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Lot 3

WEDGWOOD BLUE AND WHITE JASPERWARE CAMPANA SHAPED VASE WITH CLASSICAL FIGURES IN RELIEF, TWO LOOP HANDLES, ON A CIRCULAR FOOT, SQUARE BASE, WITH A DOMED COVER, BOXED (H: 31cm)

Lot 5

CHINESE CERAMIC BLUE AND WHITE BALUSTER VASE PAINTED WITH FIGURES IN A GARDEN, SIX CHARACTER MARK TO BASE (H: 19cm, RIM DIA: 5.5cm) AND FIVE WOOD STANDS [6]

Lot 69

VICTORIAN ROYAL WORCESTER BLANC-DE-CHINE TREFOIL VASE OF TAPERING CYLINDRICAL FORM WITH BASKETWEAVE DECORATION AND LOOPED HANDLES, PODR MARK FOR 1868? (H: 16.5cm)), TWO SMALLER VASES AND A CHINOISERIE BOTTLE WITH PLATED STOPPER [5]

Lot 70

VICTORIAN ROYAL WORCESTER IVORY GROUND JUG WITH PAINTED FLORAL DECORATION AND A LOOP HANDLE, MODEL No. 1094, DATE CODE FOR 1886 (H: 16cm), BOTTLE VASE, 1888 (H: 15.8cm) AND A GLOBE AND SHAFT VASE, 1891 (H: 16.3cm) [3]

Lot 71

EDWARDIAN ROYAL WORCESTER BALUSTER VASE PAINTED WITH ROSES, DATE CODE 1909 (H: 17cm), SIMILAR JUG AND VASE, 1909 AND A LATER VASE, 1926 [4]

Lot 74

PAIR OF ROYAL WORCESTER SABRINA WARE BALUSTER VASES WITH ART NOUVEAU FLOWERS IN RELIEF ON A BLUE/GREEN MOTTLED GROUND, DATE CODE FOR 1912 (H: 32cm) AND A TRUMPET SHAPED VASE, INSCRIBED "PATENT", PATTERN No. 2199, DATE CODE FOR 1901 (H: 19.8cm) (3)

Lot 76

UNUSUAL VICTORIAN PORCELAIN CONICAL VASE WITH PIERCED TOP PAINTED WITH FLOWERS, GILT ENRICHED, ON A SEPARATE SHAPED TRIANGULAR STAND, PROBABLY WORCESTER (H: 30.8cm)

Lot 77

VICTORIAN DERBY BONE CHINA SPHERICAL VASE PAINTED WITH AESTHETIC SILVER AND GOLD FLORAL DECORATION, WITH TWO SHAPED HANDLES AND FLARED RIM, DATE CODE FOR 1887 (H:15.5cm)

Lot 80

HEAVY STEUBEN STYLE CONICAL VASE, ON A CIRCULAR FOOT (H: 25.3cm), FLORAL ENGRAVED COMPORT (D: 20cm), TWO OTHER VASES AND A HAND PAINTED LAMPSHADE [5]

Lot 31

West German jardiniere and small vase

Lot 356

Cast iron and glass vase 11 1/2 inches high

Lot 97

Murano glass vase, Sylvac vase and others

Lot 105

A (possible) early Lladro vase, in the form of a novelty cockerel

Lot 110

A Keith Murray Wedgewood cream coloured vase, of reverse tapered conical form, having stamped mark. Height 28.5 cm. Very good overall condition.

Lot 111

Two pieces of Royal Doulton; a tall vase and a Tabacco jar. Both items are in good condition. No issues. 

Lot 112

An early 20th century Persian Iznik style vase, restoration 

Lot 117

A pair of Royal Doulton Stoneware art vases. Incised Frank Butler. 42cms. One vase has possible internal firing crack,only seen from inside, no chips or other damage. The second has had damage to the foot rim and been glued but not restored. CONDITION: One vase has possible internal firing crack,only seen from inside, no chips or other damage. The second has had damage to the foot rim and been glued but not restored.

Lot 136

A Rachel Bishop Moorcroft Foxglove ovoid vase in original box . 19cms tall. Good condition.

Lot 138

A large Moorcroft squat vase in original box. 19cms high.

Lot 211

A William Moorcroft Florian Ware cornflower squat vase. 11cms high. Green painted signature.  CONDITION: Some paint loss to the rim, appears to be “Grazing” to the paint glazingThere is some crazing to the glaze throughout. There are no cracks or signs of restoration.

Lot 229

Whitefriars vase, a Maltese glass vase and a Jobbling glass bowl

Lot 23

A 19th cent Chinese porcelain famille rose vase H36cm decorated with applied dragons and scenes of Court officials. Very good condition.

Lot 40

A Chinese jade vase, 20th century, in the archaic style, having triple pairs of pierced and carved handles with rings to each, mounted to two tier wooden plinth base, height including base 17.8 cm, together with a Chinese boxed carved seal and lidded porcelain wax dish set, in fitted box, late 20th century. (2) 

Lot 63

A large Chinese republic period porcelain vase decorated with Guanyins and floral decoration 

Lot 91

A collection of glass ware for the Islamic market including an aesthetic period glass vase with jewelled decoration and an opaline glass pot and similar.

Lot 92

A late 19th cent Islamic Cairo ware brass vase with calligraphic detail. 11cms high

Lot 98

Pablo Picasso (Spanish 1881-1973), Black and maroon owl ceramic vase, c.1952, base impressed "Edition Picasso" and indistinct circular mark, inscribed "Edition Picasso Madoura". Height 25.5 cm. Very good condition as per images, no fractures or repairs.

Lot 152

A Constance Spry Vase for The Fulham Pottery

Lot 172

A Holmegaard of Denmark textured vase

Lot 217

A 19th Century Chinese vase with a wax seal

Lot 303

A Foley Ware vase with metal lid

Lot 336

Wedgwood Jasperware vase in green

Lot 431

A Versace Gorgona collection vase

Lot 44

A silver, hallmarked, vase 20cm.

Lot 476

A Still life of flowers in a vase

Lot 48

A hallmarked silver napkin ring and small hallmarked posy vase

Lot 526

A Ruby red Whitefriars Molar vase and a controlled bubble ashtray.

Lot 148

An early 20th century Royal Doulton Autumn Leaves vase of cylindrical form, impressed marks, together with another Edwardian vase decorated with a band of geese on a blue ground, 15cm.

Lot 150

A 1999 Moorcroft trumpet form vase, decorated in the Hepaticus pattern, impressed and painted marks, 16cm, together with another of baluster form.

Lot 179

Three items of Italianate blue and smoke coloured studio glassware, to include chargers and a flattened bottle form vase.

Lot 183

A 1960's/70's Troika of Devon head and shoulders studio pottery vase, in a bronze/green glaze, bearing studio marks to base. Condition Report: No visible signs of damage or hairlines.34.5cm heigh19cm maximum width6.5cm maximum depth

Lot 20

A mixed lot of glass, including: six Victorian green tinted wines, moulded glass liqueurs, celery vase, a ruby and cut clear glass bowl and other items.

Lot 21

A Whitefriars-style ruby glass vase with bubble included body, together with a ruby glass open dish, a Victorian blue glass rolling pin and two facet cut glass vases.

Lot 26

A good mixed lot of cut and moulded glass, including: five 19th century pedestal rummers, tumblers, cocktail glasses, celery vase, ice pale, facet cut decanter and stopper, small claret jug with plated mounts, two decanters and other items. Condition Report: Pedestal rummers: All have chips to base corners, one has chip to rim.Tumblers: All good.Cocktail glasses: Some with chips.Various chips to decanter stopper.Various chips to other pieces.

Lot 362

After Albert Williams, a still life study of lilies and roses in a clear glass vase, in a composite gilt frame, together with another gilt frame.

Lot 365

Twentieth century European school, still life study of corn flowers in a baluster vase, oil on canvas, indistinctly signed and dated 2001 to lower right, 37 x 48cm. Condition Report: No damage.

Lot 374

Nineteenth century British school, an extensive river landscape, autumnal trees and swallow flying low over the water, watercolour, 43 x 53cm, together with a still life study of red roses in a clear glass vase, indistinctly signed and dated '80, 35 x 42cm.

Lot 59

A late 19th century Moore Brothers earthenware vase of bellied form, decorated in the aesthetic manner with blue flowering urns and floral forms and scrolling brown tracery, printed marks, 19.5cm.

Lot 67

A Dresden porcelain lidded urn and stand, decorated with reserves of courting couples on a predominantly yellow and gilded ground, 48cm, together with a set of three Masons fruit basket ginger jars and covers, a Doulton Lambeth pressed lace decorated vase, a pair of reproduction Delft octagonal vases, another Delft vase of generous proportions and a clear glass twin handled and lipped amphora.

Lot 159

A Large pair of Japanese Ivory TusksJapan, Meiji period (1868-1912)Each carved in sunk relief with a continuous scenes from the Kojiki, the first depicting Susanoo about to kill Yamata no Orochi, the second depicting Umisachi-hiko and Oogetsuhime emerging from the waves.Height 33.5 cmCatalogue note:Kojiki ("Records of Ancient Matters" or "An Account of Ancient Matters"), it is the oldest extant chronicle in Japan, dating from the early 8th century (711–712) and composed by ? no Yasumaro at the request of Empress Genmei. The Kojiki is a collection of myths concerning the origin of the Japanese archipelago, and the Kami. The myths contained in the Kojiki as well as the Nihon Shoki are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual.Umisachi-hiko (luck of the sea), in Japanese mythology and folklore, was a deity of the bounty of the sea and enchanted fisherman. He appears with his younger brother Yamasachi-hiko (Luck of the Mountains, Hoori) in the "Luck of the Sea and the Luck of the Mountains" episode. When the fish hook he lends to his younger brother is lost at sea, he demands its return rather than to accept any compensation. Later he is defeated and subjugated by his younger brother, who has obtained mastery of the tides with a magic jewel.Susanoo is the Shinto god of the sea and storms. He is also considered to be ruler of Neno-Katasu-Kuni (now Yasugi, Shimane-ken). He is the brother of Amaterasu, the goddess of the Sun, and of Tsukuyomi, the god of the Moon. All three were born from Izanagi, when he washed his face clean of the pollutants of Yomi, the underworld. Amaterasu was born when Izanagi washed out his left eye, Tsukuyomi was born from the washing of the right eye, and Susanoo from the washing of the nose. Susanoo used Totsuka-no-Tsurugi as his weapon. CONDITION REPORT In overall good condition, with minor crack to the base of one vase, the other with very minute losses.

Lot 161

An ivory tusk vase and cover, and a bronze and ivory plaque Japan, Meiji period (1868-1912), 19th centuryThe bamboo shaped tusk vase carved in relief with bamboo and birds in mid-flight, the cover with a crane made from mother of pearl, red coral and amber, the ivory and bronze plaque is of oval form, the bronze if modelled in the shape of Daikoku, one of the Shichi-fuku-jin (Seven Gods of Luck). The vase signed on the body.Height 8.7 cm and smaller. CONDITION REPORT In overall good condition, the base of the vase has been glued

Lot 232

A heavy Japanese mixed metal sleeve vaseJapan, Meiji period (1868-1912) 19th centuryBaluster shaped vase standing on five scrolling feet and two mystical beast head handles, worked in high relief with a pheasant perched on the gnarled trunk by peonies and grasses, the back with a phoenix on a paulownia tree, the details of the bird's feathers intricately carved and embellished with copper, gold, silver and shakudo, patinated in red, brown, gold and shakudo, the trunk of the tree carved and chiselled to resemble the rough texture of bark.Height 49.5 cm CONDITION REPORT

Lot 249

A Japanese enamelled porcelain vase, by Takeuchi ChubeiJapan, Meiji period circa 1870/75Of hexagonal form, each side decorated with various flowers and an insect, alternating with panels decorated with geometric and floral patterns, the rim decorated in underglaze blue with a fret pattern, marked to the base in red enamel Dai Nihon Sei Zou Shippo Kaisha Yujin Takeuchi Chubei, Great Japan Manufacturer Cloisonne Company Master Chubei Takeuchi (????? – ???? – ?? – ????? )Height 24.5 cm. Diam. 13.5 cm.Catalogue note:Takeuchi Chubei was a cloisonné artist from Aichi prefecture who was particularly well-known for his cloisonné works on porcelain. His works were exhibited and awarded in the Naikoku Kangyo Hakurankai (National Industrial Exposition). CONDITION REPORT

Lot 34

Four Satsuma vasesJapan, Meiji period (1868-1912), 19th centuryConsisting of two double gourd vases and two baluster shaped vases, the smaller vase set with dragon handles, decorated with various coloured enamels and gold, with various decorations of samurai, karako and other figures, floral and geometric patterns,Height 23.5 cm and smaller CONDITION REPORT Appear to be in good condition, the large and smallest vase with minor restoration

Lot 38

A Satsuma vaseJapan, Meiji period (1868-1912)Baluster shaped vase, decorated with various coloured enamels and gold, depicting Rakkan with servants, signed to the baseHeight 17.5 cm. CONDITION REPORT

Lot 1

Royal Worcester vase, ovoid form, twin handles, raised on a circular foot, hand painted with Highland cattle in an upland landscape, signed Harry Stinton, date coded 1911, 24cm high

Lot 181

Art Nouveau WMF pewter vase, of baluster form, embossed in relief with stylised poppies and sinuous tendrils forming two handles, ostrich marks to foot rim, original liner, 30cm high

Lot 199

Small Cranberry glass with hand painted Mary Gregor decoration, 7.5cm high, with a small cranberry glass vase with gilt leaf decoration raised on four gilt scroll feet, 7cm high

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