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Lot 163

William Moorcroft, a salt glazed Claremont vase, circa 1930, squat baluster form, blue and green glaze, impressed marks and facsimile, underglaze blue monogram, 13cm high

Lot 164

William Moorcroft, a Claremont vase, circa 1925, cylindrical ogee form, impressed marks and underglaze blue signature, 18.5cm high

Lot 165

William Moorcroft, a Claremont vase, circa 1915, ovoid gourd form with inverted rim, impressed Burslem marks and underglaze green signature, 19.5cm high

Lot 166

William Moorcroft, a Claremont vase, 1914, baluster form, impressed Burslem marks and underglaze green signature and date, 16cm high

Lot 167

William Moorcroft, a Claremont vase, circa 1920, bulbous form, impressed marks and underglaze green monogram, 13cm high

Lot 168

William Moorcroft, a small Claremont vase, circa 1925, shouldered ovoid form, impressed marks and underglaze blue monogram, 8.5cm high

Lot 169

William Moorcroft, a large Claremont vase, circa 1915, ovoid spherical form, impressed Burslem marks and underglaze green signature, 28cm high

Lot 17

Ruskin Pottery, a Souffle vase, 1912, shouldered form, mottled blue with semi iridescent streaks, impressed marks, 24cm high

Lot 171

Rachel Bishop for Moorcroft, a large Ryden Lane limited edition floor vase, circa 1997, baluster form, number 67 of 100, impressed marks and signatures, 68cm high

Lot 172

William Moorcroft for Liberty and Co., a small Hazledene vase, circa 1903, squat ovoid form, printed marks and underglaze green signature, 8cm high

Lot 173

William Moorcroft, a small Powder Blue Cornflower vase, circa 1920, squat baluster form, impressed marks and underglaze blue monogram, 6.5cm high

Lot 174

William Moorcroft, a small Pansy on Celadon vase, circa 1915, twin handled amphora form, impressed marks and underglaze green signature, 8.5cm high

Lot 175

William Moorcroft, a small Pomegranate and Rope vase, circa 1928, inverse baluster form, impressed marks, 9.5cm high

Lot 176

William Moorcroft, a large Wisteria on blue vase, circa 1928, ovoid shouldered form, impressed marks and underglaze blue signature, 26.5cm high

Lot 177

William Moorcroft, a large Flambe Big Poppy vase, circa 1928, twin handled amphora form, impressed marks and underglaze blue signature, 27cm high

Lot 179

William Moorcroft, a Flambe Fish vase, circa 1935, baluster form, impressed marks and facsimile, underglaze teal monogram, 15.5cm high Note: illustrated in Atterbury, P. 2008, Moorcroft Pottery, Richard Dennis, p.129, fig.2

Lot 18

Ruskin Pottery, a Crystalline jug, 1933, bulbous gourd form with angled handle, banded blue, orange and green glazes over cream, impressed marks, 22cm high Note: see Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.123, for an illustration of this vase

Lot 180

William Moorcroft, a large Flambe Landscape vase, 1926, shouldered form, iridescent lustre glaze, impressed marks, underglaze signature and date, 47.5cm high

Lot 183

Daisy Makeig Jones for Wedgwood, a Fairyland lustre vase, Candlemas pattern, circa 1920, inverse baluster form, pattern Z5154, incised 2351, gilt mark, 23cm high

Lot 186

Daisy Makeig Jones for Wedgwood, a Fairyland lustre vase, Flambe Pillar pattern, circa 1920, rouleau form, gilt Portland mark, Z5360, 36cm high

Lot 187

Wedgwood, an Aesthetic Movement vase, circa 1874, baluster form, experimental brown glaze over matte, with enamelled concentric bands, impressed Wedgwood and date code, painted M 1709 I, 25cm high Note: similar examples were used by students at the South Kensington School of Art (Victoria and Albert Museum) as design blanks

Lot 188

Wedgwood, an Aesthetic Movement vase, circa 1860, baluster form, sang de boeuf glaze with yellow rim, impressed Wedgwood twice, painted M 1707 I, 25cm high Note: with the opening of China and the Far East to foreign trade in the 1850s, British companies and designers began to copy and develop Oriental designs and elements of design in domestic objects; this is Wedgwood's attempt at a Chinese sang de boeuf glaze and baluster design; for a near identical example see the Victoria and Albert Museum collection

Lot 19

Ruskin Pottery, a Crystalline vase, circa 1932, ovoid shouldered form, mottled yellow glaze with fissured crystals and matt blue interior, shape 297, impressed marks, 17cm high Note: see Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.125, for an illustration of this vase Provenance: William Howson Taylor Collection; Ferneyhough Collection (474); Victoria and Albert Museum Exhibition of Ruskin Pottery, 1975, number 60; Birmingham Museum and Art Gallery (125)

Lot 192

Clarice Cliff for Newport Pottery, a Delecia Citrus vase, circa 1930, concentric stepped cylindrical form, shape 511, printed Delecia Bizarre and Patent marks, 18cm high

Lot 196

Sally Tuffin for Dennis China Works, a unique Lustre Peacock vase and cover, 2007, baluster form with flat lid, multicoloured iridescent glazes, impressed marks and monogram, thrown by Chris Wright and painted by Theresa Blackmoor, numbered B111, 31.5cm high Provenance: Bonhams, London, 24th September 2008, lot 738

Lot 197

Sally Tuffin for Dennis China Works, a large Lustre Parakeet unique vase, 2008, shouldered form, tubelined with birds with iridescent wings, impressed marks and monograms, painted by Theresa Blackmoor, thrown by Rory McLeod, numbered B132, 37cm high Provenance: Bonhams, London, 24th September 2008, lot 755

Lot 198

Sally Tuffin for Dennis China Works, a unique Phoenix vase, 2011, footed tapered beaker form, decorated with an Art Deco style woman and bird, impressed and painted marks, thrown by Rory McLeod and decorated by Heidi Warr, numbered B183, 37cm high Provenance: Bonhams, London, 21st September 2011, lot 353

Lot 199

Sally Tuffin for Dennis China Works, a large unique Butterfly Metamorphosing into a Leopard vase, 2009, shouldered form, impressed and painted marks, thrown by Rory McLeod and decorated by Heidi Warr, numbered B138, 35.5cm high Provenance: Bonhams, London, 23rd September 2009, lot 360

Lot 20

Ruskin Pottery, a High Fired vase, 1915, shouldered form, crackled cream flambe glaze with fissure effect, impressed marks, 26.5cm high

Lot 200

Sally Tuffin for Dennis China Works, a large Bat Tower trial vase, 2005, square section tapering form, impressed and painted marks, Trial 1, 40.5cm high

Lot 201

Buchan Dennis for Dennis China Works, a large Tumbling Blocks vase, 2013, shouldered form with broad rim, decorated with geometric stacked blocks in gold lustre, black and red, impressed marks and monogram, thrown by Rory McLeod, numbered 2 of 10, 42cm high

Lot 202

Sally Tuffin for Dennis China Works, a limited edition vase after William De Morgan Antelope, 2000, shouldered form with broad rim, gold lustre on a red ground, impressed and painted marks, number 8 of 25, thrown by Rory McLeod and painted by Heidi Warr, 35cm high

Lot 203

Sally Tuffin for Dennis China Works, a large unique Poiret's Deco Fashion vase, 2010, footed tapered beaker form, decorated with female figures in 1913 costume after illustrations by Georges Lepape, impressed and painted marks, thrown by Rory McLeod and decorated by Heidi Warr, numbered B175, 39cm high Provenance: Bonhams, London, 21st September 2010, lot 416

Lot 204

Sally Tuffin for Dennis China Works, a large Kingfisher vase, 2003, shouldered ovoid form, impressed marks and numbered 12 of 20, 48cm high

Lot 205

Sally Tuffin and Alan Pepper for Dennis China Works, a limited edition owl vase, 2005, shouldered form, the circular dish base with six relief moulded figures of owls, brown and yellow glazed, impressed marks and number 14 of 20, Pascoe and Co., 22.5cm high

Lot 206

Sally Tuffin and Alan Pepper for Dennis China Works, a limited edition owl vase, 2007, shouldered form with wide brim, the circular dish base with four relief moulded figures of owls, green glazed, impressed marks and number 16 of 20, 23.5cm high

Lot 207

Sally Tuffin for Dennis China Works, a large Lion Pride limited edition vase, 2010, footed rounded tumbler form, tubelined with lion, lioness and cubs, impressed and painted marks, number 2 of 10, thrown by Rory McLeod and painted by Theresa Brooker, 29.5cm high

Lot 208

Buchan Dennis for Dennis China Works, a large Metropolis unique bottle vase, 2011, bulbous form, decorated with geometric stacked blocks, impressed marks and monogram, thrown by Rory McLeod, decorated by Adam White, numbered B190, 38cm high Provenance: Bonhams, London, 21st September 2011, lot 366

Lot 21

Ruskin Pottery, a Crystalline vase, 1932, conical bulbous or gourd form, white hare's fur streaks with speckled crystal spotting, impressed marks, 14.5cm high Provenance: William Howson Taylor Collection; Ferneyhough Collection (464); Victoria and Albert Museum Exhibition of Ruskin Pottery, 1975, number 68; Birmingham Museum and Art Gallery (116)

Lot 213

Amanda Popham, Life in Trees, a studio ceramic vase, 2020, relief moulded cylindrical form, modelled with clothed walking bird figures, between trees, painted marks, 38.5cm high

Lot 214

Roger Cockram, a stoneware fish vase, coiled conical form, with open ended hollow tubular rim, modelled with a fish to the interior, signed and impressed marks, 27.5cm high

Lot 215

Roger Cockram, a large leaping salmon vase, circa 1998, conical beaker form, sgraffito decorated and modelled in relief with a large fish and a band of open reticulated smaller fish, impressed marks, 49cm high

Lot 219

Jonathan Chiswell Jones, a lustre pottery vase, spherical form, painted with copper and silver bindweed and cow parsley on a blue ground, signed and incised TSD/BB, 23cm high

Lot 22

Ruskin Pottery, a High Fired vase, 1913, ovoid shouldered form, electric blue and purple bands over green speckled cream flambe glaze, impressed marks, 25cm high

Lot 220

Jonathan Chiswell Jones, a lustre pottery vase, ovoid form with flared neck, painted with two red roundels of a hare and chicken amongst foliate scrolls, on a bronzed ground, signed, incised LR/B5, 34.5cm high

Lot 224

† David Burnham Smith, Bisbee Vase, a modelled porcelain figural vase depicting a female face emerging from a woodland setting, hand painted in green, blue, yellow and orange, enhanced with applied beading, artist monogram to base 'completed Feb 2008', 30.5cm high

Lot 226

† David Burnham Smith, Green Man, a modelled porcelain vase with moustached male face emerging from woodland, hand painted in green, blue, brown and orange, enhanced with beading, artist monogram and dated 09-07, 23.5cm high

Lot 23

Ruskin Pottery, a small High Fired vase, 1933, ovoid shouldered form, ox blood over cream with green spots, impressed marks, 10.5cm high

Lot 25

Ruskin Pottery, High Fired Lily vase, 1905, flared cylindrical form, blue and purple over ox blood flambe glaze, impressed marks and shape 68, 24cm high

Lot 27

Ruskin Pottery, High Fired Lily vase, circa 1920, flared cylindrical form, ox blood flambe glaze over cream with spots, impressed marks, 24cm high

Lot 28

Ruskin Pottery, a High Fired vase, 1906, slender ovoid and footed form, bands of cream, ox blood and electric blue flambe glazes, impressed marks, 19.5cm high

Lot 3

Christopher Dresser for Minton, an Aesthetic Movement Owl vase, circa 1870, conical baluster form, relief moulded with two owl mask handles, the base with the bird's talons, painted in enamels with flowering and fruiting lychee, highlighted in gilt, 19.5cm high

Lot 31

Ruskin Pottery, a High Fired vase, circa 1912, bulbous bottle form, purple and ox blood flambe glaze, impressed marks and paper label, 16cm high

Lot 33

Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, circa 1925, ovoid form with relief moulded dimples, painted with a scrolling vine of flowers between rosettes and ribbon borders, impressed marks and painted monogram, 19.5cm high

Lot 34

William S Mycock for Pilkington, a Royal Lancastrian lustre vase, 1920, footed and shouldered cylindrical drum form, painted with a band of foliate scrolls of alternating hearts and carnations, below a geometric border, impressed marks 3034, monogram and date, 16cm high

Lot 35

William S Mycock for Pilkington, a Royal Lancastrian lustre vase, 1925, ovoid shouldered form, painted with foliated heraldic emblems within vine wreath cartouches with fleur de lys trefoils, the neck with a geometric band above foliate sprigs and stylised bluebell fronds, impressed marks 3160, monogram and date, 18.5cm high

Lot 36

Richard Joyce for Pilkington, a Royal Lancastrian relief moulded lustre vase, 1926, shouldered form, modelled with a band of leopards, in a reeded foliate ground, orange and green iridescent glaze, impressed marks and incised signature, 27cm high

Lot 37

Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, circa 1920, shouldered ovoid form, painted with a band of polar bears in an icy landscape, between bronzed iridescent borders with wave bands, painted monogram,17cm high Provenance: Harriman Judd Collection; Sotheby's, New York, 22nd January 2001, lot 408 Note: see Cross, A.J. 1980, Pilkington's Royal Lancastrian Pottery and Tiles, p.62, pl.87 for an illustration of this vase

Lot 38

Bernard Moore and the Duchess of Sutherland's Cripples Guild, a silver mounted lustre pottery vase, 1910, bulbous bottle form, decorated with iridescent fish and aquatic plants, the domed lid embossed with a band of dolphins between waves and clouds, painted marks, 24.5cm high

Lot 39

John Adams for Bernard Moore, a large Flambe Three Fates vase, 1910, cylindrical shouldered form, painted with three Classical figures, below a band of text, the neck decorated with honeysuckle motifs, in the style of Walter Crane, painted marks, 52.5cm high

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