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Click here to subscribeA large Moorcroft Pottery vase of swollen baluster form decorated in the Hibiscus pattern with coral flowers against a white ground, impressed mark alongside gold foil label, height 25cm, together with a Moorcroft baluster vase decorated in the Anemone pattern, painted mark, height 19.5cm. (2)
Six pieces of assorted Moorcroft Pottery comprising a vase of globe and flared shaft form decorated in the Hibiscus pattern, a small rectangular trinket box in the Anemone pattern, a small Hibiscus pin dish, a Hibiscus pattern fern pot, a Grapes pattern mug and a Hibiscus pattern bowl, all with painted and impressed marks. (6)
A large late 19th Century Stourbridge glass vase, possibly Thomas Webb & Sons, the footed and fluted globe and shaft type body with flared wave rim, relief paste gilded in the manner of Jules Barbe with flowers foliage and bamboo over an Amberina type ground, height 26cm.
A late 19th to early 20th Century continental cameo glass vase, possibly Moser, the slender conical bowl cased in a jade green over clear crystal and cut with a scrolling honeysuckle highlighted in gold over an acid cut scale ground, raised to a shallow conical foot with radial star cut base, unmarked, height 24cm.
A large later 20th Century studio glass vase by Kris Heaton for Neo Art Glass, of sleeve form with a flared wave rim, decorate with iridescent whiplash lines over a tonal pink iridescent ground with internal white spiral spotting, original foil label and certificate, engraved signature and dated for 2011, height 22.5cm.
A large limited edition contemporary studio glass vase by Richard P. Golding titled Banyan Tree, the compressed ovoid form cased with various iridescent colours over a deep purple iridescent ground to create a stylised tree landscape with a hand cut crescent moon between the boughs, engraved signature to the base, numbered 2 of 10 and dated 2018, height 21.5cm.
A 20th Century Finnish art glass vase by Studio Lasi Oy, the yellow bell form body with applied blue rim, raised to a clear crystal stem and circular spread blue foot, engraved signature, height 23cm, together with a small Laugharne Studio glass vase and a Paul Ysart paperweight. (3)
A 20th Century Val St Lambert cased crystal vase of waisted sleeve form, cased in ruby over clear crystal and flash cut with vertical mitre cut panels below a strawberry diamond border, unmarked, height 20cm, together with three Faberge style clear crystal drinking glasses with a satin moulded stem in the form of an angel. (4)
A large later 20th Century art glass vase of swollen sleeve form, cased in clear crystal over white ground with pulled black spots, unmarked, height 35cm, together with an earlier smoke grey glass vase of compressed ovoid form with hand cut cross hatch line decoration. (2)
A 19th Century Wrockwardine type dish of triform decorated with white splatter over the deep blue ground, width 14cm, together with and early 19th Century blue oil lamp base, two smaller pedestal bowls and a 19th Century Continental blue glass vase with gilded decoration, converted to a table lamp. (5)
A 19th Century continental glass vase of ovoid form with everted rim, hand gilded with stylised scrolls over the deep blue ground, height 19cm, together with a small 19th Century scent bottle of compressed heart form in deep blue with enamel detail and a silver hallmarked screw cap. (2)
A Stuart and Sons glass vase of ovoid form with collar neck and up turned cup rim, decorated with applied green trails raised to scalloped foot, together with a similar example of wrythen form with applied green trailing and another wavy vase in deep green, tallest height 20cm. (3)
A large Royal Worcester Prismatic Enamels shape 1482 vase, decorated by Edward Raby with a gilt and enamel peacock perched on a blossom branch, all to a pale pink ground, the handles and neck with moulded garlands and foliate motif, monogramed ER, green printed mark with date code for 1896, lacks lid, height 32cm.
Three pieces of late 19th Century Royal Worcester blush ivory comprising a shape 1399 twin handled vase with gilt blossom decoration and moulded handles, height 27cm, lacks cover, and two plates decorated with flowers, together with a Grainger and Co bud vase decorated with a bird in flight amidst flowers, height 12.5cm, all with printed marks. (4)
A small late 19th Century Grainger & Co reticulated vase of waisted form decorated with a wide pierced band heightened with gilding, impressed mark, height 11.5cm, S/D, together with a Royal Worcester shape 1215 blush ivory solifleur vase and a Royal Worcester twin handled vase, both with printed marks. (3)
A Royal Worcester shape 1911 twin handled blush ivory vase decorated with sprays of flowers, green mark with date code for 1902, height 27cm, together with an early 20th Century Coalport vase with cartouche panels of flowers against a green ground, printed mark, height 22cm, both S/D. (2)
A large late 19th Century Royal Worcester Aesthetic twin handled bottle vase decorated with gilt and red flowers against an ivory ground with a band of moulded prunus blossom to the foot and stylised dragon handles, puce mark with date code for 1884, height 41cm, restored.
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