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Click here to subscribeA Royal Worcester vase and cover, dated 1919of twin-handled form, painted with an oval landscape featuring a lake with a castle beyond by R. Rushton, artist signed, on a pale pastel ground of coloured and gilt scrollwork, numbered '2701', Rd. No. 671697, 32cm highProvenance: Ivor Southorn Collection.Condition:Finial to cover broken and re-stuck and chipped at the top. A few minute nicks to the edge of the foot rim. No further damages or repairs.
A Royal Worcester twin-handled vase, date mark rubbed but probably circa 1907-10, painted with James Hadley style roses by Walter Sedgley, artist signed J.W. Sedgley, printed factory mark and JH monogram, numbered '179A / 131.38' in iron red, 28cm high (missing cover) Provenance: Ivor Southorn Collection. Condition:Good condition with no damages or repairs.
A William Moorcroft for Macintyre & Co pottery 'Florian' vase, circa 1904-1913, green and gold design, printed factory mark and 'WM Des', painted M2023 / K in orange, 18.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Some very minor gilt wear to to the interior of the mouth.
William Moorcroft for James Macintyre & Co, circa 1904-1913, a 'Hesperian Lily' florian vase, decorated with tones of blue and purple with sprays of lilac flowers, printed factory marks and 'WM Des', numbered M2105, 13.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition but there is crazing to the glaze. No damages or repairs.
A contemporary Moorcroft 'Yachts in Moonlight' vase, designed by Paul Hilditch in 2009, a limited edition numbered 45/150, impressed and painted marks including artist signature, 16.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damage or repair.
William Moorcroft for Macintyre and Co, a 'Pansy' vase, circa 1904, with yellow and purple flowers on white and green ground, printed factory mark, 'W. Moorcroft' in green, impressed '348', 10cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Crazing to the glaze. No damage or repair.
William Moorcroft for Macintyre & Co, a blue florian 'Dianthus' bud vase, circa 1904-1913, of globular form, printed factory marks, painted 'WM Des', 9cm highProvenance: Collection of Mr Magdi Obeid (1943-2021). Purchased from the Richard Wright Collection at Skinner's in October 2009.Condition:Good condition with no damages or repairs.
A Walter Moorcroft salt-glazed vase, circa 1947-53, tube-lined white scrolling pattern across green and blue bands, impressed marks, 17cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Condition is good with no damage or restoration. There is one scratch near the mouth of the vase and two light brown glaze imperfections to one of the lighter bands. Please see images.
A William Moorcroft 'Persian' vase, circa 1916-17, tubelined with the flowers and foliage on a cream ground, impressed marks and number 1458, 12cm high (mouth chipped)Provenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Chip to mouth. There has been a small knock to the body of the vase with an associated loss of glaze and a star shaped hairline crack. Please see images. Glaze crazing throughout.
A contemporary Moorcroft 'Pansy' vase, dated 1997, of high-shouldered form, tubelined against a red plum wine ground, signed in golt to the base by J. Moorcroft, impressed and further painted marks, 18cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Some lines of crazing.
A William Moorcroft 'Leaf and Berry' vase, circa 1928-35, of high-shouldered baluster from, tubelined against a gradient green ground, impressed marks, WM monogram, 15cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Crazing to the glaze.
A Walter Moorcroft 'Wisteria' vase, circa 1947-53, of inverted baluster form, lightly tubelined with red and purple fruit and green leaves against a dark blue ground, impressed marks and painted signature, 18.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Crazing to the glaze.
A William Moorcroft 'Revived Cornflower' vase, circa 1916, of baluster form, with a band of cornflowers running around the shoulder against a mottled green and navy ground, signed in green 'W. Moorcroft' and impressed 'Moorcroft Burslem', 16.8cm highNotes: It is unusual to see the Revived Cornflower design adapted for use in this way, with the flowers running around a vessel as a band and in combination with the darker twin-tone ground. Provenance: Collection of Mr Magdi Obeid (1943-2021) Condition:Good condition with no damages or repairs. Crazing to the glaze.
William Moorcroft for Macintyre and Co, an 'Alhambra' gold florian vase, circa 1903-4, of inverted form with exaggerated upper shoulder, printed factory mark, numbered 'M2377' in red, 12.7cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages, repairs or crazing. A couple of small scratches to the peach ground.
A William Moorcroft 'Spring Flowers and Orchid' vase, circa 1928-36, of globular form, tubelined with the flowers against a shaded green ground, impressed marks including HM Potter to the Queen, WM monogram, 15.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. The foot is slightly misshapen, but this has occurred on firing. There is crazing to the glaze.
A William Moorcroft 'Freesia' footed vase, circa 1935, in the form of an urn, with two sprays of flowers to the shoulder, against a green and blue ground, signed in green 'WM', impressed 'Moorcroft Made in England' marks, 17.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021) Ex. Richard Wright Collection. Purchased at Bonhams on 21st September 2010 (lot 627).Condition:Good condition with no damages or repairs. Crazing to the glaze.
A large William Moorcroft salt-glaze 'Waving Corn' vase, circa 1928-35, of bulbous form, the sheaves in pale yellow/brown and the ground in a cream glaze, painted W Moorcroft signature and impressed marks including 'Potter to H.M the Queen', 27cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs.
A William Moorcroft flambe vase, circa 1928-35, of squat globular form, decorated with red and green leaves on a gradient green ground with darker blue interior, painted W Moorcroft signature, impressed marks including 'HM Potter to the Queen', 15.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Crazing to the glaze.
A contemporary Moorcroft 'Pure Gold' vase, dated 2012, designed by Kerry Goodwin, tubelined with three Australian Orange Chat birds, a numbered edition '44', artist signed, painted and impressed marks, 14cm high Provenance: Collection of Mr Magdi Obeid (1943-2021) Condition:Good condition with no damages, repairs or crazing.
A William Moorcroft 'Freesia' flambe vase, circa 1934, of squat baluster form with an elongated slender neck, tubelined with the flowers and foliage against a red ground, painted WM monogram, impressed marks, 15.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Crazing to the glaze.
A William Moorcroft powder blue 'Revived Cornflower' vase, circa 1920, painted with shades of blue on the mottled ground, painted blue signature and impressed marks, 25.5.cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Small firing crack to the mouth and a further small glaze fault, also to the mouth. Crazing to the glaze. Otherwise good with damages or repairs.
A contemporary Moorcroft 'Spiraxia' vase designed by Emma Bossons, dated 1999, a limited edition numbered 119/300, impressed and painted marks including artist signature, 28.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Crazing to the glaze throughout.
William Moorcroft for Macintyre and Co, a 'Florian' vase, circa 1908-09, of bottle form with a 'garlic head' neck, tubelined with poppies and forget-me-nots, printed factory mark in brown, W. Moorcroft signature in green, 25.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Two small faults to the foot rim where glaze bubbles have burst on firing. Glaze crazing.
A William Moorcroft salt-glazed 'Leaf and Berry' vase, circa 1928, of footed baluster form with an everted mouth, tubelined against a gradient blue ground, impressed marks and painted 'W Moorcroft' signature, 24cm high, mouth 14cm diameterProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs.
Two small Moorcroft vases, comprising a Walter Moorcroft Orchid vase, mid-20th century, 11cm high; a 'Chocolate Cosmos' vase, dated 2013, 9.5cm high (2)Provenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Orchid vase - Crazing to glaze. Slight hairline to mouth.Chocolate Cosmos - No damages or crazing.
A William Moorcroft 'Peacock Feathers' salt-glazed vase, circa 1934, tubelined with blue and white feathers against a cream ground, impressed marks and full Moorcroft signature in blue, 21cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Some crazing to the glaze.
A group of three Moorcroft vases, comprising a 'Magnolia' vase, circa 1980s, tubelined against a dark blue ground, 19.5cm high; an 'Anemone' vase, tubelined against a lime green ground, 15.5cm high and a further 'Hibiscus' vase, tubelined against a dark green ground, 11cm high impressed and painted marks (3)Condition:All three pieces with crazing to the glaze but no damages or repairs.
A William Moorcroft 'Grapes' lustre vase, designed for Liberty & Co, circa 1908, of unusual waisted form, tubelined with purple grapes and green leaves, painted 'W Moorcroft' in green, printed Liberty marks in brown, 14.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Some scratches to the exterior but no damages or repairs. The lustre is a bit patchy and has a band missing around the lower section and does not cover the entire body of the vase, but this seems to be consistent with some other lustre pieces from this period. See images.
William Moorcroft for Macintyre and Co, a 'Florian' daisy vase, circa 1902, tubelined with flowers and foliage against a pale blue ground with four dark blue loop handles, printed mark, signed 'W. Moorcroft des' in green, 10cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Crazing to the glaze.
A William Moorcroft 'Weeping Willow' salt-glazed vase, circa 1930, of twin-handled form, glazed in shades of pink and green on a cream ground, impressed marks, painted blue signature 21cm. highCondition:Condition is generally good. There are short hairlines around the upper and lower junctures of the handle and a further short firing crack to the lower terminus of one handle. There is staining to the interior - appears to have been used as a plant pot.
A contemporary Moorcroft 'Finches' vase, dated 1995, of globe form, tubelined with the birds pecking at fruit, against a dark blue ground, impressed and painted marks, 17.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:In good condition with no damages or repairs. Crazing to the glaze.
William Moorcroft for Macintyre and Co, a 'Florian' ware vase, circa 1902, of slender, baluster form, tubelined with roses, forget-me-nots and tulips on a cream ground, with gilt rims, printed factory mark, signed 'W Moorcroft' in green, painted 'm2862' in red, retailers mark for 'Stonier & Co 78 Lord St. Liverpool' and impressed 75, 29.2cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Crazing to the glaze. Some very minor gilt wear to the rims.
A Walter Moorcroft flambe 'Hibiscus' vase, circa 1954-60, tubelined with flowers against a turquoise and brandy flame ground, impressed marks, WM monogram, remnants of HM Potter to the Queen label, 18.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Crazing to the glaze.
A large contemporary Moorcroft 'Butterfly' vase designed by Rachel Bishop, dated 1998, of squat baluster form, tubelined with butterflies and blue flowers against a cream ground, impressed and painted marks including Rachel Bishop's signature, 17cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:In good condition with no damages or repairs. No visible crazing.
A contemporary Moorcroft 'Waddesdon Waters (Black Swan)' vase designed by Emma Bossons, dated 2005, of ship's decanter form, a limited edition numbered 43/100, impressed and painted marks including artist's signature, 24cm highProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:In good condition with no damages or repairs. No crazing.
A Walter Moorcroft 'Arum Lily' vase, circa 1955, tubelined with flowers against a dark blue and red combination ground, impressed marks, painted WM monogram and HM Potter label, 13cm high and mouth 13.5cm diameterProvenance: Collection of Mr Magdi Obeid (1943-2021)Condition:Good condition with no damages or repairs. Some glaze crazing.
A Royal Crown Derby imari twin-handled vase, mid-late 20th century, pattern 1128, of urn form with scrolling handles, printed factory marks in red, 41.5cm high (a.f)Condition:The pedestal base has been broken off and re-bolted, with associated cracks to foot and column. Please see additional images.
A pair of Art Deco Shelley vases, of hexagonal form, printed and hand-painted with Kingfishers in Bullrushes, most unusually with a pale lavender ground and lime green interiors, printed marks, pattern number 8662 and shape number 798 in black, 18.2cm high (2)Condition:One vase has some brown discoloration to the interior and the other has a small section of retouched black to the rim. Both have some minor spots of wear to the lavender ground and some other smaller spots of brown staining or discolouration. See images.
Two early 20th century oak fire screens inset with woolwork embroideries of flowers and foliage, 53cm x 76cm, together with an occasional table of similar vintage, inset with a similar embroidery to the top, 67cm x 44cm x 51cm, a late Victorian framed embroidery of a flower vase, 75cm x 59cm, and two mid-20th century framed embroideries, 27cm x 40cm.
A French neoclassical gilt metal mantel clockLate 19th century, the case surmounted by an urn, the 88mm black enamel dial with gilt Roman numerals, set on a black marble base, the eight day movement striking on a bell, with pendulum and giltwood stand.39cm highCondition:Swag from finial vase has broken off but is present. General minor signs of age and use to case. Movement not currently running. Has pendulum but no key. Giltwood stand is showing general visible wear.
An unusual Coalport trophy vase, early 20th century, decorated with black stripes and three printed and painted panels of flowers, green printed factory mark, numbered '7986/L / 3rd 144', registered number 646573, 29cm highProvenance: Ivor Southorn Collection.Condition:No damages or repairs. Some crazing to the stem.
A pair of Coalport vases and covers, circa 1900, of twin-handled form, the dark blue and lemon yellow grounds painted with opposing oval landscape panels surrounded by raised gilt, printed factory marks, titled to the bases 'Loch' and 'Weir Bridge', V5337/231 in gilt, 28.5cm high (one restored) (2)Provenance: The Ivor Southorn Collection.Condition:Weir Bridge vase with restoration to one handle and the neck. The finial on its cover is also restored. No further damages or repairs.
A Coalport vase, circa 1891-1919of twin-handled form on raised scrolled foot, the dark blue ground with a scrolling landscape cartouche surrounded by a raised gilt shell and printed gilt foliage, printed factory mark in green, numbered V6378 in gilt, 19.5cm highCondition:In a good condition with no damage or restoration. The gilding and landscape are in good order. There is some crazing to the cream foot.
A Coalport twin-handled vase and cover, circa 1891-1919, painted with opposing circular landscape panels and flowers, printed with leaves in blue and gilt, numbered V5742M printed factory mark, 22cm high (cover a.f)Provenance: Ivor Southorn Collection.Condition:Cover broken into pieces and re-glued, with a piece still missing. No further damages or repairs. There is some close packed fine crazing to the foot of the vase and some wider more noticable crazing to the interior near the rim and one landscape panel.
A good Coalport 'Coalbrookdale' vase, circa 1835-40of twin-handled form, finely painted with a view of Walcot Hall, Lydbury North with figures and farm animals in the foreground, opposed by a panel of closely packed flowers, the vase painted with flowers and butterflies and adorned with further foliage, titled 'Walcot Salop' in red to the base, otherwise unmarked, 22cm highSold together with a Walcot Ballroom advertisement card, black and white postcard of the hall and a newspaper clipping.Provenance: Ivor Southorn Collection.Footnote:Condition is generally good. There are two scratches to the landscape panel. Some of the tips of the flowers and leaves are broken or have small chips, but none are too significant beyond one flowerhead that is missing completely.Condition:Some breakages to flower petals and relief foliage. Otherwise, good condition. Please see additional images.
A modern Coalport limited edition 'Eagle' vase and cover, painted with a view of the Coalbrookdale China Manufactory, numbered 50/50, made to commemorate the opening of the Coalport Museum on July 23rd 1976, 31cm high. Sold together with original certificate. Provenance: Ivor Southorn Collection.Condition:No damages or repairs.
A Coalport twin-handled landscape vase and cover, circa 1900-10with gilt serpent dragon handles, the cobalt, yellow and gilt ground with two opposing named views of Lake Windermere in oval cartouches, printed factory mark, numbered 'V5327 5/5 198' in red, 14.5cm highProvenance: Ivor Southorn Collection.Condition:Cover professionally restored.
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