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A 1920s Rosenthal comport decorated in the Rosari pattern designed by Julius V. Gulbrandsen with blue flowers over a gilt pattern ground, printed and painted mark, length 21.5cm, height 11.5cm, together with a matching twin handled vase, height 21cm, and a small Royal Doulton jug decorated with transfer decorated daffodils, printed mark, height 9cm. (3)
A 1930s Burleigh Ware jug titled The Village Blacksmith 'Under a spreading Chestnut tree the village smithy stands', printed mark, height 22cm, together with a Sylvac vase decorated with incised pegasus, a Carlton Ware motto mug 'There are several reasons for drinking and one has just entered my head, if a man can't drink when he's living, how the H! can he drink when he's dead?', printed script mark, height 9.5cm, S/D, and a Crown Devon 'Cherry Tree' vase with painted marks, height 19cm. (4)
A Royal Copenhagen vase of rectangular form decorated with a bird in an oval cartouche with a foliate collar, the reverse with Jul 1921, printed mark, height 21cm, together with four Royal Copenhagen animals comprising a Pekingese puppy, model 448, a pair of finches model 1189, a seagull model 1468 and a robin model 2266, all with printed marks. (5)
A Moorcroft Pottery vase decorated in the Dryandra pattern from the Australia Collection designed by Anji Davenport, printed and painted marks alongside Australia backstamp, signed over and under glaze by Anji Davenport and dated 16.9.01, numbered 13 of 250, height 15.5cm.
A small early 20th Century Royal Doulton vase decorated by A. Eaton with hand painted cattle in a setting sun landscape, signed, printed mark, height 15cm, together with another Royal Doulton vase decorated by W. Hodgkinson with hand painted sheep in a red sky landscape, signed, printed mark, height 21cm, both restored. (2)
Two early 20th Century Mettlach Villeroy and Boch vases of varying form, the first of cylindrical form with an impressed repeat pattern upon three scroll feet, impressed mark, height 26cm, the second formed as a pedestal cup with bands of pattern, impressed mark, height 21cm, S/D, together with a small vase with foliate decoration, possibly Mettlach but unmarked, height 17.5cm. (3)
A Wilkinson Pottery Clarice Cliff bowl, modelled as a swan swimming on a stylised oval lily pad pond, printed mark, length 23cm, together with a Wilkinson Pottery Clarice Cliff planter vase relief moulded with a pair of budgerigars sitting on a branch, printed mark, length 26cm. (2)
A Clarice Cliff My Garden vase of flared form with a relief moulded base, decorated with hand painted red and yellow flowers, printed mark, height 20cm, together with a My Garden bowl of octagonal form and a wall plaque relief moulded with a floral basket, printed marks, S/D. (3)
A Clarice Cliff shape 675 vase circa 1936, hand painted in the My Garden pattern, the base relief moulded with flowers and foliage picked out in bright mixed palette beneath a tonal tan and yellow Delecia streaked flared body, hand painted My Garden and Bizarre mark, height 17cm.
A Clarice Cliff shape 675 vase circa 1936, hand painted in the My Garden pattern, the base relief moulded with flowers and foliage picked out in bright mixed palette beneath a tonal tan and yellow Delecia streaked flared body, hand painted My Garden and Bizarre mark, height 17cm.
A Zelezny Brod Glassworks bottle vase of tapered triform designed by Miroslav Klinger with three swollen lobes at the shoulder all in a jade green, height 26cm, together with a further example of wrythen spiral form decorated with hand cut stars over a pale citron ground, unmarked, height 24cm. (2)
A Royal Doulton Flambe vase decorated with a silhouette of two working horses pulling a plough against a red ground, printed mark, height 16.5cm, together with a Royal Doulton Titanium tray with a bird of paradise roundel, marked as a second, length 33cm, a small Austrian Art Nouveau rectangular planter and a small Ernst Wahliss cache pot decorated with lily pads, printed mark. (4)
A Mdina tortoiseshell glass vase of low shouldered form with narrow neck and wide flat rim, decorated in a tonal brown to the textured ground, engraved signature, height 11cm, together with a Strathern vase of waisted form with coloured panels over the jade green ground. (2)
A small early 20th Century Royal Worcester vase decorated with bluebells against a lavender ground, black printed mark with date code for 1926 alongside a printed Union Jack flag, height 12.5cm, S/D, together with an enamel Art Nouveau milk jug and sugar bowl with Glasgow rose decoration. (3)
A late 19th Century Royal Doulton 'Art Union of London' vase of globe and shaft form decorated by Eliza Simmance and Emily J Partington with a running border to the belly in white and blue enamel over a swirled patterned ground, the neck with similar decoration, impressed mark alongside artist initials, height 21cm.
A Chinese Kangxi period (1662-1722) blue and white baluster vase, the splayed foot extending to a rounded body with opposing fan shaped panels decorated with waterside landscapes and chrysanthemum and butterflies, and upright neck decorated with ruyi border, double circular line to underside of base, height 23cm, S/D.
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653833 item(s)/page