ROYAL DOULTON THREE-PIECE DRESSING SET, CIRCA 1920 transfer-printed earthenware, printed manufacturer's mark and 'D2624', comprising a TRAY, 30cm (11 3/4in) wide; a VASE, 12.7cm (5in) high; and a BOWL, 13cm (5 1/8in) high; together with THREE ROYAL DOULTON WARES, transfer-printed earthenware, printed manufacturer's mark, including a PLATE, 26.5cm (10 3/8in) diameter; a VASE, 12.5cm (5in) high; and a TRAY, 28.5cm (11 1/4in) across; a ROYAL DOULTON VASE, glazed stoneware, impressed manufacturer's mark 14.5cm (5 3/4in) high; and TWO FURTHER ROYAL DOULTON VASES, one designed by Leslie Harradine, glazed stoneware, impressed manufacturer's marks and incised initials, each 13cm (5 1/8in) high
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TRUDA CARTER (BRITISH 1890- 1958) (ATTRIBUTED TO) FOR CARTER, STABLER AND ADAMS TWIN-HANDLED ART DECO VASE, DESIGNED CIRCA 1930 glazed stoneware, impressed 'CARTER STABLER ADAMS LTD., POOLE ENGLAND', mark for 1925-34, pattern EC, 18.5cm (7 1/4in) high; together with a TRUDA ADAMS TWIN-HANDLED 'BLUEBIRD' VASE, designed circa 1930, executed circa 1960, impressed 'CARTER STABLER ADAMS LTD., POOLE ENGLAND', painted mark 'PN', incised '2002', decorated by Josephine Smith, 16.5cm (6 1/2in) high; and a TRUDA ADAMS 'BLUEBIRD' VASE, circa 1930, impressed 'CARTER STABLER ADAMS LTD., POOLE ENGLAND', painted mark 'HE', incised '336', decorated by Eileen Pragnell, 17.5cm (6 7/8in) high; and a FURTHER POOLE POTTERY VASE, impressed 'CARTER STABLER ADAMS LTD., POOLE ENGLAND', incised '26Y', painted mark 'TP' and 'III', decorated by Marjorie Batt, 14cm (5 1/2in) high Provenance:Literature: Hayward, Leslie ‘Poole Pottery: Carter & Company and their Successors 1873-1995’, Richard Dennis 1995, p. 49. where a similar design of a twin-handled 'Bluebird' vase is illustrated.
TRUDA CARTER (BRITISH 1890-1958) FOR POOLE POTTERY JARDINIÈRE, DESIGNED CIRCA 1930 stoneware, impressed 'POOLE ENGLAND', incised '925', painted mark 'YO', the cypher for Eileen Pragnell, 21.5cm (8 1/2in) high; together with a TRUDA CARTER 'LEAPING DEER' VASE, circa 1930, impressed 'POOLE ENGLAND', incised '438', painted mark 'TZ', with decorator cypher, 17cm (6 5/8in) high; and a TRUDA CARTER 'GRAPES' VASE, impressed 'CARTER STABLER ADAMS LTD., POOLE POTTERY', incised '424', painted mark 'TR', with decorator cypher, 13cm (5 1/8in) high; and ONE SHALLOW PLATE AND TWO OTHER SMALLER PLATES, the widest 27.5cm (10 7/8in) wide, 25.5cm (10in) wide, and the smallest 19.7cm (7 3/4in) wide
VIOLET ELMER (BRITISH 1907-1988) (ATTRIBUTED TO) FOR CARLTON WARE RARE VASE, CIRCA 1935 lustre-glazed earthenware, printed manufacturer's mark, painted '1/11586 / 4019', and 'B' in yellow, 26cm (10 1/4in) high; together with a CARLTON WARE VASE, lustre-glazed earthenware, printed manufacturer's mark, 14.5cm (5 3/4in) high; and a CARLTON WARE 'BABYLON' TUMBLER, lustre-glazed earthenware, printed manufacturer's mark, 6.5cm (2 1/2in) high
MARK V. MARSHALL (BRITISH 1879-1912) FOR ROYAL DOULTON VASE, CIRCA 1900 glazed stoneware, impressed manufacturer's marks, incised initials, 25.5cm (10in) high; together with a BESSIE NEWBURY VASE, glazed stoneware, impressed manufacturer's mark, incised initials, 14.5cm (5 3/4in) high; and FIVE FURTHER ROYAL DOULTON VASES, glazed stoneware, each with impressed manufacturer's mark, 26.5cm (10 1/2 in) high; 19.5cm (7 3/4in) high; three measuring 18.5cm 7 (3/8in) high; and 19cm (7 1/2in) high
ELIZA SIMMANCE (BRITISH 1857-1935) FOR ROYAL DOULTON VASE, CIRCA 1915 glazed stoneware, impressed manufacturer's marks, incised artist's initials, 27cm (10 5/8in) high; together with a BESSIE NEWBURY DOULTON VASE, glazed stoneware, impressed manufacturer's stamp, incised artist's initials, 15.2cm (6in) high; a MARGARET THOMPSON DOULTON POT & COVER, glazed earthenware, impressed manufacturer's stamp, incised artist's initials, 7cm (2 3/4 in) high; and THREE FURTHER ROYAL DOULTON VASES, all with impressed manufacturer's marks and various incised initials, two measuring 18.5cm (7 1/4in) high and the other 15cm (6in) high
FRANCIS C. POPE (BRITISH 1880-1925) ROYAL DOULTON ART NOUVEAU VASE, CIRCA 1900 glazed stoneware, impressed manufacturer's mark, incised initials, 33cm (13in) high; together with a FRANK BUTLER DOULTON VASE, glazed stoneware, impressed manufacturer's mark, incised initials, 35.5cm (14in) high; a MARION HOLBROOK CANDLESTICK, glazed stoneware, impressed manufacturer's mark, incised initials, 22.5cm (8 7/8in) high; a VASE, glazed stoneware with impressed manufacturer's mark, incised initials, 15.2cm (6in); a TALL VASE, glazed stoneware, impressed manufacturer's mark, incised initials, 26.5cm (10 1/2in) high; and a DOULTON IVORYWARE VASE, 10cm (4in) high
MINTONS LTD. ‘SECESSIONIST WARE’ VASE, 1903 relief moulded and block printed earthenware, printed 'MINTON LTD.' , impressed date cypher and 'Minton' and '18', incised '3504', 31.7cm (12 1/2in) high; together with a SECESSIONIST WARE VASE, 1903, impressed date cypher and 'Minton', incised '3504', 31.7cm (12 1/2in) high; a SECESSIONIST WARE VASE, 1903, printed 'MINTON LTD.', impressed date cypher 'Mintons', incised '3509', 31cm (12 1/4in) high; and a SMALL SECESSIONIST WARE JARDINIÈRE, 1902, moulded 'MINTONS LTD.', impressed date cypher and 'Minton', printed '28', 11.5cm (4 1/2in) high Note: Léon-Victor Solon (1872-1953), the son of famed Minton designer Marc-Louis Solon, was born in Stoke-on-Trent and joined Minton’s as a designer in 1895 with the intention of revitalising the firm’s competitive edge. By 1901, Solon was in need of an assistant designer and appointed a young John W. Wadsworth (1879-1955) to the position. Together, Solon and Wadsworth collaborated on what came to be Minton’s most successful Art Nouveau range: Secessionist Ware. In producing this range, the company sought to align itself with this highly progressive European art movement. However, the stylised decoration for this range also draws much inspiration from the avant-garde Glasgow School.Designs produced for the range were heavily characterised by a raised linear decoration using the slip-trailed technique. This method involves piping liquid clay by hand to form a raised outline using a tubular tool, which was squeezed so that the mixture flowed. The coloured lead glazes were then painted within the raised outlines, sometimes overflowing the lines and mingling with each other, before the finished piece was fired. The coloured glazes are particularly striking in their rich polychromy of bold tones, likely inspired by Solon’s personal interest in this ancient practice.Note: Beyond their distinctive decoration, pieces included in the range can be identified by the Minton’s factory marks specially designed by Solon and Wadsworth. One mark contains the words ‘Mintons Ltd’ in Art Nouveau lettering, in which the ‘S’ exaggeratedly sweeps back and underneath. Another more rare mark found on pieces from 1901-1903, features ‘Mintons Ltd’ framed in a square border. These earlier Secessionist pieces are likely to have been the work of Solon; designs produced after 1905 are attributed to Wadsworth, after his appointment to art director that year. Today, the designs of both men are held in high regard, and in particular, their designs for Minton Secessionist Wares for Minton’s are widely considered a significant contribution to the British Art Nouveau style between 1890 and 1914.
MINTONS LTD. ‘SECESSIONIST WARE’ VASE, 1907 tube-lined and glazed earhenware, impressed 'MINTONS', printed '34', incised '3508', date cypher for 1907; together with another similar SECESSIONIST WARE VASE, 1906, printed 'MINTONS LTD.' and 'No. 35', 34.8cm (13 3/4in) high; a SMALLER VASE, printed 'MINTONS LTD.' and 'No. 9', 24cm (9 1/2in) high; a PAIR OF SMALL VASES, printed 'MINTONS LTD.' and 'No. 41', incised '3557', one with cypher for 1904 and the other for 1911, 17.2cm (6 3/4in) high; a PAIR OF CANDLEHOLDERS, printed 'MINTONS LTD' and one example printed 'No. 1', 10.5cm (4 1/8in) high; and a SMALL JARDINIÈRE, printed 'MINTONS LTD.', 'incised 3772, impressed 'MINTONS' and date cypher for 1911, 26.5cm (10 1/2in) wide Dimensions:34.8cm (13 3/4in) high
MINTONS LTD. ‘SECESSIONIST WARE’ CHARGER, CIRCA 1910 tube-lined and glazed earhenware, printed 'MINTONS LTD.', 38.4cm (15 1/8in) diameter; together with a MINTONS VASE, printed 'MINTONS LTD.' and 'No. 1', impressed 'MINTONS', incised '3652', 29.5cm (11 5/8in) high; a MINTONS VASE, indistinctly stamped 'MINTONS', impressed '3709', 29.5cm (11 5/8in) high; and a MINTONS VASE, printed 'MINTONS LTD.' and 'No. 1', 24cm (9 1/2in) high; a MINTONS VASE, printed 'MINTONS LTD' and 'No. 46', impressed 'MINTONS', incised '3548', 15.5cm (6 1/8in) high; a MINTONS VASE, printed 'MINTONS LTD.' and 'No. 42', 13.5cm (5 3/8in) high; and a MINTONS VASE, printed 'MINTONS LTD.' and 'No. 17', 13cm (5 18in) high
Pietrasanta (Silvestro). Tesserae Gentilitiae, 1st edition, Rome: Francisco Corbelletti, 1638, engraved title by F. Greuter after F. Romanelli, engraved oval portrait of dedicatee Taddeo Barberini by Natalis, engraved plate of Barberini arms, numerous engravings of coats-of-arms within text, title with small marginal tear and loss, a few other small closed tears, occasional water stains, endpapers renewed with Cornwell House ink stamp to front free endpaper, all edges gilt (rubbed), near contemporary calf with boards elaborately painted and stained depicting an ornamental vase and floral design within an oval cartouche, rebacked with decorative gilt spine, board corners repaired, joints cracked and light wear to extremities, folioQTY: (1)NOTE:An important work on heraldry, containing the first appearance of a uniform system of 'hachures' to signify the different enamels and metals in the symbols.
Three Royal Doulton vases, W Baron vase decorated with a band of white flowers on a golden ground with a dark blue glaze with impressed marks to the base WB and 8334, together with a pair of Royal Doulton vases of baluster form with a slender neck and a flared rim decorated with a band blue and white flowers on a golden ground with a dark blue glaze, tallest 28cm high
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