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Lot 70

Loetz (Austrian), an iridescent Phaenomen glass vase, c.1900, PG 829, ground out pontil with engraved signature ‘Loetz Austria’,The pale opalescent body of compressed and dimpled form with extended neck, decorated with pulled feathered, gold bands on a pale lustrous ground,17.5 cm high, diameter of base 16.2 cmProperty from a private collectionNeck rim slightly uneven, but this is hand blown and how it was made. A few scratches and abrasions on the sides. Interior a bit dirty and with deposits. A small abraded area on the base. Natural wear to base in keeping with age.

Lot 71

Loetz (Austrian), an iridescent Phaenomen glass vase, c.1900, PG1/158, ground out pontil,Cased glass, of dimpled and shaped form, decorated with vibrant and colourful iridescence, the neck with iridescent interior,11.6 cm highProperty from a private collectionSome tiny speck inclusions and bubbles form the making process. Wear and abrasions to the underside of base.

Lot 72

Loetz (Austrian), an iridescent Phaenomen glass vase,c.1902, PG 85/5032, engraved ‘Loetz Austria’ on ground-out pontil,The body having a clear glass layer over pale milky-pink, the neck rim of triangular section and the bulbous body with twisted dimpled sides, decorated with a pattern of pulled threads and broad undulating bands at the top and finer bands at the bottom, in vibrant iridescent colours of blue, green, yellow, pink and mauve, 19.5 cm high,Property from a private collection, Literature: Ricke, Helmut et al, ‘Lötz Bohmisches Glas 1880-1940, Band I, Werkmonographie’, Prestel-Verlag, 1989, p.179, pl.189 (similar pattern illustrated on a different shape vase)Some bubbles and specks in the glass, from the making process. One of the bubbles has a small burst to the top surface - this is near the base on the edge of one of the folds. A couple of tiny abrasions. Light natural wear to the underside of the foot in keeping with age.

Lot 73

Amendment: Attributed to Otto Thamm for Fritz Heckert -Loetz (Austrian), an iridescent Phaenomen glass vase with ‘unidentified décor’, c.1900, Slender, waisted green glass decorated with blue iridescence,15 cm highProperty from a private collectionVase is blown from the neck, so no pontil mark and having a cut neck. Tiny nick on the edge of the neck rim. A few tiny inclusions and bubbles from the making process. Some light wear to the base.

Lot 77

Louis Comfort Tiffany (1848-1933), a Tiffany Favrile Lily-pad vase, Dated 1917, engraved L.C. Tiffany - Favrille, 1516, 7346 L,The elegant inverted baluster form, with tapered stem and knop, on a circular spreading foot, decorated with lily-pad pattern of heart shaped leaves on tailing stems, on a vibrant gold iridescent ground, 23 cm high Property from a private collection.Natural wear to the underside.

Lot 78

Quezal (American), an Art Nouveau iridescent glass vase,Early 20th Century, engraved on ground out pontil 'Quezal' with a scroll motif,Baluster form with extended neck, the pale yellow glass body decorated with undulating and pulled banding in gold with white, and exhibiting a mauve nacreous hue,20.2 cm high A few tiny abrasions. Light wear to underside of base. A few minute bubbles from the making process. Some dirt to interior.

Lot 8

Bernard Moore (British 1850-1935), a Flambé vase of broad cylindrical form,c.1910, signed Bernard Moore, incised 1596,Glazed in red on the inside and variegated colours on the exterior,15.5 cm high, 16 cm diameterThe vase rings true. The glaze is worn and scratched on the inside of the vase around the neck and also on the inside bottom where a plant pot has sat - a ring of calcium deposits. There are some scratches to the exterior. Wear to the foot.

Lot 80

An Art Nouveau cased and surface decorated vase, possibly 'Hekla' glass by the Bohemian firm Harrach,c.1900, ground out pontil,The lobed form with an agate coloured interior, with broad undulating rim, with streaked and coloured outer layer that exhibits a nacreous hue, further decorated in relief with a type of gilded gesso or slip trailed embellishment of sinuous tendrils and flowers, 9 cm high, 18 cm long, 12.3 cm wideSome bubbles and speck inclusions from the making process. The vase wobbles a little. There are some small losses to the applied/gesso decoration. Rubbing to the gilding on the neck. A few abrasions in the interior/bottom of the vase. Wear to underside of base.

Lot 81

Val Saint-Lambert (Belgian), a glass vase of 'onion' form, probably designed by Romain Gevart (1875-1955) or his wife Jeanne Tisehon (1875-1955),c.1910, the base signed with a large enamelled glassworks monogram 'VSL',The black glass having a bulbous base with tall extended neck and everted lip, decorated with green embellishment rolled into the surface of the glass,39 cm high,Literature: Victor Arwas, Glass - Art Nouveau to Art Deco, Academy Editions, London, 1977, p.232 (mark illustrated)There are some bubbles in the green glass from the making process, one of those bubbles has a sharper edge if you touch it. There are some occasional fine scratches here an there. Natural wear to base.

Lot 95

René Lalique (French 1860-1945), 'Tourterelles’, No.963, a cased opalescent glass vase with cover, Designed 1925, engraved R. Lalique France on the bottom of the vase,The vase of plain oviform, the cover moulded with a pair of doves perched on a flowering branch and heightened with blue staining,29 cm highCover: there is a slither chip on the shank and some additional minute nicks on the rim. Some fading/losses to the staining. A couple of minute speck inclusions. A few fine stress lines from the mould – but this is how it was made.Vase: There are a number of chips and nicks to the neck rim. A few minute pin prick abrasions on the side and some light wear. Wear to the underside of the base.

Lot 2565

SCHALE / CACHEPOT / VASE, 20. Jh., Italien, 800er Silber, 247 Gramm. Gemarkt mit Feingehaltsangabe, italienischer Länderpunze (ab 1968, " ?", "PD" - Padua) und bezeichnet "Fatto a Mano". Gebauchte und passig geschweifte Form auf Rundstand mit weit ausgestelltem Mündungsrand; Wandung mit Hammerschlagdekor. Schale gestaltet in Art einer Glockenblüte. H. 8 cm, D. 12,5 cm. (Gebrauchsspuren).

Lot 327

GROSSE SATSUMA VASE, Japan, 19./20. Jh., Balusterform auf Rundstand mit gebauchter Wandung, eingezogener Schulter, trompetenförmiger und gewellt gekniffener Mündung. Seitliche Ringhandhaben mit anmodellierten Posamenten. Reiche, polychrome und goldfarbene Staffage mit vielfigurigen höfischen Szenen in Landschaftspark mit Architekturversatzstücken. H. 97,5 cm; D. 40 cm (Mündungsrand bestoßen; Vase leicht geneigt).

Lot 2168

VASE, sogenannter HÖLDERLINBECHER, Weissporzellan, KPM - Königliche Porzellanmanufaktur Berlin, unterglasurblaue Zeptermarke, Marke seit Marke seit 1962 (1. Wahl); Entwurf: SIEGMUND SCHÜTZ 1935. Rundstand, gebauchte und konische Wandung, große anmodellierte Handhaben. H. 14 cm; D. (ohne Handhaben) 13 cm. Neupreis 140 €.

Lot 2622

BECHER / VASE, 20. Jh., Niederlande, 833er Silber (Marke von 1814-1953), 98 Gramm, Prüfamtspunze (s'Gravenhage), Jahrespunze "Q"- wohl 1926 und ungedeuteter Meistermarke "Halbmond V". Becher in Glockenform auf profiliertem Rundstand. H. 8,5 cm, D. 7,5 cm. (Stand gering gedellt; Wandung partiell bestoßen).

Lot 303

PAAR VASEN MIT ROTEM FO-HUND-DEKOR / LÖWEN-DEKOR, China, wohl 1. H. 20. Jh., Porzellan, helle Glasur und Staffage in Rot und Schwarz, auf der Wandung mit Schriftkartuschen bezeichnet, eine Vase unter dem Stand gemarkt. Rundstand, gebauchte untere Wandung und trompetenförmiger Hals, jeweils dekoriert mit Fo-Hund mit seinem Jungen. Vasen leicht unterschiedlich in Form, Größe und Dekor. Dabei: Deckel / Teller mit Schriftkartuschen (D. 8 cm). H. 10,5 cm; D. ca. 8,5 cm und H. 9,5 cm; D. 8 cm (Mündung bestoßen).

Lot 2127

VASE, Porzellan, Manufaktur Herend / Ungarn. Krater- Form auf karreeförmiger Plinthe und godroniertem Schaft. Gebauchte und profilierte untere Wandung mit seitlichen Handhaben und trompetenförmige Mündung. Camaieu-Malerei in Rot, Dekor "Apponyi rot" / indische Blume mit Goldakzentuierungen und Goldrand. H. 24,5 cm; D. 15,5 cm.

Lot 2611

GROSSE ART DÉCO VASE, 1. H. 20. Jh., deutsch, 925er Silber / Sterlingsilber , 1229 Gramm. Gemarkt mit Feingehaltsangabe, Halbmond und Krone sowie Manufakturpunze "Wilhelm Binder / Schwäbisch Gmünd". Konische Form auf leicht ausgestelltem Rundstand mit Kugelbesatz - mit eingezogener Schulter, leicht ausgestellter Mündung und durchbrochen gearbeitetem Mündungsabschluss in Form einer stilisierten Krone - gearbeitet aus ovalen Elementen besetzt mit vollplastischen Kugeln. H. 33,5 cm, D. 20 cm. (Gebrauchsspuren).

Lot 1200

JUGENDSTIL VASE, Glas, Manufaktur Daum Freres, Nancy, Marke mit Lothringer Kreuz, um 1900 / 1910. Klarglas mit orangen, gelben und violett-schwarzen Pulvereinschmelzungen, schwarz und violettblau überfangen, geschliffenes und geätztes Floraldekor, wohl "Campanula" / Glockenblume. Keulenform: gewulsteter Rundstand, gebauchte, konische und eingezogene Wandung mit leicht trompetenförmiger Mündung. H. 26 cm; D. ca. 8 cm (partiell berieben, Mündung minimal bestoßen).

Lot 302

VASE MIT ROTEM FO-HUND-DEKOR / LÖWEN-DEKOR, China, wohl 1. H. 20. Jh., Porzellan, helle Glasur und Staffage in Rot und Schwarz, auf der Wandung ungedeutet bezeichnet. Karreeförmige Balusterform mit konischer Wandung, eckig eingezogener Schulter und konischem Hals und ausgestellter Mündung; anmodellierte Maskarone als seitliche Handhaben. Die Schauseiten dekoriert mit Fo-Hund mit seinem Jungen und Lotusblüten; die Seiten bezeichnet mit Schriftkartuschen. H. 24 cm; D. 8 cm (Mündung bestoßen).

Lot 2131

MOKKA SERVICE, Porzellan, Manufaktur Herend / Ungarn. Geschweifte Form mit Osiermuster / Weidengeflecht im Relief. Camaieu-Malerei mit Blütenmotiven; Goldrand. Insgesamt 19 Teile; umfasst 6 Tassen (H. ca. 5 cm; D. 6,8 cm) 6 Untertassen (D. 11,5 cm), Mokkakanne (H. 17,3 cm), Milchkännchen, Zuckerdose, kleine Vase / Cachepot (H. 5 cm), Tischleuchter mit zweiflammigem Aufsatz (H. 22 cm) und 2 ovale Platten unterschiedlicher Größe (L. 31 cm und L. 41 cm) (Partielle Klebeband- und Wachsrückstände).

Lot 2174

MOKKATASSE, VASE UND 4 KONFEKTSCHÄLCHEN, Manufaktur Herend / Ungarn. Dekor "Apponyi grün / indische Blume, Goldrand und Goldakzentuierungen. VASE: aufgewölbter Stand, konische und kannelierte Wandung, geschweifter Rand. H. 6,2 cm, D. 4 cm. MOKKATASSE: Geschweifte Form mit Osiermuster / Weidengeflecht im Relief. H. 5 cm; D. ca. 7 cm. D. Untertasse 11,5 cm. KONFEKTSCHÄLCHEN: ovale und flach gemuldete Form. L. 9,8 cm.

Lot 2119

KPM - PRUNKVASE MIT WEICHMALEREI, sogenannte WEIMAR-VASE, Porzellan, KPM - Königliche Porzellanmanufaktur Berlin, Formentwurf 1785 für die Herzogin von Weimar, Überarbeitung um 1900, unterglasurblaue Zeptermarke, Marke 1945-1962, und aufglasurrote Reichsapfelmarke / Malereimarke. Zweiteilig mit verschraubtem Fuß: klassizistische Amphorenform mit Reliefornamenten, seitlichen Handhaben und aufgewölbtem Deckel mit floraler Handhabe. Polychrome Staffage, die Schauseiten dekoriert mit galanter Szene in Parklandschaft und Blumenbukett in Weichmalerei mit Wicken und Vergissmeinnicht. Partieller roséfarbener Fond, Goldrand und Goldakzentuierungen. H. 34 cm, D. mit Handhaben 21,5 cm.

Lot 1036

* Albert Williams [b.1922]-Still life, Spring flowers in a silver vase,:-signed, oil on canvas, 35 x 24.5cm.*Provenance. Harrods, Knightsbridge, 1975.

Lot 12

A Middle Eastern silver vase: with flared rim and slender ovoid body with floral decoration raised on a circular foot, 22cm high, 171gms, 5.50ozs

Lot 1464

A set of six mahogany dining chairs in George III style, 19th century,: the backrests each with serpentine toprail above an openwork vase form splat of interlaced tracery forming Gothic arches, flanked by channeled sides; the upholstered drop in seats above straight channeled front legs and splayed back legs; 97cm high, 55cm wide; and a mahogany elbow chair in George III style, also 19th century, with Berlin woolwork embroidered seat.

Lot 1527

A Victorian oak torchere or vase stand, last quarter 19th century,: the circular platform on a knop turned and waisted shaft descending to three splayed cabriole legs, with pad feet; 145cm high, 55cm wide at the feet.

Lot 308

An Elizabeth II circular bon bon dish, maker Adie Brothers Ltd, Birmingham, 1962: inscribed, three Chinese matchbox holders, tea strainer and stand, double edged measure, a trumpet flower vase and table bell, 434gms, 13.96ozs

Lot 404

A mixed lot of silver wares, various makers and dates,: includes; a silver posy vase, maker Fattorini & Sons Ltd, Birmingham, 1920, seven silver teaspoons and a wine label weighable silver 107gms, 3.440zs.

Lot 463

Two Millwyn Holloway rectangular porcelain plaques, modern, one painted with a vase of flowers including rose, lilac and tulip, the other in the manner of James Stinton with three pheasants in a woodland setting, signed, printed MH marks to the reverse, the gilt wood frames with a small metal plaque, each 41cm overall. (2)

Lot 466

A Royal Worcester fruit-decorated pot pourri vase with inner and outer covers, modern, painted by Derek Shinnie with an arrangement of peaches, grapes, apples and blackberries on the woodland floor, signed, above a moulded band of basketweave, the outer cover pierced and similarly moulded, black factory marks, 19.5cm. (3)

Lot 467

A Royal Worcester vase, date code for 1901, of shape 1575, painted by Charles Baldwyn with four swans in flight amongst reeds and gilded seedheads on a sky blue ground, the reverse with swallows in flight, signed, the flattened shoulder moulded with a stiff leaf border, the neck with foliate scrolls, the handles issuing from mythical masks, printed mark, the cover lacking, 22.2cm.

Lot 468

A large Royal Worcester vase and cover, date code for 1892, of shape 1481, decorated by Edward Raby with a loose floral design in polychrome enamels and raised gilt on an ivory ground, signed 'ER', printed marks, the finial restuck, 47cm. (2)

Lot 470

A Royal Worcester two-handled vase, date code for 1899, painted by Raymond Rushton with a fisherman beneath silver birch trees beside a mountain lake, a viaduct and castle in the distance, signed R. Rushton, the reverse with a similar landscape, puce printed mark, 27.5cm.

Lot 471

A group of Royal Worcester fruit-decorated pieces, modern, including a pair of small plates painted by Terry Nutt with peaches and blackberries, a cabinet plate with a small panel by James Skerrett within an elaborate chased gilt border, and a Paragon cylindrical vase by A. Holland with plums, grapes and apples in the Royal Worcester manner, all pieces signed, 23.4cm max. (4)

Lot 477

Four small Royal Worcester vases, date codes for 1928, 1930 and 1931, including a small pair of globular vases (G161), a sack vase (G957) and a sleeve vase (G323), all painted by Kitty Blake with arrangements of fruit, signed, printed marks, 15.3cm max. (4)

Lot 495

A Coalport campana vase, c.1820-40, painted to two sides with a bold arrangement of flowers including rose, nasturtium and convolvulus, the gilded handles issuing from lion masks, a little flaking, the foot reattached, 23.5cm.

Lot 508

A fine pair of Minton pâte-sur-pâte vases and stands by Marc Louis Solon, date codes for 1889, of vase hollandais nouveau shape, enamelled in white on a green ground with scenes of putti courting, the narrow panels with flowers inscribed 'Passionnement', 'Pas de tout', 'Beaucoup' and 'Un Peu', raised on reticulated bases with panels of flowers and musical instruments, all reserved on an ivory ground within elaborate gilt borders by Alfred Evans and J. Marrow, signed 'M L Solon' on one panel and 'L Solon' on another, each signed underneath 'J Marrow & A Evans', the bases with gilt factory marks and marked 'Manufactured for Phillips', green 'SMS' monogram, 24.5cm. (4) Provenance: from the collection of David Lavender.

Lot 512

A large Coalport or Coalbrookdale inkstand or desk set, c.1835, the elaborate two-handled tray painted with bouquets and applied with further flowers, the vase, candlestick and inkwell moulded with blue-edged petals and painted with single sprigs, minor losses, 36.5cm across. (5)

Lot 524

A fine and large Coalport vase and cover, c.1850, painted probably by William Cook with bold flower sprays including lily, dahlia, auricula, lilac and rose, the neck and shoulders draped with gilt rope twists, the domed cover with three linked rings, blue CBD monogram marks for Coalbrookdale, 39.5cm. (2)

Lot 547

A Vienna porcelain two-handled vase or tureen and cover, the porcelain c.1805, later-decorated with Classical or mythological scenes, the cover with scenes of putti, reserved within elaborate gilt borders on a deep blue ground, titled in black to the base 'Ravissement de Helena' and 'Enlevenment d'Europe', blue shield mark, some staining to the cover, 40cm across. (2)

Lot 552

Three ormolu-mounted vases, the porcelain 18th century, one Sèvres and painted with Watteau-esque scenes on a bleu celeste ground, with an associated cover, a pair in the Sèrves style, painted with scenes of putti representing Music and the Arts, with ormolu mounts to the rims and feet, a Minton vase and cover in the Sèvres manner with flower panels on a turquoise ground, with gilt snake handles, and a Copeland vase with a courting couple on a blue ground, damages and restoration, 27.3cm max. (7)

Lot 553

Four ormolu-mounted vases or pots, the porcelain mid 18th century and later, including a Sèvres ice cup mounted as a vase, and a similar pot and cover, both painted with flowers on a bleu celeste ground, a Samson Chantilly-style bottle vase decorated in the Kakiemon palette, and a Japanese porcelain bowl with metal mounts to the rim and foot, some damages, 17.2cm. (5)

Lot 554

A study group of predominantly English porcelains, c.1770 and later, including two Chelsea-Derby plates, two Chelsea-Derby toilet pots and matched covers, a Derby coffee can and saucer, a Swansea teabowl, a small Minton vase, a Minton tea cup and two saucers, a Paris porcelain toilet pot and cover, and a Paris copy of a Chelsea saucer, all decorated with flowers, putti or birds in the manner of Sèvres, some damages, 22.5cm max. (16)

Lot 555

A Samson Sèvres-style miniature vase and associated stand, late 19th century, the vase painted with flowers and set with a metal mounted porcelain flower arrangement, the stand with flower garlands on a green and gilt trellis, a Samson ice cup painted with an exotic bird on a dark blue ground, a Paris porcelain small saucepan or warming pot with a wooden handle, pseudo interlaced Ls marks, and a Mennecy (Bourg-la-Reine) toilet pot and cover painted with blue flower sprigs, incised BR mark, some faults, 19.7cm max. (7)

Lot 561

A silver-mounted Berlin vase mounted as a lamp, the porcelain 19th century, painted with a panel of figures playing Blind Man's Bluff, and with scattered insects and butterflies around moulded leaf swags, blue sceptre mark, with silver mounts to the foot and rim, some damages, 31cm overall.

Lot 577

A Sèvres ormolu-mounted vase and cover, c.1765, the baluster body glazed a rich apple green, raised on a square footed ormolu base beneath a laurel wreath band, the cover with a floral finial, part of the ormolu mount lacking, 23cm. (2) Cf. Christie's, New York, 1st November 2018, lot 1021 for a pair with the full mounts.

Lot 661

Two small Chinese qingbai dishes, Song dynasty, (960-1279 AD) of shallow cylindrical form incised with a foliate design, and a small Swatow vase or jar, early 17th century, painted in blue with small floral panels on a trellis ground, a repair to one dish, 9cm max. (3)

Lot 733

A garniture of three Bow vases and covers, c.1765, the central vase of baluster shape, flanked by two flared vases, painted with butterflies and moths in flight around applied flowering branches, the sides with female masks beneath petal frills, pierced to the necks and shoulder, the covers surmounted with yellow bird finials, some restoration, 28cm max. (6)

Lot 737

A Chelsea-Derby vase, c.1770, the ovoid form supported by three female terms rising from lion paw feet, gilded with butterflies and applied with flowers on a mazarin blue ground, raised on a shaped base painted with landscape panels, double gold anchor mark, one handle repaired, the cover lacking, 23.5cm. The shape was copied from a print in Joseph-Marie Vien's Suite de Vases of 1760. The shape was made at Chelsea prior to its takeover by the Derby porcelain factory in 1770.

Lot 751

A Worcester vase, c.1765, painted in the Kakiemon palette with mythical long-tailed birds and a dragon, reserved on a blue ground, square seal mark, and a saucer dish painted with colourful birds before foliage, within a formal gilt border on a wet blue ground, open crescent mark, 18.1cm. max. (2)

Lot 775

A Liverpool porcelain three vase garniture, c.1756-58, probably Richard Chaffers, including one baluster vase and two flared sleeve vases, all finely painted with a large bouquet of flowers including rose, dahlia, convolvulus, auricula and tulip, with scattered insects and a large grasshopper, with brown scalloped decoration to the rims, 24cm max. (3) Cf. Maurice Hillis, Liverpool Porcelain, p.213, fig. 5.177 for a vase with similar decoration.

Lot 95

A large glass tumbler or vase, early 19th century, the slightly flared form cut with polished lappets around the foot, engraved in reverse with the initials 'JDB' to the underside, 17.8cm.

Lot 578

19th CENTURY VASE. A 19th century hand painted & gilt vase, now converted to a lamp base. Height incl. base, 39cm.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk

Lot 594

CZECHOSLOVAKIAN GLASS ETC. A Czechoslovakian mid-20th century glass vase, height 20cm. Also, a pair of Czechoslovakian ram book ends (damaged), a moulded Baccarat locust vase (cracked) & a Murano Glass bird model.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk

Lot 604

JAPANESE VASE. A Japanese bronze vase, one side decorated a dragon, the other an exotic bird hunting another before Mount Fuji. Height excl. fitting for lamp, 26cm.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.Please note: For safety, all used lighting and electrical items should be checked & fitted by a qualified electrician.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Lot 638

WMF ETC. A WMF Art Nouveau dish stand, lacking glass liner. Max. width 30cm. (Some loss & repair). Also, a WMF twin handed bud vase, lacking liner, 14cm & one other Art Nouveau vase with split handles.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Lot 652

WMF VASES. A pair of WMF triangular section vases, each with three handles. Each vase supporting a pair of cut glass flower holders. Max. height 32.5cm.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk

Lot 658

WMF. An Art Nouveau, WMF tall vase, either side cast with a female figure. Lacks glass liner. Height 36cm. Not stamped, but illustrated.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Lot 660

ART NOUVEAU VASE. A pewter mounted Art Nouveau painted glass vase. The pewter mount with stamped marks & No.1846, possibly Austrian. Max. height 24.5cm.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk

Lot 661

ART NOUVEAU VASE. An Art Nouveau green painted, cast metal dragonfly & tulip vase. Impressed signature. Max. height 35cm.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

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