A CHINESE FAMILLE ROSE ORMOLU-MOUNTED JAR THE PORCELAIN 18TH CENTURY, THE MOUNTS 19TH CENTURY Painted in enamels and underglaze blue with blossoming prunus branches and peony blooms growing amidst rocks, with areas of detail picked out in gilt, the foot and rim with European ormolu mounts, the vase approx 22cm, 74cm overall. Provenance: from the collection of the late Hubert René Joseph Georges Faure (1919-2020). Hubert Faure was the first husband of Elizabeth (Bessie) de Cuevas, who married when she was nineteen. Bessie was the daughter of Margaret Rockefeller, granddaughter of John D Rockefeller.
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A SMALL CHINESE FAMILLE ROSE BOTTLE VASE 19TH CENTURY The ovoid body rising from a short foot to a tall slender neck, painted with three figures in a landscape, an elegant lady sits upon rockwork as the boy next to her points at an attendant carrying a pot of flowers, with a single bat in flight above, the base with a four character mark reading Shen De Tang zhi, together with a wood stand, 13.7cm. (2)
A CHINESE FAMILLE ROSE CORAL-GROUND OVOID VASE 19TH CENTURY Painted in enamels with two roundels containing figures standing in fenced gardens amidst rockwork, the panels reserved on a bold orange ground decorated with floral sprays in gilt, with a six character Qianlong mark to the base, 18.2cm.
A CHINESE FAMILLE ROSE MILLEFLEURS 'LANDSCAPE' BOTTLE VASE REPUBLIC PERIOD The ovoid body surmounted by a tall slender neck, painted with two cartouches enclosing riverscapes, the panels set against many brightly painted blooms reserved on gilt, with a six character Qianlong mark to the base, 17.4cm.
A CHINESE FAMILLE ROSE GREEN-GROUND VASE REPUBLIC PERIOD Painted with two quatrefoil cartouches enclosing a lady with two boys, the scenes reserved on a pale green ground decorated with lotus flowerheads and scrolling leaves, surmounted by a short waisted neck, with a four character Qianlong mark to the base, 19.4cm.
A CHINESE FAMILLE ROSE YELLOW-GROUND GARLIC-MOUTH BOTTLE VASE REPUBLIC PERIOD OR LATER The pear-shaped body painted with three cartouches containing butterflies, peaches and blossoming flowers, the panels reserved on a bright floral-decorated yellow ground, with ruyi-heads encircling the rim, the base with a four character Qianlong mark, 17.2cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A CHINESE FAMILLE VERTE 'DRAGON' BOX AND COVER AND A FAMILLE ROSE 'POMEGRANATE' VASE QING DYNASTY The box decorated with cartouches enclosing scaly dragons divided by floral sprays, with a panel containing two dragons encircling a shou character to the cover, the vase shaped as a pomegranate, painted with fruiting pomegranate branches growing amongst flowering blooms, 15.2cm and 11.6cm. (3) Provenance: from the collection of Mrs Elizabeth Walter, née Hall (d.2021).
A COLLECTION OF CHINESE CELADON ITEMS MING DYNASTY AND LATER Comprising: seven small jars, an ovoid vase, a small tripod incense burner, three small circular dishes, three 'twin-fish' bowls, a cup stand, a large Ge-type dish, and eight other bowls, some with moulded or incised decoration, together with twenty-five wood stands and various invoices dated between 1968 to 1979, the majority of invoices from Luen Chai Curios Store, Hong Kong, 30cm max. (50) Provenance: from the collection of Mary Colinet (née Skiotis), and thence by descent. Mary Colinet was born in Beijing on 20th August 1928. She married her husband Paul Colinet in Tianjin in September 1947 and later left Tianjin for France in 1953. Mary collected Chinese art and antiques, particularly during the period between 1964 and 1975 when she lived in Hong Kong. Mary spoke Greek as her first language and was also proficient in Mandarin, English and French.
A CHINESE CIZHOU CYLINDRICAL VASE YUAN DYNASTY Painted in brown slip with a stylised bird amidst foliate sprays, with simple bands to the shoulder, the design reserved on a cream ground, with a black interior, 19.5cm. Provenance: from the collection of Francis Golding (1944-2013), purchased from Linart Ltd London on 17th March 1998.
A VIETNAMESE BLUE AND WHITE PEAR-SHAPED VASE 15TH CENTURY Surmounted by a slender neck flaring at the rim, painted with a scrolling floral band, leafy sprays and large lappets, with stylised motifs to the rim, the base with paper labels for The Hoi An Hoard and Robert McPherson, 30.5cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A CHINESE FAMILLE VERTE GU-SHAPED VASE 19TH CENTURY The central raised section painted with two dragons amidst lotus flowerheads and stylised leaves, the flared neck and foot decorated with large sprays of blooming flowers, with green and black bands of ruyi-heads and geometric designs dividing the registers, the base with a four character Kangxi mark, 45.8cm.
A CHINESE FAMILLE JAUNE SQUARE-SECTION VASE 19TH CENTURY Each facet enamelled with a scene of figures by a river, the shoulder painted with panels enclosing precious objects, with further figural scenes to the flared neck, the spread foot painted with floral sprays on a cracked-ice ground, 44.7cm.
A CHINESE CANTON FAMILLE ROSE VASE 19TH CENTURY Richly decorated in enamels and gilt with panels containing figural scenes and birds perched amongst rocks and flowers, with applied chilong and lion dogs to the shoulder and waisted neck, 35.6cm. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A LARGE CHINESE CELADON-GROUND 'IMMORTAL AND QILIN' VASE PROBABLY LATE QING DYNASTY The tall cylindrical body decorated in underglaze blue and slip with an Immortal riding a qilin through a rocky walled garden, with three smiling attendants carrying banners and a parasol walking alongside the mythical creature, the waisted neck painted with a further Immortal standing on swirling clouds above, all set against a pale green ground, with two applied handles shaped as pairs of lion dogs, 60cm.
A LARGE CHINESE CANTON FAMILLE ROSE 'LADIES' VASE 19TH CENTURY The body painted with two large panels enclosing beauties at leisure in a fine pavilion, with a further two figural scenes to the neck, the panels surrounded by phoenix and butterflies perched amidst blossoming flowers, with moulded chilong to the shoulder and applied handles formed as pairs of boys flanking the neck, 62.5cm. Provenance: from a UK private collection, acquired in the 1970s.
A LARGE CHINESE FAMILLE VERTE VASE 19TH CENTURY The ovoid body painted with scholar-officials standing outdoors under a banana tree as ladies stand in an interior setting amidst swirling clouds, the waisted neck decorated with a figure boating through a rocky landscape, all raised on a tall flared foot, together with a wood stand, 61.5cm. (2)
A CHINESE WHITE GLAZED 'PRUNUS' VASE PROBABLY 17TH CENTURY The pear-shaped body surmounted by a waisted neck which rises to an upright rim, finely incised with blossoming prunus branches, decorated all over in a creamy white crackled glaze, all raised on a short flared foot, 31.3cm. Provenance: from the family collections of Captain George Lionel Jameson OBE (1880-1961) and his descendants.
A CHINESE CELADON GLAZED GARLIC-MOUTH VASE PROBABLY LATE QING DYNASTY The compressed body surmounted by a tall cylindrical neck which terminates in a wide garlic-head mouth, all raised on a high flared foot, decorated all over in a pale greyish-green glaze, with a six character Yongzheng mark in underglaze blue to the base, 34.9cm. Provenance: from a private collection, Kent, acquired in London prior to 1970.
Maritime interest: a Norwegian .830 grade slender vase applied with enamelled flag and shield, flanked by chased images of a shipwreck and rescue, and with engraved Norwegian inscription commemorating the rescue of the crew of the shipwrecked barque 'Cingalese' by the SS 'Briton', 18th August 1906, 26cm high 12.6oz (399g)
Various silver oddments, including Christening cup, Victorian punch ladle with silver twist handle, Sheffield 1899 (bowl detached) and preserve-pot cover, 7.6oz total, to/w a pair of bottle coasters with pierced silver galleries, London 2000, a small embossed silver specimen vase on weighted foot, London 1891 and a 19th Century Dutch .833 standard oval dish (7)
An Edwardian glass double oil/vinegar bottle with silver collars and flap covers, William Henry Sparrow, Birmingham 1908, to/w a vase with weighted base, Chester (marks rubbed), a kings pattern cake slice with loaded silver handle, various scrap silver and a Victorian electroplated kettle on stand
An early 20th century Chinese cloisonné small vase decorated with an in-flight phoenix in polychrome enamels on yellow ground, 9 cm high to/w a 19th century Chinese sancai-glazed Shiwan figure of a seated court official wearing green, brown and ochre robes, unglazed face and hands, late Qing dynasty, 19.5 cm high (2)Seated figure is missing the tips of his index finger and thumb on the left hand, yellow vase in good condition with light wear only.
A late 19th century Chinese blue and white vase painted with two sinuous dragons and floral/foliate designs above a band of butterflies at the foot in rich tones of underglaze blue, the base with four-character Kangxi mark, late Qing dynasty, 20.5 cm high to/w late 19th or early 20th century Chinese famille verte rouleau vase painted with a pheasant and butterflies in a garden landscape with flowering peony, double blue circle on the base in underglaze blue, 21 cm high (2)Both vases are without damage, not chipped cracked or restored, the famille verte vase has areas of light wear to enamels
An 18th century Chinese export famille rose tea bowl with foliate rim, painted with panels of Chinese entertainers on terraces reserved on a pink diaper ground, Qianlong period (1735-95) Qing dynasty, 9 cm diameter to/w a small late 19th century Chinese blue and white baluster vase and cover with karashish finial, painted in underglaze blue with vases and figures surrounded by foliate designs, the base with four-character Kangxi mark, 17 cm high o/a The blue and white vase has chips around the neck, the cover is chipped and finial repaired
A 19th century Chinese longquan celadon globular vase with flaring neck and tall spreading foot, the body with incised floral and foliate decoration under the opaque green glaze, the base with four character Chenghua mark but late Qing dynasty, 24 cm high The vase has a 3 cm (approx) hairline extending down the neck from the rim
A 19th century Chinese high shouldered baluster wucai vase in the Kangxi style, painted in bright polychrome enamels with large taotie masks and yellow reserves with floral and foliate designs divided by the central band of archaistic scroll over a profusion of flying bats and light green cracked ice band at the foot, the base with double circle in underglaze blue, late Qing dynasty, 41 cm high Good condition without damage, small glaze/firing split around the inside of the footrim, some light wear to enamels
An early 20th century Chinese crackle-glazed vase with straight cylindrical neck and globular body painted with phoenix roundels and decorative floral and foliate designs in bright polychrome enamels, the base with red artemisia leaf mark, 28 cm high c/w hardwood stand to/w a Kangxi style turquoise-glazed monochrome vase, danping, 30 cm high and an unframed Japanese coloured woodblock ukiyo-e print of ladies gathering waterCrackle-glaze vase is in good condition without damage or repair, light wear to enamels only, the monochrome vase has a network of hairline and glaze cracks through the body
A Burmantofts art pottery faience vase, circa 1900, of double gourd form in yellow, green and ochre mottled glaze, the body with incised sun motifs throughout, impressed maker's mark and pattern number '274' to base, 59cm high (at fault) CONDITION REPORTS:The piece shows fine surface crazing throughout. There are several glazing faults around the circumference of the piece at the widest point. There are no visible chips, cracks or losses, but there are some fine surface scratches across the piece.
A Burmantofts art pottery faience vase, circa 1900, of bottle form in red, yellow, green and ochre mottled glaze, impressed maker's mark and pattern number '824' to base, 36cm high CONDITION REPORT:The piece shows fine surface crazing throughout. There are no visible chips, cracks or losses, but the body shows the odd firing pit and frit. There is also some fine surface scratching, most noticeable on the neck.
A Bernard Leach CH CBE (1887-1979) studio pottery porcelain bud vase, mid 20th century, of compressed spherical form with swirled motifs between concentric rings, impressed 'BL' and 'Leach Pottery' seal marks, 11cm high CONDITION REPORT:The piece shows the odd small firing pit and frit, but no visible chips, cracks or losses. There is also a small glazing fault at the circumference which appears to have a small grain embedded in it (see photo).
A Royal Doulton vase, designed by Frank Brangwyn, early 20th century, of inverted baluster form decorated with incised polychrome floral and foliate motifs, printed maker's mark and incised '7982' to base, 16.5cm highNote: Sir Frank William Brangwyn R.A. R.W.S. R.B.A. was a Welsh artist and designer, commissioned by Royal Doulton to create a range of tableware in the 1930s
A French porcelain veilleuses-theieres (tea-warmer and night light), 19th century, of lobed form with gilt enclosed hand painted floral panels against a turquoise ground, gilt highlights throughout, 24cm high overall, with a similarly decorated gilt brass mounted vase, of flattened conical form, with gilt enclosed painted panels depicting a courting couple, set to a gilt brass foot, extensive rivet repairs, 18.5cm high, and a Crown Stafford desk stand decorated with birds and insects in the manner of James Giles (3) (at fault) CONDITION REPORT:The veilleuses-theieres shows rubbing to the gilt highlights throughout, most noticeably to the base of the warmer. The vase shows an extensive rivet repair and rubbing to the gilt highlights. The desk stand shows rubbing to the gilt highlights, a firing flake to the bottom edge, and is lacking its inkwell liners and covers.
A Chinese Longquan celadon glazed vase, 20th century, the arrow-head type shaped twin handled vase decorated with floral sprays through the body, base drilled, 40cm highCondition report;Condition report; No obvious chips, cracks or restoration. General grubbiness and surface scratches/blemishes.
A Chinese porcelain blue and white vase, Kangxi (1661-1722), 12cm high, with a Kangxi blue and white moulded saucer, 13cm diameter (2) (small chipping to the rims and crack to vase neck) Condition Report; Saucer - One minor under-glaze chip. Foot rim with minor nibbles. No obvious fritting or concerning pitting. Vase - Unglazed to the underside. Two chips to the rim with faint descending hairlines.
A Chinese porcelain famille verte vase and cover, 19th century, of baluster form, 21cm high, with a similarly decorated ginger jar and cover, 14cm high (2) (at fault)Condition report; Vase- Knop to cover re-glued. Chip to cover rim. Chip to rim of vase and descending hairline. Ginger Jar- appears in relatively good order.
A Chinese porcelain blue and white prunus pattern vase, 19th century, of baluster form, 26cm high, with a pair of similar baluster vases and covers, 21cm high (3) (at fault)condition report; One cover chipped. Rim of one vase with faint descending hairline. Each piece with signs of pitting, surface wear and some scratching. Vase with re-glued/restored crack to the body of the vase.- see images for clarification. Glaze grazing/chipping to the rim of the vase also visible.
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653685 item(s)/page