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A late 19th Century Stevens & Williams vase of ovoid form with tight frill rim, cased in clear crystal over pink and raised to three clear crystal rustic form feet, gilt decorated in the manner of Erard with a fish caught on a hook amongst reeds with further fish verso, height 17cm.
A late 19th Century Stevens & Williams Mat su Noke vase of ovoid form with a tight frill rim, cased in translucent pale golden amber over opal with internal air trap spiral line, over decorated with applied golden amber boughs with applied pale butterscotch flowers, height 15.5cm.
A late 19th Century Stevens & Williams Mat su Noke vase of ovoid form with a tight frill rim, cased in pale jade over opal with an Osiris style pulled thread pattern in butterscotch, over decorated with applied golden amber boughs with applied pale pink flowers, height 17cm.
A late 19th Century Stourbridge cameo glass vase, possibly Thomas Webb & Sons of footed cylindrical form with collar neck, cased in deep pink over opal and cut with a flowering blossom bough highlighted in gilt between gilded borders, marked PATENT to the base, height 14.5cm.
A large late 19th Century Thomas Webb & Sons Queens Burmese vase of footed shouldered ovoid form with shallow collar neck, enamel decorated with a large butterfly and chrysanthemum flowers and foliage over the graduated pale pink to pale yellow ground, acid mark to the base, height 25cm.
A late 19th Century Stourbridge glass Peachblow vase, possibly Thomas Webb & Sons, of slender ovoid form with tall drawn neck, cased in a graduated ruby over opal, over gilt decorated in the Oriental taste with a butterfly, fir tree boughs and flowering blossom boughs, height 26cm.
A late 19th Century Thomas Webb & Sons moon flask vase of footed compressed circular form with collar neck and applied loop handles, cased in deep blue over opal and gilt decorated in the manner of Jules Barbe with butterflies amongst fruiting maple boughs, height 20cm.
A large late 19th Century Thomas Webb & Sons Queens Burmese vase of footed shouldered ovoid form with shallow collar neck, enamel decorated with a large butterfly and chrysanthemum flowers and foliage over the graduated pale pink to pale yellow ground, acid mark to the base, height 21cm.
A large late 19th Century clear crystal glass vase attributed to Whitman & Roth of London, the footed slender ovoid body rising to a collar neck with acid scale cut ground, over gilt decorated in the Oriental taste with blossom and bamboo, acid Rd mark to the base, height 28cm.
A large late 19th Century Thomas Webb & Sons vase of shouldered ovoid form, cased in a graduated lilac through pink to pale yellow over opal interior, over gilt and enamel decorated with scrolling ivy within gilded trellis work, unmarked, later drilled, height 20cm.
A late 19th Century Thomas Webb & Sons Queens Burmese cameo glass vase, footed shouldered cylindrical form with a shallow collar neck, case in opal over magenta over a graduated pink to yellow Queens Burmese ground, cut with flowers, foliage and scrolling tendrils between repeat pattern and linear borders, unmarked, height 16cm.
A large late 19th Century Thomas Webb & Sons cameo moon flask vase of footed compressed form with slender collar neck and applied loop handles, cased in opal over blue and carved in the Chinese taste with flowers and foliate scrolls with repeat floral borders and Chinese inspired geometric shoulders, unmarked, height 26cm, width 16cm.
A late 19th Century Stevens & Williams Dolce Relievo vase of footed ovoid form with collar neck cased in a pale butterscotch over opal, acid cut with a version of the Three Graces with a classically dressed lady playing a lyre to the reverse with anthemion to the shoulders, unmarked, height 17cm.
A late 19th Century Thomas Webb & Sons vase of globe and shaft form with shouldered ovoid base rising to a slender neck, cased in opal over ruby and polished intaglio flash cut by William Fritsche with a deep scrolling band of stylised flowers and foliage between repeat pattern borders, engraved signature to the base, height 17cm.
A late 19th Century Stevens & Williams polished intaglio vase possibly by John Northwood of footed slender cylindrical form with flared collar neck, cased in deep purple over opal and polished intaglio cut with a squirrel resting to a fruiting pine nut bough between linear borders, height 26cm.
A late 19th Century Stevens & Williams polished intaglio vase possibly by John Northwood of footed slender shouldered ovoid form with flared collar neck, cased in deep pink over opal and polished intaglio cut in the Egyptian taste with a stylised hawk above a floral motife, all between repeat pattern borders, height 24cm.
A late 19th Century Thomas Webb & Sons triple colour cameo vase of footed spherical form with everted rim, cased in ruby over opal over blue and cut in a repeat over lapping scroll work cartouche with foliate detail between foliate and stiff leaf borders, retains original paper labels to the base, height 10.5cm.
A late 19th Century Thomas Webb & Sons ivory cameo vase of compressed ovoid form with collar neck, decorated in the Chinese taste with cartouche panels of ribbon tied fruiting boughs with scroll work pattern to the shoulders and neck picked out with brown stain, full acid mark, height 15cm.
A late 19th Century miniature Stourbridge cameo glass posy vase, possibly Thomas Webb & Sons, of compressed ovoid form with collar neck, cased in opal over ruby over yellow with opal interior, cut with a flowering convolvulus and insects between banded borders, height 5cm.
A late 19th Century Stevens & Williams intaglio vase of spherical form with flared collar neck raised to four tonal pink sprue feet with matched wrap around handles, cased in pink over opal and polished intaglio cut with nesting hummingbirds to a flowering tree with spiders web above, height 21cm.
A small early 20th Century French cameo glass vase in the manner of Daum of compressed globe and shaft form acid cut and enamel decorated with a stylised flower and foliage over textured ground, together with a similar example in tonal green cut with wild pansies, both unmarked, tallest 10cm. (2)
An early 20th Century Austrian vase of fluted triform with tall drawn neck decorated with a deep red iridescence, together with a Kralik vase of swollen ovoid form with whiplash decoration and a further Kralik example decorated with applied iridescent green trails and crackle over the opal tinted ground, tallest 24cm. (3)
A mid 20th Century Italian Murano glass vase of swollen ovoid form with flared collar neck cased in clear crystal over a fasche vertical green and orange cane work ground, unmarked, height 15cm, together with a similar period Italian Murano glass bowl internally decorated with random murrine canes, width 16.5cm.
A mid 20th Century Italian Murano glass vase by Barovier of compressed tear form with fluted body cased in clear crystal over a spiral gold aventurine interior, unmarked, together with a square lipped bowl and miniature gold aventurine decorated spherical footed posy vase, tallest 18cm. (3)
A large later 20th Century Val St Lambert vase designed by Sam Herman of compressed sleeve form with a flared collar neck decorated with iridescent whiplash lines and matched upper rim over the blue cased ground, engraved signature, retains original label, height 43cm.
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653833 item(s)/page