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round form, featuring bodhisattvas in various traditional garden and mountainous scenes, the neck featuring a geometrical motif alternating with the Shimazu family crest, all against a off-white ground with stippled gilt detailing, the cover in conforming design with a geometric thumb rest with Shimazu family crest and various character inscriptions under base; height: 31 cm (12 1/4 in.)CONDITIONThe vase is in good condition. Very fine crazing visible to exterior and interior of the body. Inspection under UV light shows no sign of restoration.
square form, each panel featuring reliefs of bodhisattvas in various traditional garden and mountainous scenes, the neck featuring a geometrical motif alternating with the Shimazu family crest, all against a off-white ground with stippled gilt detailing, the cover in conforming design with a geometric thumb reset signed in gilt in a rectangular panel with Shimazu family crest under base; height: 36.5 cm (14 3/8 in.)CONDITIONThe vase is in good condition. Very fine crazing visible to exterior and interior of the body. Inspection under UV light shows no sign of restoration.
elongated baluster form, each panel featuring groups of women and bodhisattvas in traditional garden and interior scenes, the neck featuring a geometrical motif alternating with the Shimazu family crest, all against a off-white ground with stippled gilt detailing, signed in gilt in a rectangular panel with Shimazu family crest under base; height: 36.5 cm (14 3/8 in.)CONDITIONThe vase is in good condition. Very fine crazing visible to exterior and interior of the body. Inspection under UV light shows no sign of restoration.
designed by Lajos Mack, of compressed bulbous form, surmounted by a pair of pheasants circling the rim, decorated overall in lustrous green-gold glaze, impressed factory mark and model number 6063, printed factory and MADE IN HUNGARY mark under base; overall height: 20 cm (7 7/8 in.), diameter: 35 cm (13 3/4 in.)PROVENANCE Sotheby's, New York, 27 April, 2006, lot 286RELATED LITERATUREA vase of this form is found in Eva Csenkey, Zsolnay Szecesszios Keramiak (Budapest: Helikon, 1992), p. 40, no. 39 (illustrated)CONDITION The vase is in overall very good condition. Minor age-appropriate crazing to the glaze, mainly apparent under the base. Very minor restoration to edge of one bird's tail. Inspection under UV light reveals no other repairs.
the slightly tapered columnar body surmounted two loop handles, decorated overall in lustrous green-gold glaze shading to violet in the fruiting grape leaves, impressed factory mark and partly effaced model number ending in 89 under base; height: 29 cm (11 3/8 in.)PROVENANCE Sotheby's, New York, 27 April, 2006, lot 298RELATED LITERATURE A vase with decoration in a similar art glass style is illustrated by Eva Csenkey and Agpta Steinert, Hungarian Ceramics from the Zsolnay Manufactory 1853-2001 (New Haven: Yale University Press, 2002), p. 112, no. 70.CONDITION The vase is in overall excellent condition. Very fine age-appropriate crazing apparent overall. Minute losses to parts of the glaze (several mm in diameter) in places, such as one of the leaves. Otherwise, no issues to report.
each on a gilt-edged circular base with naturalistic detailing, each in a posed position conveying movement, she dressed in a crinoline with lace detailing, a pink bustier with yellow accents, with purple buckle shoes, under her proper right arm rests a basket of trimmed garden flowers, her left holds a gardening tool, he dressed in a complementing outfit, with matching tunic and breeches, pink overcoat and black buckle shoes, holding a bouquet of flowers and leaning on an axe, each marked with factory mark in blue underglaze, she with incised model number C.68, with impressed numeral 44, with with painter's numeral 44 in brown overglaze, he marked with incised 69 and impressed 44, with painter's numeral 41 in brown overglaze, all underside of base; height of each: 19 cm (7 1/2 in.)CONDITIONThe pair is in good condition. Minor chipping to the lace detailing and applied flowers to both. A visible repair to the applied bouquet of roses in the vase next to woman. Inspection under UV shows retouching and repair to the woman's left and right hands, including repainting to the handle of the knife. Repainting to the watering can and the man's proper left arm.
amphora form, with two handles formed from acanthus leaves,extending from the head of a lion, the recto and verso featuring a wreath with a single centered gilt daisy medallion against an eggshell white ground, the rest of the body accented with gilt garland swags and geometric shapes, against a light pink ground, atop four gilt and white paws with a geometric plinth, marked with factory mark in gilt underglaze, incised numeral 3040, impressed factory mark and date code all under base; height including cover: 30 cm (11 3/4 in.)CONDITIONThe vase is in good condition. Minor surface soiling visible to the bows. One of the bows with a visible repair. Inspection under UV light shows retouching and repair to one of the bows. Repainting to the cover.
of squat baluster form, the gadrooned body applied with two loop handles and rim, in light lilac-tone glass, with old Russian inventory label and round label reading Kh. [amphora] A.O.; height: 7 cm (2 3/4 in.)PROVENANCECollection of A. J. Marino, likely acquired from Hammer Galleries, New York, circa 1934Thence by descent in the family to the present ownerCONDITIONThe vase is in overall good original condition. Chip to the upper edge of the foot and to the underside.
comprising:a) Petite Satsuma Earthenware Vase with Dog of Foo Handles, Satsuma Yaki, 19th Century, workshop mark and painters signature in gilt in a double rectangular panel against a red ground with gilt; height: 16 cm (6 1/4 in.)b) Petite Satsuma-Style Earthenware Vase with Garden Scene; height: 15 cm (5 7/8 in.)c) Petite Cloisonne Enamel Square Vase; height: 11 cm (4 3/8 in.)CONDITIONThe group is in age-appropriate condition. Visible crazing to a and b. Visible chipping and losses to the rim of a. The neck of a has been previously repaired. Inspection under UV light shows repairs to the neck of a.
a) Sleeping Beauty, cold-painted bronze, stamped with Geschutzt, 'B in vase' with Austria; 13.5 cm (5 1/4 in.) [height]b) Standing Man, cold-painted bronze, apparently unmarked; 10 (w) x 16 (l) x 2.5 (h) cm (4 x 6 1/4 x 1 in.) [dimensions]RELATED LITERATURE Ernest Hrabalek, Bronzes de Vienne, (Laterna Magica, Munchen, 1991) illustrated p. 42; Joseph Zobel, Antique Vienna Bronzes, (A. Schiffer Book 2009) illustrated p.224 LOT NOTEBoth open with moveable pieces to reveal nudity.CONDITIONThe bronze is in good condition.
circular form, the body with the organic wood grain, the natural coloring of gold and yellow hues accented with dark and light browns, monogrammed, signed, inscribed and dated 1930 for March 1991 under base; height: 21 cm (8 1/4 in); diameter 11 cm (4 3/8 in.)LOT NOTESAccording to the artist, the date 1930, which looks like a year, is actually the creation date backwards. Therefore, the date is 03'91, or March 1991.CONDITIONThe vase is in very good condition. Uneven varnish visible along the opening resulting in an unevenness in tone and texture.
disk form, the body with the organic wood grain, the natural coloring of gold and orange hues accented with dark and light browns, monogrammed, signed, inscribed and dated 2920 for February 1992 under base; height: 12 cm (4 3/4 in); diameter of opening: 11 cm (4 3/8 in.), diameter of body: 32 cm (12 5/8 in.)LOT NOTESAccording to the artist, the date 2920, which looks like a serial or inventory number, is actually the creation date backwards. Therefore, the date is 02'92, or February 1992.CONDITIONThe vase is in very good condition.
A collection of silver miniatures / objets de vertu, comprising of a desk tidy W15cm, a twin handled vase, a twin bell, a pomegrenate, a mirror L16cm, a magnifying glass, a thimble, a pair of cufflinks, a pair of candleholders, a paperknife, a pen, and a four cauldron vessel. (14)Ασημένια αντικείμενα / μινιατούρες γραφείου.
A Syrian or Hebron, hand blown coloured glass vase, the ovoid body with a long neck terminating to a flaring mouth, made of a mix of multicoloured glass H13cm. Together with two Syrian or Hebron hand blown coloured glass prism multifaceted vases, the globular body with hexagonal facets ending to a flaring mouth, one vase in blue and one in brown, H10cm. Early to mid 20th century. (3)Συριακά ή Παλαιστινιακά Χειροποίητα γυάλινα βάζα.
A Bough pottery jug decorated with pansy design, signed Chrissie Amour, a Bough pottery mustard pot decorated with violets, signed Chrissie Amour, a Bough pottery spill vase with banded design and floral sprays, a Bough pottery cylinder spill vase with floral border and puce panels, signed Robert Amour, and a Bough pottery jug decorated with floral sprays by Chrissie Amour (tallest: 11cm x d.7cm)
A modern Chinese ginger jar decorated with prunus design, complete with cover and hardwood stand (21cm x 16cm), a reproduction cylinder tea caddy (18cm x 12cm), a miniature Chinese baluster blue and white vase and cover (17cm), a miniature reproduction ginger jar decorated with hawthorn pattern design (12cm x 10cm) and a stoneware cylinder Chinese style jar and cover (20cm x 22cm)
A reproduction Chinese blue and white style moon flask, decorated with landscape and figures, a slim neck baluster vase decorated with traditional Chinese landscape panels enclosed within lotus leaf and flower border and a shaped cylinder ginger jar and cover, decorated with scholar figures (h: 37cm and 40cm and 36cm respectively)
A Crown Devon transfer printed ginger jar and cover decorated with birds and a similar, decorated with flowers, a Yamaji Japanese baluster vase with wren, a Copenhagen Christmas plate 1968, a Spanish porcelain figure, Girl Reading and a blue and white vase (a lot)
A collection of blue and white including a modern Ironstone china blue and white ashet decorated with classical scene, a lemon squeezer with jug, a modern blue and white scalloped flower vase, an Edwardian style cheese dish and cover and a Delft circular white metal mounted two handled tray (a lot)
Wohl BÖHMEN Überfangvase, 20. Jh. Kristallglas mit üppigem geometrischem Schliffdekor, partiell mit blauem Überfang, H. ca. 30,5 cm. Gut erhalten.| Probably BOHEMIA overlay vase, 20th c. Crystal glass with rich geometric cut decoration, partially with blue overlay, h. approx. 30.5 cm. Well preserved.
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650806 item(s)/page