Two pieces of Royal Worcester blush ivory, a shape 1921 twin handled pedestal vase, decorated with meadow flowers with gilt detailing with restored cover, puce mark with date code for 1908, height 31cm, and a shape H280 pedestal sweetmeat dish with green mark with date code for 1908, height 19.5cm, restored. (2)
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A Royal Worcester blush ivory shape 1911 pedestal vase with tapered neck and twin handles formed as mask heads with gilt pointed curled hats, decorated with wild flowers and signed by Edward Raby, puce mark with date code for 1897, height 34cm, restored, together with a shape 1921 vase with similar decoration, with cover, puce mark with date code for 1906, height 35cm, restored. (2)
A Grainger & Co, Worcester globular vase and cover in shape 1900, reticulated decoration with turquoise jewelling and gilt detail, height 9cm, restored, together with a similar twin handled vase in shape 2504, and a pair of twin handled conical vases in shape 1164 with pink jewelling, restored, and a pot pourri raised on three scroll feet, cover broken. (5)
A Royal Worcester plate in shape 1426, the edge reticulated and with foliate scrolls, floral spray to centre with gilt detail, puce mark with date code for 1896, together with a vase in shape 958, of floriform in blush ivory and gilt, height 14cm, green printed mark, restored, and a shape 971 shell form bowl decorated with floral sprays, restored. (3)
A Royal Worcester shape 1116 ice jug with handle formed as a tree root and tusks with sgraffito floral decoration, together with a pair of limited edition Spode pot pourris, one lacking cover, and a footed bottled form vase with relief moulded fruiting vines, height 23.5cm. (4)
A later 20th Century studio glass vase by William Walker of cylinder form with flat rim cased in clear over a pale lilac ground with internal red and green whiplash line decoration, engraved signature, height 10cm, together with a footed bowl of handkerchief form with similar decoration to a white ground. (2)
A 20th Century Chribska glass vase designed by Joseph Hospodka, of elliptical form in graduated amber to green, height 10cm, together with an octagonal vase, clear cased over smokey grey, height 22cm, and two other Sommerso vases of tapering form, green and red cores respectively. (4)
A later 20th Century studio glass vase by Peter Layton of ovoid form with slender neck and flat rim decorated with pink spots and fine canes over a mottled and swirled pink, blue and yellow ground, unsigned, height 15cm, together with a footed bowl decorated with tonal green and brown spots against the mottled deep ochre ground, engraved signature diameter 17cm. (2)
A collection of contemporary studio glass by Peter Layton, comprising a scent bottle of ovoid form with roll rim with a mottled and swirled design on a graduated green to blue ground all in an iridescent finish, height 6cm, a vase of squat form decorated with pulled loop threads in a petrol iridescence on a clear ground and a vase of bottle form decorated with an applied self coloured thread to the neck and internally with air bubbles with blue trails against the mottled green ground, all with engraved signatures. (3)
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