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A pair of Royal Doulton Stoneware art vases. Incised Frank Butler. 42cms. One vase has possible internal firing crack,only seen from inside, no chips or other damage. The second has had damage to the foot rim and been glued but not restored. CONDITION: One vase has possible internal firing crack,only seen from inside, no chips or other damage. The second has had damage to the foot rim and been glued but not restored.
A William Moorcroft Florian Ware cornflower squat vase. 11cms high. Green painted signature. CONDITION: Some paint loss to the rim, appears to be “Grazing” to the paint glazingThere is some crazing to the glaze throughout. There are no cracks or signs of restoration.
A Chinese jade vase, 20th century, in the archaic style, having triple pairs of pierced and carved handles with rings to each, mounted to two tier wooden plinth base, height including base 17.8 cm, together with a Chinese boxed carved seal and lidded porcelain wax dish set, in fitted box, late 20th century. (2)
A good mixed lot of cut and moulded glass, including: five 19th century pedestal rummers, tumblers, cocktail glasses, celery vase, ice pale, facet cut decanter and stopper, small claret jug with plated mounts, two decanters and other items. Condition Report: Pedestal rummers: All have chips to base corners, one has chip to rim.Tumblers: All good.Cocktail glasses: Some with chips.Various chips to decanter stopper.Various chips to other pieces.
Nineteenth century British school, an extensive river landscape, autumnal trees and swallow flying low over the water, watercolour, 43 x 53cm, together with a still life study of red roses in a clear glass vase, indistinctly signed and dated '80, 35 x 42cm.
A Dresden porcelain lidded urn and stand, decorated with reserves of courting couples on a predominantly yellow and gilded ground, 48cm, together with a set of three Masons fruit basket ginger jars and covers, a Doulton Lambeth pressed lace decorated vase, a pair of reproduction Delft octagonal vases, another Delft vase of generous proportions and a clear glass twin handled and lipped amphora.
A Large pair of Japanese Ivory TusksJapan, Meiji period (1868-1912)Each carved in sunk relief with a continuous scenes from the Kojiki, the first depicting Susanoo about to kill Yamata no Orochi, the second depicting Umisachi-hiko and Oogetsuhime emerging from the waves.Height 33.5 cmCatalogue note:Kojiki ("Records of Ancient Matters" or "An Account of Ancient Matters"), it is the oldest extant chronicle in Japan, dating from the early 8th century (711–712) and composed by ? no Yasumaro at the request of Empress Genmei. The Kojiki is a collection of myths concerning the origin of the Japanese archipelago, and the Kami. The myths contained in the Kojiki as well as the Nihon Shoki are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual.Umisachi-hiko (luck of the sea), in Japanese mythology and folklore, was a deity of the bounty of the sea and enchanted fisherman. He appears with his younger brother Yamasachi-hiko (Luck of the Mountains, Hoori) in the "Luck of the Sea and the Luck of the Mountains" episode. When the fish hook he lends to his younger brother is lost at sea, he demands its return rather than to accept any compensation. Later he is defeated and subjugated by his younger brother, who has obtained mastery of the tides with a magic jewel.Susanoo is the Shinto god of the sea and storms. He is also considered to be ruler of Neno-Katasu-Kuni (now Yasugi, Shimane-ken). He is the brother of Amaterasu, the goddess of the Sun, and of Tsukuyomi, the god of the Moon. All three were born from Izanagi, when he washed his face clean of the pollutants of Yomi, the underworld. Amaterasu was born when Izanagi washed out his left eye, Tsukuyomi was born from the washing of the right eye, and Susanoo from the washing of the nose. Susanoo used Totsuka-no-Tsurugi as his weapon. CONDITION REPORT In overall good condition, with minor crack to the base of one vase, the other with very minute losses.
An ivory tusk vase and cover, and a bronze and ivory plaque Japan, Meiji period (1868-1912), 19th centuryThe bamboo shaped tusk vase carved in relief with bamboo and birds in mid-flight, the cover with a crane made from mother of pearl, red coral and amber, the ivory and bronze plaque is of oval form, the bronze if modelled in the shape of Daikoku, one of the Shichi-fuku-jin (Seven Gods of Luck). The vase signed on the body.Height 8.7 cm and smaller. CONDITION REPORT In overall good condition, the base of the vase has been glued
A heavy Japanese mixed metal sleeve vaseJapan, Meiji period (1868-1912) 19th centuryBaluster shaped vase standing on five scrolling feet and two mystical beast head handles, worked in high relief with a pheasant perched on the gnarled trunk by peonies and grasses, the back with a phoenix on a paulownia tree, the details of the bird's feathers intricately carved and embellished with copper, gold, silver and shakudo, patinated in red, brown, gold and shakudo, the trunk of the tree carved and chiselled to resemble the rough texture of bark.Height 49.5 cm CONDITION REPORT
A Japanese enamelled porcelain vase, by Takeuchi ChubeiJapan, Meiji period circa 1870/75Of hexagonal form, each side decorated with various flowers and an insect, alternating with panels decorated with geometric and floral patterns, the rim decorated in underglaze blue with a fret pattern, marked to the base in red enamel Dai Nihon Sei Zou Shippo Kaisha Yujin Takeuchi Chubei, Great Japan Manufacturer Cloisonne Company Master Chubei Takeuchi (????? – ???? – ?? – ????? )Height 24.5 cm. Diam. 13.5 cm.Catalogue note:Takeuchi Chubei was a cloisonné artist from Aichi prefecture who was particularly well-known for his cloisonné works on porcelain. His works were exhibited and awarded in the Naikoku Kangyo Hakurankai (National Industrial Exposition). CONDITION REPORT
Four Satsuma vasesJapan, Meiji period (1868-1912), 19th centuryConsisting of two double gourd vases and two baluster shaped vases, the smaller vase set with dragon handles, decorated with various coloured enamels and gold, with various decorations of samurai, karako and other figures, floral and geometric patterns,Height 23.5 cm and smaller CONDITION REPORT Appear to be in good condition, the large and smallest vase with minor restoration
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653685 item(s)/page