A wicker picnic hamper containing a quantity of good quality white table and other linen to include tablecloths, doilies and other textiles and a further example with embroidered dove detail together with a timber crucifix with a bronze type applied figure of Christ, several 45rpm records to include The Merry Ploughboy by Dermot O`Brien and His Club Men, etc together with a ceramic dish, vase, sundry prints, poker dice, a portable chess set, a small Indian timber chest with metallic mounts, etc
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A mixed selection of brassware to include a 1930s style reading lamp with rectangular opaque green and cream glass shade, a pair of candlesticks with extensive pierced and figure mask decoration with insignia mark to undersides, a further pair of small Chinese brass candlesticks, a Swedish five divisional candelabra, a cruet tray with six egg cups all with chased foliate decoration, Chinese brass vase, bowls and a crumb scoop
A bronze table lamp in the form of a classical urn on stepped base with fluted detail with further garland decoration together with a pair of white ceramic baluster shaped table lamps, an unusual studio ware example together with a further table lamp in the form of a baluster vase with banded detail
A collection of black basalt type wares including a 19th century teapot with hobnail style and stylised floral moulding, a teapot with fruiting vine relief decoration with rustic handle and spout, a cream jug with lion mask spout, four further jugs and a large vase with classical style decoration and incised monogram CRR (?) to base, with label to interior Ceramica Negra, Ricardo Campos
A collection of 19th century and other oriental ceramics including a Kutani type vase and cover with peacock and other bird decoration and four character mark to base, a further Kutani type jug of flared form, an Imari bottle shaped vase, an Imari dish, a vase of elongated ovoid form with dragon decoration amongst clouds, a Japanese eggshell porcelain coffee wares, etc
An unusual 19th century vase modelled as three cherubs smashing a large urn shaped vase with under glazed blue sceptre mark to base together with a Lladro Daisa figure of a seated girl holding two puppies, two Lladro birds, a Beswick model of a nuthatch No 2413, an Italian model of a robin with crowned N mark to base, a Lilliput Lane model of Holly Cottage, a boxed Wedgwood blue ground jasperware vase, etc
A miscellaneous selection to include a quantity of cigarette cards, some in books, together with two oak wall plaques with applied bronzed panels for the Hanomag Speedway Reserves Consultation 28 July 46, Winner and Fourth place, a pale blue ground ceramic vase in the Chinese style, a 19th century carving knife with cattle mask embossed silver cap, etc
An oil painting on board of a floral still life with chrysanthemums, 19 x 23 cm, a further oil painting on board of a highland landscape with mountains and loch, signed bottom right J M White (partially concealed by slip), 17 x 28 cm approx and also together with a large coloured print, still life with magnolia blossom in a turquoise glazed vase with indistinct signature bottom left Oerden (?), with Frost & Reed label verso dated 53, 65 x 82 cm (all framed)
An extensive collection of Royal Albert Old Country Roses pattern dinner and tea wares comprising twelve dinner plates, six side plates, six dessert bowls, teapot, seven tea cups, seven saucers, six tea plates, a vase, two circular covered trinket boxes, a heart shaped posy ornament, an oval dish and a rectangular dish together with further Royal Albert tea wares including a Michaelmas Daisy pattern trio, etc
An 18th century vase believed to be Derby with painted insect decoration to the lower section, female mask and floral encrusted decoration to the upper section, pierced rim with applied forget-me-not detail and with old label to base Chelsea-Derby, together with an 18th century two handled serving dish, again in the Derby manner, with painted floral sprigs to the centre and to the reverse rim, within a blue and gilt stylised floral border and with naturalistically modelled handles in the form of rose stems with leaf terminals
A Royal Crown Derby blue ground two handled vase of ovoid form with gilt cartouches to front and reverse containing floral sprays, raised on four scrolling supports and signed W Mosley together with a Royal Crown Derby Imari pattern coffee can and saucer number 2451 and a Royal Crown Derby Imari pattern fluted bowl number 2649
A liver-red vase, probably 18th century, of mallet form, 12.5cm, a bottle vase with a ge glaze, moulded and coloured with iron-oxide with vine leaves, probably early 19th century, 10cm, and a black vase, damaged, 10.5cm (3), Black vase with tiny rim chip with hairline crack issuing from it. Ge type vase with 1.5cm hairline crack visible on the neck interior. Liver ground vase with no obvious faults.
An unusual pair of biscuit porcelain Vases, probably mid 19th century, each pear body yellow-glazed and reserved with aubergine hawks in a pine tree above blue rocks and a Buddhist lion, the reverse with blue bats, mask and tongue handles, damage and restoration, 57.7cm, stands (4) ???????(??) ??????????, One vase with rim broken, pieces attached, one handle broken and glued. The other vase neck, rim and both handles restored.
A pair of Zunshuntei Arita Vases, c.1870, each with panels of figures or flowers reserved on a complex ground, flared mouths, marks in red, 28.5cm, an Arita jardiniere with figures in a garden, 25cm, and a plate in an Imari palette, 30.5cm (4), one vase has a small chip to the rim, other vase has no obvious faults.
A Kutani porcelain vase, with panels of figures and a peacock, the neck with mask and fixed ring handles, 35.5cm, and an Arita Imari vase of gu form with reticulated knop, 28cm (2), Kutani vase with star shape crack to base, small paint flake missing to bird panel. Arita vase with no obvious faults.
An unusual celadon-ground Vase, Jiaqing, late 18th century, enamelled in bright colours with the Eight Daoist Immortals and other figures floating on clouds above the sea, a rocky landscape behind, the neck and shoulder with a high relief iron-red chilong, enclosing the rare depiction of a European trading ship, cut down and drilled, 30.5cm ???????? ??????????????, Reduced in height, converted to a lamp. Small enamel flakes. Two drill holes.
A Ge-type baluster Vase, mid-19th century, the body with overall grey crackle, the neck with applied prunus flower and branch handles, the mouth and foot in iron-brown, incised four character Chenghua mark on an iron-brown square, 44.2cm, wood stand (2) ??????? ?????????????????? ®????¯?, Four dragon spines with losses. One dragon whisker with chip and losses.
A pair of famille rose Vases, late 19th century, each painted with the Three Heroes of the Han Dynasty between moulded iron oxide chilong, ruyi and Buddhist lion handles, frilled mouth, incised four character Chenghua mark on a tablet, 36.6cm (2) ?????? ??????????????????????? ®????¯?, One vase`s handle with Buddhist lion tail missing, the other handle with tips to tail missing. One section of chilong tail missing. The other vase with the tips of the tails of both Buddhist lion handles missing. One chilong missing rear leg.
Two monochrome Vases, 19th century, one applied with iron-brown dragons on a yellow ground, traces of Chenghua mark, drilled, 36.5cm, wood stand, and another Vase, under a brilliant emerald glaze, fitted for electricity, 25.5cm, fixed wood stand (2) ????? ?????????? ??????? ????, Yellow vase with fritting around the rim, hole drilled in the base to accommodate an electric cable. Green vases - surface scratches to body, fitted for electricity, fixed to wood base.
A famille rose Bottle Vase, c.1900, the globular body and short, cut down, neck enamelled overall with millefleurs, six character Qianlong mark in seal characters, mounted for electricity, 39cm ??1900? ??????? ??®??????¯???, Neck reduced in height, now with lamp fittings. Main body with no visible chips or cracks.
A Clair de Lune Vase, mark and possibly period of Guangxu (1875-1908), the almost globular body with a pair of annular rings below another, the blue-grey glaze running to white, below the trumpet mouth, six character mark of Guangxu in underglaze blue, 34.8cm ???(??) ??????? ??®??????¯??? , A small white glaze imperfection to the base of the neck, a fine 1cm glaze surface scratch to body, otherwise no obvious faults.
A Vase, Daoguang mark and period (1821-1850), well painted on the ovoid body with five dragons, one confronting, the eyes picked out in green, amongst clouds, flames and pearls, between breaking waves and banana leaves, the short flared neck and foot with ruyi, the shoulders with elephant and fixed ring gilt handles, six character seal mark in red, 41cm ??? ??????????? ??®??????¯???, Slight enamel wear to mask heads and gilding on rings. Slight rubbing to gilding on rim. Otherwise no obvious faults.
A powder-blue-ground Vase, late 19th century, the baluster body with gold dragons amongst clouds below lotus, the base with false gadroons, repaired and drilled, 47cm ?????? ????????????, One third of the rim is broken in two and restored above and under rim, and resprayed. Gilding rubbed throughout, drilled to base to accommodate an electric cable. Some unknown black speckling within the glaze on the lower neck and shoulder on one side of the vase.
An unusual celadon-ground Vase, early 19th century, painted in underglaze blue with the `Hundred Boys` at various pursuits including bird fancying, lighting fireworks and the legend of Sima Guang, and enhanced in bright enamels and gilding with flowers, butterflies, birds and fruit, the neck with seeded blue dragon handles, slight wear, 62.3cm Sima Guang was a Song sage who, in his boyhood, had saved a young companion who had fallen into a large jar, by smashing it with a stone. While frequently found on Kakiemon, Chelsea and Meissen, it is uncommon on Chinese porcelain. ?????? ??????????????, Losses to gilded decoration. Some small areas of enamel loss.
A famille rose Vase, Daoguang (1821-1850), with ovoid body and frilled neck, the shoulders with applied pink, green and gilt chilong, enamelled and gilt overall with immortals, precious objects, flowers and butterflies, the neck with Buddhist lions grasping blue-enamelled balls, 44cm ??? ????????????????, One chilong with left front leg restored. Some enamels erased and gilding rubbed throughout.
An unusual famille rose Marriage Vase, mark and possibly period of Guangxu (1875-1908), the finely enamelled bulbous body with complex borders, the neck with twin fish and set on a fixed high stand with shou roundels on a pink and blue fret diaper, four character mark of Guangxu, 22.2cm ???(??) ????????? ??®??????¯???, No obvious faults.
A famille verte Vase, c.1830, the crackled baluster body painted with warriors and horsemen, or figures in a garden, between swastika and key-fret bronzed borders, the shoulders with mask and ring handles, four character mark of Chenghua, 35.7cm ??1830? ?????????????????? ??®????¯???, No obvious faults.
A famille verte Vase and Cover, second half of 19th century, painted with a pheasant in a magnolia above peony, rocks and chrysanthemums, the domed cover with Buddhist lion knop, 36cm (2) ???????? ?????????, There are two small chips to the underside of the lid flange, otherwise vase has no obvious faults.
An unusual famille rose Vase, c.1830, well painted with a figure, probably Laozi, dismounted from his ox and presenting a scroll to a dignitary, between rocks and a fence, the elongated ovoid body minutely brown crackled, four character incised Chenghua mark, 28.2cm ??1830? ????????, Glazing crazed throughout. No obvious chips, cracks or damage.
A Part Pagoda, AFC Liao dynasty (916-1125), the sides with pierced windows and on a stand, held by six figures under a thatched roof, together with another Base, a conical Vase, moulded with scrolling lotus, and two other Pieces, pagoda 33cm (6) This lot is accompanied by a Thermoluminescence Analysis Report from Oxford Authentication Ltd. dated 23 October 2002. ? ????, Firing cracks. Thermoluminescence test hole in base for all pieces.
A large famille rose Vase and Cover, c.1760, finely painted in a mandarin palette with figures, dogs, and musical instruments, reserved in panels on a gilt and red diaper ground, the domed cover matching, cut down, fitted for electricity, 40cm, fixed wood stand (2) ??1760? ?????????????, The neck no longer present. The lid fitted with a metal mount for a lamp and with varying sized chips around the rim. The main body with chips around the rim. Some small enamel losses. Lid and base of vase are drilled to accomodate an electric cable.
A Brush Pot, 20th century, of cylindrical form, moulded with a dragon, its breath with a carp among spuming waves, the sky with clouds and flames, 15cm, and an ovoid Vase, 20th century, the body with relief pine and cranes on a rock above waves, the reverse with an inscription of Song He Yan Nian, 15.5cm, both with moulded four character mark of Wang Bingrong (2) ???? ????????? ??????? ????, Tiny chip to rim of brush pot, otherwise no obvious faults. Vase - no obvious faults
A famille rose Vase, Republic period, the globular body finely enamelled and gilt with panels of quail under flowers, a bird swooping over peony and banana and a water bird over lotus, all reserved on a complex ground of millefleurs against gilt feathery chocolate, six character seal mark Qianlong, 13.7cm ?? ????????????????????? ??®??????¯???, very light rubbing to gilding on rim, otherwise no obvious faults
A miniature Qingbai Vase, AFC Northern Song dynasty (960-1127), of lobed melon form with wide neck under an off-white glaze, chip repaired, 5cm, and an unusual greenware conical Vase, Northern Song dynasty (960-1127), on four legs, the squat body with four incisions, 4.5cm (2) ?? ??????? ? ?????? ???? , Qingbai vase - small chip and repair to rim.
A pair of famille rose Jars and Covers, early 20th century, each globular body with various gourds, leaves, tendrils and butterflies, the slightly domed covers with spire knops, one knop reset, 23cm high (4) ????? ????????????, One lid with small chip to knop, one vase has a small chip to the rim, both with gilding losses to the rim. No other obvious faults.
A Chinese ornamental jade Group, late Qing dynasty, carved in 18th century style with a vessel amongst leafy branches of Buddha`s finger citron with large and small fruits, and with a feng perched on a lingzhi, the head turned back and biting on a branch of peach, the stone of green-grey tone with russet speckling, one chip, 16.5cm, silver wire-inlaid hardwood stand (2) This scholar`s desk object may have originally had a cover on the vase - or it may have been intended as a brush pot. ?? ????????, Chip to one frond of a fruit tendril, a hairline inclusion running laterally through the base of the carving. Vessel probably lacking a cover. Brown discolouration. Some slight abrasions and some sharp edges. Stand has missing end section and large deposits of soft composition (possibly to stick jade to stand). Possibly some old repairs, but hard to tell.
A hardstone Vase and Cover, early 20th century, the spade body enclosed by high relief peony above a pheasant on a rock, all in a jade-like green stone, the waisted neck with elephant head handles and loose rings, the domed cover also with peony, some minor chipping, 26.3cm overall, fixed wood stand (3) ????? ??????????????, Cover - stem and leaves broken and glued or missing, Handles - only one tusk intact, one trunk resin? restored. Main body - some tiny chips to peony leaves, resin? restorations to two stems.
An archaic hardstone Vase and Cover, early 20th century, the green and grey mottled body carved in low relief with chilong, the neck with large mask and tongue handles, the tall cover with scrolls, 19.4cm, stand (3) ????? ???????????, One mask handle with a small knock to crest. Otherwise no obvious faults.
A finely carved and polished Guanyin, possibly 18th century, seated cross-legged on a high plinth, her six arms with leaf, sword, two moons, axe and vase, two acolytes on either side and a praying figure amongst clouds at the base, minor chips to aureole, 18.5cm ?????(??) ??????????, Chips to mandila. A third of the front of base broken and repaired right across.
A Longquan celadon Vase, AFC Yuan dynasty (1279-1368), of elongated pear form, the neck with loop and fixed ring handles, under a soft grey-green glaze, R&G McPherson paper label, 15.5cm, and another Longquan celadon Vase, Yuan dynasty (1279-1368), the ovoid body diced and incised with commas, the neck encircled by lines and with false gadroon foot, all under a clear, slightly crazed, grey-green glaze, 19.5cm (2) Literature: See `Catalogue of Late Yuan and Ming Ceramics in the British Museum`, Jessica Harrison-Hall, 2001, ref. OA 1936.12-19.11. ? ????????? ? ?????????????, The second vase broken off where the neck joins the shoulder and re-glued.
A jade Carving of a Lotus, 19th century, pierced and carved with a flower, stems and leaves, the stone of pale grey-green, 8cm, stand, and Another, of a large bell-shaped flower with a bird and leaves, damaged, 6.5cm, stand (4) ????? ??????? ???????? ????, The lotus - a tiny chip to the uppermost leaf, otherwise no obvious faults. The vase - one third of base missing, cracks to the remaining part, plant stem missing.
An interesting cinnabar lacquer Vase, second half of the 19th century, the thinly hammered body well carved with scholars in a landscape amongst rocks and trees, the shoulders with lotus and key fret, and with ruyi at the mouth, the mouth copper and the papier mƒch‚ base pierced, 31.5cm, wood stand (2) ???????? ???????????? , Hole to base, cracks to rim, some rim paint flaking.
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650806 item(s)/page