A Chinese celadon ovoid vase, incised in relief with stylised flowers and foliage, 36cm high, 19th centuryProvenance: From the Estate of Lady Elizabeth Georgiana Alice Cavendish CVO (24 April 1926 -15 September 2018), daughter of Edward Cavendish, 10th Duke of Devonshire, Chatsworth House, Derbyshire
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A Wedgwood black basalt spreading cylindrical jug, typically sprigged in relief with classical figures, fruiting vine border, 18cm high, impressed mark, late 19th century; a similar flared cylindrical vase, 15cm high; a 20th century black basalt bowl, 14cm diam, impressed marks; etc (4)
A Derby Crown Porcelain Company Repoussé Ware bottle vase, moulded in high relief with a profusion of chrysanthemums, hellebores and further country flowers, fluted neck and beaded girdle at shoulder, burnished in gold and picked out in mottled tones of green and red, 11.5cm high, red printed marks, retailed by J.E. Caldwell & Co, Philadelphia, incised V and numbered 642, c. 1885
A Royal Worcester blush ivory krater-shaped vase, painted with roses and hellebores, the shoulder moulded in relief and picked out in gilt with anthemions, twin scroll handles above masks, pedestal foot, 28cm high, green printed marks, shape no. 1759, date code for 1901; a smaller vase, 21.5cm high; a conforming jug, 11cm high, (3)
A Chinese celadon ovoid vase, with elephant scroll handle, pierced hardwood bases, 23cm high, 19th century Provenance: From the Estate of Lady Elizabeth Georgiana Alice Cavendish CVO (24 April 1926 -15 September 2018), daughter of Edward Cavendish, 10th Duke of Devonshire, Chatsworth House, Derbyshire
A 19th century Meissen Named-View ovoid vase and cover, Yorkshire, painted with a Picturesque landscape, the verso well-painted with summer flowers in bloom, encrusted throughout with colourful roses and summer flowers, naturalistic green branch handles, gilt scrolling diaper and line borders, 14cm high, 23cm wide, crossed swords mark in underglaze blue, c. 1830; a 19th century German porcelain Schneeballen pot, applied with pink flowers throughout, the domed cover applied with a branch handle, cherries and a rose, 7.5cm high; a 19th century Dresden ovoid cabinet cup, painted with Watteauesque figures, pink ground, gilt entwined snake handle, lion paw feet, 8cm high (3)
A Coalport topographical twin-handled vase and cover, painted recto and verso with reserves of the Italian Lakes, alternating yellow and ivory ground with scrolling foliage in raised gilding, minaret cover, acanthus-capped scroll handles, plinth base, 23cm high, green printed marks, c. 1900
A Wedgwood Fairyland Lustre octagonal bowl, designed by Daisy Makeig-Jones, printed and painted in coloured enamels and picked out in gilt, the interior with a young girl looking into a rock pool, the exterior with goblins and witches in blue on an iron red ground, 16cm wide, Portland vase mark in gilt
A large Royal Worcester blush ivory baluster vase, painted with carnations and further country flowers, picket out in gilt, slightly outswept rim, girdle to neck, 30.5cm high, puce printed marks, shape no. H289, date code for 1919; a similar two-handled specimen vase, 12cm high, puce printed marks, (2)
An early pair of Derby Patch Mark cartouche-shaped vases, painted after the Cotton-stem Painter in polychrome enamels with sprigs of country flowers, each reservoir moulded in relief with feathered scrolls, picked out in tones of pastel turquoise and gilt, iron red shaped rims, circular feet, 11cm high, c. 1765 Provenance: the Wilders Collection, labelled. Condition Report: One vase with a repaired crack affecting centre, shoulder, neck and rim - but stable. The other okay but askew. Each possibly with refreshed gilding, expecting light wear and some pitting.
A Royal Worcester shaped circular bowl, painted by Kitty Blake, signed, with pink and magenta roses, burnished gilt borders, 18cm diam, puce printed marks, date code for 1926; a Royal Worcester baluster vase, of small proportions, painted by John Freeman, signed, with country flowers, gilt line borders, 12cm high, black printed marks, date code for 1952; a Royal Worcester circular dish, painted by Millie Hunt, signed, with pink roses, gilt rim, 8.5cm diam, puce printed marks, date code for 1937 (3)
A Chinese lobed ovoid vase and cover, glazed overall in turquoise, 16cm high; a Chinese stoneware model of a deity on a horse, in polychrome, 21cm high; a cloisonné vase, 14cm high (3)Provenance: From the Estate of Lady Elizabeth Georgiana Alice Cavendish CVO (24 April 1926 -15 September 2018), daughter of Edward Cavendish, 10th Duke of Devonshire, Chatsworth House, Derbyshire
An early Derby ovoid frill potpourri vase and cover, modelled by or after Jonathan Boot with a pair of masks and profusely ornamented with flowers and exotic plumes, picked out in polychrome enamels, the reserves well-painted with butterflies and insects, the rounded shoulders pierced with reserves of diaper and flowerhead bosses picked out in yellow, domed cover with leafy finial and further foliage, 29cm high, c. 1764For a similar example modelled, signed and dated 1764 by Jonathan Boot, see: the collection of the Victoria & Albert Museum, C.17-1973.Provenance: the Wilders Collection, labelled. Condition Report: Losses and restoration.
A Lynton porcelain slender ovoid pedestal vase, painted by Stefan Nowacki, signed, with a monastic citadel overlooking a harbour of sailing and rowing boats, within a Rococo reserve in raised gilding, sprig of foliage to verso, cobalt blue ground, gilt scrolling twin-handles, domed cover with pointed finial, spreading circular base, 32.5cm high
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