We found 653833 price guide item(s) matching your search
There are 653833 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
653833 item(s)/page
Mr Pickwick proposes a Toast three piece tea set; Royal Worcester mustard pot with hinged cover; Chinese porcelain baluster vase, miniature vase, cloisonne dish, small silk embroidered mat; also two vintage tins one for Sharps Toffee, also a part tea service and assorted tea wares
Bernard Myers (1925-2007) - Still life of blue vase, playing cards, pears and a plate, signed, oil pastel, 20.75" x 28.5" - *The artist was a teacher of design at The Royal College of Art and one of his first pupils in 1966 was the inventor James Dyson. In his long career as a tutor, senior tutor and professor at The RCA between 1961-1980 Myers taught in most of the schools of the college, especially in industrial design engineering - which he taught simultaneously to civil engineering at Imperial College next door - interior design, film and television design (which he helped to set up) and general studies. The artist's fellow students at The Royal College of Art were John Bratby, Jack Smith, Frank Auerbeh and Leon Kossoff. He exhibited at The New Art Centre, The New Grafton Gallery in London and many other galleries, he had been collected by The Arts Council, The Contemporary Arts Society, The National Maritime Museum and The Tate Gallery - *Provenance: possibly with Dominic Nevill (Fine Old and Modern Paintings), 2A York Street, Bath, bearing the dealers business card, verso
Early Bristol blue glass charger decorated with concentric gilt painted borders, 10.5" diameter; together with a smaller blue glass plate, a pair of red glass plates, various blue glass table wares including fluted cream jug, egg cup, cayenne shaker, two similar salts on stands and a flared vase liner with oval facet cut border (a collection)
Chinese large blue and white slender baluster vase (converted to a lamp), with frill rim over the body entwined with a dragon moulded in relief chasing the sacred pearl and painted allover with birds and insects amidst blossom trees over a lake, the base painted with repeating panels of lotus leaves, 24.5" high (without electrical fittings)
Small Royal Worcester plate painted by and signed James Stinton, 1923, 6.25" diameter; also a small Royal Worcester baluster vase painted with sheep by and signed E. Barker, stamped no. 2491, 4.5" high and another Worcester Locke & Co vase painted with a pheasant by and signed W. Stinton, no. 469, 4" high (3)
Daum Nancy art glass vase, of squared baluster form with a flared rim, decorated with raised acid cut wild flowers on a deep orange and yellow frosted ground, evidence of worn gilded highlights to decoration and rim, signed with Cross of Lorraine, 5.5" high (one minor corner rim chip)
MOORCROFT: A "Launching Liberty" numbered edition vase, c.2015, of squat form with long tapering slender neck, tubeline decorated and painted in polychrome with sailing vessels on rough seas, on an ivory and dark blue ground, designed by Paul Hilditch, no. 158, signed, painted and impressed marks, paper label, 28.5cm high The vase depicts two 19th century British war ships, HMS Impregnable and HMS Hindustan, which were de-commissioned in 1921. The timbers were then bought by Arthur Lasenby, Liberty, and used in the building of his famous "Liberty London" retail store.
POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL EARTHENWARE VASE, globular form with raised collar, shape no. 947, red-bodied, decorated in the JC pattern, designed by Truda Adams, painted by Ruth Pavely, painted and impressed marks, 30.5cm high Exhibited at the Brighton Museum 1998 Literature, Poole Pottery Leslie Hayward and Paul Atterbury, page. no 48, bottom left, for comparable vase.
RARE POOLE POTTERY CARTER STABLER ADAMS "SPLASHED GLAZE" VASE, shouldered form, shape no.970, decorated in the LH pattern, designed by John Adams, painted by Eileen Prangnell, painted and impressed marks, 24cm high Literature, Poole Pottery Leslie Hayward and Paul Atterbury, page. no 70, bottom left, for comparable vase.
•DUNCAN GRANT (1885-1978) 'Angus Davidson at Charleston, 1922' Davidson depicted seated at an octagonal writing table, his head resting on his left arm, a vase of orange and red dahlias and various papers and objects on the painted tabletop, oil on canvas, 61cm x 73.5cm Exhibited: 'Duncan Grant: Recent Paintings', Independent Gallery, June 1923, no. 24 'Duncan Grant: A Retrospective Exhibition', The Tate Gallery, London, 12th May - 20th June 1959, no. 51 (plate 7) , listed as 'Man at a Table' 'Portraits by Duncan Grant' Arts Council Touring Exhibition, 1969-70; no. 30 Provenance: Acquired by Michael B Harman Esq. from Agnew's in 1940 and thence by direct descent. Known primarily for his work as a translator and publisher, Angus Davidson (1898-1980) was associated with the circle of artists, writers and intellectuals known as the Bloomsbury Group. Between 1924 and 1929 he worked as an assistant at the Hogarth Press with Leonard and Virginia Woolf. He translated the works of Alberto Moravia and Mario Praz, and wrote an innovative biography of Edward Lear that focused on his achievements as an artist. Davidson featured greatly in Duncan Grant's affections from 1922 and although the relationship faded, Davidson was to remain one of Grant's most loyal and lasting friends. Duke's are thankful to Richard Shone for his invaluable assistance in cataloguing this lot
-
653833 item(s)/page