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A Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1911, shouldered, flat form with solifleur neck, painted with white spots on a green ground, incised 6-1911 Martin Bros London & Southall, minor burst air bubbles, 12.5cm. high ProvenancePrivate collection.
A James Couper Clutha glass vase the design attributed to George Walton, compressed, ovoid form with collar rim, green glass with air bubble inclusions, internally decorated with white swirls, unsigned, 19.5cm. high ProvenanceSir Ambrose Heal, (listed in his inventory of 1918), thence by descent. Catalogue notesBoth Christopher Dresser and George Walton produced designs for James Couper's Clutha glass range, Whilst Dresser's were elaborate shapes showing an influence from the far east, Walton's are documented as more symmetrical, simple forms such as this vase.
An early Martin Brothers stoneware vase by Robert Wallace Martin, ovoid with short, pierced neck, incised with basketwork design, glazed blue, brown and green on a buff ground, incised R W Martin Fulham, 300, 8cm. high ProvenanceAudrey Atterbury, by reputeThe Redstone collection.
An early Martin Brothers stoneware vase by Robert Wallace Martin, dated 1873, slender, shouldered form, incised with a crane trapping a tortoise under its foot, amongst foliage, the reverse with a fruiting apple tree and two cranes flying, incised 10 R W Martin Southall, 3-1873, restored, 44.5cm. high
A small Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, dated 1913, swollen, square section, incised and painted with a shoal of grotesque fish, jellyfish and sea creatures in green and blue, incised 6-1913 Martin Bros London & Southall, 13cm. high ProvenanceThe Redstone collection.
A large Zsolnay Pecs vase, model no 7332, slightly swollen cylindrical form, with shoulder, incised and painted with a sunrise landscape reflected in a lake, impressed factory mark and number, professionally restored, 53cm. high ExhibitedPanorama : Architecture and Applied Arts in Hungary 1896-1016, May 12-June 16, 1996, Museum of Contemporary Art, Sapporo, page 120 this vase illustrated,catalogue number 189, dated to circa 1905.
A Della Robbia Pottery vase by EF, ovoid with modelled loop handles, incised and painted with foliate motif in yellow, green and mushroom, and a Della Robbia bowl by Annie Smith dated 1895, incised marks, painted EF monogram, minor glaze chips to vase, chip to rim of bowl, 10.5cm. high (2)
A Doulton Lambeth stoneware vase by Florence Barlow, shouldered form with cylindrical neck and flaring rim, pate sur pate decorated with birds perched on Art Nouveau foliage stems before a backdrop of reeds, in shades of green, white and brown on a textured slip ground, impressed factory marks, incised monogram, professionally restored neck, 23.5cm. high
An early Martin Brothers stoneware vase by Robert Wallace Martin, dated 1876, tri-lobed body on foliate tripod base, supporting three cylindrical spout necks and a central tall neck with flaring rim, modelled and incised with scrolling foliage on a textured ground, with beadwork bands, incised 84 R W Martin 1876, London, minor old restoration, 35cm. high
A Della Robbia twin-handled Albarello vase by Aphra Peirce, painted with a classical draped figure, holding a large arrow in her hand, in her other hand a flowing scarf blowing in the wind, held by an angel to the reverse, in colours, incised marks, professional restoration, 35.5cm. high
A tall Art Nouveau Doulton Lambeth stoneware vase by Eliza Simmance, shouldered baluster form with waisted neck and fluted top rim, incised with a phoenix bird inside scrolling foliage and applied beadwork borders, glazed buff, green and white on a blue ground, impressed factory mark, incised artist monogram, professional restoration, 41.5cm. high
A James Macintyre Alhambra Ware vase designed by William Moorcroft, slender baluster vase, tubeline decorated with floral cartouche in salmon pink, blue and gilt, printed factory mark, 30.5cm. highLiteraturePaul Atterbury Moorcroft, Richard Dennis Publications, page 53 figure 3 for a comparable vase.
A Doulton Lambeth stoneware vase by Florence Barlow, shouldered form with waisted cylindrical neck, pate sur pate decorated with a frieze of geese amongst grasses, below a band of scrolling foliage, in colours on a buff ground, impressed factory marks, incised monogram, professional restoration to neck, 32.5cm. high
A ruby lustre solifleur vase probably William De Morgan or Maw & Co, the ovoid body painted with a frieze of moths, between scallop borders, the cylindrical neck with painted foliate stems, in ruby lustre on a white ground, unsigned, drilled to side, minor glaze chips, 25cm. high
A Ruskin Pottery high-fired stoneware vase, dated 1910, swollen, shouldered cylindrical form, covered in a rich flambe glaze with turquoise and lavender spots, impressed marks and date 1910, 29.5cm. high ProvenancePrivate collection, CambridgeThence by descent to the present owner20th Century Decorative Arts & Design, Bonhams, 7th December 2021, lot 8 ExhibitedLong-term loan to the Fitzwilliam Museum, Cambridge from 2013 to 2021LiteraturePaul Atterbury and John Henson, Ruskin Pottery The Pottery of Edward Richard Taylor and William Howson Taylor, 1898-1935, page 108 for a comparable piece illustrated.
Revived Cornflower a James Macintyre twin-handled vase designed by William Moorcroft, waisted cylindrical form, tubeline decorated with floral cartouche in shades of yellow, blue and green on a white ground, printed factory marks, painted green signature, professional restoration, 26cm. high
An Art Nouveau Tiffany Studios twin-handled vase, cylindrical form with modelled floriform handles, covered in a golden green glaze on a matt green ground, unsigned impressed mark, painted O, 18cm. high LiteratureEdgar Pelichet & Michele Duperrex, La Ceramique Art Nouveau, page 41, catalogue number 42-43 this model illustrated.
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653833 item(s)/page