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Lot 66
A black-glazed Vase, Kangxi (1662-1722), the exterior with a lustrous black glaze, blue six character Kangxi marks within a double circle, 34cm This vase featured in the Oriental Ceramic Society `The World In Monochrome` Exhibition 2009, No. 251. ??? ????? ??®??????¯?????, the odd very minor surface scratch to black ground, otherwise no obvious faults.
Lot 91
An unusual celadon-ground Vase, Jiaqing, late 18th century, enamelled in bright colours with the Eight Daoist Immortals and other figures floating on clouds above the sea, a rocky landscape behind, the neck and shoulder with a high relief iron-red chilong, enclosing the rare depiction of a European trading ship, cut down and drilled, 30.5cm ???????? ??????????????, Reduced in height, converted to a lamp. Small enamel flakes. Two drill holes.
Lot 112
A pair of famille rose Vases, late 19th century, each painted with the Three Heroes of the Han Dynasty between moulded iron oxide chilong, ruyi and Buddhist lion handles, frilled mouth, incised four character Chenghua mark on a tablet, 36.6cm (2) ?????? ??????????????????????? ®????¯?, One vase`s handle with Buddhist lion tail missing, the other handle with tips to tail missing. One section of chilong tail missing. The other vase with the tips of the tails of both Buddhist lion handles missing. One chilong missing rear leg.
Lot 116
Two monochrome Vases, 19th century, one applied with iron-brown dragons on a yellow ground, traces of Chenghua mark, drilled, 36.5cm, wood stand, and another Vase, under a brilliant emerald glaze, fitted for electricity, 25.5cm, fixed wood stand (2) ????? ?????????? ??????? ????, Yellow vase with fritting around the rim, hole drilled in the base to accommodate an electric cable. Green vases - surface scratches to body, fitted for electricity, fixed to wood base.
Lot 118
A famille rose Bottle Vase, c.1900, the globular body and short, cut down, neck enamelled overall with millefleurs, six character Qianlong mark in seal characters, mounted for electricity, 39cm ??1900? ??????? ??®??????¯???, Neck reduced in height, now with lamp fittings. Main body with no visible chips or cracks.
Lot 119
A Clair de Lune Vase, mark and possibly period of Guangxu (1875-1908), the almost globular body with a pair of annular rings below another, the blue-grey glaze running to white, below the trumpet mouth, six character mark of Guangxu in underglaze blue, 34.8cm ???(??) ??????? ??®??????¯??? , A small white glaze imperfection to the base of the neck, a fine 1cm glaze surface scratch to body, otherwise no obvious faults.
Lot 120
A Vase, Daoguang mark and period (1821-1850), well painted on the ovoid body with five dragons, one confronting, the eyes picked out in green, amongst clouds, flames and pearls, between breaking waves and banana leaves, the short flared neck and foot with ruyi, the shoulders with elephant and fixed ring gilt handles, six character seal mark in red, 41cm ??? ??????????? ??®??????¯???, Slight enamel wear to mask heads and gilding on rings. Slight rubbing to gilding on rim. Otherwise no obvious faults.
Lot 121
A powder-blue-ground Vase, late 19th century, the baluster body with gold dragons amongst clouds below lotus, the base with false gadroons, repaired and drilled, 47cm ?????? ????????????, One third of the rim is broken in two and restored above and under rim, and resprayed. Gilding rubbed throughout, drilled to base to accommodate an electric cable. Some unknown black speckling within the glaze on the lower neck and shoulder on one side of the vase.
Lot 134
An unusual celadon-ground Vase, early 19th century, painted in underglaze blue with the `Hundred Boys` at various pursuits including bird fancying, lighting fireworks and the legend of Sima Guang, and enhanced in bright enamels and gilding with flowers, butterflies, birds and fruit, the neck with seeded blue dragon handles, slight wear, 62.3cm Sima Guang was a Song sage who, in his boyhood, had saved a young companion who had fallen into a large jar, by smashing it with a stone. While frequently found on Kakiemon, Chelsea and Meissen, it is uncommon on Chinese porcelain. ?????? ??????????????, Losses to gilded decoration. Some small areas of enamel loss.
Lot 140
A famille rose Vase, Daoguang (1821-1850), with ovoid body and frilled neck, the shoulders with applied pink, green and gilt chilong, enamelled and gilt overall with immortals, precious objects, flowers and butterflies, the neck with Buddhist lions grasping blue-enamelled balls, 44cm ??? ????????????????, One chilong with left front leg restored. Some enamels erased and gilding rubbed throughout.
Lot 143
A famille verte Vase, c.1830, the crackled baluster body painted with warriors and horsemen, or figures in a garden, between swastika and key-fret bronzed borders, the shoulders with mask and ring handles, four character mark of Chenghua, 35.7cm ??1830? ?????????????????? ??®????¯???, No obvious faults.
Lot 144
A famille verte Vase and Cover, second half of 19th century, painted with a pheasant in a magnolia above peony, rocks and chrysanthemums, the domed cover with Buddhist lion knop, 36cm (2) ???????? ?????????, There are two small chips to the underside of the lid flange, otherwise vase has no obvious faults.
Lot 145
An unusual famille rose Vase, c.1830, well painted with a figure, probably Laozi, dismounted from his ox and presenting a scroll to a dignitary, between rocks and a fence, the elongated ovoid body minutely brown crackled, four character incised Chenghua mark, 28.2cm ??1830? ????????, Glazing crazed throughout. No obvious chips, cracks or damage.
Lot 153
A large famille rose Vase and Cover, c.1760, finely painted in a mandarin palette with figures, dogs, and musical instruments, reserved in panels on a gilt and red diaper ground, the domed cover matching, cut down, fitted for electricity, 40cm, fixed wood stand (2) ??1760? ?????????????, The neck no longer present. The lid fitted with a metal mount for a lamp and with varying sized chips around the rim. The main body with chips around the rim. Some small enamel losses. Lid and base of vase are drilled to accomodate an electric cable.
Lot 168
A famille rose Vase, Republic period, the globular body finely enamelled and gilt with panels of quail under flowers, a bird swooping over peony and banana and a water bird over lotus, all reserved on a complex ground of millefleurs against gilt feathery chocolate, six character seal mark Qianlong, 13.7cm ?? ????????????????????? ??®??????¯???, very light rubbing to gilding on rim, otherwise no obvious faults
Lot 185
A Chinese ornamental jade Group, late Qing dynasty, carved in 18th century style with a vessel amongst leafy branches of Buddha`s finger citron with large and small fruits, and with a feng perched on a lingzhi, the head turned back and biting on a branch of peach, the stone of green-grey tone with russet speckling, one chip, 16.5cm, silver wire-inlaid hardwood stand (2) This scholar`s desk object may have originally had a cover on the vase - or it may have been intended as a brush pot. ?? ????????, Chip to one frond of a fruit tendril, a hairline inclusion running laterally through the base of the carving. Vessel probably lacking a cover. Brown discolouration. Some slight abrasions and some sharp edges. Stand has missing end section and large deposits of soft composition (possibly to stick jade to stand). Possibly some old repairs, but hard to tell.
Lot 282
A jade Carving of a Lotus, 19th century, pierced and carved with a flower, stems and leaves, the stone of pale grey-green, 8cm, stand, and Another, of a large bell-shaped flower with a bird and leaves, damaged, 6.5cm, stand (4) ????? ??????? ???????? ????, The lotus - a tiny chip to the uppermost leaf, otherwise no obvious faults. The vase - one third of base missing, cracks to the remaining part, plant stem missing.
Lot 297
A fine reverse Mirror Glass Painting, c.1760, painted with a girl dressing her hair, set with feng, ruyi and ball hairpins amongst peony, wearing a red robe with elaborately gilt collar and with a lingzhi pendant hung from a gold torque, a table behind her set with a Yixing teapot and tea bowls, and a vase with chrysanthemums and red chicken-comb flower, slight wear to frame, plate degraded as usual, 52 x 40cm overall, original gilt, black lacquer frame ??1760? ?????? , Mirror silvering pitted, some losses to the frame. Paint flaked on the hand-held mirror knop.
Lot 314
Three Monochromes, 19th century, a double-gourd vase under a crackled-yellow glaze, a vase with panels of iron-red bamboo, a landscape or calligraphy on turquoise stippled ground, and a sang-de-boeuf baluster vase, 7.8 to 9.8cm, stoppers and stands (3) ????? ????? ???? , Stippled ground vase with tiny chip to rim. Sang de boeuf vase with hairline cracks to the neck. Double gourd vase with a collectors label in ink inscribed `Hancock 5243, 772/-/-``.
Lot 316
A good agate Snuff Bottle, 18th/19th century, the white stone with striations in pale brown and carved on one side with an immortal beside a lingzhi growing at the base of a rock in a bluish-black, gilt metal mount and matching stopper, 8.5cm, a rare small Vase, Kangxi (1662-1722), painted in underglaze red and blue with peony, four character Chenghua mark, much chipped, 4.5cm, and two other Snuff Bottles (4) ???/???? ??????????? ? ??? ??????????? ????????, Agate snuff bottle - no obvious faults Vase - chip to foot rim, tiny chips to rim Two snuff bottles - no obvious faults
Lot 383
A bronze Bodhisatteva, possibly Wanli (1573-1620), thinly cast cross-legged on a lotus throne, her hands in vitarka mudra, a vase and bird to each shoulder and wearing a high crown, the whole later red-painted, 27.7cm ???(??) ??????, Red lacquer chipped to nose, chin, hands, bird and other high points and further throughout the figure.
Lot 425
A cloisonn‚ incense Tool Vase, four character mark and possibly period of Qianlong, the blue melon body with lotus flowers and scrolls, below a cylindrical, banded neck, set with two circular handles and loose rings, engraved Qianlong Nian Zhi, slight wear to gilding, 14cm, together with three gilt incense tools (4) ???(??) ?????????????? ®????¯???, Ring handles, rim and base all with gilding rubbed. Tools showing signs of use.
Lot 453
An attractive gouache Painting, 19th century, on silk, with prunus, peony and hibiscus, in a vase of rhomboid form painted with boys, the sides with dragon handles or in a cloisonn‚ elephant holding a plant and a ruyi sceptre-form vase and a jardiniŠre with lilies and chrysanthemums and daisies, silk parting, some staining and foxing, 22 x 52.5cm ????? ?? ??? ???? ??, Not removed from frame. Approximately 8 horizontal and 1 vertical tears located in lower and upper third of image. Stain spotting throughout.
Lot 479
A very fine ivory Guanyin, mid 18th century, with sensitively carved features and black hair dressed with peony, holding a covered vase with the water she will later pour to save mankind, her robe engraved with key fret, leaves at her shoulders and waist, and standing on a green cloud base, part of ribbon at rear missing, base repaired, 23.8cm ??????? ?????????, Small chips to peony in hair, section of ribbon missing to rear, natural splits throughout.
Lot 533
A pair of rosewood Vase Stands, late 19th century, the top inset with a waisted square grey marble and profusely inlaid with mother-of-pearl blossoming prunus, some losses to inlay, 41.5cm wide 81cm high (2) ?????? ????????????? ??, Surface scratches to marble tops, a small amount of mother of pearl inlay missing. One table with a chip to top corner of one leg.
Lot 535
A carved hardwood Vase Stand, c.1880, the square top inset with marble above a relief lotus and scroll frieze and legs, with archaic dragon style pierced brackets, the square tapering legs on claw feet, 35cm wide 34.5cm deep 46.5cm high ??1880? ????????, Small nibbles to edge of marble, otherwise no obvious faults.
Lot 567
A pair of carved rosewood Vase Stands, c.1880, the octofoil tops inset with a rouge marble, the beaded rim above a leaf and gourd apron, cabriole legs carved with masks on claw and ball feet, 43.5cm wide 46cm high (2) ??1880? ???????? ?? , Both tables with many losses to each carved apron, some loose parts.
Lot 592
An Hirado Vase, c.1860, moulded with cranes over flying underglaze blue pine, reserved on a complex moulded ground between mask and tongue handles, minute rim chip, 31.3cm, a pair of Arita Dishes, mid 19th century, painted with pine, prunus and bamboo, six character Chenghua marks, both chipped, 18.6cm, and a Kutani Vase, mid 19th century, painted in iron-red and gilding with a dragon and ho-o amongst clouds, tall neck, red Kutani, 22.5cm (4), Hirado vase - minute chip to rim, tiny blister mark to lower crane. Pair of dishes -both with rim chips, one with ground out chip to rim. Kutani vase - no obvious faults.
Lot 607
A Kozan Kyoto Vase, late 19th century, of square section and shouldered form, painted in gilt with panels of figures in a garden or a landscape reserved on a deep blue ground with gilt karakusa and florets, gilt Dai Nihon Kozan zo, 24.4cm, Some losses to gilding on floral and diapered panels, otherwise no obvious faults.
Lot 623
A bronze Vase, late 19th century, the ovoid body with high relief dragon and phoenix, the sided with dragon handles beneath inscriptions reading ryuhouseikan(dragon and phoenix rejoice together), 17.6cm , the handles are both a little loose, generally quite a chocolate colour patination with some yellow colour rubbed through in places.
Lot 631
A large cloisonn‚ Vase and Cover, late 19th century, the ovoid body with panels of cranes overflying flowers or pheasants in prunus, on a ground of complex diaper, the domed cover with two ho-o and a dragon, ball knop, small areas of crazing, 59cm (2), There is some discussion that it may be a happy coincidence that the lid fits the vase and may not be original to it. The lid - No obvious faults Vase - panel with pheasants has a 5cm line of assorted cracking to the enamel in top left hand corner, otherwise no obvious faults.
Lot 762
A famille rose vase, c.1750, the ribbed pear body painted in underglaze blue, enamels and gilding with flowers and rocks under trees. the garlic mouth restored, base drilled, 24.5cm, Quarter section of the rim interior restored. 2cm diameter hole drilled in base, otherwise no further obvious faults.
Lot 790
A pair of vases, Republic period, finely enamelled with female and her attendant within a garden, the neck with ruyi head and cell borders, printed four characters Qianlong mark, 20.5 cm. , Each with a scratched line to the glaze on the left hand side, one vase with a small interior foot rim chip
Lot 799
A group of fourteen Chinese Yixing pottery pieces, comprising: a teapot and cover with impressed mark, a set of three small peach shaped cups with handles, a pair of tea bowls with white enamel characters, a set of four miniature cups, a squat globular jar of lobed form, carved with Chinese characters, impressed maker`s mark, a small bowl on three nut-form feet, and a Japanese vase moulded with dragons (14) , No obvbious faults.
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653685 item(s)/page