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A CHINESE SMALL BRUSHPOT, Republic period, decorated birds and flowers in famille rose enamels, with wood cover, a pair of miniature vases, Republic period, a bottle vase and one other small globular, bird and flowering tree in underglaze blue and red, Shou character mark (5)
A Victorian four piece silver tea and coffee service, maker Martin Hall & Co Ltd, London, 1874:, of classical vase form, with engraved and embossed decoration of cherub masks, floral and ribbon swags above a border of stiff chased leaves and leaf capped loop handles, the covers with pineapple finials, height of the coffee pot 28cm., total weight 90ozs (4).
A Chinese porcelain vase: of swelling cylindrical form with slightly spreading foot painted in blue with four panels bisected by ruyi heads and containing large archiastic masks on a fretted ground between bands of petal lappets beneath smaller line, cell and ruyi head borders, 35.5 cm high, Kangxi, glaze filled firing crack to neck. Bears paper labels for Edward James Collection, West Dean and Christies. * Provenance; Sold in Christies dispersal of the Edward James Collection, West Dean, 3rd June 1986, lot 875
A Chinese porcelain vase: of baluster form enamelled in the famille verte palette with a bird and butterflies amongst hydrangea and verso with a bird and butterflies amongst prunus with subsidiary panels of lotus, peony and chrysanthemum, reserved on a foliate scrolling ground, 45 cm high, later 19th century.
A Chinese porcelain vase: of flattened and inverted pear shaped form with four simple handles enamelled with a peach shaped panel of chrysanthemum and verso iris and peony reserved on a celadon ground with scroll, ruyi head and lappet bands, 26 cm high, apocryphal blue Qianlong seal mark, two handles and rim restored.
A Chinese flambe glazed vase, Fanghu: of archaic bronze form, the pear shaped body of rectangular section with moulded panels and lug handles, covered in a speckled red glaze with mottled green to the handles and corners, incised six-character Guangxu mark and of the period, 30cm high.
A Chinese porcelain celadon glazed vase: of garlic shaped form, painted front and verso in blue with extensive lakeside landscapes within quadrilobed panels, flanked by subsidiary foliate panels, 35 cm high, apocryphal Qianlong seal mark in blue, 19th century, short glaze filled crack on rim
A Chinese porcelain rouleau vase: painted in blue front and verso with a couple and a child and smaller fan shaped panels reserved on a cods roe ground beneath a band of precious objects and peony panels, 17 cm high, six character Kangxi mark in concentric rings.
A pair of Chinese famille rose vases and a similar vase: of lantern form, decorated with an elegant lady fishing, two attendants nearby, a calligraphic inscription to the reverse, the yellow ground necks with scrolling lotus and ruyi and diaper bands, one larger vase and the smaller vase with iron red seal marks, Republic period, 19.5 and 22cm high, the smaller vase with tiny restored chip (3)
A Chinese blue and white vase: of square baluster section, finely painted with the eight Daoist Immortals riding animals and mythological beasts, the neck with scholar`s tables above bands of scrolling lotus, 19th century, 43cm high, minor frits to corners of rim.
A Leeds creamware quintuple flower vase and a similar pair: the former with foliate moulded spouts on a moulded rectangular base picked out in green and brown, 18.5 cm high, losses to end of the spouts, the latter of similar form, 20 cm high, losses to end of some spouts, circa 1780. (3)
A Zsolnay Pécs `Persian` vase: of tear drop form with pierced handles, foot and rim decorated in pink, green and brown with tulip, other blooms and serrated leaves on an ivory gilt embellished ground, 18 cm high, printed blue five churches and TJM mark, impressed Zsolnay Pécs 2131, circa 1885-87.
Two Moorcroft pottery vases: one of globular form with raised neck tubelined in the Cornflower pattern in red and blue on a green ground, 8 cm high, indistinctly impressed Moorcroft Burslem, with green, together with a similar vase tubelined in the Pomegranate pattern in red, yellow and green signatures on a blue ground, 9.5 cm high, indistinctly impressed Moorcroft Burslem, with green signatures, both circa 1913-16. (2)
A Bow figure of a girl and a similar figure of a putto: the seated girl with a bird`s nest of fledglings on her knee and holding a bird[missing]aloft, wearing a yellow hat, blue jacket and a skirt painted with flowers and foliage, circa 1760, 12cm [rim of hat chipped, bird lacking]; the putto holding a vase of flowers, impressed repairer`s mark, circa 1760, 9cm., lower part of right leg missing, chips. (2)
A Derby porcelain topographical vase: of campana form with scrolling handles with mask terminals, enamelled with a panel containing a view of the River Arno reserved on a royal blue ground with gilt foliate decoration, 34 cm high, puce marks and captioned `On the Arno River, Italy`, circa 1820-30, glue repairs to handles.
A Copeland Garrett porcelain topographical vase: of footed two handled form enamelled front and verso with circular gilt edged panels containing Arabic views, captioned `Tophana entrance to Pera` and `Mosque of Sultan Soliman`, reserved on a turquoise ground, green marks, circa 1840, chip restoration to foot and some oxidisation.
A Barr Flight & Barr (Worcester) topographical vase: of campana form with rustic handles with leafy terminals set on a gadrooned stem and square base, enamelled with a view of Warwick Castle reserved on a turquoise and gilt embellished ground, 18 cm high, puce crown and four line script mark, captioned Warwick Castle, circa 1807-13, minor flake to one corner of base.
A late 19th Century Japanese cloisonné vase: of rectangular ovoid form, with slender neck, decorated with four panels of wisteria, cherry blossom, iris and other flowering plants to a powder blue ground, with banded decoration to the neck and foot on a dark blue ground, Meiji period, 15.5 cm.
A Japanese ivory shibayama and white metal mounted vase and cover: the lift-off lid surmounted with a seated lion, the sides decorated with a rooster and hen perched amongst flowers and blossoming bush, the reverse decorated with ducks amongst riverside foliage, signed to an inset tablet Masayuki, mounted on a polished hardwood stand, total height 61cm. high.
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653833 item(s)/page