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A selection of Ridegway Jetware, comprising: an oil lamp stand with humming bird decoration; a large double-handled vase with exotic bird and butterfly decoration; a baluster vase with songbird decoration; a ewer with jewelled decoration; and a biscuit barrel and cover with chinoiserie decoration. (5)
A selection of early 20th Century and later boxes, including: graduated set of Japanese tea caddies, with tiger motif decoration, the largest 14.5cms high; walnut tea caddy; brass bound domino box; and others; together with a naturalistic wood vase; and a bowl.
A 19th century Chinese Canton famille rose vase, late Qing dynasty, baluster form with a flared neck painted in the typical palette of polychrome enamels with alternating panels featuring officials and attendants on garden terraces, exotic birds and insects all reserved against the green scroll on gilt ground, 36.5 cm highPreviously lamped, drilled 2.5 cm up from the base through the side wall, remnants of glue and green anti-scratch baise on the base, also glue /adhesive inside the neck, external wear to enamels and gilding
A Chinese copper red langyao monochrome bottle vase in the 18th century manner, the exterior evenly covered with a rich strawberry red glaze with gilded rim, turqousie interior and base centred by the six-character 'Da Qing Qianlong Nian Zhi' seal script reign mark, 26 cm high post Qing dynastyGood condition without damage or restoration
A 19th century Chinese famille rose moon flask vase with applied gilded chilong dragon handles, painted in polychrome enamels with flowering lotus scroll on yellow ground surrounding the large circular panels, painted on one side with a narrative battle scene with equestrian figures, possibly the Generals of the Yang family, in a mountainous landscape, the opposing side with a pheasant and butterfly amongst flowering peony, Qing dynasty, 25 cm high to/w a small cylindrical 19th century Chinese famille rose teapot and cover, painted in the typical Canton palette with figures on palatial terraces and natural history designs against the green scroll on gilt ground, 12 cm high (2)The moon flask vase has one handle re-glued, otherwise good condition with light wear to gilding and enamels, the teapot with chip and repair to the spout, also with wear to enamels
A pair of late 19th century Chinese blue and white Nanjing export baluster vases, Qing dynasty, painted in underglaze blue with Buddhistic guardian lions and stylised clouds on cream crackled ground between decorative foliate iron-dust brown banding (imitating bronze) around the shoulder and foot, each base with illegible (possibly Chenhua) four-character mark, 22 cm high to/w a 19th century Chinese blue and white vase painted in bright tones of underglaze blue with two figures beside an oversized floral decorated lidded vase surrounded by trailing foliage, birds and flowers, the base with four-character Kangxi mark, 18.5 cm high (3)All vases in good condition, not damaged or repaired with surface wear only
A Japanese Kyo-Satsuma Kinkozan potpourri vase and reticulated cover painted by Sozan, Meiji period (1868-1912) the three signed rectangular panels finely gilded and painted with a scholar's studio interior, a palatial landscape with imperial courtiers and an idyllic landscape with cockerel and birds, reserved against maroon ground draped with trailing sakura, the base with gilded kanji mark, 20 cm high to/w a pair of 19th century Japanese Imari vases of waisted octagonal form painted with floral design in the typical palette of underglaze blue and iron red enamels and gilt highlights, Meiji period (1868-1912) 22 cm high, a Japanese black lacquered implements box with hinged cover gilded with a lotus pond and birds, 22 cm w x 16 cm d x 8 cm h and an 18th century Chinese Imari punch bowl painted with floral design, 24 cm diameter (5)One Imari vase extensively repaired, damage and losses to reticulated cover and foot of potpourri vase, lacquered box with wear and losses, Imari bowl with large hairlines and several chips and areas of wear
A pair of 19th century Japanese Imari ovoid caddy's with insert covers and domed outer covers, painted with floral and foliate designs in underglaze blue and gilt highlighted iron red enamel, 13.5 cm high to/w to/w and Imari rosewater bottle vase with similar decoration, 19 cm high, all Meiji perios (1868-1912) (3)One domed cover with small chip, glaze imperfections an firing irregularities but good condition, the bottle vase crackled neck
A late 19th or early 20th century Chinese famille rose rouleau vase, painted in polychrome enamels with equestrian figures, warriors on foot and flag bearers, decorative lappet and diaper floral banding on a crackled buff ground, late Qing dynasty, 30 cm high to/w a 19th century Japanese Imari rosewater bottle vase painted in the typical palette with floral designs (Meiji period 1868-1912) 14 cm high (2)
Four late 19th or early 20th century Japanese bronzes comprising a small baluster vase with flared neck and Karashish handles, the body with relief kacho-ga decoration featuring birds and prunus, Meiji period (1868-1912) 14 cm high, a naturalistic koro with twisted vine leaf mounted handles and feet, the pierced domed cover with conforming finial 8 cm high, an archaistic tripod koro and cover with Karashish finial, 11 cm high and a pricket candle stick cast with dragons and birds standing on three taotie mask monopodia supports 19.5 cm high (4)
A Large Japanese Yoshida workshop bronze baluster vase, Meiji period (1868-1912) with incised leiwen or keyfret banding around the rim, the body cast in high relief with birds and insects amongst blossoming prunus over rockwork and small birds encircling the domed foot, the base marked 'Dai-Nippon Yoshida-zō Kyōto' 62 cm high
A pair of 18th century Chinese famille rose garniture vases and covers with gilded animal finials, the vases of moulded baluster form painted in polychrome enamels with fruiting peach and pomegranate trees and flowering peony over Taihu style reticulated rocks around the foot, Qianlong period (1736-95) Qing dynasty, 35 cm high o/aThe first vase has an approx. 1 cm chip to the neck issuing a vertical hairline, and small chips around the base, the second with smaller rim chip, a 1.5 cm chip at the foot, both covers with several chips, finials re-attached chipped, one loose and partially re-gilded, the completely re-gilded and overpainted, other areas of surface wear and wear to enamels
Japanese porcelain vase with floral painted decoration on a celadon ground, blue and white body below, to/w a late 19th century Chinese turquoise ground famille rose box and and cover painted in polychrome enamels with birds, butterflies and flowers in the Dayazhai manner, the base with iron red four-character Guangxu mark, late Qing dynasty, six Japanese Imari plates, a bowl and two eggshell bowls with miniature turtles applied within (box)Turquoise box and cover with stapled repairs to both sections, wear to enamels, 8 cm diameter, 11 cm high, the vase has a firing crack in the footrim and wear to gilding and enamels, one wine cup with small rim chips and loss to the tip of the tortoises tail, both with interior wear to enamels
A pair of late 19th century Chinese blue and white baluster vases, late Qing dynasty, painted with the same design in underglaze blue with butterflies and blossoming tree peony overhanging a pair of birds, with lappet banding around the foot, each base with four-character 'Qianlong Nian Zhi' mark, 21 cm high to/w an 18th century Chinese famille rose milk jug with replacement brass handle, painted with flowering peony in polychrome enamels, Qianlong period, 8.5 cm high (3)One vase with small rim chips and minor chips around the foot, the jug with replaced handle which is loose, small chip and small hairline at the rim
A early 20th century Japanese ovoid vase by Mauzu Kozan (1842-1916) painted in underglaze blue with tall leafy stems of blue iris on lemon yellow ground with contrasting white interior, signed to base 31.5 cm high to/w a 19th century Chinese Canton famille rose punch bowl 30 cm diameter (2)The vase with extensive/incomplete repairs, interior of bowl with colour bleeds, heavily discoloured/stained, other areas of wear to enamels
A mid 20th century Japanese Arita Aoki Brothers famille verte baluster vase with domed cover surmounted by lotus bud finial, painted in bright polychrome enamels with large sinuous dragons amongst stylised flames and clouds on a green ground, Aoki mark to underside of cover, 37.5 cm high4 cm repair to rim of cover, areas of wear to gilding and enamels
A pair of early 20th century Chinese ginger jars with domed covers, painted in the famille verte palette of polychrome enamels with a narrative battle scene, 20 cm high, two 18th century blue and white export octagonal plates painted with fenced garden landscapes in underglaze blue, Qianlong period, Qing dynasty, 21.5 cm diameter, an 18th century blue and white bowl (damaged) an 18th century pine tree pattern blue and white tea bowl, 7 cm diameter, a cinnabar lacquered and Canton enameled cylindrical box and cover, 8 cm high, articulated enameled fish pendant suspended from a hardwood stand, a Japanese Satsuma ovoid vase painted with red-crowned cranes and flowers, 20 cm high and a modern Chinese rice ware bowl (box)
A small 20th century Chinese egg-shell porcelain coral glazed vase with gilded rim and contrasting white interior, the base with four-character Qianlong mark in iron red, 16 cm h to/w a pair of egg-shell porcelain famille rose bowls painted in polychrome enamels with a horse and seated official with his hunting party of archer's and attendants, calligraphic inscriptions in black, red and gilt mark to each base, 12.5 cm diameter, all probably Republic period - lot also includes two cylindrical tin lidded storage/travel boxesBowls in good condition with light wear only and surface dirt, small rim chip on vase, please see images provided
A 19th century Japnese Kutani double gourd vase painted with Rakan studying scrolls, 22 cm high, a pair of Kutani candle sticks, 16 cm high and a dish with rolled edges, 20 cm, all in the typical of polychrome enamels with gilt highlight to/w a Kyo-Awata square caddy painted with insects and butterflies, signed (unknown)
A large Chinese wucai vase, late Qing, painted in underglaze blue, copper red and polychrome enamels with two large phoenix, green scrolling tendrils and flowering peony, with mosaic style banding and upright lappets around the neck with brown dressed rim, late 19th century in the late Ming/Transition period style, 30.5 cm high Good condition without any chips, hairline cracks or restoration, some areas of light wear to enamels
Early 19th century Meissen figure of a young boy with wreath, on square base, 11 cm to/w two later figures, boy clapping and dancing and a boatman, to/w a Meissen Imari palette spill-vase, an onion-pattern slipper with trodden-down heel and an ovoid blue-ground bauble, painted with the New Pottsdamm palace (6)
Lorna Bailey for Old Ellgreave Pottery large 'Summer Garden' vase decorated with wild flowers and insects. According to the Lorna Bailey First Millenium book page 56, 'This was made for the ceramics showcase 1997. It was a stylised foxglove. It was supposed to be a limited edition of 50 but only 25 were ever made due to firing problems'. Height approx 32cm. No signs of damage or restoration.
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653685 item(s)/page