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BEVERLEY WILKES for MOORCROFT, Andalucia, cylindrical vase, with waisted form and narrow neck, shape 98/8. Impressed factory and paint marks to base, with year cypher for 1999 and printed monogram MDS. Height 21 cm. With original box.Condition Report: Some crazing visible on vase, particularly evident in the lighter parts of the vase design.
A mid 20th Century Vallauris pottery vase of slender waisted form with one carved handle and one curled handle, the body decorated with amoebic forms in coloured glazes against a black and white speckled ground, incised mark to the base, indistinct artist signature, height 30cm.
A large late 19th Century Royal Worcester Persian blush ivory twin handled vase and spire cover decorated with cartouche panels of tonal gilt birds amidst enamel and gilt foliage with enamel and gilt foliate panels to the neck, the whole in matt black with a platinum lustre repeat pattern, the gold base with green printed mark with date letter for circa 1882, height 40cm.
A late 19th Century Moser glass vase of waisted sleeve form heavily engraved with cascading flowers over mitre and notch cut lines picked out in gold over a pale peach ground, height 23cm, together with a similar smaller example with scalloped rim and slice cut body with floral and gilded decoration, height 21cm. (2) NB - From the collection of Gary D. Baldwin - Illustrated - plate 50 - page 97 - Moser Artistic Glass - Edition Two - Gary D. Baldwin.
Four large cylindrical chemist jars each with facet cut tops, paper applied labels, White Beeswax, Yarrow Herb, Logwood, Cloves, height 24cm, a large clear glass chemist jar, height 55cm, a similar pale pink vase and stopper, a similar jar and stopper of bulbous pedestal form, height 35cm, and three stoneware blacking pots. (9)
A group of original Whitefriars master art work and workshop illustrative working boards for glass makers for various textured range vases designed by Geoffrey Baxter, all printed from the original working drawings with later annotations, corrections and amendments, including a shape 9680 Hoop vase, 9758 Onion vase, 9717 Volcano vase, 9731 Pineapple and 9683 & 9684 Nailhead vases. (6)
A Whitefriars Textured range Coffin vase designed by Geoffrey Baxter in meadow green, pattern 9686, retains pattern number label to the base, height 13cm, damaged, together with a Wedgwood green Sheringham three ring candlestick designed by Ronald Stennett-Willson, height 14cm.
A late 19th to early 20th Century Royal Bonn vase, hand painted by E. Volk with a lady stood beside an urn, signed, printed mark, height 18cm, together with twin handled pedestal urn and cover with purple and blue flowers, height 21cm, and a box and cover decorated to each face with a scene of figures by the waters edge, bears spurious Augustus Rex mark, height 12cm. (3)
A boxed Coalport 'The Lincoln Cathedral' vase and cover decorated with a hand painted scene of Lincoln Cathedral celebrating its 900th Anniversary AD 1072-1972 by Peter Gosling, commissioned by Francis Sinclair Georgian House, Doncaster, England, printed mark, numbered 36 of 100 to the certificate, height 24cm.
A later 20th Century studio glass vase by Tom Petit, of shouldered ovoid form with everted collar neck, decorated with a mutlicoloured swirl over clear ground, signed to the lower shoulder, height 15cm, together with a small spherical example with pulled line decoration. (2)
A 20th Century continental garniture comprising a vase and cover and a pair of single sconce candlesticks, each decorated with cherubs and encrusted flowers and foliage with pierced panels, each bears spurious Dresden mark, vase height 34cm, candlesticks height 18cm. (3)
A 1960s Ceramiche Giulianelli Italian pottery double neck vase decorated in a black and white lava glaze with a red cartouche panel with two incised portraits of stylish ladies with coloured enamel detail, printed mark, height 31cm, together with a matching trinket box, damaged. (2)
A mid 19th Century Bohemian Lithyalin glass vase, probably Friedrich Egermann refinery, of waisted slice cut octagonal form with upper collar rim, cased in a marbled tonal opal and brown over opal interior, height 13cm, together with an Aqua-Opal example of footed flared form with gilded highlights, height 11cm. (2)
A 1930s Pilkingtons Royal Lancastrian Art Deco shape 200 vase thrown by Edward Radford and decorated by Gladys Rogers with a banded pattern in blue and green over a mottled grey ground, impressed and painted marks, height 23cm, together with a small Pilkingtons Royal Lancastrian vase with banded decoration, height 13cm. (2)
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653685 item(s)/page