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Charlotte Rhead, a Crown Ducal vase, with side handle and floral painted decoration, height 13cm, together with a pair of Burlieghware vases, by the same, of hexagonal trumpet shape and a Bursley ware vase (4).One vase from the pair cracked, and both slightly rubbed.The jug has a tiny glaze chip on the handle.
Three Charlotte Rhead vases, with tube-lined floral decoration and an Arabesque bowl, diameter 29.5cm (4)The largest vase has two rim cracks.The smallest vase has a V-shaped crack and is stained internally.The middle vase is without issue.The bowl has two hairlines on the rim.Extra images online.
A Newhall porcelain silver shape teapot and cover circa 1795, pattern number 541 decorated with an iron red vase filled with polychrome flowers and foliage, height 15cm, together with a Georgian glass rummer, a finger bowl, a Kosta paperweight and a tile, painted a sailing ship (5).The finial on lid repaired/glued, staining to interior, tiny chip to spout.
A Belgium pottery art vase the body of ovoid form with twin handles incised decoration depicting flora and fauna and celestial bodies, height 21.5cm together with a continental studio pottery charger and a Torquay Terracota Co plate painted with portrait. (3)The pottery vessel has no condition issues, small losses to painted plate and crackle, the charger with pitting.
A LARGE VICTORIAN WEDGWOOD 'PEA' PATTERN VASE impressed and printed marks and diamond registration mark to base, 28.5cm high Condition Report : glaze imprefections, and a 1' faint hairline running vertically down from rim Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A LARGE SCHEURICH 'KORALLE' GERMAN ART POTTERY VASE retaining original paper label to base, numbered 288-40, together with a red Art glass vase 20cm high Condition Report : both in good condition. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A CLARICE CLIFF 'BIZARRE' WARE VASE decorated in the 'Summerhouse' pattern, 14.5cm high Condition Report : rim chip, otherwise good Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A collection of mixed glass, including a 19th century crackle glass goblet with red and gold snake wrapped around, a late 20th century Holmegaard grey glass decanter designed by Otto Brauer with globe shaped stopper and a Loetz style flower vase. H.29 W.9cm (Largest)
Olotine double bed, XVIII century.Carved and polychrome wood.The bed is complete.The painting needs to be restored. Wear and tear due to use and the passage of time.Measurements: 152 x 156 cm (headboard).The Olot bed is a typical type of Catalan furniture from the second quarter of the 18th century. The bed in question, consisting of a complete upright structure and headboard, is a clear representative of this typology. The headboard is beautifully polychromed, depicting a vase framed in a border, surrounded by borders in geometric shapes and borders of flowers in gilt and bright colours to enhance the scene.In Spain in the 18th century, the European type of bed was adopted. New production centres appeared, the main ones being located in Olot, Vic, Valencia and Mallorca. They are known today as Olot beds and are characterised by their large headboards, generally more or less pyramidal in shape, which were stuccoed and painted. Those from the first half of the century are simple, and later the cabriole leg appeared, extending upwards to form half-height posts, also in cabriole. The headboard of these beds usually stood alone, and was fixed directly to the wall. It was made of soft woods such as white or black poplar and birch. In the early days they were polychromed in a single colour or marbled, and the profiles were gilded; in the second quarter of the 18th century, religious images appeared, set in a reserve of wavy contours. In the last quarter of the century, the legs and posts were turned and the decorative motifs depicted on the headpieces became courtly, and the profiles became lighter with rococo motifs.
Baroque dining table, ca. 1700.Walnut wood. Iron fasteners.It has xylophages. Needs refinishing. Rear interior crossbeam.Measurements: 80 x 143 x 80 cm.17th century Spanish lyre-legged table, with a tabletop made from a single piece of wood, legs trimmed and decorated with carved details on the fronts and curved iron fastenings. As is customary for these tables, both legs are joined to the tabletop by wrought-iron fasteners. The lyre-leg table originated in Italy in the 16th century, often as a table for representation rather than for use. Inspired by the tables of classical antiquity (made of marble and with cross supports), they have two lateral supports which can be removed for transporting the piece of furniture, and which may have a lyre or vase profile. These cross supports are decorated with classical Renaissance motifs. In the centre of these supports is an H-shaped foot, which may be decorated, as shown here, with a wavy mixtilinear profile.
Robert Wallace Martin & Brothers, Two vases, circa 1878, Stoneware, Smaller vase: Underside incised 120/R W Martin/Southall &/12-1878/London, Larger vase: Underside incised R W Martin & Brs/London & Southall, 15.5cm high and 17.1cm highLarger vase decorated with blue and white flowers on buff ground has large chip (approx 3cm) to rim and resulting crack running through vase approx 13cm. Small vase decorated with buff coloured anthemion motifs on cream ground has multiple knocks and 7mm chip to rim with 3 or 4 resulting hairline cracks, previous owners label attached but can be easily removed.
David Lloyd Jones (1928-1994), Large disc rim vase, circa 1970s/80s, Stoneware, tenmoku glaze with wax resist twist decoration, Impressed potters mark to side of foot and paper label for J.K.Hill, Fulham road, London, 39cm high, (ARR)Please refer to department for condition report
Alan Wallwork (1931-2019), Slab vase and small ovoid vase, circa 1960s, Stoneware, Underside incised 'W' and 'AW', Slab vase: 24cm high, ovoid vase: 10cm high, (ARR)Both pieces overall condition good. No damage or restoration found to slab vase. Ovoid vase has tiny patch to uppermost inner rim (3mm max) which is lacking glaze and may have 'caught'.
Martin Brothers, Scrolling foliate vase, August 1903, Glazed stoneware, Underside incised 8-1903/Martin Bros/London & Southall, 15.5cm highOverall condition good. There is a minor imperfection, probably in the making, in the form of a 1-2mm 'nibble' to underside of rim. No other damage or restoration found.
Gabriele Koch (b.1948), Large flared rim vase, circa 1995, Earthenware vase, smoke fired and burnished, Underside inscribed signature, 44.5cm high, (ARR) (VAT charged on hammer price)two large chips to rim (3.5cm) and a forked crack (possibly a firing crack) on the rim edge with the forks 7cm and 15cm long. Otherwise some minor scuffs.
Geoffrey Baxter (1922-1995) for Whitefriars, '9681' textured glass 'Banjo' vase, circa 1960, Applied manufacturer's labels and a label for the Design Centre London, 31.5cm highNo chips or cracks, some surface air bubbles/blemishes from manufacturing process. Light general surface wear from handling to include minor faint scratches
Murano, Two Sommerso block glass vases together with a Sommerso glass ashtray, circa 1970, Factered, textured and coloured glass One vase with applied paper label 'Made in Murano Italy', Large vase: 18.5cm high; smaller vase: 16cm high; dish: 7.5cm highPlease refer to department for condition report
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653685 item(s)/page