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A FINE QUALITY JAPANESE MEIJI PERIOD SASTUMA BALUSTER VASE BY TAIZAN, The body with two continuous panels of floral decoration, the neck with finely decorated with enamel sprays of iris amongst leaves,and trellis panels of borders, highlighted with gilt, artist signed to the underside. 31cm. from a private U.K collection
A GOOD PAIR OF JAPANESE MEIJI PERIOD SATSUMA TWIN HANDLE BALUSTER VASES, each vase with applied blue and gilt enamel lion dog handles, the body of the vases finely painted to depict a pheasant and chicks amongst flowers and prunus, the other with a red chest pheasant again amongst flora and branches, both vases signed at length with a gilt signature and two red seals that translate to read " satsuma gyokutoshi sei , usai jyosetsu ga, seal jyo, 38cm high. from a private U.K collection
A LARGE JAPANESE MEIJI PERIOD SATSUMA VASE IN THE FORM OF A TIED SACK, the body of the large vase with applied moulded and gilded rope decoration below a flared rim, the main decoration of warriors approaching the seven sages of the bamboo grove, with a phoenix bird above, the base with two impressed seal marks, 55cm from a private U.K collection
A FINE QUALITY JAPANESE MEIJI PERIOD SATSUMA VASE BY KINKOZAN, the body of the globular shaped vase with panel decoration depicting scenes of figures working in a landscape setting, the other with scenes of floral display, further decorated upon a blue ground ith gilded borders and scrolling foliage design, the base with the artist signature for kinkozan and remaining's of a collectors label, 11cm high x 7.7cm wide.
A GOOD QUALITY JAPANESE MEIJI PERIOD GLOBULAR SATSUMA VASE BY KINKOZAN, the vase with a deep blue ground with a continuous central decoration depicting geisha girls and children in landscape settings, between fine gilt borders of formal native foliage, the base with an old collectors label and a gilt seal mark for Kinkozan, 12cm high x 12.5cm wide.
400A FINE QUALITY JAPANESE MEIJI PERIOD SATSUMA OVOID VASE ATTR. KINKOZAN The vase with a blue ground with two main panels depicting seated warriors in a landscape, the opposing side with geisha in landscapes, further decorated with fine quality gilt border decoration, the base with a red and gilt seal, 12cm high.
A large 19th Century baluster shaped floral vase, 46cm high (AF), together with a pair of smaller vases, all hand painted with floral still life scenes, together with a pair of duck egg blue lidded vases with hand painted sunflowers, each measuring 34cm high (5)
An early 19th Century hand painted two handled pedestal vase, possibly Derby, with panels of decoration depicting a country house garden to one side and a courting couple to opposite side, the base with a panel of decoration to front showing a musical still life, all on a duck egg blue ground, 28cm high
An early nineteenth century Masons ironstone garniture set, circa 1815. Each vase is decorated in blue with gilded floral decoration to the body and foot. The handles are moulded with faces at the base. 18 cm and 20 cm tall respectively. (3)Condition: Wear to gilding and restoration to one handle.
Two late eighteenth century Wedgwood black basalt pieces, circa 1790. To included: a vase-shaped coffeepot with reclining female knop and a globular teapot and cover with similar knop. 24 cm and 15 cm tall respectively. The latter with impressed factory mark. (2)Condition: Both in good overall condition.
An early nineteenth century feldspathic stoneware thistle-shaped vase, circa 1810-20. It is classically decorated with scenes and ferns and is impressed Mist, Fleet Street, London. 19.5 cm tall (1)Condition: Small nick to the underside rim, otherwise in good overall condition.
Three late nineteenth century Royal Doulton, Lambeth stoneware pieces, circa 1895. Included are: A jug that reads: He that buys land buys stone, he that buys flesh buys bones, he that buys eggs buys many shells, he that buys good ale buys nothing else. A further jug that reads; This is the tree that never grew, this is the bird that never flew, this is the bell that never rang, this is the fish that never swam. Finally, a vase that reads; For every ill beneath the sun, there is a remedy or none, if there is one then try to find it, If there is not then never mind it. All with impressed marks. Jugs: 18 cm and 15 cm tall respectively. Vase: 18 cm tall. (3)Condition: Vase: Small restoration to rim and foot. Large jug: Restoration to foot, rim and handle. Smaller jug: chip to rim.
Twelve late nineteenth miniature Royal Doulton, Lambeth and other stoneware pieces, circa 1895. Included are: Two jugs, three vases, two low dishes, two pepper pots, mustard pot and spoon, tankard and a barrel tap. Some with impressed marks. Tankard: 7 cm tall, tap: 8 cm long. (12)Condition: Handle missing from smallest jug, chip to rim of larger jug, chip to largest vase rim and smallest vase's foot.
A late nineteenth century Castle Hedingham Pottery Art Pottery two-handled vase, circa 1880. It has applied decoration of three figures and is picked out in colours. Edward Bingham Castle Hedingham mark to the base. 19 cm tall. (1)From the estate of the late Norman Walmsley. Condition: Restoration to one handle.
A group of late nineteenth, early twentieth century art pottery wares, circa 1880-1920. To includes: a two-handles vase signed E Davis, a green glazed jar that reads; Gion, a bowl marked W Stallworth, Haslemere, three cups, a mug and a large bowl. All decorated in the treacle glaze style. Bowl: 33 cm wide, vases: 15 cm and 18 cm tall respectively. (8) From the estate of the late Norman Walmsley. Condition: In generally good condition.
A collection of early nineteenth century blue and white transfer printed wares, circa 1815-25. Included: Three Spode Trophies Marble pattern plates with enamelled highlights, a Wedgwood Basket & Flowers plate, a dessert plate with bird decoration, an Etruscan and Greek vase sauce tureen stand, a Davenport sauce tureen stand, a Romantic period sauce tureen stand and a Chinese Porcelain pattern side plate. 17 - 25 cm wide (9)From the estate of the late Norman Walmsley. Condition: In generally good overall condition
A group of late eighteenth, early nineteenth century blue and white transfer printed chinoiserie pattern wares, circa 1790-1810. Comprising: A Full Nankin pattern vase, two trembleuse saucers, a Long Bridge pattern sauce boat, a Chinaman with a Rocket creamer and a chinoiserie waste bowl. Bowl: 16 cm wide, vase 18 cm tall. (6) From the estate of the late Norman Walmsley. Condition: Bowl with hairline in the rim and restoration to the vase's neck, otherwise in overall good condition.
A group of early nineteenth century blue and white transfer printed wares, circa 1815-25. Comprising: A Spode Tiber pattern sauce tureen (no lid), a Minton Genevse soap box base, a Minton Semi China vase, a Spode Love Chase waste bowl, a helmet-shaped creamer printed with a llama and a footed bowl with figures in a landscape. Vase: 12 cm tall, Tiber tureen: 19 cm wide. (6) From the estate of the late Norman Walmsley. Condition: Vase has damage to the rim, Tiber tureen has a small chip to the foot, footed bowl has rim chip, jug has foot rim chip, soap box has rim chip.
A group of early nineteenth century blue and white transfer printed wares, circa 1800-10. Included are: two Spode Rock pattern coffeepots and a Spode Pearl River House vase. The coffeepots are 26 cm and 20 cm tall and the vase is 15 cm tall. (3)Ex-Trevor Kentish collection. Condition: One coffeepot is missing its lid and has a crack in the body. The other has a crack in the tip of the spout. The vase is missing its lid and has some repair to the foot and a hairline in the rim.
A group of early nineteenth century transfer printed and hand painted Chinoiserie and Eastern pattern wares, circa 1810-25. Comprising of: a plate and matching cup and saucer decorated with a gentleman riding a camel before a mosque, a Thomas Wolfe creamware chinoiserie scene large saucer dish, a plate decorated with before and a large vase of flowers and a chinoiserie plate with a family scene picked out in coloured enamels. Plate: 22 cm wide. (5)From the estate of the late Norman Walmsley. Condition: In generally good overall condition bar some losses to the enamels in places.
A group of early nineteenth century transfer printed wares, circa 1820-40. Included: A Spode Peacock pattern dessert dish, large saucer and lid, two Spode tobacco leaf pattern plates, a Wedgwood red printed two-handled vase and cover, a brown-printed tea bowl and saucer with landscape decoration and a black printed Woodman pattern tea bowl and saucer. Vase: 15 cm tall, dessert dish: 20 cm wide. (8)From the estate of the late Norman Walmsley. Condition: In generally good condition.
A collection of miniature bottleneck vases, by various factories, including one by Worcester Lock & Co hand painted depicting a peacock, an early 19th Century Derby vase, the front with a panel of decoration depicting a canal scene, a studio glass vase indistinctly signed on the base (possibly Shaks) together with an assortment of various other 20th Century bottleneck vases, tallest measuring approximately 12cm high, (9)
A Hadleys Worcester vase painted with fruit and leaves, with gilded Rams head handles, standing on a raised base with hoof feet. Signed J. Lander. Circa early 20th century. Green England marks. 16 dots.Size 18 cm. diameter, 19 cm. high.Condition: two hoof feet restored.
A Royal Worcester Quadrilobe Vase , painted with Fruit. Signed by Kitty Blake Shape 158/H along with another vase painted with Fruit Signed by Kitty Blake Shape 302H.Date: codes 1908 & 1910 Green Mark Size: 8.5cm high, 10cm high.Condition: A few minor paint scratches and very minor wear to gilding. No damage or restoration.
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653685 item(s)/page