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Click here to subscribeThree provincial celadon vases, comprising: one with trumpet neck, about 13cm high; and two with crackle design; the taller 22cm high (3) Condition Report Please note that this is a group lot where condition may vary from vases to vase. Some deterioration/damage, including: areas of misfiring.
Three Chinese underglaze blue decorated vases: one of rouleau form decorated with a Scholar, 22cm high; one depicting flowering prunus, 27cm high; and one decorated with a floral design, 23.5cm high (3) Condition Report No easily apparent areas of severe deterioration, but please note that this is a group lot where condition may vary from vase to vase.
A quantity of Chinese Ceramics, comprising: a famille rose bowl, 16cm diameter; a blue and white vase and cover; three blue and white cups; a small blue and white vase; three blue and white saucers; and a circular blue and white cover; Qing Dynasty or later (10) Condition Report Please note that this is a group lot where condition may vary from item to item; the damage includes areas of fritting/chipping/cracking or other deterioration.
A Chinese blue and white yen-yen vase, decorated with scrolling designs, 36 cm high, Kangxi six-character mark but not of the period; together with a famille rose cylindrical teapot, about 20cm high; and a pair of turquoise-ground cylindrical vases, 17.5cm high, possibly from Multan in Pakistan (4) Condition Report Please note that the damage may vary from item to item as this is a group lot; the damage includes drilling to the base of the Chinese vase, and areas of repair, deterioration and/or loss.
Two small Japanese vases by Kinkozan, comprising: an oviform vase decorated with sparrows flying through bamboo 7cm high, signed Kinkozan sei; and a small vase decorated with karako, 6cm high, signed Kinkozan, Meiji/Taisho Period (2) Condition Report Please note that there are some areas of damage or deterioration to this lot.
Two pieces of Satsuma, Japanese stoneware, comprising: a squat globular vase with domed cover, decorated with Daimyo and Yamato Nadeshko on the blue ground, unsigned; and a waisted cup or vase decorated with kacho-ga, the last 12cm high. Both Meiji Period or later (2) Condition Report Please note that there is some deterioration to this lot which includes areas of enamel ware and repair.
A small blue and white ewer with a four-character Xuande mark, but not of the period, 14cm long; together with a Japanese, Koransha Imari oviform vase, 19cm high, decorated with floral designs; the base with three-character mark, Fukagawa sei (2) Condition Report The damage includes areas of enamel and gilding wear, and some deterioration.
Two pieces of Chinese Blue and White, comprising: a vase with four-character Kangxi mark, but not of the period, 14.5cm high; together with a prunus decorated oviform jar and cover, 12cm high (2) Condition Report Please note that there are two objects in this lot where condition may vary. There are no easily apparent areas of substantial damage.
Two Persian, or other, oviform metal vases; one decorated with designs of foliage; the other with a reticulated body decorated with small portraits; each vase about 40cm high and mounted for electricity (2) Condition Report Please note that the damage includes areas of metal fatigue, wear, bruising and detetrioration.
A Chinese famille rose circular box and cover, 9.5cm diameter; together with a famille rose Chinese snuff bottle, and a Japanese ginbari vase decorated with a bijin, the last 15.5cm high and Meiji or Taisho Period (3) Condition Report Please note that the condition may vary from item to item here; the damage includes: areas of deterioration to both ceramics and ginbari.
An Indian, small white metal vase, probably Bidri ware from Bidar in The Deccan, nearly 12cm high, 19th CenturyProvenance: The Property of a Lady. For a similar shape, also attributed to Bidri in the 19th Century, see page 212 of 'Islamic Art' by Barbara Brend. Condition Report Please note that the damage to this vase includes areas of metal fatigue, wear and deterioration.
Two pieces of Chinese blue and white porcelain, comprising: a powder-blue ground bottle vase, decorated with objects from the Scholar's Studio, 21cm high; together with a blue and white prunus jar and cover, 12cm high (2) Condition Report Please note that there are areas of restoration to the bottle vase.
An Imari vase and cover with painted bird decoration, two Imari type dishes and three soapstone type oriental carvings including a seated dog of fo raised on a rectangular base height 16cm, a standing dragon type beast on a rectangular base, 12cm long and a group of flowers and birds raised on a rocky style base, height 22cm
A 19th century pink ground two handled vase with printed and infilled classical style decoration and antelope head moulded handles, height 33cm, a Masons Ironstone jug of octagonal form with stylised floral decoration, a collection of three 19th century Pratt ware pot lids and covers showing a pair of dogs in an interior setting - Contrast, a cottage interior scene - Persuasion, and a fishing scene, together a vase with applied cherubs and five fairing groups including Modesty, When a Man's Married, Twelve Months After Marriage, etc
A quantity of oriental ceramics including a fish bowl with painted famille rose type floral decoration, diameter 51cm, a pair of Satsuma vases with painted warrior decoration, a further large Satsuma vase and other vases, a grey ground ginger jar with green trailing floral decoration, various bowls etc
An oriental vase of slender shouldered form with blue painted treailing floral and foliage decoration, with painted elaf mark to base, height 15cm approx, together with a further oriental type opaque vase with green overlay and moulded scrolling and floral detail, height 16cm approx, also together with a rustic earthen ware jug of simple form with green glazed upper section and ahandle, height 20cm
A 19th century Samson vase of hexagonal form with painted armorial crest and floral decoration, height 23cm, together with further ceramics including Wedgwood blue ground jasper wares including two pairs of vases, ashtrays, etc a pair of early 20th century dishes of circular form with printed decoration of early 19th century style gentlemen and ladies, a hot water jug with poppy decoration against a blue and gilt border etc
A collection of Royal Doulton figures comprising Ascot HN2356, Vanity HN2475, The Balloon Seller HN2136, Rose HN1368, Dinky Do HN1678, Penny HN2338, Belle HN2340 and Goody Two Shoes HN2037 together with further ceramics including a Czechoslovakian vase of hexagonal form with printed bird decoration, German coffee wares with printed floral sprays on a duck egg blue ground, etc
An art deco vase of ribbed moulded form with painted decoration in the Clarice Cliff manner, with impressed numbers to base number 72 and further painted numbers 5763, height 23cm, together with a Wedgwood lilac ground jasper ware vase of flared form, further Wedgwood blue ground jasper wares and a set of six glass sundae dishes with aluminium bases
Four Hepplewhite style open elbow chairs, the shield shaped backs with pierced vase shaped splats over drop in floral tapestry seats raised on square tapered and moulded forelegs united by H shaped stretchers, together with a Chippendale style carved chair and similar single example with pierced gothic tracery splats
A Bourne Denby ewer designed by Glyn College with abstract painted leaf decoration, height 32cm together with a set of five continental graduated kitchen storage jars and cover with inscriptions to front, a Hornsea vase of oval form with simple black line detail, Rye pottery wares including coffee pot, milk jug and sugar bowl etc
A quantity of Royal Worcester Evesham pattern oven to table wares including tureens and covers, serving dishes, tea wares etc, together with a small collection of Wedgwood green ground Jasper wares, Portuguese tin glazed earthenwares including a five aperture vase, together with an opaque pink glazed vase of lobed form, etc
A collection of 19th century and other ceramics including a pair of pink ground two handled vases with printed decoration of a continental style wedding and christening, a quantity of Wedgwood blue ground Jasper wares including vase with flower holder, pair of candlesticks, dressing table wares, etc a small collection of crested wares, a Wedgwood blue and white printed Ferrara pattern bowl, a blue and white printed biscuit barrel with plated mount, a pair of 19th century opaque pink glass vases with painted bird decoration, etc together with a small 19th century gilt metal and wirework model of a peacock with articulated back etc
A small Poole Pottery orange ground vase, height 10cm, a further pair of Poole Pottery vases of cylindrical form with sloping rims and abstract brown glazed decoration number to base 582, height 15cm, a collection of Shelley tea wares with crested decoration, royal commemorative wares, Heat Master tea and coffee wares etc
A Royal Worcester blush ivory flat back jug with painted and gilded floral sprays and with puce printed mark to base number 1094, height 20cm approx together with a further Royal Worcester type ivory ground vase of conical form moulded with three further flower holders with painted floral sprays and further gilded detail, gilded number to base 23, height 14cm approx
A collection of ceramics including Paragon Country Lane pattern tea wares comprising tea pot, cake plate, milk jug, sugar bowl, six cups, five saucers and nine plates, together with a 19th century Staffordshire spill vase flanked by a pair of male and female characters, dressing table wares with printed rose decoration, Victorian blue and white printed dinner wares comprising a pair of serving dishes and covers and a tureen base, a cut glass decanter and stopper with globular body and drawn neck and two further decanters and stoppers, etc
A 20th century watercolour of an Irish coastal scene, signed bottom right Sam McLarnon, with Ballycastle address details verso, 28 x 46 cm approx in wooden frame together with a watercolour of a still life of a vase of tulips and daisies, signed bottom right Sarah Farwell, 36 x 46 cm approx and a further watercolour of a farmyard, all framed
A TURKISH SILK PRAYER RUG, MODERN the burgundy-red "mehrab" with a one-directional vase flower design amongst birds depicted in pale blue-green, walnut and rose twin columns, rose floral spandrels within a cinnamon palmette, vine and arabesque border, one inner and two outer guardstripes condition: good 93 by 64cm
A WILLIAM MOORCROFT FLAMBE 'WISTERIA' PATTERN TWIN HANDLED VASE, CIRCA 1928 in shades of orange, red and purple, impressed factory mark and MADE IN ENGLAND, painted initials, some crazing 26,5cm high Flambé glazes, termed "sang-de-boeuf" or ‘Ox Blood’ in French were being used by the Chinese from as early as the 11th century. The effect was achieved by using copper oxide as a colouring agent and firing the object in a temperature reduced atmosphere. Although the Chinese continued using these glazes into the 18th century, European potters were not able to master the technique until the early 20th century. In 1919 William Moorcroft had a special kiln built and started experimenting with high-temperature flambé techniques, producing intense glazes with vibrant colours.
A GALLE CAMEO GLASS VASE, CIRCA 1900 of elongated shape, the mottled green glass overlaid with etched leaves, signed in cameo 51cm high Cameo glass is produced by etching and carving through fused layers of alternate coloured glass. Emile Galle realized the immense potential of this technique and began to use acid in conjunction with enameling in the production of his art works. The vessels were covered in a resist layer of wax, and then repeatedly dipped in hydrofluoric acid. The delicate and detailed patterns were worked in with pointed instruments, wheels and drills, and finally polished.
A GERMAN ART NOUVEAU AMETHYST CUT-GLASS VASE WITH SILVER COLLAR, .800 STD, EARLY 20TH CENTURY the vase of square form, engraved with an Iris and leaves, the detachable pierced silver collar with conforming Iris and scrolling foliate decoration, 108g, 14,5cm high; A 19th Century Tear Catcher or Scent Bottle, the four sided body painted with orange and white enamel decoration, gilt highlights, glass stopper, 17,5cm long; A Victorian Cranberry Silver Mounted Scent Bottle, London, C.C. May & Sons Ltd, 1884, of teardrop shape with silver and gold inclusions, lacking stopper, dents to detachable silver cover, 11,5cm high; A Victorian Silver Mounted Scent Bottle, Birmingham, Hilliard & Thomasan, 1890, the white enamelled porcelain egg-shaped body painted with flowers and foliage, lacking stopper, dents to detachable silver cover, 4,5cm high; And a Group of Four Metal-mounted Scent Bottles, 19th Century, of various shapes, sizes and coloured glass, the tallest 13,5cm long (8)
A WILLIAM MOORCROFT 'LEAF AND FRUIT' PATTERN VASE, 1928-1935 with elongated neck, in shades of yellow, green, russet and blue, impressed factory mark and MADE IN ENGLAND, painted initials 42,5cm high Flambé glazes, termed "sang-de-boeuf" or ‘Ox Blood’ in French were being used by the Chinese from as early as the 11th century. The effect was achieved by using copper oxide as a colouring agent and firing the object in a temperature reduced atmosphere. Although the Chinese continued using these glazes into the 18th century, European potters were not able to master the technique until the early 20th century. In 1919 William Moorcroft had a special kiln built and started experimenting with high-temperature flambé techniques, producing intense glazes with vibrant colours.
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