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Click here to subscribeA Chinese porcelain bottle vase: enamelled in the famille rose palette with a procession of children playing instruments, holding banners and lanterns, a large peach and a wheeled toy, with a poetic text verso, between lappet and ruyi head bands, the neck with peony and chrysanthemum on a scrolling ground, apocryphal four character mark for Qianlong, 34 cm high. with carved wooden stand.
A Chinese blue and white vase, Hu: with mythical beast mask and ring handles, painted with two bands of scrolling flowers and foliage above a wave border and below a band of stiff leaves, Qianlong six-character seal mark, 25.5 cm high [chip to moulded band, chips to rim with one glazed over, two glaze imperfections].
A large Chinese cinnabar lacquer vase and cover: of ovoid form, with domed lift-off lid with floral finial, with two large heart-shaped panels depicting figures in a woodland landscape enclosed by foliate and dragon mask decoration, on a matching circular stand, total height, 65cm.
Vincenti et Cie, Paris, a three-piece clock garniture: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the trademark of the maker Vincenti et Cie of Paris, the round cream enamel dial with black Arabic Roman numerals with coloured floral swags between, a gilt filigree mount to the centre and blued steel fleur-de-lys hands, the gilt-metal case with floral, bird and rococo decoration and mounts, with tapered pink porcelain pillars to either side decorated with rural country scenes, a pink porcelain plaque set within the front and painted with a rural scene depicting seated lovers, and with a matching pink porcelain urn to the top of the case, with a pair of gilt-metal and porcelain matching vase shaped side pieces, height 42 cm (clock) 37 cm side pieces. Complete with glass domes. * Biography; Vincenti set up his factory producing roulant blancs in Montbeliard in 1823 but went bankrupt a year later, whereupon the clock manufacturer Roux took on the management. They were awarded a Medaille d'Argent (silver medal) for their movements at the Paris Exhibition of 1855, Vincenti himself having died in 1834.
A Doulton Lambeth stoneware vase decorated by Hannah Barlow: of footed baluster form decorated with an encircling sgraffito band of four goats and two kids between two marbled green borders, impressed rosette mark and England, with monogram for Hannah Barlow assisted by Florence Roberts, late 19th century, 23.5 cm high.
A Royal Worcester porcelain vase and a jar and cover: the former of slender footed form with pierced navette shape rim painted by Kitty Blake with blackberry, blossom and leaves, signed verso, the jar of quadrilobed form with pierced cover similarly decorated, puce mark and datecode for 1912 and green backstamp and datecode for 1910, 16 and 13.5 cm high, [knop glued].
A Victorian walnut veneer card and work table:, the rectangular burr figured quarter veneered hinged top, baize lined and with canted angles and a moulded edge, having a fitted frieze drawer and sliding tapered well below, on ring turned and reeded vase knopped dual column end and splayed legs, united by a turned and reeded stretcher, terminating in castors, 73cm (2ft 4 3/4in) wide.
A presentation silver regimental trophy vase, by Lawn and Alder, London 1912, plain vase form, scroll handles, on a raised circular foot, inscribed with a Crowned H, above 'From the Viceroy, January 1916, Delhi' and 'won by ''C'' Company Major A.J. Randell', also with the badge of the 1/4 Bn The Wiltshire Regiment, height 24.5cm, approx. weight 20.5oz. The crowned H is for Charles Hardinge, 1st Baron Hardinge of Penshurst, who was Viceroy of India from 1910-16.
A Chinese famille rose orange ground vase: of baluster form with pierced dragon handles, painted with two shaped panels of dignitaries and other figures in gardens reserved on a gilt medallion orange ground, apocryphal underglaze blue Qianlong seal mark, 31 cm high.
A Chinese porcelain bottle vase: enamelled in the famille rose palette with four children playing in a garden, with a poetic text verso, between ruyi head and lappet bands, the neck with chrysanthemum on a scroll ground, apocryphal four character mark for Qianlong, 30 cm high, with a carved wooden stand.
A photograph on wood of the Martin brothers in their studio: depicting Wallace seated modelling a Wally Bird, Walter turning a pot and Edwin Martin decorating a vase, circa 1912, 32 x 45 cm.*An identical image appears as figure 195, page 128, 'The Martin Brothers Potters, Malcolm Haslam
A Dutch blue and white delftware tulip vase: the heart shaped body with five nozzles and crouching leopard handles, painted with cherubs amongst scrolling flowers and foliage, on rectangular spreading base, blue VE monogram/2/4 for Lambertus van Eenhoorn, probably De Metalen Pot, early 18th century, 20 cm high [minor chips].
A George III old Sheffield plated ewer, circa 1790, vase form, garland and swag girdle, scroll handle, the hinged cover with a stylised cone finial, on a raised circular foot with beaded borders, height 30cm, plus another George III old Sheffield plated ewer of similar form, engraved with a monogram. (2)
A pair of blue and white ovoid Vases, 19th century, in Kangxi style, the body divided into irregular panels of figures, precious objects and flowers, both damaged, six character mark of Kangxi, 19.8cm; a gu vase, painted with precious obejcts between banana leaves, restored, 19.5cm; an ovoid vase, 19th century, with He Xiangu, metal mouth,14.8cm; a vase with two dragons amongst flowers, 13cm; and a cylindrical vase, with panels of eight Daoist immortals, four character Kangxi mark, 15.5cm (6)
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