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Lot 120036
Paar Figurenvasen, Frankreich Ende 19. Jh., Vasenkorpusse getragen von jeweils einem vollplastischen Chinesen aus Keramik, Keramik heller Scherben, Wandung farbig bemalt, mit partieller Goldkonturierung, H je 38 cm, D je 17 cm, eine Vasenecke bestoßen, Frisur d. Figur beschädigt, an d. anderen Vase am Rand ein kleines Stück herausgebrochen u. retouchiert, Ärmel d. Figur bestoßen, kleine Farbabplatzungen. 3169-157
Lot 120022
Villeroy & Boch Mettlach Vase mit Engelmotiv, Keramik heller Scherben, Außenwandung mit reliefiertem Dekor, partiell in Ritztechnik, auf beiden Seiten Engel mit Umschrift "Lieb ist d Herrns Hauses Zier", polychrom u. mit Gold bemalt, im Boden Modellnr. 1582 u. 95 wohl für 1895, ohne Firmenmarke, H 28,5 cm, B 15 cm, am Mündungsrand 3 Bestoßungen (2 davon farblich angeglichen, werkseitig?), am Fußrand 1 kl. Bestoßung. 3200-001
Lot 100042
Fünf Porzellanteile Wedgwood, England um 1900: eine Teekanne, Biskuitporzellan mit blauem Hintergrund, H 11 cm, B 20 cm, dazu passender Sahnegießer, H 9,5 cm, B 11 cm, eine Vase, H 16,5 cm, ein kleiner Holztischrahmen mit Profilansicht, Rahmen 14 x 9 cm, eine Bildplatte mit fünf Grazien vor grünem Hintergrund, mit Messingumrandung, 25,7 x 11 cm, Porzellanbildplatte auf linker Seite mit kleiner Bestoßung, alle Teile rückseitig gestempelt. 3054-024
Lot 140064
Montieres-les-Armiens Jugendstil-Vase um 1900, und kleine Zsolnay-Vase um 1930, Montieres-Vase Keramik heller Scherben, mit grün-roter metallisch lüstrierter Glasur, florales Motiv nach asiatischem Vorbild, H 19 cm, auf Wandung in Bodennähe bez. Montieres, im Boden Modellnummer 28, kleiner Kratzer auf Wandung; kleine zwiebelförmige Zsolnay-Keramikvase mit Bodenmarke, grün lüstrierte Glasur, H 12 cm. 3169-164
Lot 120009
Longwy Vase bzw. Lampenfuß im orientalischen Stil, um 1870, Keramik heller Scherben, Außenwandung mit leicht reliefiertem floralem Dekor polychrom und mit Gold bemalt, im Boden geprägte runde Fiirmenmarke mit Nummer 1088, geprägte Modellnummer 1145 und Malerzeichen D113, H 24,5 cm, D 15 cm, im Boden mittig werkseitig kreisrundes Loch. 3169-172
Lot 100012
Konvolut Porzellan mit Silber-Overlay-Dekor, 1. H. bis M. 20. Jh., meist Deusch & Co. Württembergische Metall-Porzellanfabrik, bestehend aus: Mokkakanne, H: 21,5 cm, Milchgießer, Zuckerdose, zwei Tassen mit Untertassen, eine kleine Vase, H: 9,2 cm, dazu ein weiteres Väschen Edelstein Bavaria, H: 10 cm u. eine Glasvase, H: 7 cm, diese am Rand mit kleinem Chip, Overlay-Dekor teilweise berieben, eine Tasse mit Sprung, einige Teile gemarkt, 3054 - 0058
Lot 100024
Drei Rosenthal-Porzellanvasen, Entwurf Johan van Loon, Ausführung Rosenthal Kunstabteilung 1970er Jahre, Porzellan, weißer Scherben, mit farbiger u. goldener Metallglasur bemalt, H je 26,5 cm, im Boden grüne Firmenmarke u. signiert Johan van Loon, mit geprägter Modellnr. 4012/24, eine Vase mit Riss an Mündung. 3050-008
Lot 140025
Vase Josef Riedel, Polaun um 1905, Klarglaskorpus, innen mit weißlichem Opalglas unterfangen, auf d. Wandung im Relief geätztes Dekor von Haselnusszweigen, violett überfangen, gesamte Vase matt geätzt, H 18,5 cm, Lit.: Georg Höltl (Hg.), Das Böhmische Glas Band VI, Passauer Glasmuseum 1995, S. 208 f. 3178-004
Lot 100023
Fünf Teile Porzellan, 2. H. 20. Jh., Meissen, KPM u. weitere Manufakturen: bauchige Vase, Meissen, Dekor grüner Drache, auf Boden blaue Schwertermarke 1. Wahl, H: 10,5 cm; Meissen-Jahresteller 1984, mit Motiv aus Tausendundeine Nacht, blaue Schwertermarke, Schleifstrich, D: 25,7 cm; Schälchen, KPM Berlin, Serie Arkadia, auf Boden blaue Zeptermarke und Reichsapfel in Rot, H: 6 cm, D: 13,5 cm; Leuchter Potschappel, H: 13,5 cm und Väschen, Herend, Ungarn, H: 9,5 cm, 3207 - 0035
Lot 120024
Paar Villeroy & Boch Keramikvasen, Dresden um 1900, mit orientalischer Emaillebemalung mit Blumen u. Vögeln, Keramik, heller Scherben, Außenwandung schwarz glasiert, darauf reliefierte, erhabene u. farbige Emaillebemalung mit goldenen Rändern, H 32 cm, D 13 cm, im Boden braune Firmenmarke mit ligiertem Monogramm V & B im D, mit Malernr. 1260a bzw. 1260b, geprägte Modellnr. 532., eine Vase an d. Mündung mit zwei Haarrissen. 3200-011
Lot 4
Attributed to James Tassie (Scottish, 1735-1799): A plaster model of the Portland Vase,probably late 18th century, possibly taken from a mould by Giovanni Pichler (Italian, 1721-1791)of swept twin handled amphora form with flat base, the sides with relief moulded figural decoration, 25.5cm highFootnotes:The Scottish gem engraver and modeller, James Tassie (1735-1799) produced plaster casts from moulds taken in Rome from the original Portland vase, circa 1780, by the gem engraver Giovanni Pichler (1721-1791) for James Byres, who acquired the acclaimed glass antiquity from the Barberini family. Plaster casts by Tassie can be found in the British Museum (Inv. no. OA.10755), in the Wedgwood Museum, Stoke on Trent, and in the Boston Athenaeum, formerly in the collection of Francis Calley Grey. A similar plaster model also attributed to Tassie was sold at Sotheby's, 5 December 2020, lot 65.An attribution to Tassie for the current lot can firstly be made from the the evidence of the inclusion of the early fracture scars which are clearly evident on the cast. These fracture marks were also on the original vase prior to its restoration after 1845 but later plaster models possess the 19th century repair lines. The evidence of fracture marks were also to be found on the cast attributed to Tassie that was sold at Sotheby's in 2020. Furthermore, like the original unrestored vase, the handles of the Tassie casts are slightly uneven. This unevenness concerning both the shape of the handles and the way they are attached to the neck of the vase. Lastly the rim of the original vase and those of the Tassie casts are also uneven. This asymmetry is not seen in the Wedgwood or post 1845 plaster copies after the vase was fully restored.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 5
A silver copy of the Portland VaseCharles Reily & George Storer, London 1845 Amphora-shape, depicting seven figures in Classical dress and surroundings, the base featuring a man wearing a Phrygian cap, height 26cm, weight 51oz.Footnotes:Hunt & Roskell featured a copy of the Portland Vase on their stand in the 1851 Great Exhibition, but earlier examples have been noted from at least 1820. This example may have been produced at the time of the shattering of the original Roman cameo glass vase in the British Museum in 1845 and prior to its restoration sometime later.For further information on this lot please visit Bonhams.com
Lot 6
A Wedgwood copy of the Portland Vase, 19th centuryCast in 'Barberini Black' jasper and following the usual model, the white relief figures unclothed with flowing drapery, the base with a further relief of the figure with the Phrygian cap, 25.4cm high, impressed WEDGWOODFor further information on this lot please visit Bonhams.com
Lot 66
Attributed to Giuseppe Valadier (Italian, 1762-1839): A gilt and patinated bronze and marble figural three light candelabrumthe twin reeded scrolling arms centred by a corresponding upright, issuing from a leafy capital, all with fluted nozzles and swept drip pans above foliate collars, the whole supported by a classical maiden, standing on a square white marble pedestal with applied mask head and floriate mounts, on moulded stepped black and giallo antico square shallow plinth base, 42cm high overallFootnotes:Andrea and Luigi Valadier were the foremost goldsmiths and bronze workers in Rome, completing commissions for the Pope as well as numerous cardinals and others associated with the Church. Luigi was the son of Andrea and became a Master Goldsmith in 1760. Counting amongst his prestigious clients Pope Pius VI, who visited Valadier's workshop four times, and the Archduke Ferdinand of Austria, Karl IV, and Elector Palatine, he also received commissions from churches throughout the world including Mexico, Spain and Austria as well as well as throughout his native Italy.Luigi had an impressive ability to reframe examples of ancient Roman art and architecture and antique sculptures, cameos, architectural details, and ruins of ancient monuments also served as inspiration for his own works which included candelabra, tableware, altars and centrepieces in both silver, bronze, marbles and semi-precious stones. Uncommonly for the time he produced works of all sizes from large altar pieces to intricate pieces of small jewellery.Despite his distinguished clientele and acclaim, Luigi committed suicide by drowning himself in the Tiber in 1785, probably because of heavy debts to his creditors due to non-payment of invoices by his clients. On his death, his business passed to his son Giuseppe.For an illustration of an original pen and wash drawing by Valadier showing a comparable figural candlestick support and a vase candelabra with comparable twin arms, see Alvar Gonzalez Palacios, Luigi Valadier, The Frick Collection New York, 2018, Fig.5_25, p. 234.For further information on this lot please visit Bonhams.com
Lot 7
A Wedgwood copy of the Portland Vase, 19th centuryIn blue jasper dip and following the usual model, the relief figures unclothed with flowing drapery, the base with a further relief of the figure with the Phrygian cap, 26.1cm high, impressed WEDGWOODFor further information on this lot please visit Bonhams.com
Lot 8
A Scottish silver 'Warwick' vaseby James Aitchison, Edinburgh 1877Of conventional form modelled as the Warwick Vase from Hadrian's Villa, with typical lion pelt and dramatic Bacchic mask-head decoration in high relief and elaborately entwined vine handles, on a pedestal foot, 27cm high, width 37cm, weight 112oz.Footnotes:The Warwick Vase was excavated by the Scottish artist Gavin Hamilton from Hadrian's Villa at Tivoli in 1771 and dates to the second century AD. After its reconstruction, Hamilton sold the enormous marble vase in 1774 to Sir William Hamilton, British Ambassador to Naples. Sir William subsequently gave the vase to his nephew, the 2nd Earl of Warwick, who built a specially commissioned conservatory to house it in the grounds of Warwick Castle. Some 200 years later, in 1978, the vase was sold to the Metropolitan Museum of Art in New York. As it had been declared an object of national importance, an export licence was refused and funds were raised to keep it in the country. It now forms a significant part of the Burrell Collection in Glasgow.For further information on this lot please visit Bonhams.com
Lot 63
A good mid 19th century mahogany longcase regulatorPhilips Brothers LondonThe case with shallow arch over an opening door with circular aperture framed by four ebonised quadrants, the long trunk door with brass-framed glazed panel revealing the weight, pendulum and beat scale, on a panel base with applied moulding and apron. The 12 inch circular silvered dial with outer Arabic minute band framing the large subsidiaries for running seconds (with Observatory marks) and Roman hours, with three blued steel hands. The substantial plates united by six vase-shaped tapering pillars secured to the thick seatboard by three L-shaped brass brackets, each of the wheels with six crossings and adjustable end-stops, Harrison's maintaining power and high-count pinions terminating in a deadbeat escapement with jewelled pallets and long steel crutch to a wooden rod pendulum with very heavy lenticular bob secured via an engraved rating nut, with small brass weight on a pulley of six crossings. 2m (6ft 7ins) high.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 117
THREE EARLY CHINESE POTTERY CERAMIC ITEMS, MING AND EARIER. To include a black-glazed pottery bowl, a white-glazed ceramic cosmetic box, Song dynasty and a white-glazed Gu-form vase, late Ming dynasty. Bowl 16cm diam. (3)Bowl in good overall condition. Cosmetic box with Y crack to edge of cover. Gu vase with large area of repair to top section with overpaint.
Lot 12
A CHINESE PORCELAIN VASE AND COVER, LATE 19TH CENTURY. The crackle ware vase decorated with polychrome enamels depicting warriors on horseback. Incised four-character mark of Chenghua to base. 34cm height.Vase and cover in good overall condition. Minor areas of enamel loss to note. No signs of repair.
Lot 14
TWO CHINESE PORCELAIN VASES, 19/20TH CENTURY. To include a crackle ware sleeve vase with blue and white decoration of lady and children in garden. Together with a crackle vase with lion mask handles decorated with qilin. 22.5cm - 28.5cm heights. (2)Both vases in good overall condition with no signs of damage or repair.
Lot 156
IRANIAN CERAMIC GLAZED TILES AND FRAGMENTS, 13TH CENTURY. To include two ceramic tiles decorated in relief with calligraphy and foliage in cobalt blue and turquoise with metallic sheen. Together with one other tile decorated in relief with Kufic calligraphy and floral scrolls in cobalt blue. Together with bottle vase (af) Largest tile 30.5cm length. With original auction catalogue and receipt.Provenance: From a private English collection.Purchased from Etude Daussy Ricqles, Paris, Islamic Art Sale, 1st July 1991. With copy of purchase invoice.
Lot 19
A CHINESE OLIVE-FORM VASE, 18/19th CENTURY. Finely potted covered in a yellow glaze with six-character mark of Yongzheng in underglaze blue to base. On a carved wooden stand. 17.3cm height not including stand.Overall good condition without signs of damage or repair. Wooden stand also in good condition.
Lot 3
A GROUP OF CHINESE CLOISONNE ENAMEL ITEMS, 19/20TH CENTURY. To include a pair of bottle vases with dragon decoration, a pair of candlesticks with dragon decoration, a circular box and cover and a water pipe. Bottle vases 16cm height. (6)Two dents plus small area of enamel loss to the body of one bottle vase, the other in good condition. Both candlesticks in good overall condition. The box and cover in good overall condition, only defect to the rim which is off shape. The water pipe with damage and enamel loss to the body.
Lot 42
A GROUP OF THREE CHINESE CLOISONNE ENAMEL ITEMS, EARLY 20TH CENTURY. To include a box and cover on tall splayed foot with globular body decorated with dragon, a bottle vase decorated with stylised butterflies and a similar vase. Tallest vase 24cm height. (3)All items in good general condition.
Lot 46
TWO CHINESE BLUE AND WHITE PORCELAIN VASES, 19TH CENTURY. To include a prunus decorated vase with double ring mark to base. Together with another vase with handles and cover decorated with chrysanthemum scrolls and four-character mark of Kangxi to base. Taller vase 26cm height. (2)Section of repair to base of prunus vase with no further signs of damage. The other vase with minor chips and hairlines to rim. Two shallow chips and hairline to cover which may not be original to vase.
Lot 47
A SMALL CHINESE BLUE AND WHITE PORCELAIN TIANQIUPING VASE, 19TH CENTURY. Blue ground with raised white enamel decoration of bamboo and flowers with four-character mark of Kangxi to base. 24cm heightOverall good condition without signs of damage. No repairs. General surface wear around foot rim.
Lot 64
A CHINESE FAMILLE VERTE BOTTLE VASE, 19TH CENTURY. The vase with globular body and long cylindrical neck decorated with panels depicting ladies enjoying leisure activities in courtyard scenes with added bands of floral decoration. 41.5cm heightRepaired around the base of the neck and rim. Slight area of overpaint to edge of rim. Signs of restoration to the interior of the neck. Below the neck there are no signs of repair. There are no chips or visible cracks.
Lot 75
TWO CHINESE MINIATURE PORCELAIN VASES, 18/19TH CENTURY. To include a meiping vase with copper-red glaze together with an ovoid vase with blue and white decoration of chrysanthemum scrolls on wooden stand. Meiping 8.5cm height.Both items in good overall condition with no signs of damage or repair.
Lot 77
A CHINESE TURQUOISE GLAZED PORCELAIN 'BOYS' VASE, 19TH CENTURY. The square from vase decorated with nine boys affixed to vase holding peaches covered in a turquoise glaze. 28cm heightSlight loss to edge to tip of the items in one boys hand and corner of sleeve, as well as very tip of boys right hand thumb. No other areas of defect and no signs of repair.
Lot 80
THREE CHINESE PORCELAIN ITEMS, 20TH CENTURY. To include a Hu form vase decorated with children playing in garden scene and inscription, four-character mark to base. A bottle vase decorated with flowering prunus and inscription, four-character mark of Qianlong to base. Together with a miniature Hu form vase with deer form handles decorated with man sitting beside a pond with inscription to verso, painted leaf mark to base. 11.5cm - 23cm heights. (3)All items in good general condition with no signs of damage or repair.
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650806 item(s)/page