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Lot 1

A 19th Century Adams Jasper ware biscuit barrel with applied white work classical figures over a deep blue ground, together with a small Wedgwood jasper ware spill vase.

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A 1930”s Crown Ducal vase of ribbed ovoid form with flared rim and applied split handle, the body decorated with hand painted floral sprays within green borders with a Maling lustre shallow bowl. (2).

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A 19th Century Belleek first period vase in the form of conch shell on coral base, plain white glazed, black printed and impressed marks. mark, 6.25’ long, S/D. damages.

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A 1930”s Shelley banded ware vase of ribbed ovoid for with a tonal brown banded finish, together with a similar smaller example, largest 9’.

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A Doulton Lambeth Faience ware small vase, the ovoid body painted with floral and geometric panels on a blue and brown palette on a green ground, below broad flared lip, 3.75’ high.

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A Moorcroft pottery Saadian pattern vase by Shirley Hayes, marked ‘trial 17.10.2001 master’, 5.25’ high

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A Moorcroft pottery yellow lustre glazed shouldered ovoid bodied vase, impressed marks and numbered M24, 8.5’ high.

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A German pottery majolica two handle pedestal vase, the urn shaped body moulded in relief with Baroque style grotesques above stiff leaf basal collar, possibly Schiller, 14’ high. Minor damage.

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A Goebel small wall hanging posy vase with relief moulded detail of a girl holding a candle. 5’ high.

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A late 1960”s Troika ‘St Ives’ period vase of square section, the body decorated with a hand painted orange oxide circle over a textured blue ground with black oxide banding, painted St Ives mark to the base and decorators mark of Marilyn Pascoe, height 8.75’.

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A late 1970”s Troika pottery wheel vase of slab circular section decorated to each side with abstract carved motifs decorated in tonal browns, bears painted mark and decorators mark to the base, height 4.5’.

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A Ruskin pottery crystalline glaze vase, the square body decorated in cornflower blue and pale green glazes, impressed 1932, 4.25’ high.

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A mid 20th Century cased body vase in the style of Lindstrand, the vase of tall drawn ovoid form with a clear case over internal grey body, unmarked, height 9.5’.

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A 20th Century enamel glass vase possibly Continental, the circular foot rising to a wrythen fluted bowl over decorated with a hand enamelled scene of knights on horse back to a landscape setting with castles to the distance, feint signature to the base, height 10.5’.

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A large late 19th Century Webbs Rustic range cranberry posy vase, the large central flute raised to three twisted lower flutes all detailed with spiked drawn bodies over a cased clear to cranberry ground, height 11.5’. S/D

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A 20th Century Fenton”s cranberry glass ‘Jack in the pulpit’ vase with swollen fluted base and frill rim, bears lozenge mark, height 8.25’.

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A 20th Century studio glass vase of ovoid form rising to a shallow collar neck, the body decorated with fine whiplash lines over a petrol tone iridescent ground, unmarked, height 5’.

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A small late 20th Century Royal Brierley Studio glass vase of cylindrical form with an iridescent finish, acid signature to base, height 4.75’.

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A post War Scandinavian crystal vase designed by Elis Bergh for Kosta Boda circa 1944 having a cased body and tinted internal well, engraved signature to the base Kosta- KK 590 Bergh, together with a similar period example in the manner of Orrefors.

Lot 1

A late 19th Century Stourbridge crystal preserve bowl of circular section with roll and crimped rim detailed with a graduated amethyst tint over clear, together with a later Whitefriars vase with internal optic loop over amber ground.

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An Edwardian baluster form cased body vase with clear crystal over deep orange, the whole decorated with a hand enamelled classical style laurel leaf pattern in black, together with a later crackle body vase, (2).

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A 20th Century Mdina vase of ovoid form with narrow neck and flat rim detailed with an internal cased green and turquoise swirl, height 6’.

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An early 20th Century ovoid glass vase decorated with hand enamelled figures to a landscape scene in black over the bright orange ground, height 6’.

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A 19th Century Continental opaque glass baluster vase and cover painted with foliate spray and detail to borders. 17’ high.

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An early 20th Century bottle vase by Legras, the vase of globe and shaft form with a flared neck decorated with a hand enamelled black collar over the mottled orange ground, height 9.5’, signed.

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A circa 1930”s Continental amethyst glass vase of graduated cylindrical form with a flared rim detailed with a deep silver lustre band, signed to the lower side Fains, height 8.75’.

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A late 1980”s Okra Studio glass vase of footed form with high shouldered body and petal rim, the body decorated with miniature wild flowers and whiplash strands over a marbled and spotted iridescent pink tone ground, engraved signature to the base, height 9.25’.

Lot 1

A large early 20th Century Val St Lambert cameo glass vase, the high shouldered ovoid body rising to a compressed double gourd neck, the whole cased in a pale lilac over clear and acid cut back with a stylised foliate repeat pattern in the Art Nouveau style, engraved signature to the base, height 12’, small chips to rim.

Lot 1

A miniature late 19th to early 20th Century Italian glass jug of footed baluster form with high arched handle, the body internally decorated with a fine pink latticino mesh work with bubbles between, height 3’, together with a similar style larger example and a latticino double gourd vase, (3).

Lot 1

An Edwardian Continental cased pedestal vase of compressed ovoid form decorated with hand enamelled black foliate scrolls over the deep orange ground, together with a small assorted collection of similar period cased and enamelled vases, (5).

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A small assorted collection of 19th Century and later decorative glassware to include a green tone cut scent bottle together with a small spherical example with atomizer, a number of frill edge baskets and a small silver overlay vase with acorn leaf decoration, (12).

Lot 1

A small assorted collection of 20th Century decorative glassware to include a cased body vase with internal floral detail, a small studio vase with iridescent finish and a cased body Italian Murano glass dish with drawn rim, (8).

Lot 1

An early 20th Century two bottle decanter, the white metal stand having a rectangular tray base with a central stem rising to a central lock below dome topped covers and central carry handle, the whole set with a matched pair of square body decanters with diamond cuts, possibly John Walsh Walsh, height 13’, together with a pressed glass tazza, pedestal vase and dressing table tray.

Lot 1

A small assorted collection of 19th Century and later decorative glassware to include a flash painted Victorian pedestal vase with floral detail and later 20th Century cased crystal over ruby examples, (8).

Lot 1

A small assorted collection of 20th Century decorative glass ware top include a Fentons Carnival glass bowl in the dragon and lotus pattern, an enamelled Kosta Boda miniature vase and a cased Italian glass bowl, (8).

Lot 1

A post War pale blue crystal vase designed by Per Lutkin for Holmegaard with a flared conical form body, bears engraved signature, together with a similar period Rhimmiki vase designed by Tamara Aladin.

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A post war Stourbridge clear crystal posy vase designed by Constance Spry for Royal Brierley, the circular pedestal base rising to a roll rim bowl with internal optic wave, bears acid mark to the base, together with a 1950”s gilt decorated bowl and an amethyst tazza.

Lot 1

An early 20th Century Stourbridge crystal vase of tall wrythen fluted form with a wide frilled rim edged in deep blue together with a similar period amber tone vase with whiplash detail and a later Italian cased body bowl.

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A late 19th Century Continental alabaster ware vase decorated with applied jewelling in pinks and green over the plain white ground, retains part mark to the base.

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A small post war Italian Sommerso crystal vase in the manner of Seguso having a compressed tear form body with drawn and rolled rim, the whole cased with clear over blue over amber, height 6’, retains part paper label.

Lot 1

An early 20th Century Stourbridge bottle vase in the Venetian style having an external cased mottled multicoloured finish over the deep pink ground, height 8’.

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A 1930”s Phoenix glassware pressed glass vase of ovoid form decorated in high relief with a repeat foliate motif over decorated with an amber tone stain, height 6’, S/D.

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A late 19th Century French alabaster ware shouldered vase decorated with hand enamelled flowers together with a similar smaller example, and alabaster ware bottle vase and a small alabaster ware scent bottle, S/D.

Lot 1

A small assorted collection of 19th Century and later pressed glassware”s to include a large Heppel bowl with Japenesque decoration, a 1930”s amber tone vase with a relief moulded female and a collection of commemorative flint glass plates, (13).

Lot 1

A late 19th Century Stevens & Williams crystal posy vase with fluted bell form bowl, flared frill rim and applied arched branch arm detailed with a sunrise opal finish, together with a similar example with deep frilled body, both lack mirror backs, S/D.

Lot 1

A clear cut glass tapering cylindrical vase rising to hallmarked silver collar dated Chester 1923. 6.75’ high.

Lot 1

A large post war Italian Murano Sommerso glass vase in the manner of Seguso, the compressed ovoid body rising to a fanned and split rim within internal cased well in green with yellow outer case all within clear crystal, unsigned, height 13’.

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A 20th Century clear cut Stourbridge crystal vase of flared cylindrical form decorated with an all over hobnail cut, height 8’, together with two similar period clear cut crystal decanters.

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A large clear crystal vase designed by Clyne Farquharson for John Walsh Walsh circa 1936 decorated in the Kendall pattern of tessellated lozenge cuts with interlaced wheel cut arches, engraved signature to the base, height 9.75’.

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A 20th Century Mdina vase of ovoid form with narrow collar neck and wide flattened rim, the whole having an internal cased green over blue swirl, height 5.5’, unsigned.

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A 1930”s Stourbridge pedestal vase with vertical fluted body and frill rim in a deep green finish, together with three similar period examples in tonal greens, tallest 10’.

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A hallmarked silver and clear glass posy vase, hob nail cut trumpet base below silver crimped collar. 7’ high, Birmingham 1901.

Lot 1

20TH CENTURY. Oil on board study, Flemish style still life with vase of flowers, bears signature Johann P Crepaz, 9.25’ x 7.25’, framed; another Flemish style still life with flowers and fruit, bears signature L Date, 9.5’ x 7.25’, framed; RICHARD PEDERSEN. Watercolour, summer meadow with poppies, signed in pencil, 6’ x 10’, framed.(3).

Lot 1

BRITISH SCHOOL. Mid 20th Century, oil on board, still life with vase of flowers and fruit, indistinctly signed, 23.5’ x 17.25’, framed.

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A Japanese Fukugawa Imari decorated vase late 19th century of trumpet form rust painted mark 43cm high

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A Victorian gilt brass mantel clock with circular white enamelled dial surmounted by a two-handled vase finial the spreading base centred by a portrait medallion; and a pair of similar pierced side ornaments (3)

Lot 1

A collection of Venetian glass comprising: four clear glass and gilt dolphin form jugs 15cm high; an orange clear and gilt seahorse and dragon form dish 22cm high; a green and clear vase with dragon form stem 21.5cm; and seven various dolphin form jugs and vases (14)

Lot 1

A Royal Worcester twin handled baluster vase and cover with bronzed and gilt moulded foliate design above lustre body decorated with panel of gilt leaves and flowers opposed by smaller flower sprig to reverse puce printed mark date code for 1895 the mark encircled by 'Worcester Enot Enamels' registered number 209596 pattern number 1654 24cm high

Lot 1

A tall Moorcroft vase of tapering form with inverted rim decorated in the 'Hibiscus' pattern impressed marks initialled in green bears further inscription; 'No. 16 of 100 pieces 101/14 made in 1982' 35.5cm high

Lot 1

A Susie Cooper plate with incised flower decoration on a mustard ground incised 'Susie Cooper 1932 England' 19cm diameter; together with a Clarice Cliff bud vase with flaring foot and moulded flower decoration 19cm high (2)

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