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Lot 677

A collection of Moorcroft, 20th century and later, to include: a plate in the 'Red Tulip' pattern, 20th century, designed by Sally Tuffin, impressed maker's mark, date mark for 1993, and painted signature 'WM' to base, 25.5cm diameter; a mottled blue vase of ovoid form, impressed maker's mark to base, 17cm high; a posy vase in the 'Pomegranate' pattern, painted signature and impressed maker's mark to base to base, 9.5cm high; a posy vase in the 'Magnolia' pattern, applied maker's label, 9.5cm high; a teapot and cover from the 'Powder Blue' tea service, 12cm high; a conforming hot water pot and cover, 15cm high, and a jar and cover, 12cm diameter (restored) (7)

Lot 683

A Whitefriars 'knobbly' glass bowl, mid 20th century, decorated with brown swirls and streaks throughout, applied maker's label, 21cm diameter, a conforming vase, 13.5cm high, and a further conforming dish, 13cm diameter, along with a blue glass bowl of organic form, possibly white friars, mid 20th century, 28cm wide (4)

Lot 684

An Okra vase, 20th century, in the 'Merlin's Webb' pattern, 17cm high, with a further Okra vase, decorated with stylised pansies, etched maker's mark to base, 15.5cm high, along with a similarly decorated vase, 11cm high (3) Condition report:: Each vase shows minor surface wear commensurate with age and use. No chips, cracks, crazing, or obvious signs of damage nor restoration.  

Lot 685

A collection of glassware, 20th century and later, to include: A Kosta Boda bowl, decorated with a bubble design throughout, applied maker's sticker, 30cm diameter, a John Ditchfield for Glasform vase, shaped rim, etched maker's mark to base, 15.5cm high, a Greenwood vase, decorated with canework flowers to a stratified canework and textured ground, etched maker's mark to base, 21.5cm high, an E. Gordon owl, etched maker's mark to base, 27cm high, a vase, decorated with etched swans, indistinct etched maker's mark to base, 18.5cm high, a posy vase, 18.5cm high, and a further vase, 17cm high (7) (at fault)

Lot 694

A Gio Ponti/Venini style 'a canne' glass vase, mid 20th century, of waisted form with flared cylinder neck, formed of blue, grey and clear canes, 28cm high Condition report: The vase shows surface wear commensurate with age and use (please see photo). The vase also shows some minor glazing faults including bubbles (please see photo). No chips, cracks, crazing or obvious signs of damage nor restoration.The vase does not have a signature, and is therefore titled as a Gio Ponti/Venini style vase.

Lot 695

A Murano glass style vase, 20th century, of flattened ovoid form, decorated with a marbled design to an orange ground, 35cm high

Lot 696

A Murano glass style flower head vase, 20th century, the body decorated in green and blue colourways, 16.5cm high

Lot 716

A pair of Oka 'Gela' wooden table lamps, of vase form, painted in ivory shades with brown detail, upon integral plinth bases, 48cm high (2) (at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

Lot 717

A pair of Ralph Lauren Chinese influence blue and white vase table lamps, of baluster form with conforming white shades, 70cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportNo visible faults, repairs or damage.

Lot 718

A Ralph Lauren blue and white Chinese influence lamp vase, of baluster form, applied with scrolling foliate detail, complete with shade, 70cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

Lot 892

A pair of 18th century oak side chairs, the vase shaped splats above a board seat, upon block and bobbin turned supports united by peripheral cross stretchers, 104cm H, seat height 46cm (2)

Lot 923

A George III Adam influence open armchair, the re upholstered oval padded back extending to padded arms and carved scrolled terminals, over a serpentine sprung seat, upon channelled tapering legs of square section, 94cm high, a long with a George III mahogany elbow chair, with a vase shaped splat back, drop-in seat upon shell moulded cabriole front legs and pad feet, 99cm high (2)

Lot 932

A late George III mahogany straight front secretaire chest of drawers, the rectangular top with a reeded edge over a fall front moulded as double drawers, opening to a boxwood inlaid compartmentalised interior with twin trompe l'oeil books, applied with gilt metal lions mask ring handles, above three long graduated drawers furnished with gilt metal cornucopia ring handles, upon vase shaped feet, 114cm H x 104cm W x 54cm D No fitting marks or repairs to the top, with a matching reeded edge to both the top and bottom, would indicate the chest was never the lower part of a bookcase.

Lot 946

A George III Chippendale style mahogany elbow chair, with pierced vase shaped splat, scrolled terminals over a drop-in tapestry seat, upon legs of square section, seat height 45cm, height 95cm (at fault), along with a pair of late 19th century mahogany Chippendale style dining chairs, with swept top rail, interlaced splat over a drop-in seat, upon legs of square section united by an 'H' cross stretcher, seat height 46cm, height 100cm (3)Condition reportAll chairs appear firm with little or no play in the joints, carver chair has some rubbing wear to the front right leg, later blocks added to the underside.All chairs with general minor rubbing wear and scuffs commensurate with age and use. 

Lot 959

A Dutch marquetry stool/window seat, 19th century, the outswept side panels inlaid with a vase of blooms, over the upholstered seat and conforming apron, upon cabriole legs extending to ball and claw feet, 63cm H x 73cm W x 29cm D

Lot 1

Della Robbia/Buckley Pottery interest: Charles Collis slip decorated bottle vase for William Powell, Buckley, dated 1911, having a narrow elongated neck and decorated with a slip trailed swirling band in yellow and green glazes, brown ground, incised marks, signed, height 37cmNB: Collis's mother was born in Buckley, Flintshire, and for a short period during the later months of 1911, he attended William Powell's pottery in order to assist with the development of slip glazes (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 128

Late Victorian silver lidded tea caddy, maker's mark rubbed, Birmingham 1896, half reeded oval form with domed cover, height 12cm, weight approx. 150g; also a Deakin & Francis silver small vase, Birmingham 1891, of reeded and fluted baluster form decorated with a trailing band of flowerheads and a vacant cartouche, height 7cm, weight approx. 61g (2) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 138

Arts and Crafts hammered silver vase, maker GLC, Birmingham 1912, trumpet form, inscribed to the rim 'Gather ye roses while ye may old time is still aflying', height 18cm, weight approx. 124g (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 19

Clarice Cliff Fantasque vase, circa 1929, shape no. 268, printed Wilkinson marks, height 20.5cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 24

Japanese Satsuma figural vase, late Meiji (1868-1912), probably by Ryokuzan, of trumpet shape moulded in high relief with a Bijin and dragon above foaming waves, in colours and with gilt details, character marks to the base, height 57cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 34

William Moorcroft pomegranate vase, baluster form with a wide neck, deep blue ground, impressed and green signature mark, height 26cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 35

Pair of Moorcroft pomegranate small vases, inverted baluster form, impressed 'Burslem' mark and green painted initials, height 10cm; also a Moorcroft slipper orchid ovoid vase, deep blue ground, impressed marks, height 11cm (3) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 44

Chinese Republic porcelain vase, ovoid form with a pink glazed trumpet neck, decorated with exotic pheasants and other birds in colours, stamped Zhuanshu mark, height 47cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 45

Cantonese famille rose floor vase, late 19th Century, having a slender ovoid body, trumpet neck and shoulders with applied gilded salamanders, and with panels of birds, figures and foliage against a gilded and green scrolled ground, height 63cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 57

Troika cube vase, decorated with four brown discs in a textured finish against a buff brown ground, painted marks 'Troika St. Ives' and initialled 'M D', 9cm square (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 64

Chinese famille rose small vase, late 19th Century, decorated with figures in a fenced garden, 13.5cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 65

Doulton Slater's Patent stoneware vase, globular form with a short flared rim, decorated with chaffinch and kingfisher flying amidst briar rose, impressed marks, height 23cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 653

Sevres style hand decorated porcelain vase lamp, with brass mounts and decorated with gilded panels featuring a chateau and courting couple in 18th Century style, against a bleu de roi ground, terracotta fabric shade, height 125cm, the shade 48cm diameter (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 66

Wileman Foley Intarsio small vase, no. 3554, decorated with a figure walking within a garden in coloured print (restored), height 13cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 660

Japanese cloisonne vase, Meiji (1868-1912), ovoid form decorated with peony against a red ground, height 30.5cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 691

Cario ware small baluster vase, circa 1900, with silver inlaid decoration, height 10cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 7

Wedgwood dragon vase, pattern no. Z4829, shouldered slender ovoid form, the dragons picked out in gilt against a mottled blue lustrous ground, gilt Portland vase mark, 32cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 745

Japanese cloisonne vase, late Meiji (1868-1912), ovoid form decorated with Chinese cranes against a deep blue ground, height 18cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 867

Quality walnut side chair in the Queen Anne style, vase shaped splat, green silk brocade pad seat, cabriole forelegs, labelled 'Wolfe's, Birkenhead', height 98cm, width 47cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 899

Pair of provincial Georgian joined oak side chairs, circa 1800-20, vase shaped splat with yoke shaped top rail, solid seat raised on moulded square supports, width 48cm, height 98cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 9

Chinese famille noir vase, square section beneath a trumpet neck, decorated with mythical beasts, Kangxi four character mark, height 38cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 91

Bernard Moore bottle vase, decorated with a goldstone type glaze in amber and other flambe colours, marked 'Bernard Moore' (chips to the rim), height 5cm; also a Royal Doulton vase of inverted baluster form, decorated with brown, green and red flambe glazes (chips to the rim), height 17.5cm; and a Bernard Moore flambe small vase, grain sack shape (factory chip), marked 'Bernard Moore' to the base, height 9cm (3) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 94

Bernard Moore red flambe bottle vase, marked 'Bernard Moore', height 15cm; also a Bernard Moore red flambe fern pot, marked 'BM', height 7.5cm; two miniature Bernard Moore flambe vases, 7.5cm and 5.5cm; and a further red glazed bottle vase, height 11.5cm (5) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 95

Bernard Moore dark red flambe vase, ovoid form decorated with fish swimming amidst weeds, painted mark 'Bernard Moore', height 13.5cm; also a further Bernard Moore small red flambe vase, shouldered ovoid form, marked with initials 'BM', height 10cm; and a Bernard Moore flambe vase of meiping shape, marked with initials 'BM' (chips to the footrim), height 15cm (3) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 97

E R Wilkes dated flambe vase, ovoid form with a short trumpet neck, decorated with stylised chrysanthemum and foliage, inscribed to the base 'E R Wilkes' and dated 1923, height 26.5cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 99

Three Bernard Moore red flambe small vases, comprising a small pear shaped vase, impressed shape no. 101, signed 'Bernard Moore', height 9cm; a meiping shaped vase, numbered 1067, painted initials, height 14.5cm; and a rouleau small vase, painted initials, height 16cm (3) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Lot 277

Gerard Chowne,  British 1875-1917- Still life of hollyhocks in a twin-handled vase; oil on canvas, signed and dated 'Chowne 1907.' (lower right), 53.7 x 36 cm. Provenance:  with R. Robertson & Sons, St Andrews.  Private Collection, UK. Note:  Chowne worked across genres, producing portraits and landscapes as well as still life paintings. He was undoubtedly best known for his floral still lifes, of which the present work is a particularly charming example. Here, the impasto on the blooming flowers and buds creates a striking sense of depth. 

Lot 279

Harold Clayton,  British 1896-1979- Still life of primroses, morning glory, and roses in a vase; oil on canvas, signed 'Harold Clayton' (lower left), 45.7 x 50.8 cm. ARR. Provenance:  with Richard Green, London, no.RH1229.  Private Collection. Note:  The present work is a particularly charming example of Clayton's oeuvre, depicting an abundant bouquet of flowers in a low vase. The artist is notable for his highly detailed approach, with his sensitive brushstrokes confidently evoking the delicacy of the flowers and their foliage with a striking realism. His use of a vibrant colour palette here - and indeed in his floral compositions generally - emphasises the rich bounty and beauty of the flowers, especially when set against a plain background.

Lot 284

Edward Robert Hughes, RWS,  British 1851-1914- A pair of portraits: Elizabeth Webb, holding a vase of flowers; and Thomas Webb, holding a black hat; each oil on canvas, the first signed and dated 'E.R. HUGHES.1876.' (lower right) and inscribed 'THOMAS.WEBB' (upper left), the second signed 'E.R.HUGHES.' (lower right) and inscribed and dated 'ELIZABETH.WEBB.1876' (upper left), each 61.6 x 51.5 cm., a pair (2). Provenance:  Private Collection, Essex, until circa 1970-3;  when purchased by the mother of the present owner.  Anon. sale, Christie's, London, 15 July 2022, lot 95. Note:  Although Hughes is known mostly for his romantic, somewhat fantastical watercolours such as 'Night with her Train of Stars', 1912 (Birmingham Museums and Art Gallery, no.1915P100), in his early career he appears to have had a thriving portrait practice. Of his sixteen Royal Academy exhibits, the fourteen between 1879 and 1898 were portraits. The present works, with their intricate detailing, clearly show the influence of Pre-Raphaelite portraiture and the impact of artists such as Frederick Sandys (1829-1904) and William Holman Hunt (1827-1910). Hughes was studio assistant to Hunt from 1899 due to the older artist's deteriorating eyesight. Although little is known about the sitters, Thomas and Elizabeth Webb, Hughes has effectively captured a sense of their personalities. In his portrait of Elizabeth, for example, he has added props of the blue and white vase of flowers and the yellow neckerchief, which allow us an insight into her character. 

Lot 291

Philip Alexius de László, PRBA,  Hungarian / British 1869-1937- Portrait of William Richards Castle, Junior; oil on canvas, signed and dated 'd László 1921.' (lower left), bears old label inscribed 'Castle. Jr. - Mr Wm R  / 1818 P St., Washington DC' attached to the reverse of the frame, bears old printed label 'No. 11948' attached to the reverse of the frame, 91.5 x 62.3 cm. Provenance:  The sitter.  Anon. sale, Bonhams, New York, 1 November 2012, lot 142.  Private Collection, Spain. Exhibited:  Washington, D.C., Corcoran Gallery of Art, 'Seven Portraits by Philip de László', 10-24 November 1921.  Literature:  Sitters’ Book II, opp. f. 22: William R. Castle, Jr July 3, 1921.  Helen Wright, 'Philip A. de László, 'Art and Archaeology', Vol. XII, no.6, December 1921, p. 241.  Philip de László, 1931 diary, 9 December entry, p.347.  DLA109-0243, 'De Laszlo: Special Exhibition of His Portraits,' The Christian Science Monitor, Boston, 21 November 1921, p.19.  The de László Archive Trust, 'The Catalogue Raisonné of Works by Philip de László (1869-1937) [online]', no.4035.  Note:  De László made his second visit to America in April of 1921. Before his arrival, an exhibition of his work took place at the Corcoran Gallery of Art in Washington, which then travelled to Knoedler’s in New York. This led to a number of important commissions, including those of President Harding [de László Archive Trust catalogue no.5569] and General Pershing [no.6887]. The sittings for those works took place at the White House interlaced with those for the present portrait, which took place on 3 and 11 July. According to the artist’s appointment book, sittings had also been arranged for 4-6 July; however, these were cancelled. The artist presented Castle with a rejected portrait of Charles Evans Hughes [no.41], who was also sitting at this time, and who signed the artist’s Sitters’ Book 16 July. William Richards Castle, Junior was born in Honolulu, Hawaii on 19 June 1878, eldest son of William Richards Castle (1849-1935) and Ida Beatrice Lowrey (1854-1926). His father, a lawyer and politician in the independent Kingdom of Hawaii, was from a wealthy family that had founded the agricultural giant Castle & Cooke, and maintained extensive holdings there. The sitter married Margaret Farlow (1880-1970) of Boston on 3 June 1902 and they had one daughter, Rosamond (born 1904). Castle graduated from Harvard College in 1900 and served as English teacher and assistant dean from 1904 to 1913. At the outbreak of the First World War, he joined the executive staff of the Red Cross in Washington, D.C., where he became director of the Bureau of Communications. In 1919 he became a special assistant in the Department of State, and by 1921 was chief of the Division of Western European Affairs, the position he held at the time he was painted. At the pinnacle of his career Castle served as Under Secretary of State 1931-33. Castle’s interests outside of politics were diverse. He was elected a member of the American Academy of Arts and Sciences in 1932, belonged to the Somerset Club in Boston, the Harvard and Grolier Clubs in New York, and the Metropolitan Club in Washington. He served as an overseer of Harvard College from 1935 to 1941. He was also an author, publishing two novels, The Green Vase (1912) and The Pillar of Sand (1914), and two non-fiction works Hawaii Past and Present (1915) and Life of Samuel Northrup Castle (1960), a biography of his great-grandfather. Castle died in Washington on 14 October 1963. His diaries were donated to Harvard and his papers to the Herbert Hoover Presidential Library upon his wife’s death in 1970. In this strikingly vivid portrait, he is presented half-length turned slightly to the right, full-face to the viewer, dressed in a dark suit and tie with a wing collar, his arms crossed, and a gold ring on his wedding finger. We are grateful to Katherine Field for writing the catalogue entry for this portrait, which is included in the Philip de László catalogue raisonné, currently presented in progress online: www.delaszlocatalogueraisonne.com (no.4035). 

Lot 185

A Chinese carved jade archaic form fish shaped vase, H. 25cm.

Lot 186

Two pairs of 19th C. Japanese cloisonne vases, tallest 18cm. Together with a further vase and bowl.

Lot 189

A 19th C. Japanese bronze vase, H. 28cm.

Lot 202

A studio pottery lamp base, a pair of pottery and metal jugs and a carved glass vase. Lamp base Dia 24cm.

Lot 229

A 1960's pottery vase/stick stand, H. 41cm. Together with a group of walking sticks and two 1960's stools.

Lot 395

A large vintage blue glass vase, H. 59cm.

Lot 408

A mid 20thC hexagonal Chinese hand-painted porcelain vase, H. 43cm.

Lot 24

A large terracotta and green painted vase, H 47cm

Lot 66

A Whitefriars orange square bark vase, H 17cm and a shallow circular bowl, D 12cm

Lot 79

A green glass decanter, five glasses and a flashed green glass vase

Lot 93

A collection of Bing and Grondahl china and an Austrian vase

Lot 1027

A COLLECTION OF VINTAGE MANTLE CLOCKS PLUS AN ONYX TABLE LIGHTER, ASH TRAY AND VASE

Lot 1065

THREE ITEMS - FLORAL GLASS JAR, WADEHEATH SQUIRREL JUG AND RCR CRYSTAL VASE

Lot 1073

TWO ITEMS TO INCLUDE A CARVED HARDSTONE CHINESE FLORAL BAMBOO POT DESIGN VASE AND FURTHER VASE

Lot 1087

A MIXED LOT TO INCLUDE ORIENTAL CUPS AND SAUCERS, CAT FIGURE, CLOCK, BERESFORD GEORGIAN WARE VASE, MARBLE CHESS PIECES ETC

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