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Lot 910

A collection of decorative ceramics and figures with floral and cherub decorated bowls including a pedestal Schumann Dresden example, a Dresden lobed lidded pierced floral encrusted dish, a floral encrusted inkwell, Royal Vienna twin handled vase with printed decoration of shepherdesses, height 21cm, a further smaller Vienna twin handled vase with printed decoration and printed signature 'Kaufmann', a single candlestick with applied figural decoration, cherub with floral encrusted basket (restored), a pair of Sitzendorf bowls/vases with encrusted and cherubic decoration (af), a Sitzendorf mantel clock, two pairs of floral painted glass vases, height of larger pair 35cm, also a group of teaware including Hammersley, etc (numerous items af).Additional InformationChrubic basket restored, as stated. One of the chrubs of the wall pockets has lost an arm, further chips to moulded foliage as one would imagine as well as moulded detail of cherub's wings, some further nicks, nibbles, some pieces with cracks, the Royal Vienna vase heavily crazed, the smaller Vienna vase with either a pronounced scratch or crack to the figural decorated panel, there is a pronounced ridge but it is impossible to identify whether it is a scratch or crack any further, rubbing to the gilt detail overall.

Lot 917

A collection of ten ceramic fairings including two figural spill vases, 'I am off with him', and 'I am starting for a long journey', height 14cm, with five other similar ceramic items including a group titled 'Pat's Last Match', a pair of figural spill vases of a boy and girl with a chicken and hen, a model of a young girl sitting on a potty and a contemporary model of an Elizabethan timber frame house (17).Additional InformationThe figure of the rotund man spill vase has a chip to the rim of the hat. The fairing of the gentleman with the accordion has a chip to the surface of his blue hat. The fairing returning at 1am has a chip to the paddle behind the lady's head. The group of the girl with the hen has the basket in front of her restored as is one side of the fence which she is leaning against. Her companion figure of the boy with the duck has hairline cracks to the back of the spill vase. The figure group of the female figure holding a paddle beside a shell has the top of the paddle missing. 

Lot 918

A large collection of David Winter Lilliput Lane and other house/cottages, including Inglenook Cottage, etc, also a Wedgwood 'Clio' patterned vase and a large collection of cut and moulded glassware.Additional InformationA number of the cottages with slight chips, knocks and losses. The glassware, a couple of the pieces with minor chips but overall good condition.

Lot 924

A late 19th century Staffordshire figure group of two toppers, height 21cm, with four glass fishing floats, a Bretby model of a cat, a Royal Doutlon flow blue loving cup, a silver mounted glass jug and a French glass vase (9).Additional InformationThe Staffordshire group is damaged; the arm of the figure in the red cloak, the hand where it joins the lantern and the lantern where is joins the knee of the figure have all been broken at these three points. General rubbing to the enamels throughout. The four glass floats with some light surface scratches but otherwise OK. The silver mounted jug is tarnished with many small knocks and scratches to the silver rim. The loving cup is finely crazed throughout and does not ring true. The Bretby cat has an old chip to one ear which has been coloured in, rubbing and some nibbles throughout. The glass vase with wear and scratches commensurate with age.

Lot 929

A selection of 19th century and later ceramics and glass to include three 19th century blue and white dessert bowls decorated with a scene of a maiden at a water well, diameter 25cm, a Bargeware documentary teapot and cover with two plaques named for Mrs W. Slater and dated 1876, height 18cm, a Royal Doulton 'Samarra' pattern part dinner service, a Beswick model of a King Charles Spaniel and a Royal Worcester blush ivory vase printed and painted with flowers.

Lot 981

A collection of 19th century and later cut glass to include four ale glasses cut with ribbon tied swags, height 19cm, a smaller ale glass engraved with vines and barley, a cut glass pedestal sweetmeat dish, possibly Irish, height 11.5cm, a cut glass ovoid vase, height 30.5cm, a modern cut glass vase engraved with a scene of a golfer in mid-swing, the other side engraved with a scene of golf green viewed from behind a tree, height 27.5cm, a pedestal vase, a flared rim vase, three jugs and eight other items.

Lot 984

A quantity of assorted cut and moulded glassware to include various bowls, a tapering vase, various drinking glasses, etc.

Lot 991

A Chinese Famille Rose ginger jar and cover of bulbous form, converted to a table lamp, decorated with stylised figures below auspicious symbols, raised on wooden plinth base, height excluding fitting 24cm.Additional InformationThe vase has been converted and has a drill hole through the cover, general wear, scratches, rubbing to the glaze and decoration.

Lot 994

A large Chinese cloisonne vase and cover, height 42cm.Additional InformationThe internal cover is slightly bent/warped, there are numerous chips to the underside of the cover, scratches, wear. There is the odd minor area of loss.

Lot 995

A Chinese cloisonne vase of ovoid form with flared neck, height 32cm, and a similar dish and a collection of contemporary Japanese and cloisonne ware, also a contemporary Chinese silk depicting stylised birds and floral detail 49 x 9.5cm.

Lot 1007

A Japanese Meiji period Satsuma vase of shouldered form decorated with Geishas within mountainous landscape, signed to base, height 19cm, and a later Satsuma vase of hexagonal vase, Satsuma button framed in later gilt frame, and a Chinese bronzed spelter model, embossed signature, height 9cm (4).Additional InformationWear to the gilding, heavy wear to the largest Satsuma vase especially to the gilt decoration, crazing to each of the Satsuma pieces. The frame on the button is af and has been broken into pieces. 

Lot 1009

A collection of Japanese Katani and Satsuma ware predominantly miniatures including a double gourd vase, height 8cm, various miniature items including footed bowls, koro, etc (24).Additional InformationAround seven of the pieces are damaged, these are either chipped, cracked or old repairs. General wear and scratches throughout.

Lot 1010

A large and impressive Japanese cloisonne vase of ovoid form, decorated with exotic birds and prunus flowers, height 43cm, and a similar later Chinese cloisonne vase decorated with birds and floral detail, height 31cm and an Iznik-style bottle with metal overlaid detail, height 49cm (3). Additional InformationThe Iznik bottle with large cracks running through, there is also a large area of loss to the metal detail. Each of the vases are af, numerous breaks, dents, knocks etc.

Lot 1013

A Chinese Export blue and white tureen and associated cover, the cover with a moulded pomegranate finial and decorated with peonies, the base with twin handles and decorated with a pavilion in a garden, height 20cm, together with a pair of blue and white prunus pattern ginger jars and covers, a prunus pattern vase and cover, a smaller pair of prunus pattern ginger and cover, a prunus pattern vase and cover, and two other Chinese blue and white vases (af) (9).Additional InformationThe tall vase and cover has several chips to the base and also to the cover and the finial is badly damaged with sections missing, the tureen lid does not fit flush and is slightly small for the base, the general light with glaze wear scratches throughout and some glaze imperfections throughout, one of the larger ginger jar covers has an iron red blemish to the underside of the rim, the small vase has staining within the glaze.

Lot 1026

DOULTON LAMBETH; an Art ware preserve jar and cover with silver plated mounts, cover and swing handle, height including handle 15cm, together with a Siliconware vase with trailed floral detail, height 19cm (2).Additional InformationThe Siliconware vase has a firing crack to the foot rim, the swing handle is bent/warped on the preserve jar and cover, minimal wear throughout.

Lot 1028

ROYAL DOULTON; a hand painted globular vase, decorated with flamingos, pattern no.307, height 17cm, together with a Fieldings Denimware jug and a West German cylindrical vase, (3).Additional InformationCrazing and staining to the jug, remaining items are good.

Lot 1032

ROYAL DOULTON; a large pair of Art ware vases with flared necks with applied stylised floral detail, impressed mark to the underside, height 47cm (2).Additional InformationSadly each vase has suffered damage, one of the vases with a large old repaired chip to the foot rim, the second vase with old restoration to the neck and shoulder, light scratches to the body on each example.

Lot 1094

A Japanese polished bronze lamp modelled as a twin handled vase, decorated with birds and prunus in detail, with a brass Corinthian column table lamp, height 32cm (2).Additional InformationThe bronze lamp with small holes to the detailing here and there throughout, age wear, scratching and tarnishing throughout, there is a 4 x 3cm panel at the bottom of the fluting which is a crude repair, the brass lamp with age wear, knocks and scuffs throughout, a few dents to the detailing of the base and the lamp fitting doesn't fit entirely central to the column.

Lot 1470

A set of six reproduction mahogany framed vase back open sided dining chairs, raised on block supports.Additional InformationGenerally good condition, the seats probably need reupholstering, there are scratches, scuffs, knocks to the frames.

Lot 1021

Modern silver cigarette box with engine turned decoration on bracket feet, by Alexander Clark & Co. Ltd., Birmingham, 1962, and a silver trumpet vase with filled base, (2),

Lot 1123

George V silver sauceboat, on hexagonal foot, by Duncan & Scobbie, Birmingham, 1934, toast rack and a small trumpet vase, weighable silver 7oz, 217g, (3),

Lot 1125

Silver cream jug of hexagonal form Birmingham 1901 9.5cm high, Pair of silver candlesticks London 1913, 6cm high, silver three piece cruet set Birmingham 1923 and a silver trumpet shaped vase

Lot 1381

Alfred William Rich (British, 1856-1921), 'Tulips in a vase', signed, watercolour, 33.5cm x 27.5cm, From the property of a deceased local collector.

Lot 1423

Arthur Dudley (British, active 1880-1907) Still life of oranges, grapes and a vase; and still life of apples, grapes and a bottle of Chianti, both signed, watercolours, 26cm x 77cm, a pair (2)

Lot 1524

Still life, flowers in a green vase, oil on canvas, signed indistinctly in the bottom right corner, 49cm x 59cm

Lot 69

A group of three Attic red-figure krater fragments Possibly by the Dinos Painter, circa 430-410 B.C.most likely depicting an Amazonomachy battle scene, the triangular fragment with a man (possibly Hermes) wearing a petasos and chiton, holding a stick in his right hand, behind him the left knee and shield of a warrior, the second fragment depicting the body of a nude warrior striding forward with his left arm holding a shield and his right a spear, a quiver strung across his chest, in the foreground the arrow and hand of another warrior, the third fragment with the waist and legs of a woman, likely an Amazon, wearing a short dress, a fallen male warrior with arms reaching overhead at her feet 12cm, 11cm and 16.5cm long respectively (3)Footnotes:ProvenanceP. Sharrer, New JerseyA.S. Richter collection, California, acquired from the above 4 May 1989Acquired by the current owner from the above's estate, 2017The ancient Greek male body has been an ideal of Western Art for over 2000 years. The idealised male is nude, his defined muscles and slender body holding an athletic pose to show off the skill of the sculptor or painter. Just as we are inundated with images of the perfected male form in modern advertising media, the ancient Greek would have encountered the idealised nude male body in the vase-painting and statuary that surrounded them. In Classical Greece, male nudity was not the taboo subject it is today. It was common for men to exercise together naked, and participate in sporting events, such as the Olympic games, in the nude. It was this training and exercise that would prepare men for the gruelling nature of war. A soldier needed to be fit to fight. Due to the design of their shields, a warrior counted on the man to his right to protect him from oncoming attacks, just as he was counted on by the man to his left to do the same. It was this trust built up amongst soldiers which the Greeks relied on for their success in battle. A Greek warrior would not enter combat nude, yet warriors were often depicted without clothing when the battle had a semi-mythical setting, as with this Amazonomachy scene. The nudity reflects the combatants' heroism and bravery.In opposition to this was the Greek perception of the female body. In the visual arts the female is pale, her soft skin without muscle definition and her body (almost) always covered. This reflected daily life in Classical Greece, where women were kept behind closed doors, protected their bodies from the sun and had limited interactions with men outside of their family unit. When women were depicted nude in art, it was to show their weakness, vulnerability, or sexuality, with the latter demarcating the woman as an outsider, such as a prostitute or musician. The figure of the Amazon breaks with the norms of a respectable Greek woman. Where the traditional Greek woman was demure and functioned as a bearer of legitimate children, the Amazon was athletic, independent and frequently challenged men in battle. The Amazons were a semi-mythical race of women who were thought to be the offspring of Ares (the god of war) and the nymph Harmonia, meaning they had demi-god status. They lived on the fringes of the known Classical Greek world which reinforced them as an 'Other' in Ancient Greek society. The Amazons did not marry, and were known to cut off their right breasts for greater agility in battle. Battles which took place between Amazons and Greek heroes, such as when the Amazons fought against the Greeks in the Trojan war, are known as Amazonomachies. The Dinos Painter, named for his many depictions of Dionysiac scenes, was a student of the Kleophon Painter.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 401

Royal Worcester Ex Artist Brian Cox Signed and Hand Painted Pair of Lidded Fruit Vases ' Fallen Fruits ' Still Life to All round the Vase - Grapes, Peaches, Raspberries and Apples Leaves, Embellished with Gold Borders. Each Vase Stands 9.5 Inches - 23.75 cms Tall. Both 1st Quality and Mint Condition.

Lot 741

Pair of Tall Murano Style Glass Vases, each approx. 14" tall. One in clear glass Murano vase with shades of blue, green and red, of triangular form; the other a Bohemia Glass vase in lime green with twisted base and orchid style top.

Lot 580

A Peruvian silver vase, of baluster form, with spirally lobed decoration, stamped 'Plata Fina, 925', 16cm high, 11oz

Lot 644

An eastern white metal overlaid brass vase, engraved with stylised foliage and script, within borders of strapwork, 11cm high; a Thai silver cigarette box, with Niello decoration and burr wood lining, 12cm wide, a paper knife with coin inset terminal, stamped 925, a pair of Danish silver small spoons by Georg Jensen, and a small quantity of assorted silver plated items including a large circular lazy susan (qty)

Lot 649

A silver sauce boat, with scroll handle by Horace Woodward & Co, Birmingham 1919, a silver circular butter dish with domed cover, and glass liner, Sheffield 1922, a silver tapered vase, London 1911, 14cm high, and a silver three piece cruet set, 22oz overall

Lot 713

A late 19th century German silver beaker, embossed and engraved with a continuous riverbank, with frogs, a newt and a dragonfly, between borders of stylised foliage, foot rim inscribed and dated 1888, stamped 800, 8cm high; and a continental silver baluster small vase, the neck with applied floral spray, stamped 900, 12cm high (2)

Lot 423

BRITISH SCHOOL CIRCA 1900. Still life with blue and white Chinese vase, books, etc. Watercolour. 63cm x 46cm. Also another similar & larger, unframed.  (2).

Lot 10

A contemporary Chinese blue and white pottery vase, decorated with a cloud dragon, 24cm high.

Lot 106

A contemporary Chinese Famille vert vase, decorated with warriors and a horse, 25.5cm high

Lot 187

An early 20th century Guioche enamel vase/table lamp decorated with birds amongst foliage, vibrant red finish, unmarked, 25cm high; a Victorian work box; a 17th century style chair (3)

Lot 238

Oriental items - a Satsuma vase, decorated with Samurai; pair of Imari bowls; another larger, Tang style horse, Maruhone temple cruet set on stand etc.

Lot 245

A contemporary studio pottery figure of an Elf seated picking his nose, indistinctly signed, dated 2000, 33.5cm high; Royal Crown Derby posies pattern trinket box; Royal Worcester Shakespeare birthplace vase; stoneware warmer etc.

Lot 246

Ceramics - a Sylvac sailing boat small pocket planter; Wadeheath Garden Wall Parrot Well jug; Beswick four section vase; leaf dish, vases etc.

Lot 284

A large contemporary Chinese blue and white vase, floral banded decoration, twin mask head neck, 48cm high.

Lot 3

A Royal Worcester Blush ivory tyg, painted with Swooping Swallows; similar vase; miniature floral tyg etc (5)

Lot 322

An Indian silver coloured metal posy vase; oval cabochon set pill box; circular pin tray, 108g gross

Lot 232

7 PIECES OF SIGNED STUDIO COLOUR GLASS WARE, comprising of Andrew Shea signed cream swirl dish, bowl and vase, ribbed turquoise glass jug, bon bon dish and custard glass and signed Andrew Hay green glass goblet

Lot 25

SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS CIRCA 1900 including two armchairs, with pierced vase splats above drop-in seats raised on square chamfered legs united by stretchers

Lot 70

DENBY JUG (24cm high) AND VASE (16cm high)

Lot 79

CHINESE CRACKLE-GLAZE VASE QING DYNASTY with later decoration 22cm high

Lot 88

MARY RICH (b.1940) FOOTED BOWL & A SMALL VASE each covered in a rich greenish blue glaze, impressed marks, 15cm diam & 7cm high; together with a SMALL MARY RICH FOOTED BOWL, 7cm diam (3)

Lot 89

MARY RICH (b. 1940) TEAPOT & A BLAUSTER VASE each with pale purple / lavender-glaze enriched with gilt, impressed marks 9cm & 12cm high

Lot 90

MARY RICH (b.1940) VASE pale blue-glaze enriched with gilt, impressed mark 15cm high

Lot 91

MARY RICH (b.1940) SQUAT VASE green / blue-glaze enriched with gilt, impressed mark 10cm high

Lot 93

MARY RICH (b.1940) VASE & A BOWL covered in a rich cobalt blue-glaze, impressed marks 12cm diam & 10cm high

Lot 95

KATHERINE PLEYDELL-BOUVERIE (1895-1985) SMALL VASE the sides incised with petals, impressed mark 10cm high

Lot 98

MARY RICH (b.1940) SMALL VASE in pale blue-glaze enriched with gilt, impressed mark 13cm high

Lot 99

CHINESE SILVER AND ENAMEL COVERED VASE LATE QING / REPUBLIC PERIOD  14cm high; TOGETHER WITH A CHINESE SILVER AND ENAMEL SQUARE DISH, 9.5cm wide (2)

Lot 103

STUDIO POTTERY 'TEADUST' GLAZE BALUSTER VASE 20TH CENTURY signed, 22cm high; together with a MURANO GLASS VASE, 20TH CENTURY, signed, 21cm high (2)

Lot 107

JAPANESE BRONZE VASE MEIJI PERIOD 17cm high: together with TWO JAPANESE CLOISONNE VASES, MEIJI PERIOD, 15cm & 12cm high; A BRONZE MYTHICAL BEAST HEAD AND A STANDING CRANE (5)

Lot 116

JAPANESE BLUE AND WHITE JAR EDO PERIOD 20cm high: together with a JAPANESE GREEN GLAZED STONEWARE VASE, LATE EDO PERIOD, 27cm high (2)

Lot 126

FLAMBE CRACKLE-GLAZE VASE QING DYNASTY 20cm high

Lot 139

CHINESE FAMILLE BALUSTER VASE LATE QING DYNASTY painted with courtiers, 17cm high; TOGETHER WITH A CHINESE EXPORT FAMILLE ROSE TEA BOWL AND SAUCER (2)

Lot 141

CHINESE BLANC DE CHINE VASE 20TH CENTURY 33cm high; together with a RED-GLAZE ARCHAISTIC VASE AND A CELADON-GLAZE DOUBLE GOURD VASE (3)

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