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A 20th Century enamel glass vase possibly Continental, the circular foot rising to a wrythen fluted bowl over decorated with a hand enamelled scene of knights on horse back to a landscape setting with castles to the distance, feint signature to the base, height 10.5’.
A large early 20th Century Val St Lambert cameo glass vase, the high shouldered ovoid body rising to a compressed double gourd neck, the whole cased in a pale lilac over clear and acid cut back with a stylised foliate repeat pattern in the Art Nouveau style, engraved signature to the base, height 12’, small chips to rim.
A miniature late 19th to early 20th Century Italian glass jug of footed baluster form with high arched handle, the body internally decorated with a fine pink latticino mesh work with bubbles between, height 3’, together with a similar style larger example and a latticino double gourd vase, (3).
A small assorted collection of 19th Century and later decorative glassware to include a green tone cut scent bottle together with a small spherical example with atomizer, a number of frill edge baskets and a small silver overlay vase with acorn leaf decoration, (12).
An early 20th Century two bottle decanter, the white metal stand having a rectangular tray base with a central stem rising to a central lock below dome topped covers and central carry handle, the whole set with a matched pair of square body decanters with diamond cuts, possibly John Walsh Walsh, height 13’, together with a pressed glass tazza, pedestal vase and dressing table tray.
A post war Stourbridge clear crystal posy vase designed by Constance Spry for Royal Brierley, the circular pedestal base rising to a roll rim bowl with internal optic wave, bears acid mark to the base, together with a 1950”s gilt decorated bowl and an amethyst tazza.
20TH CENTURY. Oil on board study, Flemish style still life with vase of flowers, bears signature Johann P Crepaz, 9.25’ x 7.25’, framed; another Flemish style still life with flowers and fruit, bears signature L Date, 9.5’ x 7.25’, framed; RICHARD PEDERSEN. Watercolour, summer meadow with poppies, signed in pencil, 6’ x 10’, framed.(3).
A Royal Worcester twin handled baluster vase and cover with bronzed and gilt moulded foliate design above lustre body decorated with panel of gilt leaves and flowers opposed by smaller flower sprig to reverse puce printed mark date code for 1895 the mark encircled by 'Worcester Enot Enamels' registered number 209596 pattern number 1654 24cm high
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653685 item(s)/page