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William Staite Murray (1881-1962), a small stoneware Vase, 1920s, of almost cylindrical form under a rich black glaze, incised name, London and other marks, 7.8cm; a stoneware Vase, 1920s, the wide shoulder with ochre lines and all on a speckled biscuit-coloured ground, incised W.S.M., damaged, 13cm (2)
*Donald Bain (Scottish 1907-1979), STILL LIFE OF ROSES IN A YELLOW VASE AND A RED APPLE Signed l.r., oil on board 40 x 32cm. In 1920, Bain was introduced to the work of the Scottish Colourists, S.J. Peploe and J.D. Fergusson, by ‘Glasgow Boy’ painter, William York MacGregor. Whilst working in Glasgow shipyards in the early 1940s, he became associated with the New Scottish Group, before moving to France. He exhibited in salons in Paris and was influenced by the rich paint texture and palette of Cézanne.
A good Pilkingtons Royal Lancastrian lustre vase of cylindrical form, decorated with stylised shield surmounted by a helmet with crest, and foliate, set in-between spiralling multi-coloured bands, impressed factory marks no.2947 and signature for Gordon M. Forsythe to base, height 24cm (chip to rim) (illustrated)
A Pilkingtons Royal Lancastrian lustre ware vase of bulbous form with cylindrical neck, decorated with stylised flower head and foliate on a blue and green ground, impressed factory marks and signature for William S Mycock and dated 1924 to base, height 12cm (illustrated)
Three pieces of Moorcroft pottery, decorated in the Hibiscus pattern comprising baluster form vase on a green ground, impressed factory marks to base, height 14cm, circular bowl on a green ground, impressed factory marks, diameter 11.5cm, pin dish on a blue ground, impressed factory marks and paper label to base, diameter 9cm
A set of eight 20th century early Georgian style carved mahogany and burrwood veneered dining chairs, comprising two carvers and six singles, with vase shaped splat backs above the elegantly upholstered drop in seats, raised on front cabriole supports with acanthus carved knees, terminating on claw and ball feet (illustrated)
A fine quality early 20th century Georgian revival carved walnut lounge suite, comprising a three seater bergere settee, width 104cm (af), a pair of bergere armchairs, a pair of vase shaped splat back occasional chairs, and a double length stool, the whole raised on carved hairy paw feet (illustrated)
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