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Click here to subscribeThree items of Lithyalin glass c.1840, including a small tazza of an emerald green hue with striations in deep blue and brown, raised on a faceted baluster stem, a faceted baluster vase and a goblet, each of a brownish colour with striations in shades of green and purple, 19.7cm max. (3) Provenance: from a private collection in Sussex.
A Bohemian opaque white glass vase 18th century, decorated in polychrome enamels with a bold floral design in red, yellow, green and blue, with narrow neck and raised on a wide flared foot, and an opaline glass beaker gilded with a single chinoiserie figure reaching out to an insect in flight above, 11.7cm max. (2) Provenance: from a private collection in Sussex. The beaker purchased from Christie's, 3rd June 1986, lot 186.
A large Wedgwood and Bentley black basalt vase c.1775, the Classical form highlighted in red enamel with a continuous leaf border to the shoulder, the square base with a Greek key design, the shoulders applied with two handles, applied roundel mark for Etruria, Wedgwood & Bentley, the cover lacking, some damage to the base, 41.5cm.
A Flight Barr & Barr miniature vase c.1820, the flared shape painted with a panel of a thatched cottage with a smoking chimney, reserved on a pink ground and raised on a square base, titled to the underside 'Cottage in Glamorganshire', and a Chamberlain's Worcester small spill vase painted with a view of the city on a puce ground, 7.5cm max. (2)
A large Delft vase and cover 19th century, brightly painted with a bird perched among flowering branches, the cover surmounted with a lion finial, and two Delft vases from a garniture, one flared, the other baluster, each painted with a female figure holding a mop and bucket, some damages, 46cm max. (4)
A small group of French porcelains 2nd half 18th century, including a Sèvres small jug and cover decorated with polychrome flower sprays, a toy sized Sèvres cup and saucer with dry blue sprays of flowers, and a miniature vase of campana form, raised on a gilt metal base, interlaced LL marks to some pieces, small damages, 11cm max. (5)
Three pieces of English vitrified opaque glass mid 19th century, one a slender vase by George Bacchus and Sons, decorated in black with a chinoiserie scene, another vase with three scenes of Classical figures, and a Richardson's beaker printed and coloured with a scene of Castle Howard, 20.3cm max. (3) Provenance: from a private collection in Sussex.
Three items of coloured glass 19th century, including a ruby goblet with diamond-cut bowl above a moulded stepped foot, a heavily cut yellow glass vase, and a tall narrow six-sided vase flashed in green to the neck, edges and foot, 19.4cm max. (3) Provenance: from a private collection in Sussex.
A large English delftware plate mid 18th century, decorated in the Fazackerly palette with simple scattered flower sprays, and a large shaped delftware dish with moulded rim, painted in blue with a vase of flowers beside bold peony sprays, some glaze chipping, 41.5cm max. (2)
A Wedgwood bronzed black basalt vase late 19th century, the Classical form applied in bronze with a continuing grapevine border above leafy swags issuing from centaur masks, impressed mark, gilded pattern number Z3920, the cover lacking, 16.3cm. Basalt vases decorated with bronze and gilt were produced in small quantities at Wedgwood from 1875, probably to feed the contemporary hunger for Japanese bronze vases.
A Derby campana vase c.1820, painted possibly by Zachariah Boreman with an oval panel containing figures in a horse-drawn cart beneath tall trees, the reverse with bold foliate scrolls, and a porcelain étui modelled as a stem of asparagus and fitted with gilt metal mounts, 17cm max. (2)
A French cut and gilded glass vase late 19th century, of square form and deep blue colour, cut in deep relief with a swan swimming amidst reeds to two sides, two birds perched in flowering prunus branches to the other two, the neck and foot cut with a stylized gilded design, raised on a low circular foot, 22cm. Provenance: from a private collection in Sussex.
A Grainger's Worcester reticulated vase with cover and stand date code for 1901, elaborately pierced with a continuous foliate design decorated in green and peach gilt lustre, the stand with a trefoil design and perhaps associated, and another Grainger's vase and cover, date code for 1897, decorated with a gilt prunus spray, raised on a reticulated base, the cover similarly pierced, some restoration, 34.7cm max. (5)
A Wedgwood hand-painted pedestal urn vase and cover Decorated with bunches of roses inset within a gilt and cobalt blue border, printed factory marks to base, height 20cm CONDITION REPORT: Possible re-gilding to the upper gilt rimWear to areas at the upper gilt rimWear and rubbing loss to the gilt at stem and baseFaint line visible to the lower section of the cover finial, possibly indicating a professional repair and re-gilding
A needlework panel, circa 1700, worked in coloured silks and metallic thread, with raised work embroidery and gilt spangles, on a blue ground, centred by an oval bust portrait of a young lady, the central panel with birds perching on flowering branches in a two handled vase, the border with birds perched on meandering flowering branches, 27.5cm x 21.5cm. Illustrated.
A Sunderland lustre toilet jug and basin, early 19th century, transfer printed and painted with a West view of the cast iron bridge over the River Wear, built by R. Burden Esq., the jug 21.5cm high, and a pair of similar style baluster vase table lamps of later date, 'Ship Caroline' and 'Ship Sally', (4).
A Chelsea gold-mounted porcelain scent bottle,modelled as a musician playing a bagpipe, seated by a tree stump, with vase and flower stopper, 18ct mounts and chain, the concave base inscribed 'Musique d'Amour' and painted in gilt with a flower spray,7cm highProvenance: Mannheim, 1950s.Literature: G E Bryant ' The Chelsea Toys' London 1925, pl.17, no.4;Y Hackenbroch 'Chelsea and other English Porcelain in the Irwin Untermyer Collection' pl. 65, fig.101 ('Boy with Flagolet').
A Chelsea gold-mounted porcelain scent bottle,modelled as a shepherdess, seated by a vase on a column, tending to two lambs, the stopper as a flower bouquet, the concave base painted with a gilt bird and inscribed 'Votre Douceur Fait Mon Bonheur', 9ct gold mount with chain,8.5cm high, in a shagreen caseLiterature: G E Bryant 'The Chelsea Porcelain Toys', 1925, pl.17, no.2;Y Hackenbroch 'Chelsea and Other English Porcelain in The Irwin Untermyer Collection', pl.65, fig.173.
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