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Isabella Pope Studio Pottery very large Planet Pot vase, signed & dated 1989 on internal sticker, experimental form and glazes. Isabella Pope - Master Potter, created these forms, inspired by Chinese and Korean historical examples, together with modernist potters such as Hans Coper. Height 82cm unsuitable for postal shipping - courier or collect only.
Robert Wallace Martin for Martin Brothers, a large stoneware wall panel, 1879, sgraffito decorated with a vase of cornflowers flanked by entwined serpents and surmounted by an owl with wings spread, in blue salt glaze, incised marks 1879 R W Martin Southall, 83cm x 34.5cm
Cuthbert Gresley for Royal Crown Derby, a fruit painted vase, 1903, twin handled pedestal urn form, decorated with a central oval of apples, oranges and roses, within a yellow ground and gilt jewelled border, open C scroll acanthus handles, on cobalt blue ground, signed, 28cm high
Albert Gregory for Royal Crown Derby, a twin handled floral painted vase and cover, 1920, pedestal urn form, decorated with falling floral bouquets within raised and tooled gilt borders of foliate scroll and husk swags, the open bisected acanthus handles gilded, on a blue ground, signed, 39cm high
Albert Gregory for Royal Crown Derby, a large floral painted twin handled vase, 1904, shouldered form with two foliate scroll and grape moulded handles, decorated with an extensive floral garland highlighted with raised paste and jewelled bi-colour gilt foliate scroll cartouches, above a panelled border of diaper and floral motifs, below a relief moulded vine and knotted tendril neck, on an acanthus bracket base, signed, printed marks and Royal Warrant, 51cm high
Three Staffordshire spill vases, circa 1830, including two children and a faun in a forest setting, figures are mounted on a naturalistic, ovoid base with spill vase stylised as hollow tree trunk, 24cm high, together with Thomas Parr spill vase, circa 1860, depicting Rebekah and Eliezer at the well, white enamel figures heightened with gilded and polychrome details, 18cm high and a gilded and polychrome enamel painted spill vase modelled as a standing male traveller and a seated female beside a waymarker inscribed 'London 30 miles', 27cm high (3)
A Japanese Satsuma vase, Meiji, shouldered ovoid form on three legs, painted with two vignettes of woman and child in a landscape and parrot and basket of flowers, within relief moulded cartouches, on a ribbon band of chrysanthemums and winding stream, between plain borders of butterflies, the neck with geometric raised gilt and polychrome bands, apparently unsigned, 12cm high
Hilda Jesser and Otto Prutscher (attributed) for Wiener Werkstatte, a Secessionist enamelled and cut glass vase, probably J Oertel circa 1915, flared waisted form, cut with stylised fruit and geometric foliage on a painted blue trellis ground, 19.5cm highNote: besides Dagobert Peche, a number of artists produced enamelled glass designed for the Viena workshop, including Felice Rix, Mathilde Flogl and Fritzi Low Lazar, often collaborating with the senior designers Josef Hoffmann and Otto Prutscher in embellishing their shapes.
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653685 item(s)/page