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Lot 366

A small late 19th Century Stevens & Williams posy vase with golden amber rustic base below a fluted spill form body with butterscotch over opal pulled pattern, over decorated in the Mat su Noke style with an applied flowering bough, height 13cm.

Lot 368

A large late 19th Century Thomas Webb & Sons vase of footed globe and shaft form cased in a graduated butterscotch over opal ground, gilt decorated in the Oriental taste with butterflies and flowering blossom boughs, unmarked, height 27cm.

Lot 369

A late 19th Century Stevens & Williams vase of ovoid form with tight frill rim, cased in clear crystal over pink and raised to three clear crystal rustic form feet, gilt decorated in the manner of Erard with a fish caught on a hook amongst reeds with further fish verso, height 17cm.

Lot 370

A late 19th Century Stevens & Williams Mat su Noke vase of ovoid form with a tight frill rim, cased in translucent pale golden amber over opal with internal air trap spiral line, over decorated with applied golden amber boughs with applied pale butterscotch flowers, height 15.5cm.

Lot 371

A late 19th Century Stevens & Williams Mat su Noke vase of ovoid form with a tight frill rim, cased in pale jade over opal with an Osiris style pulled thread pattern in butterscotch, over decorated with applied golden amber boughs with applied pale pink flowers, height 17cm.

Lot 373

A late 19th Century Stourbridge cameo glass vase, possibly Thomas Webb & Sons of footed cylindrical form with collar neck, cased in deep pink over opal and cut with a flowering blossom bough highlighted in gilt between gilded borders, marked PATENT to the base, height 14.5cm.

Lot 376

A large late 19th Century Thomas Webb & Sons Queens Burmese vase of footed shouldered ovoid form with shallow collar neck, enamel decorated with a large butterfly and chrysanthemum flowers and foliage over the graduated pale pink to pale yellow ground, acid mark to the base, height 25cm.

Lot 377

A late 19th Century Stourbridge glass Peachblow vase, possibly Thomas Webb & Sons, of slender ovoid form with tall drawn neck, cased in a graduated ruby over opal, over gilt decorated in the Oriental taste with a butterfly, fir tree boughs and flowering blossom boughs, height 26cm.

Lot 378

A late 19th Century Thomas Webb & Sons moon flask vase of footed compressed circular form with collar neck and applied loop handles, cased in deep blue over opal and gilt decorated in the manner of Jules Barbe with butterflies amongst fruiting maple boughs, height 20cm.

Lot 379

A large late 19th Century Thomas Webb & Sons Queens Burmese vase of footed shouldered ovoid form with shallow collar neck, enamel decorated with a large butterfly and chrysanthemum flowers and foliage over the graduated pale pink to pale yellow ground, acid mark to the base, height 21cm.

Lot 380

A late 19th Century Thomas Webb & Sons Peachblow vase of slender ovoid form with tall drawn neck, cased in a graduated sage green over opal, over gilt decorated with a butterfly amongst wild flowers and foliage, unmarked, 25.5cm.

Lot 381

A late 19th Century Thomas Webb & Sons Peachblow vase of shouldered ovoid form with a drawn collar neck, cased in a graduated yellow over opal, over gilt decorated with butterflies amongst wild flowers and foliage, height 20cm.

Lot 383

A large late 19th Century clear crystal glass vase attributed to Whitman & Roth of London, the footed slender ovoid body rising to a collar neck with acid scale cut ground, over gilt decorated in the Oriental taste with blossom and bamboo, acid Rd mark to the base, height 28cm.

Lot 384

A large late 19th Century Thomas Webb & Sons vase of shouldered ovoid form, cased in a graduated lilac through pink to pale yellow over opal interior, over gilt and enamel decorated with scrolling ivy within gilded trellis work, unmarked, later drilled, height 20cm.

Lot 386

A late 19th Century Thomas Webb & Sons Peachblow type vase of shouldered ovoid form with collar neck cased in a graduated pale green to yellow over opal, over gilt decorated in the Oriental style with flowering blossom boughs, unmarked, height 16.5cm.

Lot 388

A large late 19th Century Thomas Webb & Sons Peachblow type vase of shouldered ovoid form with flared collar neck, cased in a graduated pale green to yellow over opal interior, over gilt decorated with flowering lilac boughs, unmarked, height 20cm.

Lot 389

A late 19th Century Thomas Webb & Sons Peachblow type vase of shouldered ovoid form with shallow collar neck, cased in a graduated pale green to yellow over opal interior, over gilt decorated with flowering lilac boughs, unmarked, height 15cm.

Lot 393

A late 19th Century Thomas Webb & Sons Queens Burmese cameo glass vase, footed shouldered cylindrical form with a shallow collar neck, case in opal over magenta over a graduated pink to yellow Queens Burmese ground, cut with flowers, foliage and scrolling tendrils between repeat pattern and linear borders, unmarked, height 16cm.

Lot 394

A large late 19th Century Thomas Webb & Sons cameo moon flask vase of footed compressed form with slender collar neck and applied loop handles, cased in opal over blue and carved in the Chinese taste with flowers and foliate scrolls with repeat floral borders and Chinese inspired geometric shoulders, unmarked, height 26cm, width 16cm.

Lot 395

A large late 19th Century Richardsons cameo glass vase of shouldered ovoid form with flared collar neck, cased in opal over ruby and heavily cut with various fruiting and flowering boughs with insects between repeat floral borders, unmarked, height 23cm.

Lot 396

A late 19th Century Stourbridge cameo glass vase, possibly Thomas Webb & Sons of footed ovoid form with roll collar neck, cased in opal over deep citron and cut with insects around a flowering wild rose bough between linear borders, unmarked, height 17cm.

Lot 398

A late 19th Century Stevens & Williams Dolce Relievo vase of footed ovoid form with collar neck cased in a pale butterscotch over opal, acid cut with a version of the Three Graces with a classically dressed lady playing a lyre to the reverse with anthemion to the shoulders, unmarked, height 17cm.

Lot 400

A late 19th Century Thomas Webb & Sons vase of globe and shaft form with shouldered ovoid base rising to a slender neck, cased in opal over ruby and polished intaglio flash cut by William Fritsche with a deep scrolling band of stylised flowers and foliage between repeat pattern borders, engraved signature to the base, height 17cm.

Lot 403

A late 19th Century Stevens & Williams polished intaglio vase possibly by John Northwood of footed slender cylindrical form with flared collar neck, cased in deep purple over opal and polished intaglio cut with a squirrel resting to a fruiting pine nut bough between linear borders, height 26cm.

Lot 404

A late 19th Century Stevens & Williams polished intaglio vase possibly by John Northwood of footed slender shouldered ovoid form with flared collar neck, cased in deep pink over opal and polished intaglio cut in the Egyptian taste with a stylised hawk above a floral motife, all between repeat pattern borders, height 24cm.

Lot 405

A late 19th Century Thomas Webb & Sons ivory cameo vase of footed slender ovoid form with flared collar neck, cut with a flowering wild rose bough picked out in cinnamon stain over the ivory ground, acid stamp to the base, height 21cm.

Lot 406

A late 19th Century Stevens & Williams Osiris vase of shouldered ovoid form with swollen knopped slender neck, cased in a pale yellow over opal and pink interior and decorated with wrythen spiralled ruby pulled loop threads, height 26.5cm.

Lot 407

A late 19th Century Thomas Webb & Sons triple colour cameo vase of footed spherical form with everted rim, cased in ruby over opal over blue and cut in a repeat over lapping scroll work cartouche with foliate detail between foliate and stiff leaf borders, retains original paper labels to the base, height 10.5cm.

Lot 408

A late 19th Century Stourbridge cameo glass vase, possibly Thomas Webb & Sons of footed spherical form with flared collar neck, cased in opal over cinnamon and cut with an abstract scroll and spot design between chevron and Greek key style borders, height 12cm.

Lot 409

A late 19th Century Stourbridge cameo glass vase, possibly Stevens & Williams, shouldered ovoid body with tall flared collar neck, cased in opal over blue and cut with a scrolling clematis flower within classical style borders, height 17.5cm.

Lot 411

A late 19th Century Stourbridge cameo glass vase of shouldered ovoid form with a double gourd neck, cased in opal over a graduated ruby to amber with opal interior, cut with insects over wild flowers between plain banded borders, height 12.5cm.

Lot 416

A late 19th Century Thomas Webb & Sons ivory cameo vase of compressed ovoid form with collar neck, decorated in the Chinese taste with cartouche panels of ribbon tied fruiting boughs with scroll work pattern to the shoulders and neck picked out with brown stain, full acid mark, height 15cm.

Lot 418

A late 19th Century Stourbridge cameo glass vase, possibly Thomas Webb & Sons of shouldered ovoid form with collar neck, cased in opal over blue over yellow with opal interior, cut with a flowering bough with ivy and tendrils, height 14cm.

Lot 419

A late 19th Century miniature Stourbridge cameo glass posy vase, possibly Thomas Webb & Sons, of compressed ovoid form with collar neck, cased in opal over ruby over blue with opal interior, cut with a flowering briar rose bough between banded borders, height 5cm.

Lot 420

A late 19th Century miniature Stourbridge cameo glass posy vase, possibly Thomas Webb & Sons, of compressed ovoid form with collar neck, cased in opal over ruby over yellow with opal interior, cut with a flowering convolvulus and insects between banded borders, height 5cm.

Lot 423

A late 19th Century Stevens & Williams Verre de Soire vase of footed spherical form with tall collar neck, cased in yellow over opal, internally decorated with an air trap spiral line, height 23cm.

Lot 425

A late 19th Century Stevens & Williams intaglio vase of spherical form with flared collar neck raised to four tonal pink sprue feet with matched wrap around handles, cased in pink over opal and polished intaglio cut with nesting hummingbirds to a flowering tree with spiders web above, height 21cm.

Lot 455

A large early 20th Century Art Nouveau vase in the manner of Legras, of waisted sleeve form enamel and gilt decorated with horse chestnuts and leaves over a clear crystal ground, unmarked, height 41cm.

Lot 458

A Rene Lalique vase titled Meandres, circa 1934, of ovoid form heavily cut with a repeat wave line motif with alternate textured and polished lines, acid signed, height 17cm.

Lot 459

A Rene Lalique vase titled Gui, circa 1920, of footed ovoid form with shallow collar neck, relief moulded with mistletoe boughs in a pale opalescence, impress moulded mark, height 17cm.

Lot 465

A 1920s French vase of footed ovoid form designed by George De Feure relief moulded in a stylised classical design with panels of female figures playing musical instruments picked out with an amber stain over the deep amethyst ground, unmarked, height 14cm.

Lot 471

A large early 20th Century Legras vase of tapered sleeve form, enamel decorated with a tree lined riverside scene over a mottled tonal green ground, unmarked, height 41cm.

Lot 474

A pair of 1930s French Art Deco pressed glass vase of swollen ovoid form with collar necks, relief moulded with stylised pine cones and firs to a graduated jade green ground, relief marked France to the base, height 24cm. (2)

Lot 476

A Post-War Czechoslovakian glass vase designed by Sklordvice of compressed tear form cased in clear crystal over pale amber, internally decorated with a pink and white random splatter design, retains original label, height 21cm.

Lot 491

A Post-War Czechoslovakian blow moulded vase designed by Frantisek Koudelka for Prachen Glassworks circa 1960, of tapered cylindrical form with repeat bands of relief moulded points to the graduated blue to green ground, unmarked, height 32cm.

Lot 493

A Rene Lalique vase titled Dom-Remy, circa 1926, of shouldered ovoid form with shallow collar neck, relief moulded with thistles to the frost clear crystal ground, impress seal and engraved marks, height 21cm.

Lot 504

An early 20th Century Galle cameo glass vase of low shouldered form with tall tapered collar and flared rim cased in cinnamon tinted brown over a graduated citron to clear ground, cut with a tree lined river landscape, cameo Galle star mark, height 24.5cm.

Lot 505

A small early 20th Century French cameo glass vase in the manner of Daum of compressed globe and shaft form acid cut and enamel decorated with a stylised flower and foliage over textured ground, together with a similar example in tonal green cut with wild pansies, both unmarked, tallest 10cm. (2)

Lot 506

A late 19th to early 20th Century Emille Galle cameo vase of footed globe and shaft form cased in deep green over a graduated green to clear ground, cut with a butterfly amongst wild ferns, cameo signature, height 16cm.

Lot 507

An early 20th Century Andre Delatte cameo vase of tapered cylindrical form decorated with tree lined river landscape highlighted with tonal brown enamel, enamel signature to the body, height 15cm.

Lot 511

An early 20th Century Austrian vase of fluted triform with tall drawn neck decorated with a deep red iridescence, together with a Kralik vase of swollen ovoid form with whiplash decoration and a further Kralik example decorated with applied iridescent green trails and crackle over the opal tinted ground, tallest 24cm. (3)

Lot 515

A Post-War Kosta glass vase by Vickie Lindstrand of swollen cylindrical form with an internal eight ply amethyst spiral line over the clear crystal ground, engraved signature, height 24cm.

Lot 516

A Post-War Kosta glass Sommerso vase by Mona Morales Schildt of cylindrical form with two flat polished faces over the cased pale amethyst body with internal deep amber core, engraved signature, height 16cm.

Lot 519

A mid 20th Century Italian Murano glass vase of swollen ovoid form with flared collar neck cased in clear crystal over a fasche vertical green and orange cane work ground, unmarked, height 15cm, together with a similar period Italian Murano glass bowl internally decorated with random murrine canes, width 16.5cm.

Lot 520

A mid 20th Century Italian Murano glass vase by Barovier of compressed tear form with fluted body cased in clear crystal over a spiral gold aventurine interior, unmarked, together with a square lipped bowl and miniature gold aventurine decorated spherical footed posy vase, tallest 18cm. (3)

Lot 525

An early 20th Century French Art Nouveau vase in the manner of Mont Joye & Cie, of swollen cylinder form, cased in apple green over opal interior and cameo cut with iris flowers and foliage picked out with relief gilding, unmarked, height 21cm.

Lot 526

An early 20th Century French Art Nouveau vase in the manner of Mont Joye & Cie, of swollen cylinder form with quatrelobed rim, heavily relief gilded with iris flowers and foliage over a graduated clear to apple green cracked ice ground, unmarked, height 22cm.

Lot 528

A small early 20th Century Emille Galle cameo glass vase of slender tapered form with flat rim cased in cinnamon over pale citron and cut with a flowering wild orchid, cameo signature to the body, height 13.5cm.

Lot 531

A 1930s Orrefors Art Deco vase designed by Edward Hald of flared tumbler form with matched dome finial mounted cover, decorated in a repeat honeycomb cut over the pale blue ground, engraved signature, height 28cm.

Lot 534

A large later 20th Century Val St Lambert vase designed by Sam Herman of compressed sleeve form with a flared collar neck decorated with iridescent whiplash lines and matched upper rim over the blue cased ground, engraved signature, retains original label, height 43cm.

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