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Click here to subscribeA CHINESE BLUE & WHITE BOMBE PORCELAIN BOWL, supported on three paw bracket feet, the sides decorated with bids and scrolling peony, 10.6in wide at widest point; together with a 19th Century Chinese blue and white vase and cover, the base with a four-character Kangxi mark, 10.6in high overall. (2)
A CHINESE FLAMBE GLAZED PORCELAIN BARREL-FORM JAR, the base unglazed, 8.8in high & 8.25in wide at widest point; together with a blue and white and copper-red jar, 5.6in high; a 19th Century vase and cover, the base with a four-character Kangxi mark, 6.75in high; and a Japanese celadon double-gourd vase, 7.6in high. (4)
A CHINESE GILT BRONZE MODEL OF AMITAYUS, possibly early, seated in dhyanasana on a rectangular pierced and flared plinth, his hands holding a vase attribute in dyhana mudra, the figure with a removable flaming mandorla behind him, the base with an impressed lotus mark, 7.5in high overall.
A GOOD QUALITY CHINESE GILT DECORATED IRON-RED PORCELAIN VASE, the base with a Qianlong seal mark, the sides decorated overall with a formal design of bats, butterflies and scroll-stemmed lotus within formal borders, the moulded handles in the form of pierced stylised dragons, the interior and base turquoise, 11.75in high.
A GROUP OF CHINESE & JAPANESE PORCELAIN, 18th Century and later, comprising a pair of Japanese Imari dishes, 8.4in diameter; a famille rose Qianlong period porcelain plate, 9.2in diameter; a famille rose Qianlong period dish 12.4in diameter; a blue and white prunus vase, 9.75in high; a small blue and white bottle vase, 4.1in high; a blue and white Japanese bowl, 6.2in diameter. (7)
A GOOD QUALITY SIGNED JAPANESE MEIJI PERIOD KINKOZAN EARTHENWARE VASE, painted to one side with a shaped panel of Immortals, and to the reserve side with ladies and men in a terrace setting before Mount Fujiyama, the base with a four-character gilt Kinkozan mark, 7.6in high.
A GOOD QUALITY LARGE 19TH CENTURY CHINESE CARVED IVORY TUSK VASE, together with a fitted wood stand, the ivory weighing 1.05Kg, the sides of the slightly curving tusk carved in deep relief with a detailed continuous scene of fighting horse mounted warriors and foot soldiers, 12.4in high overall, the ivory itself 5.25in wide at widest point on base & 10.2in high.
A LARGE 19TH CENTURY CHINESE CARVED IVORY TUSK VASE, together with a fitted wood stand, the ivory weighing 715gm, the sides carved in high relief with dragons and cloud scrolls reserved on a pierced trellis ground, 11.5in high overall, the ivory itself 5.4in wide at widest point on base & 9.8in high.
A PAIR OF VERY FINE QUALITY JAPANESE TAISHO PERIOD TWO-SECTION MIXED METAL BRONZE VASES, in original fitted Tomobako case, the sliding front panel bearing the inscription ‘3rd year of Taisho – Relic of a Lady from an Imperial Family’, each bronze vase finely decorated in inlaid silver, gold and copper metals with a circular panel of a Sennin, each reverse side with a circular panel of peony and rockwork, each vase on its detachable foot 11.1in high.
A GOOD SIGNED JAPANESE MEIJI PERIOD SILVER WIRE CLOISONNE VASE BY HATTORI OF NAGOYA, together with a fitted wood stand, the sides of the vase decorated with streams and with fenced arrangements of leafy chrysanthemum, reserved on a black ground, the rims silvered, the base with a signature engraved on an onlaid square silver plaque, 9.75in high.
A LARGE GOOD QUALITY CHINESE QIANLONG/JIAQING PERIOD CLOISONNE VASE, circa 1800, of hexagonal section, the bulbous sides well decorated with a variety of bird and animal panels, the waisted neck with lotus and ribboned Buddhist emblems, the rims and base gilded, 16.3in high.
A GOOD & UNUSUAL 17TH/18TH CENTURY CHINESE BRONZE VASE, the square-section body decorated on the flaring sides with scenes of Immortals and attendants, each scene with two three-character inscriptions, above a ruyi border to the foot & a lappet border to the neck, the base with an archaic seal mark, 8.3in high.
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