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Follower of Simon Pietersz Verelst (1644-1721) Dutch Glass vase of assorted flowersOil on canvas, 67.5cm by 58cmProvenance: Hal O' Nians, London, 1970WH Patterson, LondonSold together with a copy of the purchase invoiceIn fully restored condition, relined cleaned and re-varnished. Some light surface dirt is now in evident. Fairly delicate and sporadic redrawing and strengthening of the frond of leaves within the upper left part of the arrangement. The outline of the flowers between the zed frond and the upper red flower in full bloom has also been redefined in addition to the outline shadows and definition of the flower immediately below the frond of leaves in this area. Further delicate strengthening to the outer right-hand side to the upper flower, the lower outline of the droopping poppy bud and further outlining and strengthening to the upper right-hand side blooms and minor parts of the flowers below and right of the dominant blooming poppy. A similar level of delicate outlining is also found in the lower part of the flower above the pink rose in full bloom and the general outline of the anemone immediately behind it. Sporadic parts of the white rose to the left of the pink rose have also been strengthened as has the central dark-coloured part of the poppy below and left of this. Small essentially circular patch of retouching approx 1xkm left of the poppy leaves, the darker decoration of the butterfly has been delicately retouched and strengthened. The paint is slightly thin in places and flattened as a result of the restoration process. No further notable overpainting is evident under a UV light but the possibility of this is not precluded particularly if of a different date. Areas of isolated fine stable cracquelure otherwise in a stable presentable state of preservation. See images.
An English Porcelain Pot Pourri Vase and Cover, possibly Chamberlain’s Worcester, circa 1810, of cushioned circular form, painted with panels of pink roses within gilt borders supported by three dolphins, on a trefoil base19cm highCover with restoration to the finial, pierced section intact, two areas of restoration to the rim. Two pieces re glued to the rim with an associated hair crack. The main body with chips to the lower im under the plinth. Some crazing and gilt wear throughout.
A Hadley's Worcester Porcelain Twin-Handled Pedestal Vase, by William Powell, circa 1900, of slender baluster form, painted with cranes in a river landscape, printed mark in green25cm highCover lacking. Some typical very minor surface wear. No chips, cracks or restoration.
A Garniture of Three Porcelain Pot Pourri Vases, Covers and Inner Cover, bears Jiaqing reign marks, in ironstone style, of baluster form with dragon handles, painted in famille rose enamels with mythical beasts amongst foliage on a gilt ground, bear six-character reign marks40cm and 33cm highCentre with with some heavy glaze pitting to the main body, notably to the rim.One side vase with a large section of loss to the inner rim of the main cover. Inner cover with two minor flat chips to the underside. The other with a hair crack to the rim and a firing flaw under the foot.No restoration.
A Flight, Barr & Barr Worcester Porcelain Vase, by Thomas Baxter, circa 1815, of urn shape with twin scroll handles, painted with "The Minstrel" on an apple-green ground, painted mark, title and inscription in red17cm highSome minor surface wear. Slight scratch to the painted panel. Some pitting to the rim. No restoration. Gilding has survived very well with some minor wear to extremities.
A Royal Worcester Porcelain Vase, by Harry Stinton, circa 1903, of baluster form, painted with sailing boats in a stormy sea within green and gilt moulded borders, signed, printed mark in puce30cm highCover lacking. Centre of base drilled for electricity. Some typical minor surface wear mainly to the gilding. No notable scratches to the enamel. Free from chips, cracks and repair.
A Chinese Porcelain Vase, in Kangxi style, painted in underglaze blue with figures in a mountainous river landscape28cm highReduced in height, presumably from a YenYen vase. With a long firing crack to the inner part of the rim. No further damage, free from restoration. Glaze with some expected wear and scratches.
A Royal Crown Derby Porcelain Twin-Handled Urn Shape Vase and Cover, by Desire Leroy, circa 1907, painted with a French horn and music amongst foliage in a gilt framed cartouche with jewelling on a green ground with jewelled gilt borders, signed, printed mark in puce16cm highSome typical very minor wear.
A Royal Worcester Porcelain Vase, by Harry Davis, circa 1906, of baluster form, painted with two horses and a farmer on a cart track within green and gilt moulded borders, signed, printed marks in puce30cm highCover lacking. Some typical minor wear mainly to the gilding and on the lighter side of wear. Free from chips, cracks and restoration.
A Chinese Porcelain Vase, in Transitional style, of ovoid form, painted in underglaze blue with leaf-shape panels of foliage and with scattered flower sprigs23.5cm highA Similar Vase, painted with scattered flowers and rockwork24.5cm high (2)Both lacking covers and with some surface wear, glaze pitting and scratches. Some minor firing tears. No restoration.
A Royal Worcester Porcelain Twin-Handled Pedestal Vase, by Frank Roberts, 1910, of baluster form, painted with a highland landscape within green and gilt moulded borders, signed, printed mark in puce24cm highCover lacking. Typical minor surface wear, mainly to the gilding. No notable scratches to the enamelling. Free from chips, cracks and restoration.
the tapering circular bowl with foliage and scroll border, on spreading base with three scrolling supports, with a central tapering vase with conforming border35cm high, 52oz 5dwt, 1,625grFully marked near border of bowl and further part marked near rim of vase. The base stamped '20089'. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is some staining inside the bowl. The diameter of the bowl is 24.3cm, excluding the scrolling supports.
circular, the four robustly cast lion and foliage feet, the sides with flower and foliage swags, flower cast medallion and grotesque masks, with conforming mirror plate, 59cm diameter; TOGETHER WITH a silver plate gong and a brass vase (3)This cake-stand and gong were used at the wedding of Prince Edward, Duke of Kent (b.1935) and Katharine, Duchess of Kent, daughter of Sir William Worsley 4th Baronet of Hovingham Hall, Yorkshire. The wedding, on 8 June 1961 was held at York Minster, the first Royal marriage there since Edward III with the wedding breakfast served at Hovingham Hall. The cake was created by Terry's and reportedly weighed 180 pounds and was some 5 feet tall (https://www.huffingtonpost.co.uk/entry/royal-wedding-cakes-in-pictures_uk_6089f87ee4b0c15313efb833).The cake stand: one of the hinged brackets underneath is broken and there is a small area of damage to the border. Overall some surface scratching and wear, consistent with age and use. There is some marking to the mirror plate. The gong and vase: with some surface scratching and wear, consistent with age and use.
in the Empire-style, with three openwork panels depicting two maidens surrounding a vase with applied portrait bust, with foliage borders and on three foliage and flower feet, with plain silver liner13.7cm high, 12oz 9dwt, 387grWith maker's mark only under liner. stamped under each of the panels 'G. Palma'. There is overall surface scratching and wear, consistent with age and use. There are some bruises and small splits to the openwork sides as well as some small repairs.
Lawson E. Rudge (b. 1936), a studio pottery Vase, with glazed swirl decoration, H 17cm, together with a tall Vase, with circle decoration similar, some nibbles to edge, H 62cm (2) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.
Lawson E. Rudge (b. 1936), a yellow glazed studio pottery Stiletto Vase, H 29cm, together with a pair of Salts in similar style (3) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.
Lawson E. Rudge (b. 1936), an art glass Bowl, with swirl decoration, 24cm diameter, together with a blue glass Top Hat Vase, amethyst glass Bowl etc., (5) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.
A Carlton China Crested model of a WW1 Tank, with Hastings crest, together with a Carlton China Submarine with Eastbourne Crest, Carlton China British Machine Gun with St Leonards Crest, Swan China Tommy Atkins with Slough Crest, Willow Art Field Gun with Windsor Crest, Willow Art Field Gun with Eton Crest, Goss Vase with the Flags of the Allies, a Goss model of the Eddystone Lighthouse with Dartmouth Crest, an Arcadian pair of Binoculars with Poole Crest, Arcadian Cat with Halesworth Crest, Willow Art China model of Sir Francis Drake with Devonport Crest, etc., (a lot)
Lawson E. Rudge (b. 1936), a glazed studio pottery sculpture of a Swan, L 21cm, together with a black Stiletto Vase, small chip to rim (2) Provenance: from the studio of Lawson Rudge. Lawson Rudge trained at Stourbridge Art College, and then the Royal College of Art, where he was in the same year as David Hockney. Rudge settled in Morchard Bishop, Devon where, with his late wife Julie, he created a home and studio. During a successful career as a commercial ceramicist, Lawson Rudge became well known for his whimsical raku pottery sculptures, including flat cows and hares; Lawson has now retired to a home outside Exeter.
A Coalport limited edition figure of the Christmas Caroller, together with Paragon figure Lady Elizabeth, Christmas by the Leonardo Collection, Royal Doulton Guy Fawkes, Royal Albert Tom Kitten, Beswick Cat, Beswick Lion, Lorna Bailey Shaker, Art Pottery Vase and Royal Doulton Coronation Beaker for George IV (10)
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653685 item(s)/page