We found 653685 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 653685 item(s)
    /page

Lot 510

‡ Colin Pearson (1923-2007) a winged porcelain bottle vase, ovoid with tapering neck, and two applied wing-handles, covered to the foot with a crackled celadon ground impressed seal mark, 23.5cm. high

Lot 514

‡ Norma Atherton a burnished earthenware vase, shouldered form with offset aperture, covered in a smoked mushroom glaze incised 96 to base 41cm. wide

Lot 516

‡ David Howard Jones (born 1953) a large bellied raku pottery vase, resist decorated with geometric panels in blue, black and pitted off white glazes, incised monogram, 47cm. high Provenance Candover Gallery, 1988.

Lot 517

‡ Duncan Ross (born 1943) a terra-sigillata thrown and burnished earthenware vase, swollen form with flaring rim, impressed seal mark to base, 21.5cm. high Literature Amanda Gane Contemporary British Crafts The Goodison Gift to the Fitzwilliam Museum, PWP, page 24 catalogue number 3 for a comparable vase. Provenance Purchased from Duncan Ross by the vendor in 1990.

Lot 518

‡ Duncan Ross (born 1943) a tall, slender burnished terra sigillata vase, geometric patterns in black and orange, incised monogram, applied label, 29.5cm. high Provenance Candover Gallery, 1990.

Lot 519

‡ Gabriele Koch (born 1948) a large burnished earthenware vase, ovoid with circular aperture, burnished terracotta with deep umber veins, incised signature to base, 37cm. high Provenance Beaux Arts, Bath 1990.

Lot 521

‡ John Ward (born 1938) a hand-built stoneware vase, Tulip form, covered in a matt white glaze impressed seal mark, 21cm. high Provenance Craft Potter's Association, 1990.

Lot 522

‡ John Ward (born 1938) a hand-built stoneware vase, tapering form with, rectangular section rim, impressed seal mark, 10cm. high Provenance Courcoux & Courcoux Private collection.

Lot 523

‡ John Ward (born 1938) a large hand-built stoneware vase, prow form, rounded with pulled rim, glazed with matt blue and black geometric panels, impressed seal mark, 37cm. high Provenance Beaux Arts, 1991.

Lot 524

‡ John Ward (born 1938) a hand-built stoneware vase, ovoid with tapering square neck, matt black with rust brown, the rim highlighted with turquoise impressed seal mark, 27cm. high Provenance Courcoux & Courcoux Private collection.

Lot 525

‡ John Ward (born 1938) a hand built stoneware vase, ovoid with cut angled rim, glazed with matt sand and blue panels, impressed seal mark, 22.5cm. high Provenance Amalgam Gallery, 1991

Lot 526

‡ John Ward (born 1938) a hand-built stoneware vase, tapering cylindrical form with pulled point, white with turquoise stripes, impressed seal mark, 27.5cm. high Provenance Courcoux & Courcoux Private collection.

Lot 527

Dan Kelly (born 1953) a stoneware vase, elliptical form, with impressed top rim, applied decoration metallic black glaze with white highlight, unsigned, 10cm. high Provenance New Ashgate, 2005.

Lot 529

Peter Beard (born 1951) a stoneware vase with inlaid turquoise columns, matt grey, and a low disc form vase with knopped neck by Peter Beard covered in a golden glaze impressed seal mark, 12.5cm. high (2)

Lot 53

Sidney Greenslade a rare Martin Brothers stoneware plaque by Robert Wallace Martin, dated 1907, oval in ebonised wood frame, covered in a white paint, incised R W Martin Sc. Southall, 1907 titled to reverse S Greenslade, 22cm. high (plaque) Provenance The George Twyman Collection of Martin Ware. Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis, page 148 figure 233 for a later version of this plaque with Sidney Greenslade modelled examining a Martin ware vase.

Lot 533

‡ Robin Welch (born 1936) a tall, swollen cylindrical stoneware vase with split rim, incised geometric Aboriginal landscape design, with orange wash glaze impressed RW seal, 52.5cm. high Provenance Breaux Arts, 1991.

Lot 534

‡ Robin Welch (born 1936) a tall, flaring cylindrical stoneware vase, with everted rim, painted with abstract landscape in yellow, green and red on a white ground, impressed RW seal 50.5cm. high Provenance Beaux Arts, 1991.

Lot 538

‡ John Maltby (born 1936) a stoneware footed dish, rounded rectangular section decorated with a vase of flowers, a bowl decorated with trees on a riverbank by John Maltby and a chest of drawers ceramic sculpture by John Maltby painted Maltby signature to first two, chest with impressed seal mark, 18cm. wide (dish), (3)

Lot 545

‡ Ewen Henderson (1934-2000) a stoneware vase with applied slips, ovoid with collar rim, textured banded surface in white and cream with blue highlights, unsigned, 21cm. high

Lot 548

‡ Emmanuel Cooper OBE (1938-2012) a stoneware vase, elliptical cylindrical form, covered in a running volcanic white glaze, impressed seal mark, painted VII to base, 22.5cm. high Provenance Beaux Arts Bath

Lot 549

‡ Kate Malone MBE, (born 1959) a stoneware vase, 2013, elliptical section, the footed vase with applied ball decoration, covered in an ochre glaze over yellow crystalline glaze, incised Kate Malone, 2013, 17.5cm. high Provenance Purchased directly from the artist.

Lot 550

‡ Kate Malone MBE, (born 1959) Magma Pot, 2015, stoneware vase with applied ball and cubes, covered in a sand and blue crystalline glaze, incised Mrs Kate Malone 2015, EPR 102 pq, 15cm. high Provenance Purchased directly from the artist.

Lot 551

‡ Kate Malone MBE (born 1959) Pumpkin box, 1993, a pot and cover glazed blue with yellow, pink and turquoise spots, the interior vivid red, impressed seal marks, 15cm. high Literature Amanda Gane Contemporary British Crafts The Goodison Gift to the Fitzwilliam Museum, PWP, page 102 catalogue number 37 for a comparable vase. Provenance Kate Malone, Holland Park, 1995

Lot 554

A Clement Massier Golfe Juan lustre vase, swollen form with impressed dimples, tapering cylindrical neck, painted with berried foliage in golden lustre on a red lustre ground, and a Van Briggle vase modelled in relief with an Art Nouveau maiden, glazed red and blue impressed and painted Massier marks, impressed marks to Van Briggle pot, 18.5cm. high, (2)

Lot 567

A James Powell & Sons Whitefriars sky blue glass vase designed by Harry Powell, ovoid with collar neck, etched with a band of stylised birds and applied prunts, the neck with etched wavy bands, unsigned, 14cm. high Literature Wendy Evans, Catherine Ross and Alex Werner Whitefriars Glass James Powell & Sons of London, Museum of London, page 270 plate 402 an original photograph of this vase illustrated in the section 'Glasses with Histories' by Harry Powell.

Lot 569

A James Powell & Sons Whitefriars Sea Green glass vase, swollen cylindrical form, the green glass body applied with blue teardrops, and foot rim, unsigned, 16.5cm. high Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 106 plate 40 for a comparable example.

Lot 572

An Art Nouveau Galle cameo glass vase designed by Emile Galle, tapering cylindrical, solifleur form, opaque glass cased in orange, cameo decorated with berried foliage cameo signature Galle, 9.5cm. high

Lot 573

An Art Nouveau Galle cameo glass solifleur vase designed by Emile Galle, flat disc body with cylindrical neck and everted rim, opaque glass cased in green, cameo decorated with flowers and foliage, cameo Galle signature, 17cm. high

Lot 574

An Art Nouveau Galle cameo glass vase designed by Emile Galle, shouldered form, opaque and yellow glass cased in umber, cameo decorated with a lakeside landscape, incised signature, 12.5cm. high

Lot 575

An Art Nouveau Galle cameo glass vase designed by Emile Galle, compressed body with tall cylindrical neck, opaque body cased in ochre, cameo decorated with wild flowers and foliage cameo signature, 34cm. high

Lot 576

An Art Nouveau Galle cameo glass vase designed by Emile Galle, tapering cylindrical form with everted rim, opaque and yellow glass cased in purple, cameo decorated with cyclamen cameo signature, 19.5cm. high

Lot 577

A large Art Nouveau cameo glass vase probably Galle, slender, swollen, shouldered form with collar rim, pale pink glass cased in pink and green, cameo decorated with pink carnation flowers, unsigned, drilled hole to side, 35cm. high

Lot 578

An Austrian Iridescent glass vase probably Loetz, shouldered swollen form with cylindrical solifleur neck, covered with a splashed blue and green iridescence, another iridescent glass vase with four loop handles, an iridescent glass inkwell with brass mount probably Palme Koenig, two glass vases with applied green trails and two golden iridescent glass bowls probably WMF unsigned, 8.5cm. high (7)

Lot 61

An early Martin Brothers stoneware bud vase by Robert Wallace Martin, lobed form with flaring tube necks, incised flowers and foliage, in green, blue and buff, another early Martin vase incised with ivy and another vase incised marks to base, 13cm. high (3) Provenance The George Twyman Collection of Martin Ware Literature Charles Beard, Frederick Nettlefold catalogue, page 78 plate 16 for a comparable vase based on an Etruscan flower vase.

Lot 619

A small brass flower vase designed by Augustus Welby Northmore Pugin, flaring quattro lobe section, on four fleur de lys feet, with engraved roundel monogram, unsigned, 14cm. high

Lot 7

A large Martin Brothers earthenware Dragon vase by Edwin and Walter Martin, dated 1898, shouldered form, finely incised and painted with fighting dragons in grey, green and yellow on a blue ground, incised 1 1898 Martin Bros London & Southall, repaired damage and losses, 45cm. high Provenance Applied Arts, Phillips, New Bond Street, 15th July 1982 lot 348, purchased by Richard Dennis for Daryl. Exhibited Gorgeously Grotesque Worthing Museum & Art Gallery, 2003, catalogue number 76. Literature Holbrook Jackson Martinware, published in T.P.'s Magazine, 1910, this or a near identical vase illustrated on page 1.

Lot 71

A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1887, shouldered ovoid form with cylindrical, knopped neck, the body decorated with foliate sprays in brown on a buff ground, and a Martin Brothers stoneware jug decorated with pendulous flowers incised 2-1887 R W Martin & Bros London & Southall, 20.5cm. high (2) Provenance The George Twyman Collection of Martin Ware

Lot 74

A large Martin Brothers stoneware vase by Robert Wallace Martin, dated 1894, pear shaped, incised with scrolling foliage in buff on a brown ground, with pale blue highlights, incised 5-1894, Martin Bros London & Southall, firing crack to top rim, 28cm. high Provenance The George Twyman Collection of Martin Ware

Lot 75

A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1884, swollen, shouldered form, incised with stylised sunflowers glazed white and chestnut on a buff ground, incised 30.1.84 R W Martin & Bros, London & Southall, 20.5cm. high Provenance The George Twyman Collection of Martin Ware

Lot 76

An early Martin Brothers stoneware vase by Robert Wallace Martin, dated 1875, shouldered form, incised with bands of stylised foliage glazed pale blue and ochre,incised 12 R W Martin London 1875, small chip to top rim, 12.5cm. high Provenance The George Twyman Collection of Martin Ware

Lot 77

A Martin Brothers stoneware vase by Robert Wallace Martin, shouldered ovoid form with collar rim, incised with large leaves, in chestnut, on a mottled buff ground, incised Martin Bros London & Southall, 19.5cm. high Provenance The George Twyman Collection of Martin Ware

Lot 79

A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1890, incised with finches flying amongst wild roses, in ochre, green and white on a buff ground, and another Martin Brothers vase incised with blossom sprays, incised 6-1890 R W Martin & Bros, London & Southall, professional restoration to top rim, 24.5cm. high, (2) Provenance The George Twyman Collection of Martin Ware

Lot 8

A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, baluster form, incised and painted with grotesque fish, an eel and aquatic creatures swimming amongst waterweed, in brown, blue and green, highlighted in white on a tan ground, incised Martin Bros London & Southall, 20.5cm. high Provenance Claudine Casier, purchased by Daryl in 1977. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue number 97.

Lot 80

A Martin Brothers stoneware Orchid vase by Edwin and Walter Martin, dated 1898, shouldered, baluster form, incised and painted with two hummingbirds flying amidst frilled orchid flowers, in green, ochre and white with blue highlights, incised 10-1898 Martin Bros London & Southall, minor professional restoration to top rim, 23.5cm. high Provenance The George Twyman Collection of Martin Ware

Lot 85

A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1898, painted with a grotesque mask amongst scrolling foliage with dragon head terminals, in brown and ochre, highlighted in white on a deep ochre ground, incised 3-1898 Martin Bros London & Southall, 22cm. high Provenance The George Twyman Collection of Martin Ware

Lot 86

A large Martin Brothers stoneware vase by Robert Wallace Martin, dated 1892, baluster form, incised with scrolling flowers and foliage in shades of blue and brown on a buff ground, incised 2-1892, R W Martin & Bros, London & Southall, professional restoration to neck, 44cm. high Provenance The George Twyman Collection of Martin Ware.

Lot 87

A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1885, ovoid with collar neck and flaring rim, applied with strap handles, incised with stems of white lily flowers, glazed white and chestnut on a buff ground, the neck highlighted with blue, incised 10-1885 R W Martin & Bros London & Southall, 19cm. high Provenance The George Twyman Collection of Martin Ware

Lot 9

A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, shouldered baluster form, incised with grotesque fish swimming amongst jellyfish, a seahorse, other aquatic creatures and waterweed, in brown and white on a streaked blue and mushroom ground, incised 9 1908 Martin Bros London & Southall, 26cm. high Provenance Andrew Lineham, collection Rhys Morgan collection, purchased by Daryl from Rhys in October 1982. Derek Garrod collection, then re-purchased by Daryl from Garrod in 1993. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue no.14

Lot 90

An early Martin Brothers stoneware vase by Robert Wallace Martin, dated 1878, shouldered, flaring cylindrical form, applied with twin mask handles, the body incised with scrolling classical foliage, between geometric bands, in shades of blue and ochre, incised R W Martin 2-78 and a hashed cipher, museum restored top rim, hairline to body, 33cm. high Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis, page 45 figure IV for an identical example. Provenance The George Twyman Collection of Martin Ware.

Lot 91

A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1880, shouldered from with cylindrical neck, incised and painted with a pair of birds perched in tree boughs, in green, blue and brown on a mushroom ground, and another similar dated 1886 modelled with cranes, main vase incised 13.1.80 R W Martin London & Southall, restored, 24cm. high, (2) Provenance The George Twyman Collection of Martin Ware.

Lot 95

A Martin Brothers stoneware vase made for the Exeter Exhibition 1880, twin-handled urn form, incised with simple flowers and Mary Wreford to one side the reverse incised Exeter Exhibition 8.10.80, a Martin Brothers stoneware jug painted with blossom, two pierced vases, a small vase and three other items, stamped RWMartin Southall, 77, 8.5cm. high (8) Provenance The George Twyman Collection of Martin Ware

Lot 96

A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1899, shouldered, baluster form of rectangular section, incised with a butterfly flying above a wild flower, the reverse with a bee above a white anemone flower, the sides with companion panels, glazed green, blue and white on a buff ad brown ground, incised 9-1899 Martin Bros London & Southall 30cm. high Provenance The George Twyman Collection of Martin Ware

Lot 97

A Martin Brothers stoneware bird vase by Edwin and Walter Martin, dated 1900, baluster form, incised and painted with birds catching insects whilst flying amidst prunus blossom, in ochre and white on a tan ground, incised 11-1900, Martin Bros London & Southall, firing fault to top rim, 23.5cm. high Provenance The George Twyman Collection of Martin Ware

Lot 98

A Martin Brothers stoneware vase by Robert Wallace Martin, twin-handled urn form on cruciform base, incised with exotic birds perched on a tree bough, the reverse with a bird flying past another exotic bird, inside scrolling foliage border, glazed brown on a tan ground, on ebonised wood base, repaired to foot, 27cm. high Provenance The George Twyman Collection of Martin Ware

Lot 199

A Chinese famille verte vase

Lot 208

A Carltonware lustre bowl; together with a Mary McGregor jug, a Dutch vase etc

Lot 210

A Royal Cown Derby vase; together with a Royal Worcester vase etc

Lot 12

A good pair of Chinese carved blackwood vase stands, late 19th century, the top modelled as co-joined roundels inset with rouge marble and inlaid with mother of pearl, lotus flower and vines, all upon a finely carved stand with prunus blossom decoration and with lower under tier carved with bamboo shoots and leaves, all upon four carved legs. Width 36 cm, height 47 cm (see illustration). CONDITION REPORT: One plant stand is missing four pieces of mother of pearl inlay to the top. One cash has a 10 cm very fine split to the marble however on further inspection this looks like a natural fissure. One cash symbol on the top has a 2 cm crack. The legs have carved cherry blossom brackets of which one is missing. One leg has been split and broken, there are signs of repairs. Two legs have been re-attached to the lower tier, there remains excessive wood glue on each. Its partner stand is missing four pieces of mother of pearl inlay to the top. One piece of marble has a fine 2.5 cm x 1 cm piece missing on the top. There is an age split to the centre piece of wood. There is a very fine 15 cm crack through the top. There are some small age splits to the side of the top. One section of carved apron is loose but still fully intact. The majority of the cracks should be visible using the zoom facility on the website. Regardless of all faults these remain an attractive pair of stands.

Lot 126

A Japanese Satsuma vase, decorated with figures and with red seal mark to base. Height 25 cm.

Lot 127

A Japanese cloisonne hexagonal vase, Meiji period, decorated with a bird amongst blossoming chrysanthemums and flowers against a midnight black ground, on wood stand. Height including stand 33.5 cm. CONDITION REPORT: This vase has been drilled through the underside to accommodate an electric cable. There appear to be no major or minor losses to the enamel. There is a cluster of chrysanthemums of which the uppermost is missing +/- 2 mm x 1 mm of cloisonné. Other than that there appear to be no obvious losses or major cracks. The wood stand upon which it sits has a 3 cm x 1 cm slither repair on the rim.

Loading...Loading...
  • 653685 item(s)
    /page

Recently Viewed Lots