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An Hirado reticulated vase the globular centre section delicately pierced and centred with a chrysanthemum and foliage, bordered by rows of lotus blooms supporting a trumpet shaped vase with pair of dragon handles, supported on a square platform base and scroll supports, painted in blue with chrysanthemum, sea and cloud scrolls, 29.5 cm high, Meiji period, chip to one petal
A French majolica vase or table centrepiece in the manner of Massier, the centre modelled as a stand of purple iris flanked by three yellow and pink tulips supported on a broad base formed from three lily pads bearing cream blooms, 42 cm high, impressed France, late 19th or early 20th century.
A Rosenthal Studio-Line dinner, tea and coffee service in the Flash One pattern designed by Dorothy Hafner and comprising nine serving plates, three serving bowls, ten dinner plates, fourteen side plates, fifteen soup bowl, eight desert bowls, salt and pepper pots, vase, four candle holders, ashtray, four eggs cups, butter dish and stand, teapot, cover and stand, coffee pot, cover and stand, ten mugs, milk jug and stand, cream jug, biscuit box, cover and stand, blue backstamps.
A Royal Worcester porcelain two handled vase of globular form, the shoulders and flaring neck with raised decoration enamelled by John Stinton with a family of three Highland Cattle in an upland landscape, the reverse with a broad lakeside vignette, 30 cm high, puce marks and datecode for 1910, model no. 1109.
A Royal Worcester porcelain pot pourri vase with pierced and interior cover, the body moulded with an osier band and enamelled by Terence Nutt with apples, blackberries, cherries, grapes and peaches on a mossy ground, 20 cm high, black backstamp and model no. 1286.
An 18th Century carved walnut corner elbow chair, decorated with acanthus leaves and flowerheads, the shaped top rail with outswept terminals in the form of mythical birds, having twin solid vase shaped splats and turned uprights, the upholstered slip in tapestry seat on cabriole legs, terminating in claw and ball feet, (the feet spliced).
VICTORIAN EBONIZED AND BRASS INLAID BONHEUR DU JOUR LADIES WRITING DESK, having three cabinets and three drawers to the recessed back. The base with centre freize drawers and writing slide, on vase shaped square legs with shaped cross over stretchers having gilt metal vase finial. Overall decorated with relief pietra jura type coloured hardstone inlaid panels of vases of fruit and foliage. C1875. 49" Wide x 24" Deep x 62" High.
LATE VICTORIAN UPHOLSTERED THREE PIECE DRAWING ROOM SUITE, comprising two seater sofa and two matching tub chairs, all on vase shaped turned tapering with ceramic castors. Together with two similar 19th century upholstered easy chairs on turned legs with ceramic castors and a later Parker knoll type wing chair in matching upholstery. Matching pouffe. (7).
Five pieces of Rosenthal Studio Line decorated in the Handgemalt pattern, designed by H.Dresler, comprising three cylindrical vases of various sizes, square vase, square dish, each decorated with a mottled grey and gilt decoration, printed factory marks to base, height of largest vase 17.5cm, height of smallest vase 9cm, length of dish 18cm
An Okra Studio glass cylindrical vase, having iridescent decoration, signed and no.88 to base, height 18cm, together with a Studio pottery jar and cover, the cover decorated in the style of a mythical beast's head, the body having relief and incised decoration of stylised motifs on a green and brown glazed ground, indistinctly signed JIMMIE? to base, height 18cm
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