. The main body with chips to the lower im under the plinth. Some crazing and gilt wear throughout.

Lot 262

A Hadley's Worcester Porcelain Twin-Handled Pedestal Vase, by William Powell, circa 1900, of slender baluster form, painted with cranes in a river landscape, printed mark in green25cm highCover lacking. Some typical very minor surface wear. No chips, cracks or restoration.

Lot 302

A Chinese Wucai Porcelain Vase, mid 17th century, of baluster form, painted with birds amongst peony and rockwork on an orange ground17cm highCover missing. Crack to the body at the shoulder. Some typical surface wear and scratching. No restoration.

Lot 320

A Garniture of Three Porcelain Pot Pourri Vases, Covers and Inner Cover, bears Jiaqing reign marks, in ironstone style, of baluster form with dragon handles, painted in famille rose enamels with mythical beasts amongst foliage on a gilt ground, bear six-character reign marks40cm and 33cm highCentre with with some heavy glaze pitting to the main body, notably to the rim.One side vase with a large section of loss to the inner rim of the main cover. Inner cover with two minor flat chips to the underside. The other with a hair crack to the rim and a firing flaw under the foot.No restoration.

Lot 327

A Chinese Soapstone Paperweight, carved as a scholar, recumbent, his head resting on a vase beside an inscription, the underside with further inscriptions and seal marks18.5cm longLarge chip to rim of vase.

Lot 243

A Flight, Barr & Barr Worcester Porcelain Vase, by Thomas Baxter, circa 1815, of urn shape with twin scroll handles, painted with "The Minstrel" on an apple-green ground, painted mark, title and inscription in red17cm highSome minor surface wear. Slight scratch to the painted panel. Some pitting to the rim. No restoration. Gilding has survived very well with some minor wear to extremities.

Lot 261

A Royal Worcester Porcelain Vase, by Harry Stinton, circa 1903, of baluster form, painted with sailing boats in a stormy sea within green and gilt moulded borders, signed, printed mark in puce30cm highCover lacking. Centre of base drilled for electricity. Some typical minor surface wear mainly to the gilding. No notable scratches to the enamel. Free from chips, cracks and repair.

Lot 294

A Chinese Porcelain Vase, in Kangxi style, painted in underglaze blue with figures in a mountainous river landscape28cm highReduced in height, presumably from a YenYen vase. With a long firing crack to the inner part of the rim. No further damage, free from restoration. Glaze with some expected wear and scratches.

Lot 258

A Royal Crown Derby Porcelain Twin-Handled Urn Shape Vase and Cover, by Desire Leroy, circa 1907, painted with a French horn and music amongst foliage in a gilt framed cartouche with jewelling on a green ground with jewelled gilt borders, signed, printed mark in puce16cm highSome typical very minor wear.

Lot 263

A Royal Worcester Porcelain Vase, by Harry Davis, circa 1906, of baluster form, painted with two horses and a farmer on a cart track within green and gilt moulded borders, signed, printed marks in puce30cm highCover lacking. Some typical minor wear mainly to the gilding and on the lighter side of wear. Free from chips, cracks and restoration.

Lot 295

A Chinese Porcelain Vase, in Transitional style, of ovoid form, painted in underglaze blue with leaf-shape panels of foliage and with scattered flower sprigs23.5cm highA Similar Vase, painted with scattered flowers and rockwork24.5cm high (2)Both lacking covers and with some surface wear, glaze pitting and scratches. Some minor firing tears. No restoration.

Lot 260

A Royal Worcester Porcelain Twin-Handled Pedestal Vase, by Frank Roberts, 1910, of baluster form, painted with a highland landscape within green and gilt moulded borders, signed, printed mark in puce24cm highCover lacking. Typical minor surface wear, mainly to the gilding. No notable scratches to the enamelling. Free from chips, cracks and restoration.

Lot 2112

the tapering circular bowl with foliage and scroll border, on spreading base with three scrolling supports, with a central tapering vase with conforming border35cm high, 52oz 5dwt, 1,625grFully marked near border of bowl and further part marked near rim of vase. The base stamped '20089'. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is some staining inside the bowl. The diameter of the bowl is 24.3cm, excluding the scrolling supports. 

Lot 2110

circular, the four robustly cast lion and foliage feet, the sides with flower and foliage swags, flower cast medallion and grotesque masks, with conforming mirror plate, 59cm diameter; TOGETHER WITH a silver plate gong and a brass vase (3)This cake-stand and gong were used at the wedding of Prince Edward, Duke of Kent (b.1935) and Katharine, Duchess of Kent, daughter of Sir William Worsley 4th Baronet of Hovingham Hall, Yorkshire. The wedding, on 8 June 1961 was held at York Minster, the first Royal marriage there since Edward III with the wedding breakfast served at Hovingham Hall. The cake was created by Terry's and reportedly weighed 180 pounds and was some 5 feet tall (https://www.huffingtonpost.co.uk/entry/royal-wedding-cakes-in-pictures_uk_6089f87ee4b0c15313efb833).The cake stand: one of the hinged brackets underneath is broken and there is a small area of damage to the border. Overall some surface scratching and wear, consistent with age and use. There is some marking to the mirror plate. The gong and vase: with some surface scratching and wear, consistent with age and use.

Lot 2050

in the Empire-style, with three openwork panels depicting two maidens surrounding a vase with applied portrait bust, with foliage borders and on three foliage and flower feet, with plain silver liner13.7cm high, 12oz 9dwt, 387grWith maker's mark only under liner. stamped under each of the panels 'G. Palma'. There is overall surface scratching and wear, consistent with age and use. There are some bruises and small splits to the openwork sides as well as some small repairs.

Lot 101

Two early 19th century triple ring necked decanters, each with mushroom stopper, a Scandinavian elliptical etched glass vase and two cut glass claret jugs, each with plated mounts, the tallest 28cm

Lot 102

A studio Art glass ' handkerchief' type posy vase, together with a Ditchfield verdescent egg form paperweight, a St Clair paperweight and a latticino cane included weight (4)

Lot 103

A Murano-type blue and red glass vase with segmented flared rim, overlaid with orange streaks. Unmarked, 44cm

Lot 312

A pair of oriental style satsuma table lamps and a vase

Lot 269

A large Whitefriars ribbed amber glass vase, 30cm, and one other

Lot 698

Three items of West German pottery: a Dummler and Breiden scraffito vase in turquoise and brown, 25cm, a Jopeko vase with Aztec design and a small Jopeko fat lava glazed jug

Lot 671

A Caithness pink glass vase and a European glass vase

Lot 609

A 1970s Royal Copenhagen Baca faience vase 719/2942 designed by Nils Thorsson, 15cm

Lot 635

A Chinese blue and white sleeve vase, 15cm, a/f and an Owl salt and pepper pot

Lot 618

A Doulton Lambeth stoneware vase, and a Royal Doulton stoneware mug

Lot 836

A large vintage Czech Harrochov amber cased glass vase with encased bubbles, designed by Milan Metelak, 28cm

Lot 604

A 1970's Scheurich West German pottery Jura vase in green, 28cm and a Jasba German vase in red and brown, 21cm

Lot 725

A 19th Century French clock, a brass vase with cabochon stones set, one other brass vase and a German Franka Bonafix camera

Lot 1163

A Scottish cut crystal ashtray, Chinese style vase, glass centrepiece, etc. **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

Lot 612

A Whitefriars lemon glass jug, a 1960's amethyst glass vase and a pale blue tall glass vase

Lot 697

Two signed Swedish art glass; Vicke Lindstrand vase for Kosta, 15cm, and a Bengt Edenfalk Skruf bowl, 8cm high, 16cm diameter

Lot 851

A Royal Crown Derby Derby Posies vase, 21cm, plate, three dishes and a small vase

Lot 601

A large West German vase by Scheurich, 49cm

Lot 704

A Japanese miniature tea set and a Bohemia blue glass vase, boxed

Lot 837

A lava vase and a studio pottery vase

Lot 643

A 1970s Murano vase, Murano ashtray and one other

Lot 695

Three items of 1970's West German pottery by Carstens: a large vase with applied blue and yellow glaze, a jug with twisted handle and a small vase with trailed decoration

Lot 602

A small Troika square vase, 8cm

Lot 102

Lawson E. Rudge (b. 1936), a studio pottery Vase, with glazed swirl decoration, H 17cm, together with a tall Vase, with circle decoration similar, some nibbles to edge, H 62cm (2) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lot 526

A Mary Gregory Bristol green glass Decanter, together with a Vase with similar decoration and a quantity of other Bristol green glassware to include Jugs, Decanters, Glasses, Beakers etc., approximately 40 pieces (a lot)

Lot 94

Lawson E. Rudge (b. 1936), a yellow glazed studio pottery Stiletto Vase, H 29cm, together with a pair of Salts in similar style (3) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lot 99

Lawson E. Rudge (b. 1936), an art glass Bowl, with swirl decoration, 24cm diameter, together with a blue glass Top Hat Vase, amethyst glass Bowl etc., (5) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lot 507

A Carlton China Crested model of a WW1 Tank, with Hastings crest, together with a Carlton China Submarine with Eastbourne Crest, Carlton China British Machine Gun with St Leonards Crest, Swan China Tommy Atkins with Slough Crest, Willow Art Field Gun with Windsor Crest, Willow Art Field Gun with Eton Crest, Goss Vase with the Flags of the Allies, a Goss model of the Eddystone Lighthouse with Dartmouth Crest, an Arcadian pair of Binoculars with Poole Crest, Arcadian Cat with Halesworth Crest, Willow Art China model of Sir Francis Drake with Devonport Crest, etc., (a lot)

Lot 436

A Trench art jug, modeled from a British 18 pound case with the handle made from bullets, together with a trench art vase created by a German prisoner of war (2)

Lot 532

A quantity of cut glass and crystal Decanters, to include a pair with cut cross decoration to body and neck, H 40cm, together with two others, a cut glass Biscuit Barrel, cut crystal Vase with engraved thistle decoration and five various glasses (a lot)

Lot 97

Lawson E. Rudge (b. 1936), a glazed studio pottery sculpture of a Swan, L 21cm, together with a black Stiletto Vase, small chip to rim (2) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.

Lot 543

A Coalport limited edition figure of the Christmas Caroller, together with Paragon figure Lady Elizabeth, Christmas by the Leonardo Collection, Royal Doulton Guy Fawkes, Royal Albert Tom Kitten, Beswick Cat, Beswick Lion, Lorna Bailey Shaker, Art Pottery Vase and Royal Doulton Coronation Beaker for George IV (10)

Lot 568

A Roman style molded glass twin handled vase.

Lot 541

A gilt and red decorated porcelain vase and cover.

Lot 697

A small Chinese republican vase.

Lot 702

A Continental porcelain vase decorated with birds.

Lot 732

A Hirado small blue and white vase.

Lot 480

A satsuma koro, a satsuma vase and a kutani figure of a Japanese lady.

Lot 363

A good Italian majolica twin handled vase.

Lot 995

A large cylindrical glass vase overlaid with decorative white metal mount.

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