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‡ Duncan Ross (born 1943) a terra-sigillata thrown and burnished earthenware vase, swollen form with flaring rim, impressed seal mark to base, 21.5cm. high Literature Amanda Gane Contemporary British Crafts The Goodison Gift to the Fitzwilliam Museum, PWP, page 24 catalogue number 3 for a comparable vase. Provenance Purchased from Duncan Ross by the vendor in 1990.
Sidney Greenslade a rare Martin Brothers stoneware plaque by Robert Wallace Martin, dated 1907, oval in ebonised wood frame, covered in a white paint, incised R W Martin Sc. Southall, 1907 titled to reverse S Greenslade, 22cm. high (plaque) Provenance The George Twyman Collection of Martin Ware. Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis, page 148 figure 233 for a later version of this plaque with Sidney Greenslade modelled examining a Martin ware vase.
‡ John Maltby (born 1936) a stoneware footed dish, rounded rectangular section decorated with a vase of flowers, a bowl decorated with trees on a riverbank by John Maltby and a chest of drawers ceramic sculpture by John Maltby painted Maltby signature to first two, chest with impressed seal mark, 18cm. wide (dish), (3)
‡ Kate Malone MBE (born 1959) Pumpkin box, 1993, a pot and cover glazed blue with yellow, pink and turquoise spots, the interior vivid red, impressed seal marks, 15cm. high Literature Amanda Gane Contemporary British Crafts The Goodison Gift to the Fitzwilliam Museum, PWP, page 102 catalogue number 37 for a comparable vase. Provenance Kate Malone, Holland Park, 1995
A Clement Massier Golfe Juan lustre vase, swollen form with impressed dimples, tapering cylindrical neck, painted with berried foliage in golden lustre on a red lustre ground, and a Van Briggle vase modelled in relief with an Art Nouveau maiden, glazed red and blue impressed and painted Massier marks, impressed marks to Van Briggle pot, 18.5cm. high, (2)
A James Powell & Sons Whitefriars sky blue glass vase designed by Harry Powell, ovoid with collar neck, etched with a band of stylised birds and applied prunts, the neck with etched wavy bands, unsigned, 14cm. high Literature Wendy Evans, Catherine Ross and Alex Werner Whitefriars Glass James Powell & Sons of London, Museum of London, page 270 plate 402 an original photograph of this vase illustrated in the section 'Glasses with Histories' by Harry Powell.
A James Powell & Sons Whitefriars Sea Green glass vase, swollen cylindrical form, the green glass body applied with blue teardrops, and foot rim, unsigned, 16.5cm. high Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 106 plate 40 for a comparable example.
An Austrian Iridescent glass vase probably Loetz, shouldered swollen form with cylindrical solifleur neck, covered with a splashed blue and green iridescence, another iridescent glass vase with four loop handles, an iridescent glass inkwell with brass mount probably Palme Koenig, two glass vases with applied green trails and two golden iridescent glass bowls probably WMF unsigned, 8.5cm. high (7)
An early Martin Brothers stoneware bud vase by Robert Wallace Martin, lobed form with flaring tube necks, incised flowers and foliage, in green, blue and buff, another early Martin vase incised with ivy and another vase incised marks to base, 13cm. high (3) Provenance The George Twyman Collection of Martin Ware Literature Charles Beard, Frederick Nettlefold catalogue, page 78 plate 16 for a comparable vase based on an Etruscan flower vase.
A large Martin Brothers earthenware Dragon vase by Edwin and Walter Martin, dated 1898, shouldered form, finely incised and painted with fighting dragons in grey, green and yellow on a blue ground, incised 1 1898 Martin Bros London & Southall, repaired damage and losses, 45cm. high Provenance Applied Arts, Phillips, New Bond Street, 15th July 1982 lot 348, purchased by Richard Dennis for Daryl. Exhibited Gorgeously Grotesque Worthing Museum & Art Gallery, 2003, catalogue number 76. Literature Holbrook Jackson Martinware, published in T.P.'s Magazine, 1910, this or a near identical vase illustrated on page 1.
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1887, shouldered ovoid form with cylindrical, knopped neck, the body decorated with foliate sprays in brown on a buff ground, and a Martin Brothers stoneware jug decorated with pendulous flowers incised 2-1887 R W Martin & Bros London & Southall, 20.5cm. high (2) Provenance The George Twyman Collection of Martin Ware
A large Martin Brothers stoneware vase by Robert Wallace Martin, dated 1894, pear shaped, incised with scrolling foliage in buff on a brown ground, with pale blue highlights, incised 5-1894, Martin Bros London & Southall, firing crack to top rim, 28cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1884, swollen, shouldered form, incised with stylised sunflowers glazed white and chestnut on a buff ground, incised 30.1.84 R W Martin & Bros, London & Southall, 20.5cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1890, incised with finches flying amongst wild roses, in ochre, green and white on a buff ground, and another Martin Brothers vase incised with blossom sprays, incised 6-1890 R W Martin & Bros, London & Southall, professional restoration to top rim, 24.5cm. high, (2) Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, baluster form, incised and painted with grotesque fish, an eel and aquatic creatures swimming amongst waterweed, in brown, blue and green, highlighted in white on a tan ground, incised Martin Bros London & Southall, 20.5cm. high Provenance Claudine Casier, purchased by Daryl in 1977. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue number 97.
A Martin Brothers stoneware Orchid vase by Edwin and Walter Martin, dated 1898, shouldered, baluster form, incised and painted with two hummingbirds flying amidst frilled orchid flowers, in green, ochre and white with blue highlights, incised 10-1898 Martin Bros London & Southall, minor professional restoration to top rim, 23.5cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1898, painted with a grotesque mask amongst scrolling foliage with dragon head terminals, in brown and ochre, highlighted in white on a deep ochre ground, incised 3-1898 Martin Bros London & Southall, 22cm. high Provenance The George Twyman Collection of Martin Ware
A large Martin Brothers stoneware vase by Robert Wallace Martin, dated 1892, baluster form, incised with scrolling flowers and foliage in shades of blue and brown on a buff ground, incised 2-1892, R W Martin & Bros, London & Southall, professional restoration to neck, 44cm. high Provenance The George Twyman Collection of Martin Ware.
A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1885, ovoid with collar neck and flaring rim, applied with strap handles, incised with stems of white lily flowers, glazed white and chestnut on a buff ground, the neck highlighted with blue, incised 10-1885 R W Martin & Bros London & Southall, 19cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, shouldered baluster form, incised with grotesque fish swimming amongst jellyfish, a seahorse, other aquatic creatures and waterweed, in brown and white on a streaked blue and mushroom ground, incised 9 1908 Martin Bros London & Southall, 26cm. high Provenance Andrew Lineham, collection Rhys Morgan collection, purchased by Daryl from Rhys in October 1982. Derek Garrod collection, then re-purchased by Daryl from Garrod in 1993. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue no.14
An early Martin Brothers stoneware vase by Robert Wallace Martin, dated 1878, shouldered, flaring cylindrical form, applied with twin mask handles, the body incised with scrolling classical foliage, between geometric bands, in shades of blue and ochre, incised R W Martin 2-78 and a hashed cipher, museum restored top rim, hairline to body, 33cm. high Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis, page 45 figure IV for an identical example. Provenance The George Twyman Collection of Martin Ware.
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1880, shouldered from with cylindrical neck, incised and painted with a pair of birds perched in tree boughs, in green, blue and brown on a mushroom ground, and another similar dated 1886 modelled with cranes, main vase incised 13.1.80 R W Martin London & Southall, restored, 24cm. high, (2) Provenance The George Twyman Collection of Martin Ware.
A Martin Brothers stoneware vase made for the Exeter Exhibition 1880, twin-handled urn form, incised with simple flowers and Mary Wreford to one side the reverse incised Exeter Exhibition 8.10.80, a Martin Brothers stoneware jug painted with blossom, two pierced vases, a small vase and three other items, stamped RWMartin Southall, 77, 8.5cm. high (8) Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1899, shouldered, baluster form of rectangular section, incised with a butterfly flying above a wild flower, the reverse with a bee above a white anemone flower, the sides with companion panels, glazed green, blue and white on a buff ad brown ground, incised 9-1899 Martin Bros London & Southall 30cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware bird vase by Edwin and Walter Martin, dated 1900, baluster form, incised and painted with birds catching insects whilst flying amidst prunus blossom, in ochre and white on a tan ground, incised 11-1900, Martin Bros London & Southall, firing fault to top rim, 23.5cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Robert Wallace Martin, twin-handled urn form on cruciform base, incised with exotic birds perched on a tree bough, the reverse with a bird flying past another exotic bird, inside scrolling foliage border, glazed brown on a tan ground, on ebonised wood base, repaired to foot, 27cm. high Provenance The George Twyman Collection of Martin Ware
A good pair of Chinese carved blackwood vase stands, late 19th century, the top modelled as co-joined roundels inset with rouge marble and inlaid with mother of pearl, lotus flower and vines, all upon a finely carved stand with prunus blossom decoration and with lower under tier carved with bamboo shoots and leaves, all upon four carved legs. Width 36 cm, height 47 cm (see illustration). CONDITION REPORT: One plant stand is missing four pieces of mother of pearl inlay to the top. One cash has a 10 cm very fine split to the marble however on further inspection this looks like a natural fissure. One cash symbol on the top has a 2 cm crack. The legs have carved cherry blossom brackets of which one is missing. One leg has been split and broken, there are signs of repairs. Two legs have been re-attached to the lower tier, there remains excessive wood glue on each. Its partner stand is missing four pieces of mother of pearl inlay to the top. One piece of marble has a fine 2.5 cm x 1 cm piece missing on the top. There is an age split to the centre piece of wood. There is a very fine 15 cm crack through the top. There are some small age splits to the side of the top. One section of carved apron is loose but still fully intact. The majority of the cracks should be visible using the zoom facility on the website. Regardless of all faults these remain an attractive pair of stands.
A Japanese cloisonne hexagonal vase, Meiji period, decorated with a bird amongst blossoming chrysanthemums and flowers against a midnight black ground, on wood stand. Height including stand 33.5 cm. CONDITION REPORT: This vase has been drilled through the underside to accommodate an electric cable. There appear to be no major or minor losses to the enamel. There is a cluster of chrysanthemums of which the uppermost is missing +/- 2 mm x 1 mm of cloisonné. Other than that there appear to be no obvious losses or major cracks. The wood stand upon which it sits has a 3 cm x 1 cm slither repair on the rim.
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653685 item(s)/page