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Lot 48
A pair of 19th century Chinese celadon vases, decorated in slight relief with budding and flowering branches. Height 60 cm, diameter of top lip 17.5 cm (see illustration). CONDITION REPORT: One vase is in extremely good order with no significant issues. There is a very minor chip to the underside edge of the heart shaped section of the handle but other than this we can see no evidence of any other chips, damage, repairs or restoration. The second vase is in generally good order but does have a top lip under edge chip. There are also two star cracks visible to the underside of the base. We can see no other cracks and there is no evidence of any significant damage, repairs or any restoration.
Lot 150
Three Meissen porcelain vases, comprising a pair with blue ground decorated with floral sprays, height 25 cm, the single vase with moulded gilt rim also decorated with floral sprays, height 18.5 cm. CONDITION REPORT: All three vases are first choice. They are all in extremely good condition. There are no chips, no hairline cracks and no restoration. The gilding is also in very good order on all three pieces.
Lot 1110
A late 19th/early 20th century Adam style gilt framed mirror, with urn and bellflower motif to the arch, with rectangular mirror beneath flanked by moulded bellflower ornament. Height 115 cm, width 61 cm. CONDITION REPORT: The frame is softwood with gesso and gilding over. As you will see form our image there are losses to the gesso - top right hand corner beneath the arch. There is also a loss to the bellflower moulding to the left of the swag on the vase. The main mirror frame has some minor nibbles to the gilding and gesso. There is a loss to the bottom right hand moulding. The shelf surround again has small losses to the giltwood and gesso. The bottom of the shelf bracket is missing moulding all the way round. There are further nibbles to the gilding and gesso. The left hand side bottom edge of the mirror is missing some moulding. This is partially missing on the right hand side and would be probably be best removed to match up. The mirror plates is in generally good order with only minor blemishes.
Lot 47
A pair of Chinese celadon vases, converted to table lamps, decorated with branches and blossom and with wooden bases. Vase height only 37 cm. CONDITION REPORT: The vases are a little difficult to date. One has a label to the base with an old price label £6 10 s. In our opinion the lamps probably date from the 1930's. 20th century. The vases are a little difficult to date. One has a label to the base with an old price label £6 10 s. In our opinion the lamps probably date from the 1930's. 20th century.
Lot 7
A pair of Japanese bronze vases, decorated with chasing dragons. Height 26 cm. CONDITION REPORT: One vase is in good order with no significant condition issues other than minor old surface marks and rubbing as one would expect. There are no dents or anything of that nature. The second vase is in similarly good order with the exception of a rim chip. We can see no evidence of any signature.
Lot 61
A collection of principally Chinese vases, tea bowls and saucers. Tallest 18 cm. CONDITION REPORT: The Japanese gourd shaped miniature vase has a hairline crack running from the rim down to the waisted section. The blue and white vase with cover has a broken and repaired rim and the finial to the lid has been broken and repaired. The blue and white baluster shaped vase is in good condition. The Cantonese baluster shaped vase has some wear to the decoration to the rim and other minor enamel loss. The larger saucer has a small chip to the rim whilst the smaller saucer has a broken and repaired rim. The teacup has three small chips to the rim whilst the tea bowl appears to be in good condition.
Lot 56
A 19th century Chinese vase, blue and white decorated with figures, four character mark to base. Height 23 cm. CONDITION REPORT: This vase has +/- six small chips to the rim together with a slightly fritted edge. The body of the vase is in good order but there is an air bubble hole to the foot rim, probably caused during firing.
Lot 1
A Chinese cylindrical vase, late 19th century, decorated with birds on branches and character marks and with four character mark to base. Height 29.5 cm, diameter 12.5 cm, raised on a carved wooden stand (see illustration). CONDITION REPORT: The vase has one small rim chip. There are no further chips, no cracks and no restoration. The gilding to the top rim is rubbed. There are no significant scratches or marks to the body. The wooden stand is all complete but does have a stress fracture to the base.
Lot 31
A 19th century Imari oil lamp, with metal mounts and ceramic reservoir. Height including burner 40 cm (see illustration). CONDITION REPORT: The burner mechanism seems to adjust correctly. The reservoir has a chip to the bottom edge of the top lip where it joins the main body of the vase. This is visible when seated against the brass top. It is +/- 1.5 mm high and 6 mm long. The ceramic vase body is in good order with no damage, no repairs and no restoration. We can see no cracks or chips. All brasswork is present and in generally good order with only minor tarnished areas.
Lot 38
A Chinese blue and white vase, decorated with vases, fish, etc. and with four character mark to base. Height 30 cm. CONDITION REPORT: This vase is in good overall condition with no chipping or cracking to mention. There appears to be a seam or join towards the lower body just before the blue lappet decoration. The only possible minor defect is that the rim does appear to be slightly rubbed and worn.
Lot 441
A pair of Art Nouveau silver vases by J & R Griffin Chester, 1915, weighted. Height 17.5 cm (see illustration). CONDITION REPORT: Both vases are structurally sound. Both circular bases are in good order. Both vases have been dropped. Vase 1 has a dent at the back of one of the four handle supports and other minor dents to the column. The same vase has five small dents to the main bowl. We do not think that the handles have been detached from the bowl. Vase 2 has two dents where the bottom branch of the arm joins the main body of the vase. It looks as if two of the four handles have had a soldered repair where they join the body of the bowl. The bowl itself has seven or eight small dents. Both vases sit square.
Lot 5
A pair of Chinese rectangular tall stands, decorated with chrysanthemum and birds. Height 42 cm. CONDITION REPORT: Both stands are in generally very good condition with no significant issues. One has a very small glaze chip to the top edge but this is of little consequence. Neither vase has any significant damage. There are no repairs, hairline cracks or restoration. There is some rubbing to the gilding on the top surface. Both stands are in generally very good condition with no significant issues. One has a very small glaze chip to the top edge but this is of little consequence. Neither vase has any significant damage. There are no repairs, hairline cracks or restoration. There is some rubbing to the gilding on the top surface.
Lot 68
A pair of 19th century Chinese trumpet shaped vases, decorated with vases, chrysanthemums and other flowers, with four character mark to base (one AF). Height 27 cm. CONDITION REPORT: These are an attractive pair of vases, but one has a broken and repaired rim. The break to the rim has fractured into three sections and whilst the vase retains two of these sections the third piece is missing. The other vase is in good condition with only very minor enamelling and decoration wear in places.
Lot 21
A Chinese blue and white bowl, a lidded vase, a green glazed small pot, spill vase, polychrome bowl and pair of small blue vases. Tallest 21 cm. CONDITION REPORT: Both of the blue jars have chips to the top unglazed lip. The wooden covers obscure this. The spill vase with the flared rim has a significant loss and other rim chips. The squat green vase is in good order. The lidded vase has been broken and repaired on the top rim and there is a loss. There are numerous chips to the non-matching lid. The polychrome bowl has been broken and repaired. The bowl without the lid has various nibbles to the foot rim but is otherwise in good condition.
Lot 57
A 19th century Chinese porcelain vase, decorated with dragons and chrysanthemum, four character mark to base. Height 22 cm. CONDITION REPORT: This vase has a star crack to the glaze to the underside, together with a very small flake chip to the foot rim. Otherwise this vase appears to be in good condition.
Lot 138
A large Royal Worcester two handled vase, painted with highland cattle by John Stinton, green printed mark, circa 1912. Height 33 cm, maximum width +/- 17 cm (see illustration). CONDITION REPORT: The vase is in extremely good condition. We can see no evidence of any damage, no repairs and no restoration. There are no hairline cracks. There is very minor rubbing to the gilding in places. There does not appear to be any damage to the paintwork.
Lot 193
A pair of Coalport landscape handpainted vases, "Hawthornden" and "Loch Garry", each lidded and both signed E.D. Ball. Height 27 cm (see illustration). CONDITION REPORT: The diameter across the top rim is 6 cm. Diameter at base 5.8 cm. Maximum diameter +/- 9 cm. The knop to one lid has been detached and re-glued. This is at the narrowest point. The other lid is in good order. Both vase bodies are in good order with no damage, no repairs, no cracks and no restoration. The gilding is generally extremely good.
Lot 104
A collection of nine pieces of Rye pottery, the four green pieces and small blue jug marked Rye, the large jug also marked, three other pieces not marked. Tallest 13 cm. CONDITION REPORT: The tall jug has had a break repair and restoration to the top rim. The handle has also been detached and broken into four pieces. The small two handled trumpet shaped vase is in good order with no issues. The four handled small tyg is also in good order with no issues. The cylindrical lidded jug (green) has been badly broken and has numerous repairs and poor restoration. The green lidded pot lid has been broken into four and there is a repair to the top lip of the base. The small lustre flagon is in good order with no issues. The slip moulded jug has a chip to the bottom lip (possibly not Rye), the small brown and green relief moulded vase has one very tiny top edge chip. The larger similar vase has had a professional repair to a top lip chip but is otherwise in good order.
Lot 30
A large pair of 19th century Cantonese vases, decorated with panels of figures in typical Canton colours. Height 62 cm, diameter at top 21.5 cm (see illustration). CONDITION REPORT: These are an impressive pair of vases but both do have condition issues, with both being broken and repaired to the necks. In addition one of the vases has a star crack towards the body of the vase. Please see additional images. The condition of the enamel decoration itself is good overall with very little surface wear or loss.
Lot 23
A pair of Chinese blue and white lidded vases, and another similar but smaller, each with four character mark to base. Tallest 22 cm. CONDITION REPORT: The pair of vases both have damage to the covers with one cover having a broken re-stuck finial and both having chipping around the edges. One of the vases also has a chipped neck whilst the other is in good order. The smaller vase is in a poor condition with a broken and re-stuck neck and a damaged cover.
Lot 447
Max Peiffer WatenphulBlumenstillleben Öl auf Malkarton 64,3 x 54,4 cm Gerahmt. Oben rechts mit schwarzer Kreide monogrammiert 'M. PW'. Rückseitig handschriftlich bezeichnet "A. /25 [?]". - In guter, farbfrischer Erhaltung.Nicht bei Watenphul Pasqualucci/PasqualucciProvenienzPrivatsammlung Nordrhein-Westfalen, FamilienbesitzVor 100 Jahren, im Oktober 1919, beginnt der promovierte Jurist Max Peiffer Watenphul auf Empfehlung von Paul Klee sein Studium an dem soeben von Walter Gropius eröffneten Bauhaus in Weimar und besucht die Grundkurse von Johannes Itten, engagiert sich in den Werkstätten Weberei sowie Töpferei und interessiert sich intensiv für das Medium der Photographie. Skurrile Porträts, außergewöhnliche Städtebilder von Venedig und die italienische Landschaft um Rom, Cefalù und Ischia sind die einen Themen Peiffer Watenphuls, Stillleben und besonders üppige Blumensträuße wie dieser in einer chinesischen Vase sind die anderen bevorzugten Sujets des Künstlers. Vereinzelte Blüten im Stile der Neuen Sachlichkeit in den 1920er Jahren verdichten sich zunehmend zu prachtvollen Gebinden und explodieren geradezu über den Bildrand hinaus. Man spürt die ästhetische Empfindsamkeit des Künstlers für Blumen, die preziöse Fähigkeit, sie nach Art und Farbe zu kombinieren, sie kontrastreich zu binden und so eine beglückende, frühsommerliche Farbenpracht mit Rittersporn, Mimosen, Chrysanthemen, Nelken, Sonnenblumen und anderem zu inszenieren. Ebenso schenkt Peifer Watenphul den Gefäßen seine Aufmerksamkeit. Es sind dies neben Glasvasen zumeist edle Porzellanvasen, wie diese mit chinesischem Dekor, welche den Künstler in seinen Stillleben lebenslang begleiten und immer wieder den gebildeten Schöngeist geschmackvoll herausstellen. Max Peiffer WatenphulBlumenstillleben Oil on artist's board 64.3 x 54.4 cm Framed. Monogrammed 'M. PW' in black chalk upper right. Inscribed "A. /25 [?]" by hand verso. - In fine condition with vibrant colours.Not recorded by Watenphul Pasqualucci/PasqualucciProvenancePrivate collection, North Rhine-Westphalia, family possessionOne hundred years ago - in October of 1919 - Max Peiffer Watenphul, Doctor of Laws, began his studies at the Bauhaus in Weimar, which had just been opened by Walter Gropius. Paul Klee had recommended that he study there, and he attended the elementary courses of Johannes Itten, was active in the workshops for weaving and pottery and became intensely interested in the medium of photography. Bizarre portraits and unusual cityscapes from Venice and the Italian countryside around Rome, Cefalù and Ischia are a few of the subjects of Peiffer Watenphul; still lifes and particularly luxuriant bunches of flowers, like this one in a Chinese vase, were the artist's other favourite motifs. Isolated flowers in the style of the New Objectivity in the 1920s increasingly became concentrated into magnificent bouquets and positively explode past the edges of the painting. We can sense the artist's aesthetic sensibility for flowers, his ability to ornately combine them by species and colour, to gather them in rich contrasts and thus present a delightful, early summer marvel of colours featuring larkspur, mimosas, chrysanthemums, carnations and sunflowers, among others. Peiffer Watenphul also devoted his attention to their containers. In addition to glass vases, these usually consisted of regal porcelain vessels, such as this one featuring a Chinese motif, which accompanied the artist in his still lifes throughout his lifetime and tastefully identify him again and again as a cultured aesthete.
Lot 540
A collection of glassware to include a Mdina vase, over-sized bottle stop, Orrefors vase etched with dog's face, a lacework goblet, Roman style miniature vessel, etc, together with a small collection of pottery CONDITION REPORTS The leaf work goblet only has some internal flaws/bubbles, approximately 12.3cm high, wear and tear conducive with age and use. See images for more details.
Lot 5
A group of Islamic metal ware, comprising a silver and copper inlaid brass tray, diameter 38cm, a pair of vases, height 28cm, a paper knife, length 25cm, 2 silver inlaid dishes, and an engraved brass bowl/bell with clapperOverall good condition. Some surface rubbing and wear consistent with age. Some small dents and scratches to inlay. One vase has a 1cm gap at edge, possible wear or from manufacture.
Lot 136
3 19th century Chinese porcelain vases, 1 on ormolu stand, largest height 46cm (A/F) Small vase - some wear and chips to enamel, no chips cracks or restoration.Pot on stand has multiple fractures and repairs.Large enamel vase, handle missing to one side, multiple chips to enamel, several chips to one applied dragon. No cracks or restoration.
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653685 item(s)/page