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A Sèvres style campana vase, with shipping scenes on a bleu celeste ground, a Staffordshire candlestick, and a pâte-sur-pâte vase with an eidelweiss (3) CONDITION REPORT: Sevres style vase -Extensive scratching to interior. Firing cracks to base of interior. Fritting around foot rim. Candlestick - Light wear to gilding. Two handled vase - Wear to gilding around foot rim and handles.
A Doulton Lambeth vase, by Hannah Barlow and dated 1876, chip to base and restorations, 33.5cm high CONDITION REPORT: Vase has been broken in two halves and re-glued. The cracks are very obvious, which run through the centre/area of horses. These have been lightly painted over to try to disguise them.
Continental School (early 20th century), STILL LIFE OF A VASE OF FLOWERS ON A LEDGE IN A GARDEN Oil on panel 57 x 40cm CONDITION REPORT: Craquelure. Fading. Restoration to lower right. Painting lifting up incentre. Various small indentations. Once 12cm indentation to left side. Additional images available upon request.
A late Victorian silver posy vase of tapering cone form embossed with lattice and foliate scroll decoration, the front applied with a stem of leaves, raised on six naturalistic stem legs, import mark London 1895 by Benjamin Phillips, height approx 10.5cm, a .925 silver mounted clear cut glass novelty pot in the form of a swan with hinged wings, together with a collection of silver items.
A MacIntyre & Co Moorcroft Florian ware vase, circa 1900, of slender double gourd form, decorated with a design of flowers in shades of blue, brown printed factory mark, incised Moorcroft initials and painted pattern number `M. 713` to base, height approx 25cm (minor chip and hairline crack to rim).
A Royal Doulton stoneware vase of ovoid form decorated in relief with a band of stylized leaves against a mottled blue ground, a Doulton Lambeth stoneware harvest jug (chip to rim), a Wedgwood blue clip jasperware vase and frog, ornamented in white with a continuous scene of classical figures within bands of flowers and fruiting vines (minor faults), together with a small collection of other Wedgwood jasperware (faults), and a Royal Doulton stoneware tobacco jar (lacking cover).
A Bohemian amber flash overlaid clear glass jar and cover with faceted finial, above an ogee shaped bowl with hobnail cut decoration, on a faceted stem and circular foot, height approx 26cm, a ruby flash overlaid clear glass vase, a green glass dump doorstop with bubble inclusion, another similar clear glass dump doorstop and a collection of glassware.
A Royal Worcester porcelain vase, circa 1917, painted by James Stinton, signed, the pierced and moulded cylindrical neck above an ovoid body painted with a cock pheasant in a landscape, green printed factory mark, including shape number `682` over `G` to base, height approx 13.5cm.
A Royal Worcester Hadley Ware porcelain baluster vase, circa 1915, painted in the style of Kitty Blake, with a continuous band of blackberries and autumnal leaves, between foliate moulded borders, green printed factory marks and painted in iron red, shape number `273` over `11.38` to base, height approx 19cm.
A Coalport porcelain gilt scroll handled vase, circa 1900, the flattened ovoid body painted with opposing oval reserve panels filled with tree lined river scenes, framed by black and gilt scale decoration embellished with white enamel beads, against a cream ground, within similarly decorated borders, green printed factory mark and black painted `A5343` to base, height approx 11.5cm.
A Continental tin glazed earthenware moonflask, late 19th/early 20th Century, the flattened circular body and cylindrical neck painted with a pink, turquoise, blue and white foliate design on a cream ground, blue marks to base, height approx 29cm, together with a Dutch Delft blue and white vase, 19th Century, of hexagonal baluster form, blue painted initials `B:P` to base, height approx 23cm (rim chips).
Franz Xavier Bergman - The Bedouin Tent, a late 19th Century Austrian cold painted cast bronze table lamp in the form of an Arabian gentleman seated within a tall arched tent, the domed top with four coloured glass lenticles, the reverse bearing impressed Bergman vase mark and `Geschützt`, height approx 36cm, width approx 18.5cm.
Franz Xavier Bergman - a late 19th Century Austrian cold painted cast bronze metamorphic risqué figure of a female dancer, her flowing dress hinged on one side to reveal her nudity, standing on a circular pedestal cast with draped fabric and a band of flowerheads and strapwork, the reverse bearing impressed Bergman vase mark and `Nam Greb`, height approx 26.5cm.
Franz Xavier Bergman - a late 19th Century Austrian cold painted cast bronze metamorphic risqué model of a travelling trunk, the front latch releasing the revolving top section to reveal a reclining nude woman, the trunk cast with travel labels and with side handles, the reverse bearing impressed indistinct Bergman vase mark and `Nam Greb`, length approx 12.5cm (release catch defective).
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653833 item(s)/page