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Lot 77

A Chinese hand painted porcelain vase depicting men carrying a vase, H. 38cm with six character mark to base.

Lot 43

A large Chinese cloisonne bowl on a hardwood stand with a pair of matching cloisonne vases, vase Dia. 31cm.

Lot 71

A very large 19th century stoneware vase (probably Royal Doulton), H. 64cm with restoration.

Lot 632

Mr Pickwick proposes a Toast three piece tea set; Royal Worcester mustard pot with hinged cover; Chinese porcelain baluster vase, miniature vase, cloisonne dish, small silk embroidered mat; also two vintage tins one for Sharps Toffee, also a part tea service and assorted tea wares

Lot 495

Troika lipped cylinder vase, decorated by Alison Brigden, monogram and marks to base, 8" high

Lot 492

Troika brick vase, decorated by Tina Doubleday, monogram and marks to base, 8.5" high

Lot 720

Bernard Myers (1925-2007) - Still life of blue vase, playing cards, pears and a plate, signed, oil pastel, 20.75" x 28.5" - *The artist was a teacher of design at The Royal College of Art and one of his first pupils in 1966 was the inventor James Dyson. In his long career as a tutor, senior tutor and professor at The RCA between 1961-1980 Myers taught in most of the schools of the college, especially in industrial design engineering - which he taught simultaneously to civil engineering at Imperial College next door - interior design, film and television design (which he helped to set up) and general studies. The artist's fellow students at The Royal College of Art were John Bratby, Jack Smith, Frank Auerbeh and Leon Kossoff. He exhibited at The New Art Centre, The New Grafton Gallery in London and many other galleries, he had been collected by The Arts Council, The Contemporary Arts Society, The National Maritime Museum and The Tate Gallery - *Provenance: possibly with Dominic Nevill (Fine Old and Modern Paintings), 2A York Street, Bath, bearing the dealers business card, verso

Lot 360

Royal Worcester 'The Heritage Collection' porcelain oval twin-handled pedestal vase and cover, painted with reserves of feathers on a blue ground within gilded highlights, 2008, 6.25" high

Lot 491

Troika small cylinder vase, decorated by Marilyn Pascoe, signed St Ives to base, 5.75" high

Lot 628

Two similar Staffordshire pottery dogs, 13.5" high; Paragon 1937 King George and Queen Elizabeth souvenir cabinet plate, fluted and lobed Foley jelly mould and a Chinese blue and white vase decorated with figures in a garden (5)

Lot 414

Early Bristol blue glass charger decorated with concentric gilt painted borders, 10.5" diameter; together with a smaller blue glass plate, a pair of red glass plates, various blue glass table wares including fluted cream jug, egg cup, cayenne shaker, two similar salts on stands and a flared vase liner with oval facet cut border (a collection)

Lot 609

Nicaraguan ceramic vase, with twin spouts decorated with lizards on each side, signed San Juan De Oriente. Masaya. Nica by Emmanuel Maldonada to underside, 15" wide, 7.5" high

Lot 553

Chinese large blue and white slender baluster vase (converted to a lamp), with frill rim over the body entwined with a dragon moulded in relief chasing the sacred pearl and painted allover with birds and insects amidst blossom trees over a lake, the base painted with repeating panels of lotus leaves, 24.5" high (without electrical fittings)

Lot 359

Small Royal Worcester plate painted by and signed James Stinton, 1923, 6.25" diameter; also a small Royal Worcester baluster vase painted with sheep by and signed E. Barker, stamped no. 2491, 4.5" high and another Worcester Locke & Co vase painted with a pheasant by and signed W. Stinton, no. 469, 4" high (3)

Lot 558

Chinese porcelain globular bottle vase, decorated with figures around, on a black and repeated flower pattern ground, printed seal mark, 13" high; together with a green glaze vase decorated with a band of Oriental figures in a cream palette,12.5" high (2)

Lot 511

John Maltby (b.1936) - studio pottery stoneware of vase of slim waisted form, decorated with abstract landscapes on a deep black ground, the interior with a deep black gloss glaze, 10" high

Lot 419

Daum Nancy art glass vase, of squared baluster form with a flared rim, decorated with raised acid cut wild flowers on a deep orange and yellow frosted ground, evidence of worn gilded highlights to decoration and rim, signed with Cross of Lorraine, 5.5" high (one minor corner rim chip)

Lot 504

Troika cube vase, decorated by Marilyn Pascoe, monogram and marked St Ives to base, 3.25" high

Lot 618

Large vase in the form of a crane with wings outstretched, 15" high

Lot 885

Period Hepplewhite mahogany carver chair, the open shield back with pierced vase splats, with fluted curving arms over the stuffover leather seat supported upon square tapering legs united by an H-frame stretcher, 23" wide max, 23" deep, 38.25" high

Lot 416

Decorative amethyst glass cornucopia vase, mounted with a cast brass stag's head upon a veined green onyx socle, 7" high

Lot 503

Troika cube vase, decorated by Eleanor Winning, monogram and marks to base, 3.25" high

Lot 420

Early 20th century iridescent swirl design art glass bottle vase, probably WMF, 10.5" high

Lot 103

A Rosenthal sterling silver overlaid porcelain vase on a pale blue ground with swans, H.12cm, together with a Rosenthal pillow vase by Brigitte Doege, signed, H.14.5cm,

Lot 101

Alan Spencer Green (1932 - 2003), stoneware green glazed vase, incised monogram ASG to base, H.24cm

Lot 168

Collection of silver items to include; George V silver cigarette case, Birmingham 1922, Edward VII silver bud vase, London 1902, etc, 4.0toz approx weighable silver

Lot 308

William Moorcroft 'Pomegranate' pattern baluster vase of small proportions, having tube-lined decoration on a dark blue ground, impressed marks, 10cm high (at fault)

Lot 346

Large Chinese-style pottery vase decorated with prunus, 78cm high

Lot 291

Late 19th/early 20th Century Chinese blue and white porcelain vase decorated with birds amidst flowers, double ring mark to base, 30cm high

Lot 295

Rare 1930's Rene Lalique 'Paquerettes' pattern glass vase, of ovoid form decorated in relief with sunflowers, etched mark beneath, 18cm high (rebuilt)

Lot 357

Assorted glassware to include; a Uranium glass 'Jack-in-the-Pulpit' vase, Italian Murano glass baskets, assorted cranberry glass etc

Lot 542

Early 20th Century Japanese bronze vase, Meiji period, decorated in deep relief with dragons chasing the sacred pearl, lacking base, 50.5cm high

Lot 328

Nicola Mortimer - Five items of studio pottery comprising: four assorted graduated jugs and a two handled vase modelled as a 'crinoline dress', painted initials, latter 21.5cm high (5)

Lot 294

Three items of 'Mary Gregory'-style cranberry glass comprising: a pair of lidded ovoid pots, and a campana-shaped vase, the latter 20.5cm high (3)

Lot 284

Pair of Continental figures of a courting couple, each standing beside an urn and pedestal as spill vase, 30cm high

Lot 326

Collection of assorted glassware to include; eight various paperweights, double gourd scent bottle, vase and 'witch ball' (11)

Lot 122

POOLE POTTERY TRADITIONAL VASE, globular form, shape no. 429, decorated in the LO pattern, designed by Truda Carter, painted by Eileen Prangnell, painted and impressed marks, 25cm high

Lot 112

POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL VASE, cylindrical form with raised collar, red-bodied, shape no. 159, decorated in the EW pattern, designed by Truda Adams, painted in polychrome with stylised flowers, by Anne Hatchard, painted and impressed marks, 27cm high

Lot 37

WILLIAM MOORCROFT: A SALT GLAZED "EVENTIDE" VASE, oviform, decorated with tree's and mountainous landscape, painted and impressed marks, 30.5cm high

Lot 115

POOLE POTTERY CARTER STABLER ADAMS "BLUE BIRD" VASE, shouldered form, two stylised handles, decorated in the DV pattern, shape no. 973, painted in polychrome by Ruth Pavely, impressed and painted marks, 21.5cm high

Lot 86

MOORCROFT: A "Launching Liberty" numbered edition vase, c.2015, of squat form with long tapering slender neck, tubeline decorated and painted in polychrome with sailing vessels on rough seas, on an ivory and dark blue ground, designed by Paul Hilditch, no. 158, signed, painted and impressed marks, paper label, 28.5cm high The vase depicts two 19th century British war ships, HMS Impregnable and HMS Hindustan, which were de-commissioned in 1921. The timbers were then bought by Arthur Lasenby, Liberty, and used in the building of his famous "Liberty London" retail store.

Lot 36

•EDWARD HALD FOR ORREFORS: A GRAAL GLASS PAPERWEIGHT VASE, c.1930, globular form, internally decorated with fish swimming amongst reeds, signed marks, 12.5cm high

Lot 96

MOORCROFT: An "Oak Tree" trial vase, c.2016, of baluster form, tubeline decorated and painted in polychrome with oak trees, designed by Vicky Lovatt, painted and impressed marks, 27.5cm high

Lot 43

WILLIAM MOORCROFT: A "FLORIAN WARE" VASE, baluster form, decorated with stylised tubeline flowers on a blue ground, painted and printed marks, 29.5cm high

Lot 51

WILLIAM MOORCROFT: A SALT GLAZED "ORCHID" VASE, globular form, decorated in polychrome with flowers on an ivory ground, painted and impressed marks, 13cm high

Lot 5

THOMAS WEBB & SONS (STOURBRIDGE): A CAMEO GLASS VASE, baluster form with long slender neck, the translucent yellow ground overlaid in opaque white, finely wheel-carved with a butterfly and scrolling flowers and tendrils, the circular foot and rim banded, 24.5cm high

Lot 13

•GEOFFREY BAXTER FOR WHITEFRIARS: A WILLOW WAISTED VASE, c.1967, paper label, 31cm high

Lot 116

POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL VASE, oviform, shape no. 684, red-bodied, decorated in the IN pattern, painted by Truda Rivers, impressed and painted marks, 36cm high

Lot 108

POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL EARTHENWARE VASE, globular form with raised collar, shape no. 947, red-bodied, decorated in the JC pattern, designed by Truda Adams, painted by Ruth Pavely, painted and impressed marks, 30.5cm high Exhibited at the Brighton Museum 1998 Literature, Poole Pottery Leslie Hayward and Paul Atterbury, page. no 48, bottom left, for comparable vase.

Lot 53

WILLIAM MOORCROFT: A MATCHED PAIR OF ANEMONE VASES, globular form, decorated with flowers on a blue-greenish ground, impressed marks and signed in facsimile, 15cm high, and one "Hibiscus" pattern vase, 12.5cm high (3)

Lot 14

•GEOFFREY BAXTER FOR WHITEFRIARS: A PEWTER "SWUNG OUT" GLASS VASE, model no. 9650, 40cm high, and a "TOP HAT" vase, decorated in the pewter colourway with white enamel band to rim, 18cm high (2)

Lot 69

MOORCROFT: A "WINDSOR CARNATION" LIMITED EDITION VASE, baluster form, tubeline decorated, designed by Sally Tuffin, commissioned exclusively by Talents of Windsor, no.293/300, 18.5cm high and one other, 16cm high, impressed and painted marks (2)

Lot 38

WILLIAM MOORCROFT: A POMEGRANATE VASE, c.1916, flared cylindrical form, painted in polychrome and decorated with a frieze of fruits on a dark blue ground, impressed and fascimile marks, 26.5cm high

Lot 65

MOORCROFT: A "BLAKENEY MALLOW" VASE, c.2001, baluster form, tubeline painted in polychrome, designed by Sarah Brummel-Bailey, 28cm high, and a "CROWN IMPERIAL" limited edition vase, designed by Rachel Bishop, no. 285/600, painted and impressed marks, 31cm high (2)

Lot 8

THOMAS WEBB & SONS (STOURBRIDGE): A CAMEO GLASS VASE, globular form with raised collar, the translucent red ground overlaid with opaque white, finely wheel-carved primula flowers, the circular foot and rim banded, 12.5cm high

Lot 56

WALTER MOORCROFT: An "Anemone Flambe" vase, of baluster form, decorated with anemone flowers, on red/greenish ground, painted and impressed marks, 17cm high

Lot 82

MOORCROFT: A "Trees and Bluebells" trial vase, c.2017, of squat form with slender fluted neck, tubeline decorated and painted in polychrome with bluebells and trees, on a cream and blue ground, designed by Rachel Bishop, signed, painted and impressed marks, paper label, 24cm high

Lot 75

MOORCROFT: A "Pied Wagtails" limited edition vase, c.2013, of baluster form, tubeline decorated and painted in polychrome, designed by Vicky Lovatt, no. 71/125, painted and impressed marks, 18cm high

Lot 110

RARE POOLE POTTERY CARTER STABLER ADAMS "SPLASHED GLAZE" VASE, shouldered form, shape no.970, decorated in the LH pattern, designed by John Adams, painted by Eileen Prangnell, painted and impressed marks, 24cm high Literature, Poole Pottery Leslie Hayward and Paul Atterbury, page. no 70, bottom left, for comparable vase.

Lot 274

•DUNCAN GRANT (1885-1978) 'Angus Davidson at Charleston, 1922' Davidson depicted seated at an octagonal writing table, his head resting on his left arm, a vase of orange and red dahlias and various papers and objects on the painted tabletop, oil on canvas, 61cm x 73.5cm Exhibited: 'Duncan Grant: Recent Paintings', Independent Gallery, June 1923, no. 24 'Duncan Grant: A Retrospective Exhibition', The Tate Gallery, London, 12th May - 20th June 1959, no. 51 (plate 7) , listed as 'Man at a Table' 'Portraits by Duncan Grant' Arts Council Touring Exhibition, 1969-70; no. 30 Provenance: Acquired by Michael B Harman Esq. from Agnew's in 1940 and thence by direct descent. Known primarily for his work as a translator and publisher, Angus Davidson (1898-1980) was associated with the circle of artists, writers and intellectuals known as the Bloomsbury Group. Between 1924 and 1929 he worked as an assistant at the Hogarth Press with Leonard and Virginia Woolf. He translated the works of Alberto Moravia and Mario Praz, and wrote an innovative biography of Edward Lear that focused on his achievements as an artist. Davidson featured greatly in Duncan Grant's affections from 1922 and although the relationship faded, Davidson was to remain one of Grant's most loyal and lasting friends. Duke's are thankful to Richard Shone for his invaluable assistance in cataloguing this lot

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